Journal articles on the topic 'Guitar music South America'
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Filatova, Tetiana. "Guitar Music of Celso Garrido-Lecca: Modern Projections of Peruan Traditions." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 134 (November 17, 2022): 139–54. http://dx.doi.org/10.31318/2522-4190.2022.134.269653.
Full textVERMAZEN, BRUCE. "“Those Entertaining Frisco Boys”: Hedges Brothers and Jacobson." Journal of the Society for American Music 7, no. 1 (February 2013): 29–63. http://dx.doi.org/10.1017/s1752196312000478.
Full textDeloria, Philip J. "T.C. Cannon’s Guitar." Arts 8, no. 4 (October 14, 2019): 132. http://dx.doi.org/10.3390/arts8040132.
Full textBriley, Ron. "The Guitar in America: Victorian Era to Jazz Age." Popular Music and Society 33, no. 1 (February 2010): 107–8. http://dx.doi.org/10.1080/03007760903478564.
Full textDe Dadelsen, Jean-Paul, and Marilyn Hacker. "The End Of The Day/South America: High Plateaus, Guitar." Poem 1, no. 4 (January 2013): 18–21. http://dx.doi.org/10.1080/20519842.2013.11415398.
Full textKronenberg, Clive. "GUITAR COMPOSER LEO BROUWER: THE CONCEPT OF A ‘UNIVERSAL LANGUAGE’." Tempo 62, no. 245 (July 2008): 30–46. http://dx.doi.org/10.1017/s004029820800017x.
Full textBower, Rudi. "Between Scylla and Charybdis: a South African perspective on guitar building." Journal of Musical Arts in Africa 6, no. 1 (December 1, 2009): 1–33. http://dx.doi.org/10.2989/jmaa.2009.6.1.1.1053.
Full textMellers, Wilfrid, Lisa M. Peppercorn, and Villa-Lobos. "Letters from (South) America." Musical Times 138, no. 1858 (December 1997): 18. http://dx.doi.org/10.2307/1004053.
Full textBehague, Gerard, Dale A. Olsen, and Daniel E. Sheehy. "South America, Mexico, Central America, and the Caribbean." Latin American Music Review / Revista de Música Latinoamericana 21, no. 1 (2000): 75. http://dx.doi.org/10.2307/780419.
Full textTsai, Eva, and Hyunjoon Shin. "Strumming a place of one's own: gender, independence and the East Asian pop-rock screen." Popular Music 32, no. 1 (January 2013): 7–22. http://dx.doi.org/10.1017/s0261143012000517.
Full textPerry, Mark E. "The Guitar in America: Victorian Era to Jazz Age. By Jeffrey J. Noonan. Jackson: University Press of Mississippi, 2008." Journal of the Society for American Music 2, no. 4 (October 23, 2008): 587–90. http://dx.doi.org/10.1017/s1752196308081376.
Full textErak, Dušan. "The importance of guitar handbooks by Georgije Milanovich and Ivan padovec in music education and methodology of guitar teaching in South Slavic region." Zbornik Akademije umetnosti, no. 6 (2018): 148–57. http://dx.doi.org/10.5937/zbakum1801148e.
Full textStephens, Randall J. "“Where else did they copy their styles but from church groups?”: Rock ‘n’ Roll and Pentecostalism in the 1950s South." Church History 85, no. 1 (February 29, 2016): 97–131. http://dx.doi.org/10.1017/s0009640715001365.
Full textMartin, Denis-Constant, and Gerard H. Behague. "Music and Black Ethnicity, the Caribbean and South America." Latin American Music Review / Revista de Música Latinoamericana 16, no. 2 (1995): 255. http://dx.doi.org/10.2307/780376.
Full textBräuninger, Jürgen. "Southern Cones: Music out of Africa and South America." Leonardo Music Journal 10 (December 2000): 71–72. http://dx.doi.org/10.1162/096112100570486.
Full textHammond, Nicol. "The Gendered Sound of South Africa: Karen Zoid and the Performance of Nationalism in the New South Africa." Yearbook for Traditional Music 42 (2010): 1–20. http://dx.doi.org/10.1017/s0740155800012637.
Full textVERA, ALEJANDRO. "THE CIRCULATION OF INSTRUMENTAL MUSIC BETWEEN OLD AND NEW WORLDS: NEW EVIDENCE FROM SOURCES PRESERVED IN MEXICO CITY AND LIMA." Eighteenth Century Music 12, no. 2 (August 24, 2015): 183–96. http://dx.doi.org/10.1017/s1478570615000299.
