Relevant bibliographies by topics / Green museum

Academic literature on the topic 'Green museum'

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Published: 14 March 2023

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Journal articles on the topic "Green museum"

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Han, Heesup, Wansoo Kim, and Sanghyeop Lee. "Drivers of museum visitors' willingness to practice green activities." Social Behavior and Personality: an international journal 46, no. 2 (February 2, 2018): 233–47. http://dx.doi.org/10.2224/sbp.6558.

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Our objectives were to propose and test a single framework for the relationships among environmental awareness and positive and negative anticipated feelings in building museum visitors' green behavioral intentions, and also to identify the role of environmental awareness as an independent variable or a moderator in these relationships. The proposed model and hypotheses were in general supported by data collected from a field survey completed by 270 visitors to museums in Seoul, South Korea. Results of structural equation modeling analysis indicated that anticipated feelings had a significant direct impact on visitors' behavioral intentions and mediated the influence of environmental awareness on intentions. Moreover, through a test for metric invariance, we established that it was more suitable to use environmental awareness as an independent variable rather than as a moderator variable. As museum visitors' ecofriendly behavior had rarely been explored previously in research, our findings provide meaningful insights for museum researchers and practitioners.
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Aulia, Rahma, Zairin Zain, and Valentinus Pebriano. "MUSEUM SENI RUPA MODERN DI PONTIANAK." JMARS: Jurnal Mosaik Arsitektur 9, no. 1 (February 21, 2021): 270. http://dx.doi.org/10.26418/jmars.v9i1.45157.

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Museums in general are used to store, maintain, secure and utilize museum collections in the form of cultural heritage objects. Fine arts museums are appreciated through visions with visible media and have a physical form or simply presented as a show. The city of Pontianak does not yet have a place to carry out the function of this fine art museum. The museum collection focuses on modern fine art with long-term loans to the museum. There are some art enthusiasts in Pontianak but there is no place to channel this interest. The design method uses three stages. The first stage, data collection by classifying data as information and facts on a problem. The second stage, the analysis aims to analyze the data that has been obtained. The third stage is systematic and systematic by using images in the form of stages with product results, namely, planning drawings and design reports. The design of the Modern Art Museum in Pontianak uses a green architectural approach, namely building planning that seeks to minimize various harmful influences on human health and the environment. This museum has two floors divided according to functions, namely manager and visitor functions. The facade used is of the 3R type (Reduce, Reuse, Recycle), so the walls use bricks and the windows will use low e-glass material and uPVC frames. The comparison composition of 60:40 for buildings and green land follows the requirements for building a museum.
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Cole, Laura B., G. Lindsay, and A. Akturk. "Green building education in the green museum: design strategies in eight case study museums." International Journal of Science Education, Part B 10, no. 2 (February 25, 2020): 149–65. http://dx.doi.org/10.1080/21548455.2020.1723182.

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Kwan, Ming, Anthony Kong, and Terry Lam. "Promoting Green Living by The Jockey Club Museum of Climate Change in Hong Kong." International Journal of Marketing Studies 11, no. 2 (May 23, 2019): 55. http://dx.doi.org/10.5539/ijms.v11n2p55.

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Using the case study of The Jockey Club Museum of Climate Change in Hong Kong, the purpose is to explore how museum can take part to promote green living. Design/Methodology/Approach—This paper explores the contributions of The Jockey Club Museum of Climate Change as a means to increase environmental awareness for the society. The objectives of The Jockey Club Museum of Climate Change aimed at showing the importance of community involvement, advocating environmentally friendly education and nurturing visitors’ moral obligation to engage in pro-environmental protection behavior. Authors conducted twenty-five in-depth semi-structured interviews with visitors so as to fully understand the influences brought by the museum. Findings—The Jockey Club Museum of Climate Change was perceived by all of the study visitors as a meaningful, influencing and educative museum, which raised environmental awareness, upheld moral obligation to engage in environmental protection, and induced greater pro-environmental behavior. Based on the results, eight benefits are generated by The Jockey Club Museum of Climate Change to environmental protection for the entire globe. Practical implications—Based on the insights gained from visitors, eight positive influences are contributed by The Jockey Club Museum of Climate Change for nurturing visitors to adopt a green living in order to combat climate change. Originality/value—This paper urges for the importance of all communities, all business sectors, all kinds of organizations and governments to engage in environmental protection for sustainable development. The aim of such an episode is to arouse all the communities, business sectors, organizations, museums, educational institutions and countries to promote and adopt green living so as to combat climate change.
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Meirelles, Anna Cristina Resque, and Marcondes Lima da Costa. "Mineralogy and chemistry of the green stone artifacts (muiraquitãs) of the museums of the Brazilian State of Pará." Rem: Revista Escola de Minas 65, no. 1 (March 2012): 59–64. http://dx.doi.org/10.1590/s0370-44672012000100008.

