Academic literature on the topic 'Guitar music (Rock) History and criticism'
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Journal articles on the topic "Guitar music (Rock) History and criticism"
Lofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.
Full textBANNISTER, MATTHEW. "‘Loaded’: indie guitar rock, canonism, white masculinities." Popular Music 25, no. 1 (January 2006): 77–95. http://dx.doi.org/10.1017/s026114300500070x.
Full textMcDonald, Chris. "Exploring modal subversions in alternative music." Popular Music 19, no. 3 (October 2000): 355–63. http://dx.doi.org/10.1017/s0261143000000210.
Full textBoles, Coleton. "Westernization and Its Effects on the Sound of Japan." Global Insight: A Journal of Critical Human Science and Culture 3, no. 1 (September 29, 2022): 22–28. http://dx.doi.org/10.32855/globalinsight.2022.003.
Full textMcLEOD, KEMBREW. "‘*1/2’ a critique of rock criticism in North America." Popular Music 20, no. 1 (January 2001): 47–60. http://dx.doi.org/10.1017/s0261143001001301.
Full textHoman, Shane. "Losing the local: Sydney and the Oz Rock tradition." Popular Music 19, no. 1 (January 2000): 31–49. http://dx.doi.org/10.1017/s0261143000000040.
Full textPowers, Devon. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype." Popular Music and Society 34, no. 2 (May 2011): 203–19. http://dx.doi.org/10.1080/03007761003726472.
Full textbrackett, david. "elvis costello, the empire of the e chord, and a magic moment or two." Popular Music 24, no. 3 (October 2005): 357–67. http://dx.doi.org/10.1017/s0261143005000565.
Full textKEISTER, JAY, and JEREMY L. SMITH. "Musical ambition, cultural accreditation and the nasty side of progressive rock." Popular Music 27, no. 3 (October 2008): 433–55. http://dx.doi.org/10.1017/s0261143008102227.
Full textHammond, Nicol. "The Gendered Sound of South Africa: Karen Zoid and the Performance of Nationalism in the New South Africa." Yearbook for Traditional Music 42 (2010): 1–20. http://dx.doi.org/10.1017/s0740155800012637.
Full textDissertations / Theses on the topic "Guitar music (Rock) History and criticism"
James, Douglas Goff. "Luigi Rinaldo Legnani: His life and position in European music of the early nineteenth century, with an annotated performance edition of selections from 36 Capricci per Tutti I Tuoni Maggiori E Minori, Opus 20." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186632.
Full textBert, Alison. "The influence of Flamenco on the guitar works of Joaquin Turina." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185487.
Full textWillett, Toby T. "California as Music to American Ears: Migration, Technology, and Rock and Roll in the Golden State, 1946-2000." DigitalCommons@CalPoly, 2010. https://digitalcommons.calpoly.edu/theses/264.
Full textBrennan, Matthew. "Down beats and rolling stones : an historical comparison of American jazz and rock journalism." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.
Full textLe, Cocq Jonathan. "French lute-song, 1529-1643." Thesis, University of Oxford, 1997. https://ora.ox.ac.uk/objects/uuid:1a712369-836c-45e4-9f84-91045f297b3f.
Full textBurns, Robert, and n/a. "Transforming folk : innovation and tradition in English folk-rock music." University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.
Full textStafford, Andrew. "Pig city : from The Saints to Savage Garden." Thesis, Queensland University of Technology, 2004.
Find full textGuy, Stephen. "The nature of community in the Newfoundland rock underground /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81493.
Full textWelch, Chapman. "Tele using vernacular performance practices in an eight channel environment /." Thesis, connect to online resource, 2003. http://www.library.unt.edu/theses/open/20032/welch%5Fchapman/index.htm.
Full textStanek, Mark C. "Guitar in the opera literature : a study of the instrument's use in opera during the 19th and 20th centuries." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285408.
Full textSchool of Music
Books on the topic "Guitar music (Rock) History and criticism"
Molenda, Michael. Guitar heroes of the '70s. Montclair, NJ: Backbeat Books, 2011.
Find full text1954-, Bacon Tony, ed. Echo & twang: Classic guitar music of the '50s. San Francisco, CA: Backbeat, 2001.
Find full textWhite boys, white noise: Masculinities and 1980s indie guitar rock. Aldershot, Hants: Ashgate, 2006.
Find full textArti, Funaro, ed. The legends of rock guitar. New York: Oak Publications, 1986.
Find full textJeff, Kitts, and Tolinski Brad, eds. Guitar world presents nu-metal. Milwaukee, WI: Hal Leonard, 2002.
Find full textFoster, Mo. 17 watts?: The birth of British rock guitar. London: Sanctuary Pub. Ltd., 2000.
Find full textPrown, Pete. Legends of rock guitar: The essential reference of rock's greatest guitarists. Milwaukee, WI: H. Leonard, 1997.
Find full textScaruffi, Piero. A history of rock and dance music: From the guitar to the laptop, from Chicago to Shangai. 2nd ed. [United States?: P. Scaruffi], 2009.
Find full textTony, Bacon, ed. Classic guitars of the 60s. San Francisco: Miller Freeman Books, 1997.
Find full textExperimentelle Untersuchungen zum Gitarrensound in der Rockmusik. Frankfurt am Main: P. Lang, 1997.
Find full textBook chapters on the topic "Guitar music (Rock) History and criticism"
"The Music’s Not All That Matters, After All: British Progressive Rock as Social Criticism." In The Routledge History of Social Protest in Popular Music, 141–59. Routledge, 2013. http://dx.doi.org/10.4324/9780203124888-18.
Full textChapman, Con. "The Blues." In Rabbit's Blues, 151–60. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.003.0020.
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