Academic literature on the topic 'Greek Greece Athens'

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Journal articles on the topic "Greek Greece Athens"

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Romanou, Katy, and Maria Barbaki. "Music Education in Nineteenth-Century Greece: Its Institutions and their Contribution to Urban Musical Life." Nineteenth-Century Music Review 8, no. 1 (June 27, 2011): 57–84. http://dx.doi.org/10.1017/s1479409811000061.

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This article explores the music education of the Greek people in the nineteenth century, as revealed through the description of music education in Constantinople, Corfu and Athens.Before the establishment of the new state of Greece early in the nineteenth century, both Greeks and Europeans speak of ‘Greece’, referring to Greek communities beyond its borders. Music education in those communities consisted mainly of the music of the Greek Orthodox Church – applying a special notation, appropriate to its monophonic, unaccompanied chant – and Western music, and was characterized by the degree to which either culture prevailed. The antithesis of those music cultures was best represented, at least up to the 1850s, among the Greeks living in Constantinople – the seat of the Greek Orthodox Church – and Corfu of the Ionian Islands – where Italian music was assimilated. Athens was elected in 1834 as the capital of the Greek state because of its ancient monuments and did not attain the significance of a contemporary cultural centre before the 1870s. In Athens, these two musical cultures were absorbed and transformed through their confrontation and interaction. However, the new state's political orientation determined the predominance of Western music in music education in the capital.
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Gagarin, Michael. "Law and Rhetoric in Ancient Greece and Today." Rhetorik 40, no. 1 (November 2, 2021): 19–30. http://dx.doi.org/10.1515/rhet-2021-0003.

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Abstract This paper examines the interaction of law and rhetoric in classical Athens and in current US common law. I argue that there is an inevitable tension between rhetoric, which operates with words (Greek logoi), and law, which supposedly deals with facts (Greek erga) but necessarily works also with words. The Greeks understood this tension and accepted it, whereas today we often try to deny it, though recent work in the field of Law and Literature has done much to illuminate the operation of rhetoric in law today.
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Romanou, Ekaterini. "Italian musicians in Greece during the nineteenth century." Muzikologija, no. 3 (2003): 43–55. http://dx.doi.org/10.2298/muz0303043r.

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In Greece, the monophonic chant of the Orthodox church and its neumatic notation have been transmitted as a popular tradition up to the first decades of the 20th century. The transformation of Greek musical tradition to a Western type of urban culture and the introduction of harmony, staff notation and western instruments and performance practices in the country began in the 19th century. Italian musicians played a central role in that process. A large number of them lived and worked on the Ionian Islands. Those Italian musicians have left a considerable number of transcriptions and original compositions. Quite a different cultural background existed in Athens. Education was in most cases connected to the church - the institution that during the four centuries of Turkish occupation kept Greeks united and nationally conscious. The neumatic notation was used for all music sung by the people, music of both western and eastern origin. The assimilation of staff notation and harmony was accelerated in the last quarter of the 19th century. At the beginning of the 20th century in Athens a violent cultural clash was provoked by the reformers of music education all of them belonging to German culture. The clash ended with the displacement of the Italian and Greek musicians from the Ionian Islands working at the time in Athens, and the defamation of their fundamental work in music education.
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Papageorgiou-Venetas, Alexander. "A future for Athens." Ekistics and The New Habitat 69, no. 415-417 (December 1, 2002): 209–19. http://dx.doi.org/10.53910/26531313-e200269415-417338.

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The author, an architect and town planner, graduated from the Faculty of Architecture of the Athens Technical University, specialized in town planning in Paris, and obtained his Ph. D in urban design at the Technical University of West Berlin. After a ten-year period of practicing architecture in Athens where he conducted several studies for the Greek Tourism Organization (hotels), the Archaeological Service of Greece (landscaping of excavation areas) and private clients, he has been working mainly in Germany (Berlin and Munich) as well as in Greece as an urban designer in a wide scope of activities, including teaching, research and a planning consultancy. His special interest focuses on urban conservation, planning and urban history. He has worked with the Freie Planungsgruppe Berlin and the Burckhard Planconsulť Basel.He has elaborated major planning development and preservation schemes for the Greek state (Chios Tourist Development, Mykonos-Delos Development Plan, Chania Old Town Preservation Scheme) and acted as an expert for UNESCO (1970, Iran) and the UNCHS (1982, Yugoslavia). As an advisor to the Greek Minister of Culture ( 1974- 1977) he coordinated the Greek participation in the U.N. Vancouver Conference on Human Settlements (1976) and in the European Architectural Heritage Year (1975). He has also acted as the liaison officer between the National Greek Committee and the UNESCO experts for the Acropolis conservation campaign. He has taught as a visiting professor in Berlin (1969-1970), Stuttgart (1981-1982) and Munich (1996-1997) and was for 10 years (1976-1985) Professor of Urban History at the Post-Graduate Center "Raymond Lemaire" for the Conservation of the Architectural and Urban Heritage in Bruges and Louvain/Belgium. He has elaborated major research studies on European planning history and planning issues of his native town Athens, and is considered an authority on the town planning history of modern Athens.
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Beratis, Stavroula. "Suicide among Adolescents in Greece." British Journal of Psychiatry 159, no. 4 (October 1991): 515–19. http://dx.doi.org/10.1192/bjp.159.4.515.