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Muiraquitãs, lithic artifacts found in the Amazon basin, have been considered to be Asian in origin, or to have been sculpted by the legendary female Amazon warriors. These pieces are now very rare, and are found mainly in museum collections. In the present study, the mineralogical and chemical content of 23 specimens from the collections of the Museu de Gemas (Gemstone Museum) and Museu do Encontro (Meeting Museum) in Belém, Brazil, were analyzed. Most of the pieces were made of minerals commonly found in Brazil - quartz, albite, microcline, variscite, anorthite, and tremolite (the equivalent of nephritic jade). However, four of the pieces were made of jadeite, that is, jadeitic jade, which is unknown in the Amazon basin or in other parts of Brazil. The confirmation of the presence of this mineral in some of the artifacts reopens the debate on the mineralogical origin of the muiraquitãs found in the Amazon basin. Before the present discovery, their origin was defended as Amazonian due to the absence of jadeite jade in the searched pieces and the fact that jadeite was not found in Brazil but in Central America and Asia.
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Taber, Nancy. "Khaki and Emerald Green." Atlantis 41, no. 2 (April 2, 2021): 88–94. http://dx.doi.org/10.7202/1076202ar.

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Pantalony, David Alexander. "The Presence, Provenance and Presentness of a Non Artifact." Museum and Society 17, no. 3 (November 29, 2019): 301–6. http://dx.doi.org/10.29311/mas.v17i3.3207.

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This article is a biography of a green tile collected from a Canadian hospital. It explores various properties of the tile in order to draw out lessons for research and display in museums. There are immediate sensory qualities of the tile that have inspired an exhibit about the colour green in medicine; there are aspects of the tile's provenance that bring out multiple local and international narratives; there are stories of the tile's present context that provide a powerful reminder that museum artifacts are not just vehicles for exploring the past, but for understanding what remains in the present.
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Pope, Aaron. "The Green Museum: A Primer on Environmental Practice." Curator: The Museum Journal 53, no. 2 (April 2010): 259–60. http://dx.doi.org/10.1111/j.2151-6952.2010.00026.x.

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Faul-Zeitler, Roberta. "Green Museum Design: Is It Good for Collections?" Collections 2, no. 3 (September 2006): 181–93. http://dx.doi.org/10.1177/155019060600200303.

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Chung, Namho, Inessa Tyan, and Seung Jae Lee. "Eco-Innovative Museums and Visitors’ Perceptions of Corporate Social Responsibility." Sustainability 11, no. 20 (October 17, 2019): 5744. http://dx.doi.org/10.3390/su11205744.

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This study assumes that green technologies at tourist destinations are a part of corporate social responsibility (CSR). It investigates how technology-based eco-innovation is related to sustainable development goals (SDGs) and how eco-innovative CSR performance affects tourists’ perceptions of destinations, emotions, and WOM (word of mouth) intentions in the context of sustainability and smart tourism. A dataset collected from the Handok Museum in South Korea was analyzed via a partial least squares (PLS) method, using structural equation modeling. This study examines the link between museum visitors’ awareness of CSR and green technology. The constructs (perceived quality, image, and reputation) are positively correlated with CSR; museum visitors’ emotions are in a parallel relationship with WOM intentions. The results confirm that the green technology implemented in the tourist destination is perceived as CSR by visitors. These technologies have a positive impact on environmental sustainability and contribute to a positive tourist experience. Thus, this paper encourages social responsibility practices at tourist destinations, as well as the development of green technology. This is the first empirical study that demonstrates how the profit-related concept of CSR can be applied to nonprofit organizations, Furthermore, for the first time, the managerial concept of CSR has been reviewed with technology-based eco-innovation in a museum setting.
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Dissertations / Theses on the topic "Green museum"

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Moreno, Gabriela Elena. "Mean Green: A Visual Cultural Analysis of the National Border Patrol Museum." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/228170.

