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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Noah and his book(s). Atlanta: Society of Biblical Literature, 2010.

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2

editor, Patterson Roger Todd, Sauer Linda editor, Agner Paul illustrator, Seest Jon illustrator, King Diane book designer, and Answers in Genesis (Organization), eds. Noah and the Great Flood. Hebron, KY: Answers in Genesis, 2016.

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3

Noah and his book(s). Leiden: Brill, 2010.

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4

The Noah paradox: Time as burden, time as blessing. Notre Dame, Ind: University of Notre Dame Press, 1991.

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5

Amirav, Hagit. Rhetoric and tradition: John Chrysostom on Noah and the Flood. Louvain, Belgique: In Aedibus Peeters, 2003.

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6

Amirav, Hagit. Rhetoric and tradition: John Chrysostom on Noah and the Flood. Louvain, Belgique: In Aedibus Peeters, 2003.

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7

"Das Andere des Westens" und die "Arche Noah der Weltkultur": Zur Spezifik von Identität und Alterität in russischen kulturgeschichtlichen Diskursen. München: Sagner, 2009.

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8

Oberhänsli-Widmer, Gabrielle. Biblische Figuren in der rabbinischen Literatur: Gleichnisse und Bilder zu Adam, Noah und Abraham im Midrasch Berschit Rabba. Bern: P. Lang, 1998.

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9

Noah & the ark: The influence of sex, homophobia & heterosexism in the flood story and its writing. Las Colinas, Tex: Monument Press, 1992.

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10

Raniero, Fontana, ed. Noè secondo i rabbini: Testi e immagini della tradizione ebraica. Cantalupa (Torino): Effatà, 2007.

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11

Essays on the semitic background of the New Testament. UMI: Books on Demand, 1996.

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12

Noah. Die Geschichte eines Überlebenden. Evangelische Verlagsanstalt, 2001.

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13

Moshe, Greenberg, Cogan Mordechai, Eichler Barry L, and Tigay Jeffrey H, eds. Tehillah le-Moshe: Biblical and Judaic studies in honor of Moshe Greenberg. Winona Lake, Ind: Eisenbrauns, 1997.

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14

Greenberg, Moshe. Tehillah le-Moshe: Biblical and Judaic Studies in Honor of Moshe Greenberg. Eisenbrauns, Incorporated, 1997.

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15

As in the Days of Noah. Sovereign World, Ltd., 2000.

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16

Was Noah Good Finding Favour In The Flood Narrative. T&t; Clark Int'l, 2013.

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17

The Bible According to Noah: Theology As If Animals Mattered. Lantern Books, 2001.

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18

Biblische Figuren in Der Rabbinischen Literatur: Gleichnisse Und Bilder Zu Adam, Noah Und Abraham Im Midrasch Bereschit Rabba. Peter Lang Publishing, 1998.

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19

1758-1843, Webster Noah, ed. Noah Webster's value of the Bible and excellence of the Christian religion: For the use of families and schools, 1834. San Francisco, Calif: Republished by the Foundation for American Christian Education, 1988.

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20

Rhetoric and Tradition: John Chrysostom on Noah and the Flood (Traditio Exegetica Graeca, 12) (Traditio Exegetica Graeca, 12). Peeters Publishers, 2003.

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21

Curtis, Cathy. Illuminating Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0004.

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Abstract:
Elaine began reviewing exhibitions for ARTnews in April 1948, working under Thomas B. Hess, with whom she had a romantic relationship. (She was also briefly involved with critic Harold Rosenberg.) Tutelage with critic Edwin Denby helped hone her craft. Her reviews ranged widely, deftly encapsulating an artist’s style and approach within the 200-word limit. In 1949, she switched to the magazine’s “X Paints a Picture” features, a detailed treatment of the featured artist’s process. The function of criticism is to “cast some light on” the work, she said, rather than to sit in judgment. But she maintained the critic’s right of interpretation, regardless of the artist’s intentions. Among the artists and writers she befriended during this period were Larry Rivers, Fairfield Porter, and Frank O’Hara. In 1955, she began writing about larger themes, beginning with “Subject: What, How or Who?” which bravely countered ideas promulgated by critic Clement Greenberg.
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