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The mean suicide rate among 10–19–year-olds in Greece from 1980 to 1987 was 0.98/100 000 per year (male 1.07, female 0.89). Girls and boys demonstrated the greatest suicide rate at 16 and 19 years, respectively. The combined suicide rate was significantly higher in the rural areas (1.48) than in Athens (0.48) and the other urban areas (0.98). Boys committed suicide more frequently than girls in Athens and other urban areas, whereas girls did so in the rural areas. The suicide rate declined during the last three years of the study. Differences in the methods used and the reported reasons for suicide were observed among the adolescents in Athens, other urban areas, and the rural areas. Greek adolescents appear to be relatively protected from suicide, particularly those who live in the urban areas.
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Geropeppa, Maria, Dimitris Altis, Nikos Dedes, and Marianna Karamanou. "The first women physicians in the history of modern Greek medicine." Acta medico-historica Adriatica 17, no. 1 (July 1, 2019): 55–64. http://dx.doi.org/10.31952/amha.17.1.3.

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In an era when medicine in Greece was dominated by men, at the end of the 19th and during the first decades of 20th century, two women, Maria Kalapothakes [in Greek: Μαρία Καλαποθάκη] (1859-1941) and Angélique Panayotatou [in Greek: Αγγελική Παναγιωτάτου] (1878-1954), managed to stand out and contribute to the evolution of medicine. Maria Kalapothakes received medical education in Paris and then she returned to Greece. Not only did she contribute to several fields of medicine, but also exercised charity and even undertook the task of treating war victims on many occasions. Angélique Panayotatou studied medicine at the University of Athens and then moved to Alexandria in Egypt, where she specialized in tropical medicine and also engaged in literature. Panayotatou became the first female professor of the Medical School of Athens and the first female member of the Academy of Athens. In recognition for their contributions, Kalapothakes and Panayotatou received medals and honors for both their scientific work and social engagement.
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Foxhall, Lin. "Household, Gender and Property in Classical Athens." Classical Quarterly 39, no. 1 (January 1989): 22–44. http://dx.doi.org/10.1017/s0009838800040465.

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The idea that the household was the fundamental building block of ancient Greek society, explicit in the ancient sources, has now become widely accepted. It is no exaggeration to say that ancient Athenians would have found it almost inconceivable that individuals of any status existed who did not belong to some household; and the few who were in this position were almost certainly regarded as anomalous. In ancient Athens, as elsewhere, households ‘are a primary arena for the expression of age and sex roles, kinship, socialization and economic cooperation’. It has been suggested for modern Greece that our own cultural biases, along with the Greek ideology of male dominance, have led to the assumption that the foundations of power in Greek society lie solely in the public sphere, and that domestic power is ‘less important’. In a less simple reality the preeminent role of the household cannot be underestimated. Here I hope to question similar assumptions about ancient Greece, focusing in particular on the relationships that existed between Athenian households and the property of the individuals, particularly women, within these households.
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Kourbana, Stella. "The Birth of Music Criticism in Greece: The Case of the Historian Konstantinos Paparrigopoulos." Nineteenth-Century Music Review 8, no. 1 (June 27, 2011): 85–100. http://dx.doi.org/10.1017/s1479409811000073.

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The birth of music criticism in Greece is connected with the creation of the Greek state and the consequent reception of opera in Athens, its capital. In the newly formed Greek society, opera was not only considered as a cultural fact, but also as the principal symbol of the European lifestyle, which stood as a model for the new citizens of the European community. The young Konstantinos Paparrigopoulos, before becoming the principal founder of the Greek nationalist historiography, published a number of music reviews on the opera performances in Athens in 1840, eager to contribute to the musical cultivation of his compatriots. According to his opinion, opera, thanks to its aesthetic quality, but mainly because of its universal influence (which goes beyond nations and classes) was the appropriate means to ‘mould’ the musical taste of the Greek nation. Paparrigopoulos’ insistence on Italian opera as the vehicle which could introduce the Greeks to the musical profile of European civilization is significant for his ideas on the cultural identity of his nation. In these early writings of the future historian we can distinguish the main topics of his later theory.
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Hatzivassiliou, Evanthis. "Greece and the Arabs, 1956-1958." Byzantine and Modern Greek Studies 16 (1992): 49–82. http://dx.doi.org/10.1017/s0307013100007540.