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The National Border Patrol Museum (NBPM) in El Paso, Texas presents a view of the history, culture and life along the U.S.-Mexico border that no other museum in the world can offer. Moreover, it provides an opportunity to study and understand people and life in the border through the different forms in which they are representing themselves and how others view them as well. Mean Green: A Visual Cultural Analysis of the National Border Patrol Museum is a visual cultural analysis of the museum that deploys theoretical approaches in the disciplines of visual and cultural studies, Border Studies, Ethnic Studies, discourse analysis, museology, and spatial theory. The objectives of this dissertation are: 1) to study the varied representations, i.e., the hypermasculine white American male and the disenfranchised "illegal" immigrant, that reinforce and challenge the dominant discourse present in the hegemonic state and which are deconstructed when rearticulated in everyday border life; 2) to analyze why the museum represents a homotopia within the limits of a heterotopia; 3) to learn how the museum creates imagined communities through the use of its historical patrimony; 4) to observe the practices in relations of power by employing the notion of panopticon in their design and impose power over its visitors; and finally 5) to understand how the museum is providing a commodification of symbols to promote the hegemonic state. I reference historical events to frame the research for this project: history of the border, especially the El Paso border region, the creation of The Fraternal Order of Retired Border Patrol Officers, the history of the Border Patrol and the NBPM. Altogether, this work shows how the National Border Patrol Museum's exhibits and artifact displays are a reflection of what is happening in the border region.
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Pereira, Gonçalo Miguel Silva. "Um museu para a cidade. Expansão do museu da cidade, núcleo Séc. XX / XXI." Master's thesis, Universidade Técnica de Lisboa. Faculdade de Arquitectura, 2010. http://hdl.handle.net/10400.5/3335.

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Tese de Mestrado em Arquitectura
O presente trabalho tem por objectivo uma estratégia conceptual que percorre as diferentes escalas em que opera, desde a compreensão do território da Cidade de Lisboa associado ao sítio do Campo Grande, até à definição do detalhe na materialização do equipamento proposto: uma expansão do Museu da Cidade, núcleo séc. XX/XXI. A metodologia implicou o desenvolvimento destes elementos mediada pela reflexão crítica suportada pelas referências teóricas que incidem sobre as suas questões fundamentais. São estas: a relação com a Cidade, o Território e o Lugar na constituição de uma nova urbanidade promovida pelo Museu, evocando a preocupação de se tornar Monumento. A definição final associada a um desenho de projecto tem por objectivo a reflexão crítica acerca destes temas fundamentais da Arquitectura em que a principal conclusão se constitui como o edifício desenhado, que não finaliza o processo de maturação e afirmação das suas qualidades. Enuncia-se perante um conjunto de possibilidades que de alguma forma se traduzem numa ideia fundada de arquitectura.
The present work aims to a conceptual strategy that runs through different scales operating from the city of Lisbon territory associated to the Campo Grande area until the definition of the detail is materialized on the proposed equipment: an expansion of a Museum for the City for the XX/XXI centuries. The used methodology was implied by the development of these elements and mediated by the critical reflexion supported in the theoretical references that focus on fundamental themes such as: the relation with the City, the Territory and the Place for the constitution of a new sense of urbanity promoted by the Museum recalling the concern of becoming a Monument. The final definition associated to a drawing of the project has the objective of critically reflect about these fundamental architecture themes in which the main conclusion is to be constituted by the drawn building that does not conclude the maturation process even though it reafirms its qualities enounciating itself before the set of possibilities that are somehow cleared by the established idea of architecture.
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Ikenouye, Tara L. 1975. "Sustainable Historic Preservation: A Rehabilitation Plan for the Jeff. Smith's Parlor Museum in Skagway, Alaska." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9916.

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xii, 145 p. : ill. (some col.), maps. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
In an effort to confront global warming and the increasing scarcity of resources, the preservation community began several years ago to adopt sustainable and green building practices and metrics for historic rehabilitation projects. As a result, there is an ever growing number of rehabilitated historic buildings in the United States not only incorporating sustainable building designs but also achieving Leadership in Energy and Environmental Design (LEED) certification. Most of these are large, architect-designed buildings in urban settings rehabilitated for cultural and commercial uses. This thesis explores the application of the LEED 2009 New Construction and Major Renovation Rating System for the development of a sustainable rehabilitation plan for the modest vernacular 1897 Jeff. Smith's Parlor Museum in Skagway, Alaska. The goal of this research is to demonstrate how the LEED rating system might be applied to the rehabilitation of this building and other historic vernacular buildings.
Committee in Charge: Donald L. Peting, Chair; Grant Crosby, NPS Historical Architect
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Beckham, Jessica L. "The Influence of Urban Green Spaces on Declining Bumble Bees (Hymenoptera: Apidae)." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849737/.

