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Relevant bibliographies by topics / Greek poetry; Ancient Greece; Rome

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Academic literature on the topic 'Greek poetry; Ancient Greece; Rome'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Greek poetry; Ancient Greece; Rome"

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Lykesas, Georgios, Christina Papaioannou, Aspasia Dania, Maria Koutsouba, and Evgenia Nikolaki. "Τhe Presence of Dance in Female Deities of the Greek Antiquity." Mediterranean Journal of Social Sciences 8, no. 2 (March 28, 2017): 161–70. http://dx.doi.org/10.5901/mjss.2017.v8n2p161.

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Abstract According to philosophers and paedagogists, from antiquity until today, arts and dance in particular have played a determining role in shaping the human personality, as well as in helping people gain a positive perspective of their multi-aspect development in terms of knowledge, perception, creative ability, psychomotor actions, emotional and social elevation. This holistic and anthropocentric approach in antiquity set new ways for perceiving motion -particularly dance- through the dance education. The aim of this study is to provide a well-documented review of dance in religious events of the ancient Greek world, by collecting and processing data related to female deities connected to the most important dances and music in public feasts of Ancient Greece -feasts of both religious and war character. Dance, music and poetry; the three elements that managed to influence and configure the education of the Ancient Greeks, leading to one of the most fundamental elements of Greek aesthetics: “harmony”.

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Wilkins, John. "Athenaeus the Navigator." Journal of Hellenic Studies 128 (November 2008): 132–52. http://dx.doi.org/10.1017/s0075426900000094.

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Abstract:This study concerns navigation in a geographical sense and in the sense of the reader finding a way through a complex text with the help of points of reference. Recent studies in Athenaeus have suggested that he was a more sophisticated writer than the second-hand compiler of Hellenistic comment on classical Greek authors, which has been a dominant view. Building on these studies, this article argues that Athenaeus' approach to his history of ancient dining draws on traditional poetic links between the symposium and the sea, and expands such metaphors with a major interest in place and provenance, which also belongs to the literature of the symposium. Provenance at the same time evokes a theme of imperial thought, that Rome can attract to herself all the good things of the earth that are now under her sway. Good things include foods and the literary heritage of Greece now housed in imperial libraries. Athenaeus deploys themes of navigation ambiguously, to celebrate diversity and to warn against the dangers of luxury. Notorious examples of luxury are presented – the Sybarites and Capuans, for example – but there seem to be oblique warnings to Rome as well. Much clearer censure is reserved for the gastronomic poem of Archestratus of Gela, which surveys the best cities in which to eat certain fish. The Deipnosophists deplore the immorality of the poet and his radical rewriting of their key authors Homer and Plato, while at the same time quoting him extensively for the range of his reference to geography and fish. This commentary on Archestratus is a good example of the Deipnosophists' guidance to the reader, Roman or otherwise, who wishes to ‘navigate’ the complicated history of the Greek deipnon and symposium.

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Cuomo, Serafina. "Rewarding Science in Ancient Greece and Rome." Nuncius 34, no. 2 (June 12, 2019): 236–45. http://dx.doi.org/10.1163/18253911-03402003.

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Abstract This paper surveys some of the ancient Greek and Roman evidence regarding rewards for science and scientists. It discusses Platonist views on whether science ought to be its own reward, and possible alternatives to such views. It concludes that a variety of attitudes existed on the issue in antiquity, and that they can be understood in terms of the social and economic status of ancient science practitioners.

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Leshem, Bar. "From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art." Acta Classica Universitatis Scientiarum Debreceniensis 56 (September 1, 2020): 281–96. http://dx.doi.org/10.22315/acd/2020/18.

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The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.

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Antonescu, Bogdan, David M. Schultz, Hugo M. A. M. Ricketts, and Dragoş Ene. "Theories on Tornado and Waterspout Formation in Ancient Greece and Rome." Weather, Climate, and Society 11, no. 4 (October 1, 2019): 889–900. http://dx.doi.org/10.1175/wcas-d-19-0057.1.