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In the second half of the 1950s, Greek foreign policy was dominated by the Cyprus question, while in the Middle East the same period was marked by a series of crises. The developments in the Middle East were important to the Greek government partly because Cyprus’s fate depended primarily on British decisions — and these decisions were connected to Britain’s position in the Middle East. Simultaneously, the turbulence in the region endangered the Greek communities in it, mainly the large community in Egypt. Yet, it may be said that Athens was rather slow in making an approach to the Arabs, on whose votes the United Nations debates on Cyprus largely depended: such approach took place only in Spring 1956, after the British had deported the Greek Cypriot leader, Archbishop Makarios, and after the new government of Constantinos Karamanlis had scored its first electoral victory.
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Koutsoyiannis, D., N. Mamassi, and A. Tegos. "Logical and illogical exegeses of hydrometeorological phenomena in ancient Greece." Water Supply 7, no. 1 (March 1, 2007): 13–22. http://dx.doi.org/10.2166/ws.2007.002.

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Technological applications aiming at the exploitation of the natural sources appear in all ancient civilizations. The unique phenomenon in the ancient Greek civilization is that technological needs triggered physical explanations of natural phenomena, thus enabling the foundation of philosophy and science. Among these, the study of hydrometeorological phenomena had a major role. This study begins with the Ionian philosophers in the seventh century BC, continues in classical Athens in the fifth and fourth centuries BC, and advances and expands through the entire Greek world up to the end of Hellenistic period. Many of the theories developed by ancient Greeks are erroneous according to modern views. However, many elements in Greek exegeses of hydrometeorological processes, such as evaporation and condensation of vapour, creation of clouds, hail, snow and rainfall, and evolution of hydrological cycle, are impressive even today.
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Dissertations / Theses on the topic "Greek Greece Athens"

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Kennedy, Rebecca Futo. "Athena/Athens on Stage: Athena in the Tragedies of Aeschylus and Sophocles." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1053353618.

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Thesis (Ph. D.)--Ohio State University, 2003.
Document formatted into pages; contains viii, 204 p.; contains ills., map. Includes bibliographical references (p. 193-204). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 May 19.
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Thomas, Rosalind. "Studies in oral tradition and written record in classical Athens." Thesis, University College London (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314263.

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Hees, Brigitte. "Honorary Decrees in Attic Inscriptions, 500 - 323 B.C." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185480.

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In this dissertation Athenian inscriptions, granted during the fifth and fourth centuries down to the death of Alexander the Great, are analyzed. The evidence includes grants of citizenship, proxenia, epimeleia, enktesis, ateleia, and isoteleia to deserving foreigners. During the fifth century, Athens used these grants, particularly the proxenia, as one means to keep her predominant position in Greece. Other honors were also used for this purpose, such as the offer of protection, and to some degree citizenship honors. In their domestic affairs, Athenians used enktesis, ateleia, and isoteleia as rewards, especially for resident aliens. According to epigraphic evidence, the ateleia and isoteleia decrees show no increase during the fourth century, while the greatest number of proxeny decrees were passed from 353 to 323 B.C. Although honorary decrees were awarded liberally during this time, there was no steady increase from the fifth century down to 323 B.C. During the period from 399 to 354, the number of extant honorary decrees is rather small. Particular attention is paid to an analysis of the development of each honor, the identification of the individuals involved, and their relation to the Athenian people.
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Fatsea, Irene D. "Monumentality and its shadows : a quest for modern Greek architectural discourse in nineteenth-century Athens (1834-1862)." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/65991.