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Bumble bees (Bombus spp.) are adept pollinators of countless cultivated and wild flowering plants, but many species have experienced declines in recent decades. Though urban sprawl has been implicated as a driving force of such losses, urban green spaces hold the potential to serve as habitat islands for bumble bees. As human populations continue to grow and metropolitan areas become larger, the survival of many bumble bee species will hinge on the identification and implementation of appropriate conservation measures at regional and finer scales. North Texas is home to some the fastest-growing urban areas in the country, including Denton County, as well as at least two declining bumble bee species (B. pensylvanicus and B. fraternus). Using a combination of field , molevular DNA and GIS methods I evaluated the persistence of historic bumble bee species in Denton County, and investigated the genetic structure and connectivity of the populations in these spaces. Field sampling resulted in the discovery of both B. pensylvanicus and B. fraternus in Denton County's urban green spaces. While the relative abundance of B. fraternus in these spaces was significantly lower than historic levels gleaned from museum recors, that of B. pensylvanicus was significantly higher. Statistical analyses found that both bare ground and tree cover surrounding sample sites were negatively associated with numbers of bumble bee individuals and hives detected in these green spaces. Additionally, limited genetic structuring of bumble bee populations was detected, leading to the conclusion that extensive gene flow is occurring across populations in Denton County.
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Giampili, Ioanna Danai. "Exploring the use of participatory practices in Greek museum education through the prism of identity." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/280283.

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The research presented in this PhD dissertation provides a socio-educational perspective on the participatory representation of identity in Greek Laographic Museums. Museums are seen as an extension of formal educational spaces through their educational activities and school partnerships or outreach programmes (Hooper-Greenhill, 2007). However, they are also mainly engaging in the process of interpreting the cultures and communities represented in their collection, thus, assigning them an identity, which they then present to the public (McLean, 2005, 2008). The public, in turn, interprets it through the lens of their own identities. A result of this process is the creation and sharing of new knowledge about identity through exhibition design (Jones, Sandweiss, Mouliou, & Orloff, 2012; McLean, 2006; Newman & McLean, 2006; O’Neill, 2006). This study adopts the stance that exhibition design is the primary way museums are fulfilling their educational role. It puts forward the idea that the involvement of community members in the founding of a museum about their local identity can result in a rich, polyphonous narrative and positively affect the bond and sense of ownership the community develops in relation to the museum and their locale. This is in line with literature predicting that in the context of multicultural societies and increased mobility, bringing people together through shared cultural elements of the location they have in common, can aid social cohesion and inclusion (Graham & Howard, 2008; Hague & Jenkins, 2005; Howard, 2003). As a theoretical starting point, this research was guided by the views of Hall (1997a,1992) on changing identities and the links between identity, culture, interpretation and narrative for being potentially more reflective of current museological practice that is starting to operate within a participatory paradigm. Designed as a case study around the founding of a new museum on a small Greek island, Astypalaia, it used participatory methods in a variety of ways to engage local residents in the process of collaboratively designing the exhibition narrative of this new space that would share the story of life on the island. To frame the main case study, this research also mapped the practices of laographic museums across Greece, in order to point out what a typical museum of that type looks like in this context and assess in what ways Astypalaia is in line or deviates from this. The results of this process were compared to the findings of the case study and linked to literature on participation, education, and identity construction in museums and communities. The following discussion argues that, while collaborative projects require structure, effort and skills in their facilitation, they have the potential to make a museum narrative more representative and inclusive and benefit their participants in multiple ways. By having access to the project from its conception until its final stages, this work aims to provide a holistic view of the challenges and possibilities of implementing a participatory approach in the founding of a new museum and to discuss the knowledge such a process generates.
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Filgasová, Tereza. "Elizabeth - Muzeum Motorsportu." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227782.