Full textBräuninger, Jürgen. "Introduction: Southern Cones: Music out of Africa and South America." Leonardo Music Journal 10 (December 2000): 70. http://dx.doi.org/10.1162/096112100570477.
Full textBreternitz, Christian. "Export von (Militär-)Musikinstrumenten von Berlin nach Zentral- und Südamerika um 1900." Die Musikforschung 74, no. 4 (December 15, 2021): 308–17. http://dx.doi.org/10.52412/mf.2021.h4.3016.
Full textLamba, Linesti, Ni Wayan Ardini, I. Komang Darmayuda, and Ketut Sumerjana. "Analisis Lagu Toraja Marendeng Marampa Aransemen Tindoki Band." Journal of Music Science, Technology, and Industry 2, no. 2 (October 30, 2019): 169–84. http://dx.doi.org/10.31091/jomsti.v2i2.865.
Full textBehague, Gerard. "Bridging South America and the United States in Black Music Research." Black Music Research Journal 22, no. 1 (2002): 1. http://dx.doi.org/10.2307/1519962.
Full textHerbst, Jan-Peter. "Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers." Metal Music Studies 7, no. 3 (September 1, 2021): 445–67. http://dx.doi.org/10.1386/mms_00059_1.
Full textJane L. Florine. "Music in Latin America and the Caribbean: An Encyclopedic History. Volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico (review)." Latin American Music Review 29, no. 1 (2008): 99–104. http://dx.doi.org/10.1353/lat.0.0010.
Full textSchettini, Cristiana. "South American Tours: Work Relations in the Entertainment Market in South America." International Review of Social History 57, S20 (August 29, 2012): 129–60. http://dx.doi.org/10.1017/s0020859012000454.
Full textBanchs, Edward. "Heavy Metal Music in Latin America: Perspectives from the Distorted South, Nelson Varas-Díaz, Daniel Nevárez Araújo and Eliut Rivera-Segarra (2020)." Metal Music Studies 8, no. 3 (September 1, 2022): 429–32. http://dx.doi.org/10.1386/mms_00089_5.
Full textOlsen, Dale A., Mickey Hart, Alan Jabbour, and Caryl Ohrbach. "The Spirit Cries: Music from the Rainforests of South America and the Caribbean." Ethnomusicology 39, no. 1 (1995): 165. http://dx.doi.org/10.2307/852218.
Full textNawrot, Piotr. "Indian Music to Celebrate Christmas in Moxo Jesuit Reductions, Bolivia." Poznańskie Studia Teologiczne, no. 30 (August 24, 2018): 121–40. http://dx.doi.org/10.14746/pst.2016.30.05.
Full textGreen, Emily H. "How to Read a Rondeau: On Pleasure, Analysis, and the Desultory in Amateur Performance Practice of the Eighteenth Century." Journal of the American Musicological Society 73, no. 2 (2020): 267–325. http://dx.doi.org/10.1525/jams.2020.73.2.267.
Full textStepanova, O. "Piano culture of South and Latin America: features of formation and transformation." Culture of Ukraine, no. 74 (December 20, 2021): 66–72. http://dx.doi.org/10.31516/2410-5325.074.11.
Full textGraziano, John. "The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century." Journal of the American Musicological Society 53, no. 3 (2000): 543–96. http://dx.doi.org/10.2307/831938.
Full textPerry, Mark E. "Music in Latin America and the Caribbean: An Encyclopedic History: Volume 1: Performing Beliefs: Indigenous Cultures of South America, Central America, and Mexico (review)." Notes 63, no. 4 (2007): 872–74. http://dx.doi.org/10.1353/not.2007.0091.
Full textRiley, Tim. "For the Beatles: notes on their achievement." Popular Music 6, no. 3 (October 1987): 257–72. http://dx.doi.org/10.1017/s0261143000002312.
Full textPittau Sevilla, Zulma M. "Music as an experience integral to the ethnicity of the Mbyá-Guarani of South America." Music Education Research 18, no. 4 (October 2016): 340–50. http://dx.doi.org/10.1080/14613808.2016.1242562.
Full textYoo, Hyesoo, Sangmi Kang, and Victor Fung. "Personality and world music preference of undergraduate non-music majors in South Korea and the United States." Psychology of Music 46, no. 5 (July 14, 2017): 611–25. http://dx.doi.org/10.1177/0305735617716757.
