Academic literature on the topic 'Greek pottery; Waveline style'

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Journal articles on the topic "Greek pottery; Waveline style"

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Mountjoy, P. A., H. Mommsen, and A. Özyar. "Neutron activation analysis of Aegean-style IIIC pottery from the Goldman excavations at Tarsus-Gözlükule." Anatolian Studies 68 (2018): 75–98. http://dx.doi.org/10.1017/s0066154618000030.

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AbstractThe appearance of Aegean-style IIIC pottery at Tarsus occured at a time of unrest and of movement of peoples resulting in part from the collapse of the Mycenaean palaces on the Greek mainland. Mycenaean Late Helladic IIIB pottery exports from mainland Greece to Cyprus and the Levant disappeared and were gradually replaced by local imitations. Eventually Aegean-style IIIC pottery appeared in the East Aegean-West Anatolian Interface, in Cyprus and at various sites on the southern coast of Turkey and in the Levant. It was not exported from the Greek mainland, but seems to have been locall
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Lyonnet, Bertille. "Questions on the Date of the Hellenistic Pottery from Central Asia (Ai Khanoum, Marakanda and Koktepe)." Ancient Civilizations from Scythia to Siberia 18, no. 1 (2012): 143–73. http://dx.doi.org/10.1163/157005712x638672.

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Abstract On the basis of recent research on the pottery and comparisons between three important sites with Hellenistic occupation in Central Asia, new dates are proposed for each of them. The article presents both the former data and hypotheses and the recent discoveries, including coins for Afrasiab/Samarkand, which lead to the new proposals. Changes in pottery style do not follow immediately Alexander’s conquest, and the first real Hellenistic shapes only appear under Antiochos I. After Antiochos III’s reconquest of Bactria, an important wave of new fashions in pottery style is introduced wh
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Smith, Tyler Jo. "East Greek Pottery in the Collection of the British School at Athens." Annual of the British School at Athens 104 (November 2009): 341–60. http://dx.doi.org/10.1017/s0068245400000307.

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Among the antiquities in the collection of the British School, there are a few examples of East Greek pottery, including Wild Goat Style, Chian, Fikellura, and Clazomenian as well as a Rosette Bowl and a Bird Bowl. Following a summany of the British School's excavations and role at Naukratis, the site where much of this East Greek pottery was discovered, the objects from the collection are presented in both summary and catalogue form. An appendix is dedicated to an Attic polychrome phiale mesomphalos, which, although not East Greek, shares many technical and stylistic features with some East G
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Stojic, Milorad. "Hisar in Leskovac at the end of the early iron age." Starinar, no. 57 (2007): 175–89. http://dx.doi.org/10.2298/sta0757175s.

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All parts of the site Hisar in Leskovac provided material from Iron Age III according to the division by M. Garasanin (mainly from the 5th century BC). Four or perhaps five habitations from this period, in relation to the excavated surface (app. 15 000 m2), indicate a settlement with a larger number of dwelling places. Its architecture - wattle and daub huts and dug outs - has no particular characteristics, and is similar to habitations from previous periods in the Morava valley. Archaeological material from Iron Age III includes pottery made on the wheel of Greek style, hand made pottery and
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Malykh, S. E. "POTTERY OF THE TUNISIAN NABEUL: ANCIENT TRADITIONS AND MODERNITY." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 178–85. http://dx.doi.org/10.31696/2618-7302-2020-1-178-185.

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The article examines the pottery production of the Tunisian city of Nabeul, the administrative center of the province of Cap Bon, located in the north-eastern part of the country, on the Mediterranean coast. Modern Nabeul is situated on the site of the ancient city of Neapolis. A common occupation of local residents — pottery — is due to the large deposits of marl clays available in the district. The origins of this craft originate in the first centuries of our era, when the Romans founded their city on the site of a small Greek trading settlement and brought here their traditions of pottery.
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MEDVESKAYA, I. N. "A Study on the Chronological Parallels between the Greek Geometric Style and Sialk B Painted Pottery." Iranica Antiqua 21 (January 1, 1986): 89–120. http://dx.doi.org/10.2143/ia.21.0.2014071.