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Abstract Tornadoes and waterspouts have long fascinated humankind through their presence in myths and popular beliefs and originally were believed to have supernatural causes. The first theories explaining weather phenomena as having natural causes were proposed by ancient Greek natural philosophers. Aristotle was one of the first natural philosophers to speculate about the formation of tornadoes and waterspouts in Meteorologica (circa 340 BCE). Aristotle believed that tornadoes and waterspouts were associated with the wind trapped inside the cloud and moving in a circular motion. When the wind escapes the cloud, its descending motion carries the cloud with it, leading to the formation of a typhon (i.e., tornado or waterspout). His theories were adopted and further nuanced by other Greek philosophers such as Theophrastus and Epicurus. Aristotle’s ideas also influenced Roman philosophers such as Lucretius, Seneca, and Pliny the Elder, who further developed his ideas and also added their own speculations (e.g., tornadoes do not need a parent cloud). Almost ignored, Meteorologica was translated into Latin in the twelfth century, initially from an Arabic version, leading to much greater influence over the next centuries and into the Renaissance. In the seventeenth century, the first book-length studies on tornadoes and waterspouts were published in Italy and France, marking the beginning of theoretical and observational studies on these phenomena in Europe. Even if speculations about tornadoes and waterspouts proposed by Greek and Roman authors were cited after the nineteenth century only as historical pieces, core ideas of modern theories explaining these vortices can be traced back to this early literature.

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Głogowska, Katarzyna. "Myths of Ancient Greece and Rome in didactics." Collectanea Philologica, no. 19 (December 30, 2016): 137–48. http://dx.doi.org/10.18778/1733-0319.19.12.

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In text below the author would like to take this opportunity to raise the issue of the possibility of presenting during Latin lessons wide range of information relating to the myths and legends of Ancient Greece and Rome. A lesson dedicated to the Olympian gods will serve as an example of such practice. This lesson will provide a starting point for students and it will enable them to meet the fascinating world of history and culture of the classical antiquity. This article will start with presentation of the most important information about the polish school ‘gimnazjum’ and the curriculum of the Latin language in this school. Then some formal issues connected with conducting the discussed lesson will be highlighted. Afterwards the original lesson plan will be discussed. During the lesson the selected canon of Greek and Roman myths will be presented and then enriched by multimedia presentation and additional exercises. In addition to this both the lesson objectives and teaching methods and forms of work will be shown. Nowadays, very important matter is that all of this should be achieved in a friendly manner and at the same time it should be clear and understandable for pupils, who take Latin classes. This is a real challenge, it is a really difficult task to gain interest of those young people, who are accustomed or even addicted to the use of the Internet, in the language such as Latin. In addition, the author would like to show the pupils the timeless value of myths and legends of the classical antiquity and draw their attention to rediscover the power of classical myths, symbols and concepts in the 21st century.

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Hamilakis, Yannis, and Eleana Yalouri. "Antiquities as symbolic capital in modern Greek society." Antiquity 70, no. 267 (March 1996): 117–29. http://dx.doi.org/10.1017/s0003598x00082934.

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The Great Powers — starting with ancient Imperial Rome and running up to the present — have valued Classical Greek culture as embodying the founding spirit of their own, our own western world. So where does the modern state of Greece stand? It is, more than most nations, encouraged or required to share what might be its particular heritage with a wider world.

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Surać, Roko Sven. "Peter Hunt, Ancient Greek and Roman Slavery, Wiley Blackwell, 2018." Miscellanea Hadriatica et Mediterranea 5, no. 1 (January 7, 2019): 209–12. http://dx.doi.org/10.15291/misc.2751.

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Although his name will not reverberate as much as that of some of his predecessors when researchers of the very complex subject of slavery in the Antiquity are mentioned, Peter Hunt’s works have nevertheless won him acclaim as one of the leading researchers of slaveholding societies. A professor at the University of Colorado, Hunt specializes in social history in the context of slavery and wars – specifically, in ancient Greece. His book Ancient Greek and Roman Slavery was published by Wiley Blackwell in 2018. He himself announced it back in 2012. It is his first major work on the slavery in Rome.

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Meer, T. P. "CULT OF WATER IN ANCIENT GREECE AND ROME. BRIDGES AND HYDRAULIC STRUCTURESAND." Landscape architecture in the globalization era, no. 4 (2020): 43–55. http://dx.doi.org/10.37770/2712-7656-2020-4-43-55.