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Diploma thesis, that cover project documentation of building part of the new build museum of motosport. The object include two above grand floors without basement. Ground plan consist of four mutually adjacent rectangles. On the first floor is an exhibicion space of the museum. Second floor provides space for the administrative part of museum. The building is covered with a flat green roof and is designed as a reinforced concrete skeleton. The facade is composed of the curtaim wall
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Plagens, Emily S. Hafertepe Kenneth. "Collecting Greek and Roman antiquities remarkable individuals and acquisitions in the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the J. Paul Getty Museum /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5259.

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Juračková, Lenka. "Kraví hora - rodinné stříbro VUT." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2019. http://www.nusl.cz/ntk/nusl-399943.

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The subject of this diploma thesis is an architectonic study, which deals with the new usage of the premises of VUT at Kravi Hora. Big part of Kravi Hora forms a park, which from the west is close to Namesti Miru and from the east side there are buildings of Faculty of Civil Engineering. This territory along with Spilberk, Luzanky and Wilsonuv Les form the green, environmental friendly, part of Brno. The Main advantage of this territory is that it brings lot of green parking places to the city and there are many places for spending free time, such as; swimming pool, baseball court and an observatory. The big disadvantage of this area is the bad transmittance of this area. There are no quality roads connecting Kravi hora and there is a slanting ground through this area. There are lots of objects which do not fit with the usage and they only bring here the traffic. There is a designed plan consisting of rather limiting regulations for this territory when the whole area is used for parking lots and sport activities and holiday objects. And in addition to that, the area is closed to public transport. The purpose of this study is to respect the territorial plans and the interests of the city as much as possible and at the same time use the property of VUT for a representation of the University, getting new students in and creating a place where all the generations can spend their free time. Despite of this study still respects The Territory Plan and interests of the City of Brno. In my study I design there the museum of VUT, the students club, ateliers for new graduates, study room, workroom the public and objects for presentation of VUT faculties set into the area of Kravi hora park in a way that it would fit into the natural character of this place.
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Harrington, Kaysie Marie. "The American Studio Glass Movement: A Regional Study of its Birth in Northwest Ohio." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1542125173303787.

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Kioussis, Sokratis I. "'Nature' and 'culture' in Greek contemporary museum practice : a study of the Goulandris Museum (of Natural History)." Thesis, University of East Anglia, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658703.

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In its various manifestations, 'art' could be described as a product of 'nature', on which it often reflects, alongside being a product of 'culture'. In recent and past scholarship 'nature' and 'culture' are often treated as opposed categories. Museums in particular have a role in the creation and maintenance ' of a nature/culture configuration. Representing the world in different ways, they have established boundaries between them in the very act of focusing attention on each and increasing understanding in both domains. Drawing on different museological traditions and responding to contemporary issues, the project of creating The Goulandris Museum has brought 'nature' and 'culture' together in its program, exploiting antiquities and other evocations of the ancient world to explain the natural world, especially in its latest schemes. This thesis· examines !he background to such practices, the ideas it embodies and the challenges it sets itself. However, it is more than a study of the history of one particular museum created in the second half of the twentieth century; this thesis also considers the history of other European museums, whose practices and development over time have contributed to the distinctive schema realised in Athens in recent decades. Chapter I introduces the Goulandris Museum and discusses the different ways in which museums have chosen to represent nature. Touching on the means by which they generate knowledge and awareness of the natural world, it discusses how the representation of nature in itself also reflects mankind's plasmatic relationship with the natural world. Chapter II looks back to 'cabinets of curiosity' and the founding and development of three influential institutions to reflect on the tradition of natural history museums in Europe. Chapter III continues with a conceptual and historical reading of London's Natural History Museum, an institution that greatly contributed to the rationale and public presentation of the Goulandris Museum, setting up its first displays. The detail of this particular institutional relationship is examined in Chapter IV, an analysis based on original archival research conducted at the Natural History Museum. . Chapter V examines the displays and practices of the Goulandris Museum prior to the emergence of its research and education centre ('Gaia Centre'), which we explore separately in Chapter VI in conjunction with the New Acropolis Museum, an institution that was designed by the same.architect, Michalis Photiadis. Interviews conducted with him and with the Director and several staff of the Goulandris Museum inform our analysis. That with Mrs. Goulandris is referenced throughout the thesis. The literature review is also · distributed through the thesis at the points where it is relevant and especially in Chapter V which discusses the literature on the history and conception of natural history museums as points of access to the 'real' world of nature. . This thesis is set in a conceptual but also in a historical conte:r:t, as indeed were the ambitions of the founders of the Goulandris Museum. It was the first natural history museum in Greece, and the Qoulandrises sought to situate their new project within both European traditions of natural history museums ' and the traditions of archaeological and classical collections, which had until then dominated the Greek understanding of the purposes of museums. Drawing on these sources, the Goulandris Museum has arrived at its latest scheme which deploys ideas of nature and of culture to shape a very particular identity within Greece ' and to engage and infOlID its visitors.
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Books on the topic "Green museum"

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Bierbaum, Esther Green. Museum librarianship / Esther Green Bierbaum. 2nd ed. Jefferson, N.C: McFarland, 2000.