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Głuszek, Inga. "The Athenian Red-Figure Pottery Found in Nikonion During Excavations of 2007-2012." Studies in Ancient Art and Civilisation 21 (July 27, 2018): 89–117. http://dx.doi.org/10.12797/saac.21.2017.21.06.

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The article discusses fragments of the Athenian red-figure pottery discovered during excavations in Nikonion, an ancient Greek colony founded on the northern coast of the Black Sea, at the end of the 6th century BC. The collection of Athenian pottery finds at this site is very diverse in terms of technique, style and phase of production. In a short introduction to the article the state of research on the finds of Athenian red–figure pottery from the site is presented, but the main focus is on the findings of the Ukrainian-Polish team of archaeologists who conducted joint excavations at the sit
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Demakopoulou, Katie. "A Mycenaean pictorial vase from Midea." Opuscula. Annual of the Swedish Institutes at Athens and Rome 13 (November 2, 2020): 113–21. http://dx.doi.org/10.30549/opathrom-13-04.

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The Greek-Swedish excavations on the Mycenaean acropolis of Midea have brought to light a large amount of fine decorated pottery, which includes numerous fragmentary vases and sherds with pictorial decoration. This material has firmly established Midea as an important find-spot of figure-style pottery, like other great Mycenaean Argive centres, such as Mycenae, Tiryns and Berbati. This paper presents a remarkable pictorial vase recently found at Midea. It is a ring-based krater, almost completely restored from fragments, decorated with a row of six birds. The bird is a common motif in Mycenaea
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Aslan, Carolyn C., and Ernst Pernicka. "Wild Goat style ceramics at Troy and the impact of Archaic period colonisation on the Troad." Anatolian Studies 63 (July 11, 2013): 35–53. http://dx.doi.org/10.1017/s0066154613000033.

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AbstractThe establishment of colonies along the Hellespont by inhabitants of Ionia, Athens and Lesbos is well-known from historical texts. Recently, stratified contexts at Troy as well as other surveys and excavations have yielded new information about the chronology and material markers of Archaic period settlements in the Troad and the Gallipoli peninsula. The archaeological evidence for colonisation in this region is not clearly seen until the late seventh to early sixth century BC when there is a dramatic change in the material culture. Destruction evidence from Troy indicates that the new
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Villing, Alexandra, and Hans Mommsen. "RHODES AND KOS: EAST DORIAN POTTERY PRODUCTION OF THE ARCHAIC PERIOD." Annual of the British School at Athens 112 (August 22, 2017): 99–154. http://dx.doi.org/10.1017/s0068245417000053.

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To date, the pottery production of Rhodes, Kos and other ‘East Dorian’ islands and coastal areas remains little understood. This article presents and discusses new neutron activation analysis (NAA) of eighth–sixth-century bc vessels found on Rhodes and in related areas, placing them in the wider context of past and present archaeometric research. The results highlight the role of Kos as a leading regional centre of painted pottery production and export in the seventh–sixth centuries bc, notably of ‘East Dorian’ plates. This includes the famous ‘Euphorbos plate’, which can now be attributed to
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Dissertations / Theses on the topic "Greek pottery; Waveline style"

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Paspalas, Stavros A. "The Late Archaic and Early Classical pottery of the Chalkidike in its wider Aegean context." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282586.

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Perron, Martin. "La production et la diffusion des céramiques utilitaires de style à bandes à Argilos et dans le Nord de l'Egée aux périodes archaïque et classique." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01011569.

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Cette recherche propose de dresser le portrait de la production et de la diffusion des céramiques de style à bandes (waveline) produites en Égée du Nord aux périodes archaïque et classique par le biais de l'étude de matériel inédit recueilli sur sept sites de colonies grecques établies entre le Strymon et le golfe de Maronée et six sites de l'arrière-pays thrace. Elle vise à rassembler, au moyen de données archéologiques et archéornétriques, des informations sur les milieux de production, les réseaux d'échanges et les habitudes de consommation de la clientèle à l'égard de ces céramiques. Le vo
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Sanders, Guy Dominic Robson. "Byzantine glazed pottery at Corinth to c. 1125." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324112.