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Water was the main factor in choosing where to build settlements. Large civilizations - Mesopotamian, Egyptian, Greek and Roman, settled around the Mediterranean Sea and developed thanks to the waters of rivers and seas. The power of water was embodied by the Greeks in Gods and small deities, such as: Poseidon, Aphrodite, Naiades and others. The heyday of large ancient cities during the Roman period is associated with the construction of bridges and aqueducts. Water was assigned a significant role in the culture of local traditions. Residents of ancient cities have built many technical structures designed for water supply, irrigation of fields, sewerage and simply in honor of the worship of gods, patrons of water.

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Makhortova, Varvara. "Classical Antiquity in the Poetry of Sophia de Mello Breiner Andresen." Stephanos Peer reviewed multilanguage scientific journal 44, no. 6 (December 30, 2020): 96–102. http://dx.doi.org/10.24249/2309-9917-2020-44-6-96-102.

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The article analyses the influence of Ancient Greek philosophy and mythology, noticeable in the poetry of Sophia de Mello Breyner Andresen. The results of the analysis show that Sophia de Mello’s poetry, seemingly non-philosophic, is based on the ideas close to the theories proposed by ancient philosophers from Pre-Socratics philosophers to Socrates, Plato and Aristotle. The ideas of the unity between the human being and the Universe, as well as Plato’s theory of the Truth, the Good and the Beauty gain the special importance for the Portuguese writer. The ancient myths are reinterpreted by Sophia de Mello. The Ancient Greece is represented as the symbol of harmony between the human being and the Nature.

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Dissertations / Theses on the topic "Greek poetry; Ancient Greece; Rome"

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Lightfoot, Jane Lucy. "Parthenius." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340002.

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Giannakopoulou, Aglaia. "Ancient Greek sculpture in modern Greek poetry, 1860-1960." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322258.

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Platte, Ryan. "Horses and horsemanship in the oral poetry of Ancient Greece and the Indo-European world /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/11480.

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Boeke, Hanna. "Wisdom in Pindar : gnomai, cosmology and the role of the poet." Thesis, Stellenbosch : Stellenbosch University, 2005. http://hdl.handle.net/10019.1/50549.