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Burton, Anthony. Bethnal Green Museum of Childhood. 2nd ed. London: Victoria & Albert Museum, 1993.

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1934-, Burton Anthony, and Victoria and Albert Museum, eds. Bethnal Green Museum of Childhood. London: Victoria and Albert Museum, 1986.

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Bethnal Green Museum of Childhood. Bethnal Green Museum of Childhood. [London]: V&A Publications, 1986.

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Elizabeth, Wylie, ed. The green museum: A primer on environmental practice. Lanham, MD: Altamira Press, 2008.

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Kaizman, Boaz. Boaz Kaizman: Grünanlage = Green area. Köln: Museum Ludwig, 2021.

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Grünes Gewölbe (Museum : Dresden, Germany). The Green Vault: An introduction. 6th ed. Dresden: Staatliche Kunstsammlungen, 1987.

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Syndram, Dirk. Gems of the Green Vault in Dresden. Leipzig: E.A. Seemann, 2005.

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King, Elspeth. The People's Palace and Glasgow Green. Glasgow: Richard Drew, 1988.

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The People's Palace and Glasgow Green. Glasgow: Richard Drew, 1985.

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Book chapters on the topic "Green museum"

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Zhu, Dan, Zhisheng Wang, Yukari Nagai, Cong Zhang, Haiwen Gao, and Nianyu Zou. "Research on Multi-disciplinary Museum Lighting Design’s Emotional Response to Visitors: A Case Study of Dalian Modern Museum." In Green Energy and Networking, 84–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62483-5_10.

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Griffiths, John. "Lord Curzon and Bethnal Green Museum East London Observer." In Empire and Popular Culture, 251–53. London: Routledge, 2021. http://dx.doi.org/10.4324/9781351024785-40.

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Liu, Jiahui, Zhisheng Wang, Yukari Nagai, and Nianyu Zou. "Research on the Emotional Response Level of Museum Visitors Based on Lighting Design Methods and Parameters." In Green Energy and Networking, 221–39. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21730-3_23.

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Rampou, Kenneth M., Sharon Dent, Gerrit J. Crafford, and Katharina Crafford. "User Satisfaction of a Green Star-Rated Literary Museum in South Africa." In Sustainable Ecological Engineering Design, 221–35. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44381-8_17.

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Hsu, Mei-Yun, Shing-Sheng Guan, and Jui-Che Tu. "A Culture without Trash: The Strategy of Green Design Development in Museum Exhibitions." In Design for Innovative Value Towards a Sustainable Society, 468–72. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-3010-6_89.

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Ruvalcaba, J. L., E. Melgar, and Th Calligaro. "Manufacturing Analysis and Non Destructive Characterisation of Green Stone Objects from the Tenochtitlan Templo Mayor Museum, Mexico." In Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 299–304. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_43.

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Mazzoli, Roberto, and Enrica Pessione. "Ancient Textile Deterioration and Restoration: Bio-Cleaning of an Egyptian Shroud Held in the Torino Museum." In Microorganisms in the Deterioration and Preservation of Cultural Heritage, 199–216. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69411-1_9.

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AbstractAncient textiles are fragile and several factors can affect their integrity. In the present chapter, the main agents of deterioration of old and new textiles, namely physical-chemical (light, oxygen, heat, and humidity) and biological factors as well as human erroneous interventions will be explored. As far as the biological deterioration is considered, the effects of microbial growth, primary and secondary metabolites (acids, solvents, surfactants, pigments) and enzymes (lipases, proteases, and glycosidases) on textile strength and cleanliness will be described in details. The main fungal and bacterial species involved in the damage (textile discoloration, black and green spots, cuts) will be reported. Adhesive application during restoration procedures is discussed to highlight the risk of glue thickening giving rise to dull precipitates on the fabric.The main strategies for oil-stain and glue removal (both animal glue, such as fish collagen, and vegetal glue, i.e. starch) will be described in the paragraph devoted to biorestoration. Finally, a case study concerning an ancient Coptic tunic housed in the Egyptian Museum of Torino, Italy, and biocleaned by means of gellan-immobilized alpha-amylase from Bacillus sp. will be largely discussed by reporting historical data, adhesive characterization, methods for artificial aging of simulated sample and glue removal from the artwork.
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Boutsiouki, Sofia, and Anna-Eleni Polydora. "Is the Museum Going Digital? Experiences from the Websites of Greek Museums." In Cultural and Tourism Innovation in the Digital Era, 229–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36342-0_19.

