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Books on the topic 'Greek feminism; National identity'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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1

Language and national identity in Greece, 1766--1976. New York: Oxford University Press, 2009.

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2

Proteou, Pavlina. National identity, minorities and the Greek state: The Ntopioi/Slavophones of Greek Macedonia. [s.l.]: typescript, 1995.

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3

Culture and national identity in Republican Rome. Ithaca, N.Y: Cornell University Press, 1992.

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4

Gruen, Erich S. Culture and national identity in Republican Rome. London: Duckworth, 1993.

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5

Paschalis, Kitromilides, Tampakē Anna, and Symposio Hellēno-voulgarikes scheseis tēn epochē tēs diamorphōsēs tōn ethnikōn tautotētōn (2008 : Athens, Greece), eds. Greek-Bulgarian relations in the age of national identity formation. Athens: Institute for Neohellenic Research, National Hellenic Research Foundation, 2010.

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6

1952-, Moghadam Valentine M., ed. Gender and national identity: Women and politics in muslim societies. London: Published for the United Nations University World Institute for Development Economics Research (UNU/WIDER) by Zed Books, 1994.

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7

Arms and the woman: Just warriors and greek feminist identity. New York: Columbia University Press, 2008.

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8

Made in India: Decolonizations, queer sexualities, trans/national projects. New York: Palgrave Macmillan, 2004.

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9

Negotiating identity in the ancient Mediterranean: The archaic and classical Greek multiethnic emporia. Cambridge: Cambridge University Press, 2012.

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10

Infiltrating culture: Power and identity in contemporary women's writing. Manchester, UK: Manchester University Press, 1996.

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11

Asyl und Athen: Die Konstruktion kollektiver Identitäten in der griechischen Tragödie. Stuttgart: Metzler, 2003.

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12

Rosello, Mireille. Infiltrating culture. New York: Manchester University Press, 1996.

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13

Sappho's sweetbitter songs: Configurations of female and male in ancient Greek lyric. London: Routledge, 1996.

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14

Doherty, Lillian Eileen. Siren songs: Gender, audiences, and narrators in the Odyssey. Ann Arbor: University of Michigan Press, 1995.

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15

The Americas of Asian American literature: Gendered fictions of nation and transnation. Princeton, N.J: Princeton University Press, 1999.

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16

Weltman, Sharon Aronofsky. Ruskin's mythic queen: Gender subversion in Victorian culture. Athens, Ohio: Ohio University Press, 1998.

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17

Hanʼguk sosŏl ŭi pundan iyagi. Sŏul-si: Chʻaek Sesang, 2006.

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18

Mackridge, Peter. Language and National Identity in Greece, 1766-1976. Oxford University Press, U.S.A., 2010.

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19

David, Ricks, and Magdalino Paul, eds. Byzantium and the modern Greek identity. Aldershot, Hampshire, Great Britain: Ashgate, 1998.

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20

Greek Idea: The Formation of National and Transnational Identities. I. B. Tauris & Company, Limited, 2012.

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21

Zervas, Theodore G. The Making of a Modern Greek Identity: Education, Nationalism, and the Teaching of a Greek National Past. Columbia University Press, 2012.

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22

Dimitris, Damaskos, and Plantzos Dimitris, eds. A singular antiquity: Archaeology and Hellenic identity in twentieth-century Greece. Athens: Benaki Museum, 2008.

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23

Frary, Lucien J. Russia and the Making of Modern Greek Identity, 1821-1844. Oxford University Press, 2015.

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24

The Greek Idea: The Formation of National and Transnational Identities (International Library of Political Studies). Tauris Academic Studies, 2007.

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25

(Editor), David Ricks, and Paul Magdalino (Editor), eds. Byzantium and the Modern Greek Identity (Publications (King's College (University of London). Centre for Hellenic Studies), 4.). Variorum, 1998.

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26

Rosello, Mireille. Infiltrating Culture: Power and Identity in Contemporary Women's Writing. Palgrave Macmillan, 1996.

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27

Wiegman, Robyn, Inderpal Grewal, and Caren Kaplan. Transnational America: Feminisms, Diasporas, Neoliberalisms. Duke University Press, 2005.

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28

Shields, Tanya L. Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging. University of Virginia Press, 2014.

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29

Greek Romanian Relations. Interculturalism and National Identity / Relations Gréco-roumaines. Interculturalité et identité nationale. Edited by Paschalis M. Kitromilides and Anna Tabaki / Sous la direction de Paschalis M. Kitromilidès et Anna Tabaki. Athens, Greece: INR–FNRS, 2004.

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30

Ortega, Amadeu Mezquida. Nova Declaració Valencianista: 100 anys després. ACV Tirant lo Blanc, 2018.

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31

Lee, Rachel C. Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton University Press, 1999.

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32

Lee, Rachel C. Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton University Press, 1999.

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33

Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging (New World Studies). University of Virginia Press, 2014.

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34

Phillis, Philip E. Greek Cinema and Migration, 1991-2016. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474437035.001.0001.