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Thesis (PhD)--Stellenbosch University, 2005
ENGLISH ABSTRACT: This study investigates the cosmological context of Pindar' s victory odes, and its importance for their encomiastic purpose. The introductory chapter deals with selected aspects of Pindaric scholarship in order to establish the usefulness of such an investigation. The first part of the study focuses on gnomai as a reflection of cosmological ideas. In Chapter 2 modem scholarship on the proverb and maxim, various ancient texts on gnomai and a number of references in Pindar are analysed in support of the contention that gnomai provide a legitimate basis for an overview of the cosmology revealed in Pindars poetry. The overview presented in Chapter 3 discusses three broad topics. The first concerns the elemental forces, fate, god and nature, the second deals with the human condition and the third considers man in society from the perspectives of the household and family relationships on the one hand and relationships outside the OtKOs on the other. The overview suggests that Pindar's work is founded on a mostly conventional outlook on man and his relationships with both extra-human powers and his fellow man. To complement the overview three epinikia, Olympian 12, Isthmian 4 and Olympian 13 are analysed in Chapter 4. They demonstrate how the complexity of an actual situation compels the poet to emphasise different aspects of the cosmology or even to suggest variations to accepted views. The analyses imply that presenting the cosmological context of a particular celebration in an appropriate way is part of the poet's task. This aspect is further investigated in Chapter 5, which looks at the role of the poet as mediator of cosmology. In some cases the poet demonstrates certain preferred attitudes which in tum presuppose particular cosmological convictions. In others this role involves changing the perspective on the circumstances or attributes of a victor or his family through a modification of cosmological principles. Different approaches to the same theme in different poems show the author Pindar shaping the narrator-poet to represent varying viewpoints in order to praise a specific victor in the manner most suitable to his wishes and circumstances. The fact that the poet's task includes situating the victory in its cosmological context means that the glorification of a victor includes presenting him as praiseworthy in terms of broader life issues, such as the role of the divine in human achievement, a man's attitude to success and his status in society. Pindar's use of cosmological themes in general speaks of pragmatism rather than conformity to and the consistent defense of a rigid framework of values. However, the prominence of cosmology in the odes and the sometimes very conspicuous role of the poet in communicating it also reveal Pindar's abiding interest in man and his position in the world
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die kosmologiese konteks van Pindaros se oorwinningsodes, en die belangrikheid daarvan vir die gedigte as prysliedere. Die inleidende hoofstuk behandel geselekteerde aspekte van Pindaros-navorsing om die nut van so 'n ondersoek te bepaal. Die eerste deel van die studie fokus op gnomai as 'n bron van kosmologiese idees. In hoofstuk 2 word moderne navorsing oor spreekwoorde en wysheidspreuke, verskeie antieke tekste oor gnomai en 'n aantal verwysings in Pindaros se werk ontleed ter ondersteuning van die stand punt dat gnornai 'n redelike grondslag bied vir 'n oorsig van die kosmologie wat in Pindaros se digkuns na vore kom. Die oorsig aangebied in hoofstuk 3 bespreek drie bree onderwerpe, eerstens die fundamentele magte, die noodlot, god en die natuur, tweedens die menslike toestand en derdens die mens in die samelewing uit die hoek van die huishouding en familieverhoudings enersyds en verhoudings buite die OtKOs ; andersyds. Die oorsig dui aan dat Pindaros se werk gebaseer is op 'n hoofsaaklik konvensionele uitkyk op die mens en sy verhoudings met beide buite-menslike magte en sy medemens. Ter aanvulling van die oorsig word drie oorwinningsodes, Olimpiese Ode 12, lsmiese Ode 4 en Olimpiese Ode 13 in hoofstuk 4 ontleed. Die ontledings toon aan hoe die kompleksiteit van 'n gegewe situasie die digter verplig om verskillende aspekte van die kosmologie te beklemtoon of selfs afwykings van aanvaarde menings voor te stel. Die ontledings impliseer dat dit deel van die digter se taak is om die kosmologiese konteks van 'n spesifieke viering op die gepaste wyse aan te bied. Hierdie aspek word verder ondersoek in hoofstuk 5, waarin die rol van die digter as bemiddelaar van kosmologie bekyk word. In sommige gevalle demonstreer die digter sekere voorkeurhoudings wat op hulle beurt spesifieke kosmologiese oortuigings veronderstel. In ander gevalle behels hierdie rol die verandering van die perspektief op die omstandighede of eienskappe van 'n oorwinnaar of sy familie deur die modifisering van kosmologiese beginsels. Verskillende benaderings tot dieselfde tema in verskillende gedigte wys hoe die outeur Pindaros die vertellerdigter vorm om wisselende standpunte te verteenwoordig sodat 'n spesifieke wenner op die mees geskikte manier in ooreenstemming met sy wense en omstandighede geprys kan word. Die feit dat die digter se taak die plasing van die oorwinning in sy kosmologiese konteks insluit, beteken dat die verheerliking van 'n wenner insluit dat hy voorgestel word as lofwaardig kragtens breer lewenskwessies, soos byvoorbeeld die rol van die goddelike in menslike prestasie, 'n mens se houding tot sukses en sy status in die gemeenskap. Oor die algemeen spreek Pindaros se gebruik van kosmologiese temas van pragmatisme eerder as onderwerping aan en die volgehoue verdediging van 'n rigiede stel waardes. Die belangrikheid van kosmologie in die odes en die soms besonder opvallende rol van die digter in die kommunikasie daarvan openbaar egter ook Pindaros se blywende belangstelling in die mens en sy plek in die wereld.

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Demerliac, Oriane. "Le locus de la mer chez les poètes augustéens : miroir et creuset des mutations poétiques, politiques et morales du début du Principat." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN066.