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Thesis (Ph.D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
Includes bibliographical references (p. 319-335).
The dissertation traces the sources of modern Greek architectural discourse in the first period of the modern Greek State following Independence and under the monarchy of Bavarian King Othon I (1834-1862). Its intent is to provide an informed account, first, of the intellectual and ideological dynamic wherein the profession of the modern architect developed in Greece in contradistinction to that of the empirical masterbuilder; and second, of the cognitive realm whereby modern Greeks formed their architectural perception relative to the emerging phenomenon of the westernized city. The dissertation offers a methodical survey of Greek sources of organized discourse on architecture authored mainly by non-architect scholars at the time. The focus of the writings is Athens, the reborn city-capital in which westernization manifested its effects most prominently. Monumentality, a concept with implications of cosmological unity and sharing in the same communicative framework, serves as a working conceptual tool which fa cilitates the identification, categorization, and analysis of different models of thought in reference to key architectural ideas (e.g., beauty, imitation, dignity). Special heed is paid to the writers' attitude relative to the country's monuments, both old and new, which were now considered the principal activators of ethnic unity, cultural assimilation, and national identification for diverse urban populations under the call for a return to the country's "Golden Age." The texts reveal that the urge for nation-building under the aegis of a centralized authority provided but little room for the development of disinterested discourse on architecture as opposed to instructive discourse which often followed the path of prescriptive or ideological reasoning. Bipolarity, moralism, reliance on precedent, and impermeability of boundaries were some of the characteristics of this reasoning. Architecture, in particular, was subjected to an ideologically-based dichotomy of classicism and romanticism which in theory obstructed any fruitful amalgamation of the two intellectual paradigms and which, in effect, displaced any organic/ evolutionist patterns of thought. The dissertation presents the discourse of the Greek philologist-archaeologists as the most influential in the shaping of the theoretical foundations of architecture as a new discipline, in the universalization of neoclassicism as the official style, and in the promotion of monumentality as the preferred rhetorical strategy toward the reacquisition of the country's ancient glory. The written and visual texts of the philologist- archaeologist Stephanos A. Koumanoudis (1818-1899) are set forth as telling witnesses of the relevance of this discourse to architecture, as well as of the positive and negative aspects of such a conjunction. The dissertation finally argues that organic practices of space use and manipulation with roots in the vernacular tradition persisted through the new era and informed people's response to building problems in the new city, yet now coupled with the rational categories of modernity as introduced by the aforementioned discourses.
by Irene Fatsea.
Ph.D.
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Lawton, Carol L. "Attic document reliefs : art and politics in ancient Athens /." Oxford : Clarendon Press, 1995. http://www.perseus.tufts.edu/cgi-bin/ptext?doc=1999.04.0005.

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Lewis, David Correll. "Revealing the Parthenon's logos optikos : a historical, optical, and perceptual investigation of twelve classical adjustments of form, position, and proportion." Diss., Georgia Institute of Technology, 1994. http://hdl.handle.net/1853/23998.

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Wagner, Claudia. "Dedication practices on the Athenian Acropolis, 8th to 4th centuries B.C." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:6f2e2c02-7bc0-43c0-843c-cc76217c1485.

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A society that regards nature as divine is constantly reminded of its dependence on the gods. It comes, therefore, as no surprise to find the sanctuary as major focus of the Greek community, in Athens literally occupying the centre of the city, the Acropolis. A central part of ancient religious life was the practice of offering gifts to the gods. The abundance of dedications on the Acropolis - which includes the full range from the simple terracotta figurines to exquisitely decorated pottery and life size marble sculpture - gives ample evidence of this. The Acropolis offers a unique opportunity to study the dedications of Athens' city sanctuary in its most important period of growth and power. The continued use of the sanctuary over centuries is not on all accounts a blessing. The history of the Acropolis and its buildings has yet to find a conclusive interpretation owing to the destruction of earlier evidence by later building phases. In Chapter II I give a brief summary of the different theories and their limits in satisfying all the evidence. The chapter is not intended as a detailed architectural study, but to establish as closely as possible when cults were introduced on the Acropolis and when building activity might have influenced the storage and disposal of dedications. The survival of the dedications themselves has been affected by the length of the sanctuaries' use. Different classes of objects have better chances of survival than others, some classes will have left no record in corpore. In Chapter III I introduce all sources: the objects (pottery, bronzes, sculpture, terracotta, etc.), the epigraphic and the literary evidence, and assess their value and completeness. The chapter is also an archaeological and iconographical study of the dedications. The objects are classified by type, and changes in decoration and shape of chosen dedications are explored. Flow charts show numerical changes in classes and types of objects during the centuries. In some cases it is also possible to make more conclusive statements about the dedicators. Inscribed names give the opportunity to recognize persons we know from history. I enquire into the identities and status of some of the dedicators and their motive for dedication and try to show how these motives might have changed with time. In Chapter IV the evidence concerning the placing of the dedications on the Acropolis is collected. What kind of dedications were stored in temple treasuries and if they were in the open (as statues), where were they placed on the Acropolis? In the conclusion I try to point out how changes in society and religion are reflected in the dedications.
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Villing, Alexandra Claudia. "The iconography of Athena in mainland Greece and the East Greek world in the 5th and 4th centuries BC." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390403.

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Procopos, Arthur S. "Greece, like Kronos, is Eating its Children : Small-Business People’s Responses to the Ongoing Economic Crisis in Athens, Greece." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/64042.

