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Books on the topic 'Greek Portrait drawing'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

Picasso, Pablo. Picasso: Drawings, watercolours, pastels. Zurich: Thomas Amman Fine Art, 1988.

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2

Picasso, Pablo. Picasso: Watercolours & drawings 1896-1934. Kinsale, Co. Cork: Gandon Editions, 2001.

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3

Picasso, Pablo. Picasso: Souza. New Delhi: Vadehra Art Gallery, 2011.

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4

Picasso, Pablo. Picasso: Caja de remordimientos. [Valencia]: Fundación Bancaja, 2001.

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5

Picasso, Pablo. Picasso: Suite Vollard. Madrid: Editoral de Arte y Ciencia, 1996.

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6

Picasso, Pablo. Picasso: Paisatge interior i exterior. [Madrid]: Electa, 1999.

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7

Marc, Gundel, Hirner René, Rohleder Stefanie, and Kunstmuseum Heidenheim, eds. Picasso: Zwischen Arena und Arkadien = Picasso : from arena to Arcadia : Bestandskatalog der Picasso Plakate- und Druckgraphiksammlung, Hermann Voith Galerie, Kunstmuseum Heidenheim. Köln: DuMont, 2001.

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8

Picasso, Pablo. Picasso: Der Maler und seine Modelle = le peintre et ses modèles. Basel: Galerie Beyeler, 1986.

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9

Picasso, Pablo. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.

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10

Picasso, Pablo. Picasso: 80 estampes. Paris: Galerie Louise Leiris, 1991.

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11

Picasso, Pablo. Picasso: Eleven paintings from international collections. Vancouver: Vancouver Art Gallery, 2005.

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12

Picasso, Pablo. Picasso: Minotauro : Madrid, 25 de octubre de 2000 - 15 de enero de 2001, Museo Nacional Centro de Arte Reina Sofía. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2000.

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13

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editioned lithographs and variations 1945-49. London: Waddington Graphics, 1986.

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14

Picasso, Pablo. Picasso: The Mediterranean years 1945-1962. London: Gagosian Gallery, 2010.

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15

Picasso, Pablo. Picasso: Der Maler und seine Modelle : Galerie Beyeler. Basel: Galerie Beyeler, 1986.

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16

Picasso, Pablo. Picasso: Arles, Musée Réattu. Arles: Le Musée, 1986.

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17

1937-, Spies Werner, and Art Focus (Zurich Switzerland), eds. Picasso: Retrospektive. Zürich: Art Focus, 2000.

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18

Picasso, Pablo. Picasso: Scolpire e dipingere la ceramica. Ferrara: Ferrara arte, 2000.

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19

Picasso, Pablo. Picasso: Bestiario de compañia. [Málaga]: Fundación Pablo Ruiz Picasso, 1998.

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20

Picasso, Pablo. Picasso: Metamorphoses 1900-1972 : works from the French collections : New Delhi, National Museum, 14th December 2001-31st January 2002, Mumbai, National Gallery of Modern Art, 15th February 2002-30th March 2002. Edited by National Gallery of Modern Art (New Delhi, India), France Ambassade (India), and National Gallery of Modern Art (Bombay, India). Bombay: India Book House, 2002.

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21

Picasso, Pablo. Picasso: Museu Nacional d'Art de Catalunya. Barcelona: Museu Nacional d'Art de Catalunya, 2007.

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22

Picasso, Pablo. Picasso: En Boisgeloup, con Marie-Thérèse, y en torno a L'homme au mouton. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2006.

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23

Picasso, Pablo. Picasso: Le tricorne : dessins pour le décor et les costumes du ballet de Manuel de Falla : Musée des beaux-arts de Lyon, 13 septembre-15 novembre 1992. Lyon: Le Musée, 1992.

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24

Picasso, Pablo. Picasso: Peintures et dessins 1932-1972. Paris: Galerie Louise Leiris, 1989.

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25

Picasso, Pablo. Picasso: Masterpieces from the Musée National Picasso, Paris. Paris: Musée National Picasso, 2012.

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26

Picasso, Pablo. Picasso: The development and transformation of an image : stage and progressive proofs, editionedlithographs and variations 1945-49 : 9 September-25 October 1986, Waddington Graphics, London. London: Waddington Graphics, 1986.

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27

Picasso, Pablo. Picasso: Masterworks from the Museum of Modern Art : an exhibition. New York: Museum of Modern Art, 1997.

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28

Picasso, Pablo. Picasso: Sein Dialog mit der Keramik : Werke aus der Sammlung Marina Picasso. Künzelsau: P. Swiridoff, 1999.

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29

M, Fischer Alfred, and Museum Ludwig, eds. Picasso: Die Sammlung Ludwig, druckgraphische Werke : Museum Ludwig Köln, 27. Februar-16. Mai 1993. Köln: Locher, 1993.

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30

Musée national Picasso La Guerre et la Paix (Vallauris, France) and Musée Magnelli, musée de la céramique., eds. Picasso: L'homme au mouton : 4 juillet-4 octobre 1999. Paris: Réunion des musées nationaux, 1999.