Full textChang, Yoo-Mi. "Christian Communities and Music in South America : Domenico Zipoli and the Jesuit Missions of the Chiquitos." Theology and Praxis 82 (November 25, 2022): 769–89. http://dx.doi.org/10.14387/jkspth.2022.82.769.
Full textVeblen, Kari K., Nathan B. Kruse, Stephen J. Messenger, and Meredith Letain. "Children’s clapping games on the virtual playground." International Journal of Music Education 36, no. 4 (May 14, 2018): 547–59. http://dx.doi.org/10.1177/0255761418772865.
Full textMENDELSSOHN, EDMUND. "Ontological Appropriation: Boulez and Artaud." Twentieth-Century Music 18, no. 2 (April 30, 2021): 281–310. http://dx.doi.org/10.1017/s1478572221000049.
Full textFernández, Adán Alejándro. "Liberationist Perspectives on the Misa Criolla by Ariél Ramírez." Religions 13, no. 3 (February 22, 2022): 189. http://dx.doi.org/10.3390/rel13030189.
Full textImpey, Angela. "gumboot guitar: zulu street guitar music from south africa. 2003. International Music Collection of the British Library Sound Archive. Topic Records TSCD923. Recorded by Janet Topp Fargion and Albert Nene. Annotated by Janet Topp Fargion. 19 pages of notes in English (including song texts in local dialects). Song translations by Paulette Nhlapo. 4 colour, 10 B/W photographs, 1 map. 5-item bibliography, 1-item videography. 1 compact disc, 10 tracks (76:49)." Yearbook for Traditional Music 37 (2005): 173. http://dx.doi.org/10.1017/s074015580001136x.
Full textPASDZIERNY, MATTHIAS. "Transatlantic Techno Myths: The 1994 Arica Eclipse Rave as an Example of the History and Historiography of Electronic Dance Music between Chile and Germany." Twentieth-Century Music 17, no. 3 (October 2020): 419–33. http://dx.doi.org/10.1017/s1478572220000201.
Full textFAIRCLOUGH, PAULINE. "The Russian Revolution and Music." Twentieth-Century Music 16, no. 1 (February 2019): 157–64. http://dx.doi.org/10.1017/s1478572219000148.
Full textSuetin, I. N. "Development of the Russian Music and Educational School in Countries North and South America after the Revolution of 1917." Bulletin of Irkutsk State University. Series History 30 (2019): 71–77. http://dx.doi.org/10.26516/2222-9124.2019.30.71.
Full textForman, Murray. "‘Represent’: race, space and place in rap music." Popular Music 19, no. 1 (January 2000): 65–90. http://dx.doi.org/10.1017/s0261143000000015.
Full textLaskai, Anna. "Ernő Dohnányi's Library and Music Collection." Studia Musicologica 59, no. 1-2 (June 2018): 99–208. http://dx.doi.org/10.1556/6.2018.59.1-2.8.
Full textHess, Carol A. "Copland in Argentina." Journal of the American Musicological Society 66, no. 1 (2013): 191–250. http://dx.doi.org/10.1525/jams.2013.66.1.191.
Full textGreeley, Robin Adèle. "The Color of Experience: Postwar Chromatic Abstraction in Venezuela and Brazil." October 152 (May 2015): 53–59. http://dx.doi.org/10.1162/octo_a_00216.
Full textKloosterman, Robert C., and Chris Quispel. "Not just the same old show on my radio: An analysis of the role of radio in the diffusion of black music among whites in the south of the United States of America, 1920 to 1960." Popular Music 9, no. 2 (May 1990): 151–64. http://dx.doi.org/10.1017/s0261143000003871.
Full textO'Hagan, Peter. "PIERRE BOULEZ AND THE PROJECT OF ‘L'ORESTIE’." Tempo 61, no. 241 (July 2007): 34–52. http://dx.doi.org/10.1017/s0040298207000198.
Full textShiovitz, Brynn. "Queue the Music: Cohan's Yellowface Substitution in Little Johnny Jones." Theatre Survey 59, no. 2 (April 25, 2018): 190–220. http://dx.doi.org/10.1017/s0040557418000066.
Full textAndia, Alfredo. "Internet Studios: Teaching Architectural Design On-Line between the United States and Latin America." Leonardo 35, no. 3 (June 2002): 297–302. http://dx.doi.org/10.1162/002409402760105316.
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