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This dissertation is concerned with the documentation and analysis of contemporary responses of a particular segment of Greek society to the economic crisis that has impacted on Greece, Europe and the wider capitalist world. Based on ethnographic research conducted in multiple sites, including the city of Athens and the village of Kandyla, I argue that dynamic contemporary connections exist between rural and urban Greece in relation to these responses. I also argue that contemporary responses to the crisis among this segment of society, notably small-business people, are constructed through and built upon strategies that have long histories in Greek village life and that are informed by responses to earlier crises, the memories of which are kept alive both materially and discursively. These responses are rooted in and performed in what Herzfeld has called “collective identification” evident in a set of shared sentiments among research participants regarding the valorisation of hard work and the principle of self-sufficiency, the parasitic nature of the Greek state, the constant production of insiders and outsiders in relation to the state, the use of reciprocity in business contexts, and the deployment of stereotypes regarding youths and politicians.
Dissertation (MSocSci) University of Pretoria, 2017.
Anthropology and Archaeology
MSocSci
Unrestricted
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Algrain, Isabelle. "L'alabastre attique: origine, forme et usages." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209979.

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L’alabastre attique est une forme de vase à parfum en céramique produite à Athènes entre le milieu du VIe s. av. J.-C. et le début du IVe s. av. J.-C. L’objet de cette thèse est de présenter une étude globale, inexistante à ce jour, sur l’alabastre attique. En plus d’un examen typologique de la forme, généralement mené dans le cadre de ce type de recherche, nous avons voulu proposer une lecture économique, culturelle et sociale de l’alabastre.

La première partie de cette thèse est consacrée à l’identification de l’origine de l’alabastre et à sa diffusion en Méditerranée orientale. L’alabastre est originaire d'Égypte, où les premiers exemplaires en albâtre se développent à partir du VIIIe s. av. J.-C. Après avoir tracé son évolution morphologique, la thèse met en évidence les diverses régions de la Méditerranée orientale telles que le Levant, la Mésopotamie ou la Perse, où la forme est exportée et copiée, le plus souvent par des ateliers qui produisent des vases en pierre. Cette première partie met également l’accent sur le statut particulier de l’alabastre en pierre en Orient et en Égypte, où il restera longtemps associé au pouvoir royal ou aristocratique. Elle traite enfin de l’apparition de l’alabastre et de son statut dans le monde grec oriental. Ces importations déclenchent une réaction presque immédiate chez les artisans de ces régions qui produisent des alabastres en argent, en verre, en faïence, en ivoire, en bois et en céramique.

La seconde partie de cette étude aborde la production de l’alabastre attique en céramique qui s’étend du VIe s. av. J.-C. au début du IVe s. av. J.-C. Un premier chapitre est consacré à l’étude de son introduction dans le répertoire formel au milieu du VIe s. av. J.-C. par l’atelier d’Amasis et aux inspirations probables de cet artisan. Cette section s’est également penchée sur le difficile problème des phases de la production et de l’organisation interne des différents ateliers. Pour ce faire, nous avons élaboré une méthode d’analyse basée à la fois sur l’examen minutieux du travail du potier grâce aux variations dans les profils des vases et sur les données obtenues par les études ethno-archéologiques pour tenter de différencier les alabastres produits au sein d’ateliers différents et d’identifier, quand cela s’avérait possible, différents potiers au sein d’un même atelier. Cette étude formelle a distingué trois phases différentes de production qui présentent des caractéristiques typologiques distinctes. L’examen de l’organisation interne des ateliers a également mis en évidence les caractéristiques morphologiques des vases et a identifié les potiers les plus importants. L’examen attentif des pièces céramiques a permis de regrouper au sein d’un même atelier des artisans dont les liens étaient jusqu’alors insoupçonnés. Enfin, la deuxième partie se clôture par une analyse de la carte de distribution des alabastres attiques

La troisième partie de ce travail porte sur la fonction et les différents usages de l’alabastre sur base des sources littéraires, épigraphiques, iconographiques et archéologiques. Cette section se penche plus particulièrement sur l’identification des utilisateurs privilégiés des alabastres. En effet, de nombreuses études lient, de manière presque systématique, l’alabastre au monde féminin. Ce propos mérite d’être nuancé car, si le vase apparaît à maintes reprises dans des contextes féminins tels que ceux de la toilette et de la parure, il ne constitue pas exclusivement un symbole du monde des femmes. Cette troisième partie met en évidence le fait que l’alabastre est également utilisé dans un grand nombre d’autres contextes, notamment rituels, et représente souvent un symbole de luxe et de raffinement à l’orientale.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Books on the topic "Greek Greece Athens"

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E, Kaltsas Nikos, Alexander S. Onassis Public Benefit Foundation (USA), Onassis Cultural Center, and Ethnikon Archaiologikon Mouseion (Greece), eds. Athens-Sparta. New York, N.Y: Alexander S. Onassis Public Benefit Foundation (USA) in collaboration with the National Archaeological Museum, Athens, 2006.