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31

Picasso, Pablo. Picasso: The Vollard Suite : Pablo Ruiz Picasso, Spain, France, 1881-1973. Canberra: National Gallery of Australia, 1997.

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32

Picasso, Pablo. Picasso: La formación de un genio 1890-1904 : dibujos del Museu Picasso de Barcelona. Barcelona: Lunwerg, 1997.

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33

Picasso, Pablo. Picasso: Museo de Arte Contemporáneo de Caracas, marzo de 1987. [Caracas]: El Museo, 1987.

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34

Picasso, Pablo. Picasso: Der blinde Minotaurus : die Sammlung Hegewisch in der Hamburger Kunsthalle. [Hamburg]: Die Kunsthalle, 1997.

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35

Picasso, Pablo. Picasso: Retratos de Jacqueline : 4 de febrero-28 de abril, 1991. Madrid: La Fundación, 1991.

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36

Markus, Müller, and Städtische Galerie Bietigheim-Bissingen, eds. Picasso: Linolschnitte. Heidelberg: Edition Braus, 2005.

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37

1940-, Clair Jean, and Fondation Pierre Gianadda, eds. Picasso: Sous le soleil de Mithra : Fondation Pierre Gianadda, Martigny, Suisse, 29 juin au 4 novembre 2001. Martigny: Fondation Pierre Gianadda, 2001.

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38

Maria-Teresa, Ocaña, Palazzo Medici Riccardi, Centro mostre di Firenze (Italy), and Museo Picasso, eds. Picasso: La grande grafica, 1904-1971 : Ottanta incisioni dal Museo di Barcelona. Milano: Electa, 1986.

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39

Collard, Franck. The Crime of Poison in the Middle Ages. Praeger Publishers, 2008. http://dx.doi.org/10.5040/9798400633706.

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This book will lead readers into a medieval culture of ambition, greed, and jealousy that motivated men and women to take the lives of individuals who trusted them. Collard examines the perception of the crime of poisoning in the West in medieval times, from about 500 to 1500 AD, exploring the ways the alleged crime was perceived in contemporary minds. His primary sources are chronicles that cover the entire medieval period and legal texts that are limited to the late medieval centuries. In order to portray the culture of murder by poisoning in the West, it was necessary to take into account Byzantine and Islamic documents as well as ancient texts such as the Scriptures and the writings of Roman historians, both of which were widely known in the Middle Ages. This book will lead readers into a medieval culture of ambition, greed, and jealousy that motivated men and women to take the lives of individuals who trusted them. In these pages, French medievalist Franck Collard examines the perception of the crime of poisoning in the West from about 500 to 1500. His primary sources of information are chronicles that cover the entire medieval period and legal texts that are limited to the late medieval centuries. In order to portray the culture of murder by poisoning in the West, he takes into account Byzantine and Islamic documents, as well as ancient texts such as the Scriptures and the writings of Roman historians, both of which were widely known in the Middle Ages. The resulting volume is concerned with the criminal actions that involve poison and not poison as such. Poisonous substances as such are described only when necessary for an understanding of a crime. What is important here is an examination of the ways the alleged crime was perceived in contemporary minds. Poisoning avoids the use of violence. It was committed without a drawn weapon or bloodshed in a world in which wounds, swords, knives, and clubs represented aggression and in which the flow of blood determined the gravity of the crime. Necessarily involving preparation and secrecy, it was often perpetrated treacherously during a meal, a particularly heinous act in a universe that was united by the companionship of a meal and the sociability of drinking. The special horror associated with poisoning resulted from the treachery of those close to the victim-and a sudden death that prevented a final confession of sins.

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40

Dupuis-LabbE, Dominique, Guido Messling, Anke Sp tter, and Pablo Picasso. Picasso: Bathers. Hatje Cantz Publishers, 2005.

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41

Picasso, Pablo. Picasso: Bestiario de compania. Ayuntamiento de Malaga, 1998.

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42

Picasso, Pablo. Picasso: Vollard Suite the Instituto De Credito Oficial Collection (Coleccion Instituto De Credito Oficial.). Univ of Washington Pr, 1994.

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43

Boutan, Mila, and Pablo Picasso. Picasso. Albin Michel, 1997.

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44

Picasso, Pablo. Picasso: Museo de Arte Contemporaneo de Caracas, marzo de 1987 (Catalogo). El Museo, 1987.

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45

Battistini, Matilde, and Pablo Picasso. Picasso. Dk Pub (T), 2001.

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46

Spence, David, and Pablo Picasso. Picasso: Breaking the Rules of Art (Great Artists). Barron's Educational Series, 1997.

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47

McCully, Marilyn, John Richardson, and Pablo Picasso. Picasso: The Berggruen Album. Mitchell-Innes & Nash, 2006.

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48

Picasso: Las Grandes Series. Aldeasa, 2001.

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49

Electa and Pablo Picasso. Picasso: Paisaje Interior y Exterior. Electa, 2001.

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50

Picasso, Pablo. Picasso: Demoiselles D'Avignon (Musee Picasso Paris). Reunion des Musees Nationaux,France, 1998.

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