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1

author, Marchesi Mariana organizer, and Fundación OSDE, eds. Arte de sistemas: El CAYC y el proyecto de un nuevo arte regional, 1969-1977 : del 25 de julio al 5 de octubre de 2013. Buenos Aires: Fundación OSDE, 2013.

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2

1938-, Beilstein Klaus, Gässler Ewald, Weichardt Jürgen 1933-, and Oldenburger Stadtmuseum, eds. Gruppe Kranich: Szenenwechsel : 25 Jahre danach. Oldenburg: Isensee, 2000.

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3

Brigitte, Reinhardt, and Ulmer Museum, eds. Gruppe A-R: Slowakische Avantgarde aus Bratislava. München: Oktagon, 1992.

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4

1966-, Beuckers Klaus Gereon, ed. Zero-Studien: Aufsätze zur Düsseldorfer Gruppe Zero und ihrem Umkreis. Münster: Lit, 1997.

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5

Bijutsukan, Urawa. Furukusasu ten : geijutsu kara nichijō e: Kaikan 5-shūnen kinen. Saitama-ken Saitama-shi: Urawa Bijutsukan, 2005.

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6

Giersch, Museum, ed. Ersehnte Freiheit: Abstraktion in den 1950er Jahren. Petersberg: Michael Imhof Verlag, 2017.

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7

Ina, Ewers-Schultz, Soika Aya, Uekermann Malte, and Beck & Eggeling, eds. Max Pechstein: Beck & Eggeling International Fine Art, 5. Mai - 23. Juni 2012. Düsseldorf: Beck & Eggeling, 2012.

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8

Kandinsky, Wassily. Kandinskiĭ i "siniĭ vsadnik", 5 okti︠a︡bri︠a︡ 2011--15 i︠a︡nvari︠a︡ 2012. Moskva: Skanrus, 2011.

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9

Viktor, Mazin, Groĭs Boris, Kabakov Ilʹi︠a︡ Iosifovich 1933-, Peppershteĭn Pavel, and Pivovarov Viktor, eds. Pavel Pepperstein und Gäste: Gruppe Inspektion "Medizinische Hermeneutik" ; Viktor Pivovarov ; Gruppe Russland und Viktor Mazin ; Boris Groys und Ilya Kabakov ; [zum Abschluss der Zusammenarbeit des Kunsthauses Zug mit Pavel Pepperstein im Rahmen von Projekt Sammlung 1998 bis 2002] = Pavel Pepperstein and guests : Group Inspection "Medical Hermeneutics" ; Viktor Pivovarov ; Group Russia and Viktor Mazin ; Boris Groys and Ilya Kabakov. Ostfildern: Hatje Cantz, 2004.

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10

Ettore, Sottsass. Ettore Sottsass: Ouvrage publié à l'occasion de l'exposition "Ettore Sottsass" organisée par le Mnam/Cci présentée du 27 avril au 5 septembre 1994 au forum du Centre national d'art et de culture Georges Pompidou. Paris: Centre Pompidou, 1994.

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11

Nolde, Emil. Emil Nolde: Aquarelle und figürliche Radierungen : [Ausstellung vom] 27. Oktober 1991-5. Januar 1992 : Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, Landschaftsverband Westfalen-Lippe. Münster: Das Landesmuseum, 1991.

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12

Aronsson, Märit, Cathrine Hovdahl Vik, and Johan Börjesson. Gruppe 5: Kunsten å bygge et bilde. 2017.

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13

Die Gruppe "Kölner Progressive" und ihr künstlerisches Umfeld, 1920-1933. Weimar: VDG, 2008.

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14

Bakan, S., H. Hinzpeter, and H. Hvller. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 4. Springer, 1987.

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15

Fahrbach, E., H. Franz, and G. Gust. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 3. Springer, 1989.

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16

Gierloff-Emden, H. G., G. Krause, and Niels K. Højerslev. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 3. Springer, 1986.

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17

Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 2. Springer, 1985.

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18

Hantel, M. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 4. Springer, 1988.

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19

Etling, D., M. Hantel, and H. Kraus. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 4. Springer, 1987.

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20

Gierloff-Emden, H. G., G. Koslowski, and L. Magaard. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 3. Springer, 1986.

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21

Herbert, F., R. a. Madden, and G. Fischer. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 5 Geophysics Volume 4. Springer, 1986.

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22

Schdfer, K. Landolt-Bvrnstein: Numerical Data and Functional Relationships in Science and Technology - New Series Gruppe/Group 4 Physical Chemistry Volume 5 Prede. Springer, 1993.

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23

Chihuly, Dale. Chihuly: April 5 to May 5, 2001 [exhibition]. Marlborough, 2001.

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24

Mondongo: Cumbre En Casa de America: Del 28 de Enero Al 5 de Marzo de 2004. Not Avail, 2004.

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25

Cruz, Juan. I don't know what I'm doing but I'm trying very hard. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450368.

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Abstract:
I don’t know what I’m doing but I’m trying very hard (IDKWIDBITVH) is the title of an ongoing series of short videos, between 30 seconds and 5 minutes in length, and commencing in June 2018. The videos are shot on the front-facing camera of an iPhone and each records a monologue spoken by the artist following the exertions of a run. The videos, which appear inverted and focus on the chest and neck area, are characterised by the breathlessness of the voice and the image of sweat-soaked t-shirts. There are to date approximately 100 videos in the series and they are designed to be exhibited as well as as to be made available through a digital repository.The work extends Cruz’s longstanding interest in the use of text within the context of visual art. It brings together an investigation of the place of the autobiographical and confessional within contemporary culture with inquiry into the existence of works of art within the digital ealm, as digital files with a contingent set of possibilities for their manifestation and exhibition. The videos reference a number of characteristics and approaches towards performance developed since the late 1960s, specifically by male artists (Acconci, Nauman, Jan Ader). The videos filter these approaches through the contemporary device of the front-facing smart phone camera, the construct of the selfie and attitudes towards physical fitness and self-improvement. Three of a series of 15 photographs, with which this project originated, were exhibited in Aarhus, Denmark, in a group exhibition, The Catalyst Experiment, 1–30 September 2017. The videos were subsequently exhibited in a solo exhibition at Matt’s Gallery, London (8–16 September 2018), a group exhibition, DataLoam, Vienna (26 February – 8 March 2019) and through an online exhibition at MattFlix, Matt’s Gallery, 2020.They have also been presented at guest lectures at the Royal College of Art, London, CAFA, Beijing and the West Bund Art & Design Fair in Shanghai.
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