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The law of Athens. London: G. Duckworth, 1998.

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The law of Athens. London: G. Duckworth, 1998.

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The law of ancient Athens. Ann Arbor: The University of Michigan Press, 2013.

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Athena's justice: Athena, Athens, and the concept of justice in Greek tragedy. New York: Peter Lang, 2009.

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Carpenter, Thomas H. Dionysian imagery in fifth-century Athens. Oxford: Clarendon Press, 1997.

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Theseus and Athens. New York: Oxford University Press, 1995.

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The Parthenon and its sculptures. Austin: University of Texas Press, 1985.

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The art of vase-painting in classical Athens. Cambridge: Cambridge University Press, 1992.

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Augustan and Julio-Claudian Athens: A new epigraphy and prosopography. Leiden: Brill, 2008.

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Book chapters on the topic "Greek Greece Athens"

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Clogg, Richard. "The British School at Athens and the Modern History of Greece." In Anglo-Greek Attitudes, 19–35. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230598683_2.

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Karakatsanis, Neovi M., and Jonathan Swarts. "Agency in Athens: The Greek Colonels’ Strategy Toward the US." In American Foreign Policy Towards the Colonels' Greece, 169–200. New York: Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-52318-1_7.

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Karakatsanis, Neovi M., and Jonathan Swarts. "Johnson, Nixon, and Athens: Changing Foreign Policy Toward the Greek Military Dictatorship." In American Foreign Policy Towards the Colonels' Greece, 65–98. New York: Palgrave Macmillan US, 2018. http://dx.doi.org/10.1057/978-1-137-52318-1_3.

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Papadopoulos, G. A. "Earthquake Triggering in Greece and the Case of the 7 September 1999 Athens Earthquake." In Integration of Earth Science Research on the Turkish and Greek 1999 Earthquakes, 141–52. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-010-0383-4_11.

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Drakatos, G., N. Melis, V. Karastathis, G. Papadopoulos, D. Papanastassiou, and G. Stavrakakis. "Three-Dimensional P-Wave Crustal Velocity Structure beneath Athens Region (Greece) Using Micro-Earthquake Data." In Integration of Earth Science Research on the Turkish and Greek 1999 Earthquakes, 127–39. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-010-0383-4_10.

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Malakasis, Cynthia. "Guests and Hosts in an Athens Public Hospital: Hospitality as Lens for Analyzing Migrants’ Health Care." In Migrant Hospitalities in the Mediterranean, 39–67. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56585-5_3.

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AbstractBased on six months of ethnographic research in the maternity clinic of a major Athens public hospital in 2017, this chapter employs the conceptual lens of “hospitality” to analyze relationships that formed around the care of pregnant migrants arriving in Greece since 2015. Permanent health-care personnel, mostly midwives, are the hosts; guests include migrant women, NGO workers that accompany them to the hospital, Greek Roma maternity patients, obstetrics residents, and the native ethnographer herself. The focus is on pregnant migrants; the other guests provide comparative fodder to flesh out the subjectivity of the hosts. Through an ethnographic reconstruction of the microcosm of the clinic as a space of care, sovereignty, and everyday life, the chapter takes on two theoretical issues: the problem of scale and the argument that the hierarchical character of hospitality is incompatible with a rights-based framework. Critiques to the use of the host-guest trope as a frame for the analysis of relations between migrants and receiving states and societies are well heeded. Yet I demonstrate that guest-host dynamics are very much operative in the interaction between state-employed, permanent health-care personnel and migrants. My analysis highlights the limits and capacities of hospitality’s scalar transpositions, as well as the critical potential of hospitality as a lens that elucidates how legally guaranteed migrants’ rights are accessed and granted in practice; hospitality and rights thus emerge as complementary rather than opposing structural and explanatory frameworks.
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Deacy, Susan. "“Famous Athens, Divine Polis”: The Religious System at Athens." In A Companion to Greek Religion, 219–35. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996911.ch15.

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Worthington, Ian. "Enter Rome, Exit Macedonia." In Athens After Empire, 141–58. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190633981.003.0008.