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Margolis, Oren. "The Book Half Open." In Openness in Medieval Europe, 289–310. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-23_15.

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A small, blind-tooled volume sits on a table covered in green baize: one clasp is open, the other is closed; and a slip of paper emerges from it reading Veritas odium parit (truth breeds hatred). This detail occurs in the foreground of a portrait by Hans Holbein of a young man identified as the Cologne patrician Hermann von Wedigh III (Metropolitan Museum of Art, New York). A study of the physical features of the book and of the history of the brief text — actually an ancient and then Erasmian adage — leads to a new interpretation of the painting in the context of humanist friendship. The book is seen to be a multivalent simile for the work of art authored by the artist as well as for the sitter himself, raising questions about the implications for these of a medium that can be opened and closed. The half-open condition of the book is understood to reflect the complementary pressures of openness and closedness, accessibility and intimacy, that characterized the Renaissance republic of letters.
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Vrana, V., D. M. Nerantzaki, and D. Paschaloudis. "Greek Museums on the Web." In Cultural Tourism in a Digital Era, 97–109. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15859-4_8.

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Conference papers on the topic "Green museum"

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Marenda, Ivan, Agostino Marioni, Roberto Dalpedri, and Marco Banfi. "Dynamic properties of the isolators used in the Green Museum Library (Taiwan)." In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0293.

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<p>Over the last decades seismic isolation technology has got a foothold in the structural protection increasing both the damping and the natural period of the superstructure. The curved surface sliding isolator is one of the most common devices used to aim at this goal. It features a special friction material (HIM) able to dissipate a very large amount of energy while, the recentring capacity is given by the pendulum effect. This kind of isolator has been used in the Green Museum Palace (Taiwan). The constancy of its behaviour has been investigated in ShakeLab (Italy), testing 100% of the Friction Pendulum devices in factory production control. In this paper, response data from FPC tests on seven types of Friction Pendulum devices are illustrated. These data show the constancy of the performance of the isolators subjected to design conditions. Furthermore, scale effect in dynamic properties has been studied because of different size isolators have been taken into account.</p>
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Ham, Brian, Ric Federico, Shaun Winter, Jason Polk, Pat Kambesis, and Mike Marasa. "CORVETTES AND KARST: A MICROGRAVITY SURVEY AT THE NATIONAL CORVETTE MUSEUM, BOWLING GREEN, KENTUCKY." In Symposium on the Application of Geophysics to Engineering and Environmental Problems 2015. Society of Exploration Geophysicists and Environment and Engineering Geophysical Society, 2016. http://dx.doi.org/10.4133/sageep.29-035.

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Ham, Brian C., Ric Federico, Shaun A. Winter, Jason Kuykendall, Jason Polk, Leslie A. North, Patricia N. Kambesis, Kegan McClanahan, and Michael Marasa. "CORVETTES AND KARST: A MICROGRAVITY SURVEY AT THE NATIONAL CORVETTE MUSEUM, BOWLING GREEN, KENTUCKY." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-287405.

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Chang, Yu-Shing, Yi-Chou Tsai, and Tsun-Hsien Wang. "The User Research of Interactive APP Design for 2016 Yilan Green Expo Food-Ethics Museum." In 2018 IEEE International Conference on Advanced Manufacturing (ICAM). IEEE, 2018. http://dx.doi.org/10.1109/amcon.2018.8614882.

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Wang, Ning, and Xukun Shen. "The Research on Interactive Exhibition Technology of Digital Museum Resources." In 2013 IEEE International Conference on Green Computing and Communications (GreenCom) and IEEE Internet of Things(iThings) and IEEE Cyber, Physical and Social Computing(CPSCom). IEEE, 2013. http://dx.doi.org/10.1109/greencom-ithings-cpscom.2013.387.