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Pour montrer la richesse des représentations poétiques de la mer, l’époque augustéenne constitue un moment clef. Avec la bataille d’Actium, la mer occupe une place nouvelle à Rome et devient un enjeu majeur, lieu de victoires et de pouvoir dans le discours d’Auguste et dans l’imaginaire romain, à un moment de refondation aussi bien politique que morale de la cité après les guerres civiles. C’est la manière dont cet objet s’est constitué en tant que catalyseur de toutes les grandes mutations de l’époque augustéenne qui retient notre attention. Nous étudions la mer comme locus, c’est-à-dire comme un objet poétique susceptible de refléter ou de modifier le lieu réel où l’activité humaine se déploie durant l’histoire grecque et romaine, mais aussi les représentations socioculturelles. Dans notre première partie, nous entreprenons une comparaison des rapports à la mer chez les Grecs et les Romains, dans leur histoire, leurs mentalités et leur littérature. Il apparaît que d’un point de vue axiologique, si la mer des poètes augustéens reçoit un traitement négatif en grande partie influencé par la poésie grecque, ce motif est enrichi d’un élément inédit : la condamnation de la navigation. Reliée aux guerres et à la luxuria, elle s’inspire chez les poètes augustéens d’une synthèse entre les influences de la philosophie grecque et de la morale traditionnelle : elle devient le lieu d’expression des passions humaines, depuis la cupidité jusqu’à la colère du Prince. Mais les poètes augustéens ont aussi été sensibles à l’héritage grec du motif épique de la mer : Virgile, dans l’Énéide, élabore à partir des modèles grecs un héroïsme nouveau, adapté à l’arrière-plan culturel romain, où prime la pietas, dans des errances où les épreuves maritimes sont systématiquement désamorcées. Ovide, dans ses Métamorphoses, relit Virgile pour déconstruire cette mer de la fabrique des héros et proposer une nouvelle représentation de la mer, miroir de la Pax Augusta. Pourtant, c’est l’élégie qui, en transférant toute ses ambiguïtés au locus marin, en fait le mieux le miroir troublant des changements politiques et des mutations morales que connaît Rome au début du Principat : la réélaboration élégiaque du motif épique de la mer est l’occasion du questionnement et de la réaffirmation des valeurs du mos maiorum, d’expérimentations génériques et surtout de la construction d’un nouvel héroïsme en mer, celui d’Auguste à Actium
To show the richness of the poetic representations of the sea, the Augustan epoch is considered a key period. With the battle of Actium, the sea holds a new place in Rome and becomes a major stake, place of victories and power in the speech of Augustus and in the Roman imagination, during a political and moral city rebuilding after the civil wars. It is the way this object was established as a catalyst of all the great changes of the Augustan period that holds our attention. We study the sea as locus, that is to say as a poetic object likely to reflect or modify the real place where the human activity spreads out during the Greek and Roman history, but also the socio-cultural representations. In our first part, we undertake a comparison of the relationships with the sea for Greeks and Romans, in their history, their mentalities and their literature. It appears that from an axiological point of view, if the sea of Augustan poets receives a negative treatment as in Greek poetry, this pattern is enriched by a previously unseen element: the navigation condemnation. Linked with war and luxuria, it is inspired for the Augustan poets by a synthesis between the influences of Greek philosophy and traditional morality: it becomes the place of expression of the human passions, from greed to anger of the Prince. But the Augustan poets have also carried the Greek heritage of the epic motif of the sea Virgil, in the Aeneid, develops from the Greek models a new heroism, adapted to the Roman cultural background, where the pietas takes the central part through wanderings where sea trials are systematically undone. Ovid, in his Metamorphoses, rereads Virgil to deconstruct this sea of heroes and to build a new representation of the sea, mirror of the Pax Augusta. However, the elegy, as the most ambiguous genre, introduces the most original and complex vision of the marine locus. Elegiac poets makes it the most disturbing mirror of the political changes and moral mutations that Rome experienced at the beginning of the Principate: the elegiacre-elaboration of the epic motif of the sea is an opportunity to question and reaffirm the values of the mos maiorum, generic experiments and especially the construction of a new heroism at sea, that of Augustus to Actium

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Slaughter, Megan Michelle. "The Hippocratic Corpus and Soranus of Ephesus: Discovering Men's Minds Through Women's Bodies." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3351.