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The chapter traces Rome’s involvement in Greece and Philip’s growing military strength, including his alliance with Hannibal of Carthage in the Second Punic War against Rome. Rome’s first clash in Greece against Macedonia—the First Macedonian War—is recounted, and then events leading to the more fateful Second Macedonian War, which involved Athens on Rome’s side against Philip, culminating in Philip’s defeat in battle by Rome. Punitive measures against Macedonia are discussed, heralding the demise of Philip to Rome, and then the so-called Roman proclamation of Greek freedom by the general Flamininus and what it meant for the Greeks and more ominously, Rome. That Rome could do this demonstrates Rome’s power in the Greek world.
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Winter, Jay. "The Road from Athens." In The Day the Great War Ended, 24 July 1923, 67—C3.P104. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192870735.003.0004.

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Abstract The massive defeat of the Greek army in August 1922 left the Greek delegation with little room for maneuver at Lausanne. The leaders of the regime that had brought Greece to ruin were executed, and the Greek head of delegation Venizelos had no alternative but to bury the dream of Megali, or a Greek dominion straddling Europe and Asia, and to start the process of rebuilding his broken and bankrupt nation. Through the work of his former Foreign Minister Nicolas Politis, Greece benefited from a major international loan, brokered by the League of Nations. This assistance enabled Greece to begin a new phase in its history, an inward phase focusing on the integration of one million refugees from Anatolia.
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Easton, Seán. "The Dueling Greek Golden Ages of 300: Rise of an Empire (2014)." In Screening the Golden Ages of the Classical Tradition, 101–18. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474440844.003.0006.

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The first of three chapters examining Athens’ golden-age legacy considers a problem in 300: Rise of an Empire (2014): given the franchise’s vehement Laconophilia (love of Sparta), this sequel to 300 struggles to acknowledge Athens’ indispensable contribution to theallied Greek victory against the invading Persian army. If the Athenians can claim credit for both Greek victory over Persia and the invention of social institutions and cultural production that flourished in the subsequent decades—the basis for the “golden age of Greece” at the root of “Western civilization”—what remains for the Spartans? As Easton elucidates, 300: Rise of an Empire invalidates Athens’ material grandeur by fetishizing the city’s historical destruction during the Persian Wars, including through the a historical fall of the “Athena the Defender” statue on the world-famous Acropolis. At the same time, the themes of the Parthenon’s famous sculptural program(the contest between Athena and Poseidon; heroes battling hybrid monsters, including centaurs and Amazons; and the birth of Athena) haunt the film’s presentation of conflicts between the Greeks, represented by the Athenian general Themistocles and Leonidas’ Spartan widow Queen Gorgo, and the Persians, represented by the Great King Xerxes and especially the adopted Greek-turned-Persian Artemisia.
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Conference papers on the topic "Greek Greece Athens"

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A. McBrayer, G. "The End of a Civilization: What Moderns Might Learn from Thucydides’ Peloponnesian War." In Applied Human Factors and Ergonomics Conference. AHFE International, 2019. http://dx.doi.org/10.54941/ahfe100192.

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Thucydides self-consciously presents the Peloponnesian War as the greatest war the world had ever seen to that point in history, insofar as it was a contest between the two greatest Greek powers—Athens and Sparta—at the peak of Greek Civilization. The war, however, would mark the beginning of the end of this great civilization. Although Thucydides does not unequivocally blame Athens for the war that ultimately leads to the destruction of Greece, it is clear that he thinks Athenian devotion to motion, or to the perpetual pursuit of progress, spurred it on. Thucydides appears to lament the great expansion of education, in particular the sophistic education that became prevalent in Greece and contributed heavily to the theoretical justification behind the Athenian Empire. Even or especially education at its highest—Socratic philosophy—seems to bear some culpability for, or is at least symptomatic of, Athens’ decline, and ultimately Greece’s decline as well, in Thucydides’ view. This paper will examine Thucydides' teaching regarding the decline of civilization to see if it can offer any guidance to the current crisis of civilization in the West.
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Deligiorgi, Despina, Kostas Philippopoulos, Lelouda Thanou, Georgios Karvounis, Angelos Angelopoulos, and Takis Fildisis. "A Comparative Study of Three Spatial Interpolation Methodologies for the Analysis of Air Pollution Concentrations in Athens, Greece." In ORGANIZED BY THE HELLENIC PHYSICAL SOCIETY WITH THE COOPERATION OF THE PHYSICS DEPARTMENTS OF GREEK UNIVERSITIES: 7th International Conference of the Balkan Physical Union. AIP, 2010. http://dx.doi.org/10.1063/1.3322485.

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Tsiami, Antigoni, Isidoros Rodomagoulakis, Panagiotis Giannoulis, Athanasios Katsamanis, Gerasimos Potamianos, and Petros Maragos. "ATHENA: a Greek multi-sensory database for home automation control uthor: isidoros rodomagoulakis (NTUA, Greece)." In Interspeech 2014. ISCA: ISCA, 2014. http://dx.doi.org/10.21437/interspeech.2014-382.