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Broglia, Francesco. "Fortifications at Piacenza. Historical background, restoration, open-air museum and urban planning." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11427.

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The “modern” fortifications at Piacenza are situated at a significant physical and cultural crossroads linking the Mediterranean and roads leading to Central Europe and the North Sea. This paper aims to include their historical bastion features and city walls within an open-air educational museum that is well integrated within the modern town. Starting from the original basis of a defensive nature conceived to mark boundaries and divide kingdoms, the plan is to build a park which, by means of a fully-equipped green belt, is able to narrate the story of the Siegecraft and Renaissance apse techniques. At the same time, the aim is to explain how such a system may serve as a valuable means of allowing sustainable urban transport along with that of respecting and highlighting cultural heritage. In order to tell the complete story, an attempt is made to describe how direct relief may relate to the “compact town.”
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Slepak, Zakhar. "GEOPHYSICAL MONITORING: NEW OPPORTUNITIES TO PRESERVE ARCHITECTURAL MONUMENTS AND GREEN DESIGN IN URBAN AREAS." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/30.

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A new geophysical prospecting technique developed by the author was effectively applied for these purposes in 1994–2005 within the architectural complex of the Kazan Kremlin, a UNESCO World Heritage Site. The author has developed and successfully employed a unique gravity monitoring technique consisting in independent measurements at set points and at certain time intervals in the architectural complex of the Kazan Kremlin. The results of the geophysical monitoring and geodetic surveys conducted in open areas and inside architectural monuments offer new opportunities in preserving ancient buildings. Because geophysical monitoring can identify the negative impact of active geological processes on foundations of buildings, mitigation measures can be taken in timely manner. However, because the Kazan Kremlin is a state historical and architectural museum reserve, another objective is to maintain its exterior and renovate its green design. The above technology can also be used to analyze the technical condition of high-rise buildings, industrial facilities, underground railway systems and other structures, and significantly prolong their operating life.
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Khamidi, Mohd Faris, and Jiin Baek. "A study on the perception of walkability in tourist attraction places in Qatar using text mining techniques." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/mlrr3543.

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Walking is an important part of the tourist experience and comfort travel. There is increasing attention to encourage tourists to walk as a mode of sustainable transportation. Emergence of new and diverse forms of data has expand the field of research via text mining analysis. This is an alternative for common research methodology as a good analysis tool to reflect pedestrians’ opinions in spatial design and urban planning. In this regard, the novelty of this paper is to investigate the relationship between walkability and successful tourism in Doha, Qatar by utilizing text mining analysis on a readily available datasets, i.e. the customer generated contents from TripAdvisor. The collected data for tourist attractive places in Doha, Qatar shows higher frequency (connection) of words that reflect the characteristics of each research location and its respective relationship with public transportation (Doha Metro) to support the walkable environment. The findings have determined some users-friendly walking environment especially for research locations like The Pearl, Souq Waqif and Museum of Islamic Arts. On the other hand, it is indicated that the rate of Metro use is still low compared to the city’s population and this will take some time for Doha Metro to be used as main mode of transportation among the tourists. The outcome of this study will enable to propose some guidelines to enhance the walking environment for tourists within the challenging weather condition like hot and arid climate of Qatar
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Lelingou, Dimitra, Benedek Varga, Katalin Czár, Seema Sircar, Allan Paterson, Lilian Lindsay, Andy Watson, Christopher Croly, Angelos Angelopoulos, and Takis Fildisis. "Exploring “Science As Culture” Through The European Science Museums Astronomy And Museum Education." In ORGANIZED BY THE HELLENIC PHYSICAL SOCIETY WITH THE COOPERATION OF THE PHYSICS DEPARTMENTS OF GREEK UNIVERSITIES: 7th International Conference of the Balkan Physical Union. AIP, 2010. http://dx.doi.org/10.1063/1.3322354.

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K., Sharanya B., Sreejita Ghosh, Sujan Singh Bhandari, Suman Poudel, Girish Murali Padikkal, and M. C. Sampath Kumar. "Green and sustainable building practices for museums." In INTERNATIONAL CONFERENCE ON SUSTAINABLE ENGINEERING AND TECHNOLOGY (ICONSET 2018). Author(s), 2018. http://dx.doi.org/10.1063/1.5078969.

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Reports on the topic "Green museum"

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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