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Walker, Lauren L. "Boiotian black figure floral ware : a re-analysis of the Southern style with an introduction to floral groups from Halíartos." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85212.

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Black Figure Floral Ware is an understudied style of pottery which was produced in Boiotia and the nearby regions of Euboia and Phokis during the fifth and fourth centuries B.C.E. Floral Style vases are painted with compositions formed predominantly of palmettes and lotuses rendered in black gloss without the incised details which are typically associated with Black Figure pottery. The corpus of Boiotian Floral Ware is divided into two sub-styles: the Northern Style and the Southern Style. The Northern Style is thought to have been produced in the area North and West of the Kopais while
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Perron, Martin. "La production et la diffusion des céramiques utilitaires de style à bandes à Argilos et dans le nord de l'Égée aux périodes archaïque et classique." Thèse, 2013. http://hdl.handle.net/1866/9869.

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Cette étude porte sur l’analyse des céramiques de style à bandes – mieux connues dans la littérature anglo-saxonne sous le nom de waveline pottery – produites dans le nord de l’Égée aux périodes archaïque et classique. Cette catégorie de récipients, dont les formes et l’ornementation s’inspirent principalement des productions issues des ateliers micrasiatiques des VIIe et VIe siècles av. J.-C., jouit d’une vaste distribution en Thrace et en Macédoine orientale. Elle regroupe une importante variété de vaisselles d’usage courant utilisées pour le service et le stockage des denrées. Cette recherc
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Books on the topic "Greek pottery; Waveline style"

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Museum, Royal Ontario. Greek and Greek-style painted and plain pottery in the Royal Ontario Museum: Excluding black-figure and red-figure vases. Royal Ontario Museum, 1992.

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1974-, Sakalis A. (Anastasios), Tsiaphakē, D. S. (Despoina S.), and Tsirliganis N. (Nestor Constantinos), eds. Thapsos-class ware reconsidered: The case of Achaea in the northern Peloponnese : pottery workshop or pottery style? : non destructive elemental ceramic analysis from Achaea using x-ray fluorescence spectroscopy (m-XRF). Archaeopress, 2011.

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Style and society in dark age Greece: The changing face of a pre-literate society, 1100-700 BC. Cambridge University Press, 1991.

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Greek and Greek-Style Painted and Plain Pottery in the Royal Ontario Museum: Excluding Black-Figure and Red-Figure Vases. Royal Ontario Museum, 1992.

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Whitley, James. Style and Society in Dark Age Greece: The Changing Face of a Pre-literate Society, 1100-700 BC (New Studies in Archaeology). Cambridge University Press, 2003.

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Book chapters on the topic "Greek pottery; Waveline style"

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"The Protogeometric style." In Greek Painted Pottery. Routledge, 2013. http://dx.doi.org/10.4324/9780203714355-8.

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"The Geometric style." In Greek Painted Pottery. Routledge, 2013. http://dx.doi.org/10.4324/9780203714355-9.

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"The Red-figure style." In Greek Painted Pottery. Routledge, 2013. http://dx.doi.org/10.4324/9780203714355-11.

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Lund, John. "Head vases of the Magenta Group from Cyprus." In Classica Orientalia. Essays presented to Wiktor Andrzej Daszewski on his 75th Birthday. DiG Publisher, 2011. http://dx.doi.org/10.37343/pcma.uw.dig.9788371817212.pp.325-340.

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The paper deals with a sub-species of the so-called “Magenta Group” of plastic pottery vessels, that is, handled flasks in the shape of a human head, developing an idea voiced by Demetrios Michaelidis in an authoritative study of the vases known from Cyprus, that at least these vessels could have been produced on the island. The head vases fall into two broad categories: displaying Egyptian stylistic traits (Category I) and in Greek style (Category II). Upon review of the evidence, it seems that the Cypriot workshops producing such vases (pending petrographic analyses of the clay fabric) were located somewhere in the central part of southern Cyprus, from at least the last quarter of the 3rd century BC most probably through the 1st century AD. The earliest vases display Egyptian stylistic traits; later specimens in the Greek style, which emerged in the (second half?) 2nd century BC, represent figures associated with wine consumption, which may suggest their production for a special occasion like a cultic feast.
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Abulafia, David. "Sea Peoples and Land Peoples, 1250 BC–1100 BC." In The Great Sea. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195323344.003.0011.