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This thesis addresses what cultural influences and social circumstances shaped the works of the Hippocratic Corpus and Soranus's Gynecology. This thesis will illustrate how these medical texts are representative of how women were viewed by men in Classical Greece and Early Imperial Rome, respectively. It deals additionally with how these gynecological works in turn impacted the way in which society viewed and treated women. In particular, these medical writers' changing views of the act of conception shed light on the differing attitudes of their cultures. Thus far research on these time periods and works has focused too narrowly on one aspect of society to do them justice, nor has there been an effort to separate Soranus's work from the Hippocratic Corpus as representative of a completely different culture and time period. Scholarship has not before discussed the importance of who controls power over conception, men or women, as the key to understanding why women were treated they way they were by men. Using a feminist approach, this thesis examines the culture, mythology, literature, history, and medicine of these cultures, employing cultural morphology to understand how and why they changed. Greek men feared the women in their lives because they believed that women controlled conception. Roman men did not fear the women in their lives but respected them as mothers, for the important reason that women did not control or contribute to conception. All of the cultural evidence examined inclines one to believe that the way women were treated and viewed by men in the Classical period of Greece and the early Imperial period in Rome, is related directly to who held the power over conception of children, men or women.

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Loupiac, Annie. "La poétique des éléments dans "La Pharsale" de Lucain." Bruxelles : Latomus Revue d'études latines, 1998. http://catalogue.bnf.fr/ark:/12148/cb372098529.

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Bachvarova, Mary R. "From Hittite to Homer : the role of Anatolians in the transmission of epic and prayer motifs from the Near East to the Greeks /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060281.

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Van, den Heever G. (Gerhard). "`Loose fictions and frivolous fabrications' : ancient fiction and the mystery religions of the early imperial era." Thesis, 2005. http://hdl.handle.net/10500/1510.

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Wickkiser, Bronwen Lara 1969. "The appeal of Asklepios and the politics of healing in the Greco-Roman world." 2003. http://hdl.handle.net/2152/12602.

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Books on the topic "Greek poetry; Ancient Greece; Rome"

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Stehle, Eva. Performance and gender in ancient Greece: Nondramatic poetry in its setting. Princeton, N.J: Princeton Unviversity Press, 1997.

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Landels, John G. Music in ancient Greece and Rome. London: Routledge, 1999.

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Music in ancient Greece and Rome. London: Routledge, 1998.

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Woman's songs in ancient Greece. Montreal: McGill-Queen's University Press, 2008.

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The poetics of eros in Ancient Greece. Princeton, N.J: Princeton University Press, 1999.

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Raphael, Elaine. Drawing history: Ancient Rome. New York: F. Watts, 1990.

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Jeff, Smith. The frugal gourmet cooks three ancient cuisines: China, Greece, Rome. New York: Avon Books, 1991.

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The Frugal Gourmet cooks three ancient cuisines: China, Greece, Rome. New York: Avon, 1991.

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Coleman, Phillipson. The international law and custom of ancient Greece and Rome. Buffalo, N.Y: W.S. Hein, 2001.

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Segan, Francine. The philosopher's kitchen: Recipes from ancient Greece and Rome for the modern cook. New York: Random House, 2004.

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Book chapters on the topic "Greek poetry; Ancient Greece; Rome"

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Boehringer, Sandra. "Myth and Archaic lyric poetry." In Female Homosexuality in Ancient Greece and Rome, 20–74. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003158080-2.

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García, Alejandro Valverde. "Visual Poetry on Screen." In A Companion to Ancient Greece and Rome on Screen, 385–402. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch17.

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Gawlinski, Laura. "Greek Calendars." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 889–905. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch53.

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Safran, Meredith E. "Greek Tragedy as Theater in Screen-Media." In A Companion to Ancient Greece and Rome on Screen, 187–207. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118741382.ch8.

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Ault, Bradley A. "Greek Domestic Architecture." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 656–71. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch40.

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Eleanor Irwin, M. "Greek and Roman Botany." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 263–80. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch16.

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Thibodeau, Philip. "Greek and Roman Agriculture." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 517–32. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch32.

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Irby, Georgia L. "Greek and Roman Cartography." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 817–35. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch49.

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Senseney, John R. "Greek Public and Religious Architecture." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 633–55. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch39.

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Brecoulaki, Hariclia. "Greek Interior Decoration: Materials and Technology in the Art of Cosmesis and Display." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 672–92. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch41.

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