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Pellas, Themistoklis. "Urban planning and climate transition post Covid-19. A case study of Athens, Greece." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/maia3232.

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This paper deals with the risk of the spread of infec5ous diseases through space, looking at how COVID-19 is becoming a concern in planning. To this end, it employs as a case study the urban development project “The Great Walk” by the Municipality of Athens, Greece. By doing so, it evidences the link between the response to COVID-19 and climate change at the local level in the EU.
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Kambezidis, H. D., Tom Efthimiopoulos, Gerhard Ehret, Stavros A. Kotsopoulos, Dimitrios Zevgolis, G. Economou, Constantine E. Kosmidis, et al. "Advanced-technology laser-aided air pollution monitoring in Athens: the Greek differential absorption lidar." In Second GR-I International Conference on New Laser Technologies and Applications, edited by Alexis Carabelas, Paolo Di Lazzaro, Amalia Torre, and Giuseppe Baldacchini. SPIE, 1998. http://dx.doi.org/10.1117/12.316595.

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Bondarenko, Igor. "The Ensemble of the Acropolis of Athens in the Light of Ancient Greek Mythology." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.6.

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Kakaras, Emmanuel, Panagiotis Grammelis, George Skodras, and Panagiotis Vourliotis. "Experience on Combustion and Co-Combustion of Greek Brown Coal in Fluidized Bed Facilities." In 17th International Conference on Fluidized Bed Combustion. ASMEDC, 2003. http://dx.doi.org/10.1115/fbc2003-128.

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The paper aims to present the experience gained from the combustion trials of Greek brown coal in different installations, both in semi-industrial and laboratory scale. Specifically, these research activities are separated in two parts, i.e. combustion tests using only brown coal and co-combustion tests with brown coal and biomass. Combustion tests with Greek lignite were realised in three different Circulating Fluidized Bed Combustion (CFBC) facilities. Low rank lignite was burned in a pilot scale facility of approx. 100kW thermal capacity, located in Athens (NTUA) and a semi-industrial scale of 1.2 MW thermal capacity, located at RWE’s power station Niederaussem in Germany. The results include the determination of operating conditions to achieve proper fuel burnout, the examination of the influence of air staging on the temperature distribution inside the reactor and the investigation of the combustion behaviour of the particular fuel type and emitted pollutants. Several conclusions are drawn concerning the necessary modifications and requirements of the plant layout when a large scale CFBC installation is designed to utilize low grade brown coal. Co-combustion tests with Greek xylitic lignite and waste wood were carried out in the 1 MWth CFBC installation of AE&E, in Austria. During the tests, oxygen concentration and CO, SO2, N2O and NOX emissions were continuously monitored. Ash samples were collected and analysed for heavy metals content in ICP-AES spectrophotometer. The improved combustion behaviour of this lignite type was more than evident, since it has lower moisture content and increased calorific value. In all co-combustion tests, low emissions of gaseous pollutants were obtained and metal element emissions were lower than the corresponding values anticipated by the guidelines. In addition, lab-scale co-combustion tests of Greek pre-dried lignite with biomass were accomplished in a bubbling fluidised bed. The main purpose of these experiments was to examine ash melting problems and differentiation to the emitted pollutants due to biomass addition. The obtained results of all aforementioned activities showed that fluidised bed is the appropriate combustion technology to efficiently exploit the low quality Greek brown coal either alone or in conjunction with other biomass materials.
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Escudeiro, Nuno, Mario Cruz, and Paula Escudeiro. "ATHENA: a Novel Higher Education Approach to Advance a Green Digital Europe." In 2021 IEEE Open Conference of Electrical, Electronic and Information Sciences (eStream). IEEE, 2021. http://dx.doi.org/10.1109/estream53087.2021.9431498.

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Penelis, G. G., C. Papagiannidou, and G. G. Penelis. "Response of Buildings Designed According to the Old and New Greek Seismic Code to the 7.9.99 Athens Earthquake." In Papers Presented at the Japan–UK Seismic Risk Forum. PUBLISHED BY IMPERIAL COLLEGE PRESS AND DISTRIBUTED BY WORLD SCIENTIFIC PUBLISHING CO., 2000. http://dx.doi.org/10.1142/9781848160194_0005.

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Kouzas, G. "The social functions of gossip in a Greek apartment building. An ethnographic research in the center of Athens during the Covid-19 pandemic period." In Традиционная культура Греции. Москва: Московский государственный университет имени М.В. Ломоносова Издательский Дом (типография), 2021. http://dx.doi.org/10.52607/9785190116809_59.

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