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Both the fall of Troy and the Sea Peoples have been the subject of a vast literature. They were part of a common series of developments that affected the entire eastern Mediterranean and possibly the western Mediterranean too. Troy had been transformed at the end of the eighteenth century BC with the building of the most magnificent of the cities to stand on the hill of Hisarlık: Troy VI , which lasted, with many minor reconstructions, into the thirteenth century BC . The citadel walls were nine metres thick, or more; there were great gates and a massive watchtower, a memory of which may have survived to inspire Homer; there were big houses on two floors, with courtyards. The citadel was the home of an elite that lived in some style, though without the lavish accoutrements of their contemporaries in Mycenae, Pylos or Knossos. Archaeological investigation of the plain beneath which then gave directly on to the seashore suggests the existence of a lower town about seven times the size of the citadel, or around 170,000 square metres, roughly the size of the Hyksos capital at Avaris. One source of wealth was horses, whose bones begin to appear at this stage; Homer’s Trojans were famous ‘horse-tamers’, hippodamoi, and even if he chose this word to fit his metre, it matches the archaeological evidence with some precision. In an age when great empires were investing in chariots, and sending hundreds of them to perdition at the battle of Kadesh (or, according to the Bible, in the depths of the Red Sea), horse-tamers were certainly in demand. Opinion divided early on the identity of the Trojans. Claiming descent from Troy, the ancient Romans knew for sure that they were not just a branch of the Greek people. Homer, though, made them speak Greek. The best chance of an answer comes from their pottery. The pottery of Troy is not just Trojan; it belongs to a wider culture that spread across parts of Anatolia.
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Fant, Clyde E., and Mitchell G. Reddish. "Lystra." In A Guide to Biblical Sites in Greece and Turkey. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780195139174.003.0037.

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Few visitors seek out the ancient site of Lystra. Neither its unexciting location in the Anatolian plain nor its unexcavated mound offer much enticement except to the hard-core adventurer seeking to trace the route of the Apostle Paul. The ancient city of Lystra was located near the modern village of Hatunsaray, approximately 24 miles southwest of Konya in south-central Turkey. In 1885, about a mile north of Hatunsaray, on a mound called Zoldera (or, variously, Zordula), J. R. Sitlington Sterrett discovered a stone block approximately 3.5 feet tall and 1 foot thick. On the stone was the Latin inscription “DIVVM AVG COL IVL FELIX GEMINA LVSTRA CONSECRAVIT D D,” which uses the Latinized version “Lustra” for the name of the city. The discovery of this monument, erected to honor Caesar Augustus, who founded the Roman colony of Lystra, made identification of the site of ancient Lystra possible. Lystra was a part of the Lycaonian region of Asia Minor, an area bordering Phrygia on the west, Cappadocia on the east, and the ethnic Galatian region on the north. To the south were the Taurus Mountains. Earlier made a part of the province of Cilicia, Lycaonia was put under the control of Amyntas, an ally and client king of the Romans, in 36 B.C.E. When Amyntas died in 25 B.C.E., Lycaonia became a part of the Roman province of Galatia. Because the site of Lystra has yet to be excavated, little can be said with certainty about the earliest settlements on the site. The evidence of Hellenistic-style pottery and Greek inscriptions from the Roman period would suggest that at least a small village existed here during the Hellenistic period. Of the coins that have been found that originated from Lystra, none predates the time of the Roman colony, perhaps indicating that any pre-Roman settlement was not significant enough to issue coins. Emperor Augustus established Lystra as a Roman colony, likely in 25 B.C.E. at the same time that several other Roman colonies, including Pisidian Antioch, were founded. While all the colonies were established to help secure Roman control over Asia Minor, Lystra was likely founded specifically to suppress the Homanadenses and other mountain tribes in south-central Asia Minor who were hindering Roman control of the area.
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