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Greek Cinema and Migration examines the ways in which the cinema of Greece has responded to the post-1990s phenomenon of becoming a host country for immigrants. The book focuses mainly on migration from Albania that dominated social discourse and cinematic representation in the 1990s and 2000s, but also sheds light on cinematic responses to the mid-2010s ‘refugee crisis’. Placing contemporary Greek cinema within the context of European film production and transnational cinema, the book explores the fascination of Greek filmmakers with migration, mobility, borders and identity between 1991 and 2016. With case studies such as The Suspended Step of the Stork (1991), The Way to the West (2003) and many more, Greek Cinema and Migration provides an in-depth understanding of contemporary Greek cinema and its direct correlation to the country’s struggles to implement European modernity. It tackles important questions on identity and representation, highlighting the role of migrants as constitutive ‘others’ who help to redefine national identity in times of encroaching globalization. The book raises in addition important questions on representations of migrants and refugees in film and mainstream media, focusing primarily on the role of migrant-related violence and its links to both humanitarianism and the agenda of the Far Right which gained a strong footing in crisis-era Greece. The author thus argues that migrants and refugees appear as either perpetrators or victims of violence in an intolerant host society, strengthening thus the role of stereotypes – both negative and positive.
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35

Grewal, Inderpal. Transnational America: Feminisms, Diasporas, Neoliberalisms (Next Wave: New Directions in Womens Studies). Duke University Press, 2005.

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36

Transnational America: Feminisms, Diasporas, Neoliberalisms (Next Wave: New Directions in Womens Studies). Duke University Press, 2005.

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37

Siren Songs: Gender, Audiences, and Narrators in the Odyssey. University of Michigan Press, 1996.

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38

Scuriatti, Laura. Mina Loy's Critical Modernism. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056302.001.0001.

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In Mina Loy’s Critical Modernism, Laura Scuriatti argues that Loy’s corpus of works produces a kind of “critical” modernism, making the case that Loy’s corpus exhibits a skeptical, detached attitude toward its own simultaneous celebration and criticism of modernist aesthetic paradigms. Most modernist works are self-reflexive in this regard, but Loy’s corpus creates for itself a space of dis-affiliation, which combines critique with self-critique, rather than forging a space of rebellion and antagonism. Scuriatti investigates the notions of the masterpiece and the sacred art object, especially in their relation to the market; the figure of the author and the value of authorship; the embattled relationship between art and politics; the artwork's relationship to national language, identity and rootlessness. Scuriatti provides a new, in-depth investigation of specific aspects of the Florentine and Italian context in particular, which have so far been neglected by scholarship. Specifically, attention is devoted to the Florentine avant-garde journal Lacerba, and to the works of Giovanni Papini, Ada Negri and Enif Robert. The volume presents new insights into Loy’s feminism and argues that her texts respond to the rewriting of Otto Weininger’s then widely influential theories in the magazine Lacerba. Drawing on Adriana Cavarero’s, Luisa Muraro’s and Teresa de Lauretis’s claims, this study also rethinks the concept of eccentricity, conceived not as “aberrant”, but as consciously anti-normative, anti-idealistic and self-critical, in relation to modernist aesthetics. It shows that Loy’s texts present dialogic, “narratable,” “eccentric” selves and subjectivities, which create uncomfortable critical spaces within modernism as a broad movement.
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39

Mendoza, Louis G., ed. The Oxford Encyclopedia of Latina and Latino Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780190624316.001.0001.

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Latina/o literature is a growing field of study. It is both an emerging literature and a rich historical one that continues to be documented and uncovered in archival and personal collections. The Oxford Encyclopedia of Latina and Latino Literature offers a sweeping introduction to a variety of genres and themes in Latina/o literature from its Latin American origins in the precolonial period to contemporary texts and perspectives. The collection illustrates the historical, social, and political contexts in which successive generations of Latina and Latino authors have written, exploring the interrelationship between geography, national origin, race, gender, sexuality, and other cultural and ethnic identities. Led by Editor in Chief Louis G. Mendoza and an editorial board of experts, this collection throws light not only on how Latina/o texts have evolved since the contact period, but also on how we have come to understand and conceptualize this work over the past three generations. From Chicana/o identity to Caribbean and Central American diasporic literature, from key figures in Latina/o letters to bilingual texts and graphic novels, the collection explores a variety of issues that are central to the 21st century's American experience, such as feminism, LGBTQA groups, indigeneity, environmental justice, social movements, migration, and US-Mexico borderlands. Each article paints a nuanced and in-depth portrait of Latina/o literary history in a dynamic, complex, and deeply engaging field of study that is at once highly popular, historical, and theoretical. One of the most extensive and detailed surveys of Latina/o literature to date, this encyclopedia shows the historical and cultural significance of this literary tradition in the American context, challenging readers to revisit conventional literary notions and expand the borders of American literature.
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40

Evangelista, Stefano. Literary Cosmopolitanism in the English Fin de Siècle. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864240.001.0001.

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Derived from the ancient Greek for ‘world citizenship’, cosmopolitanism offers a radical alternative to identities and cultural practices built on the idea of the nation: cosmopolitans imagine themselves instead as part of a global community that cuts across national and linguistic boundaries. This book argues that fin-de-siècle writing in English witnessed an extensive and heated debate about cosmopolitanism, which transformed readers’ attitudes towards national identity, foreign literatures, translation, and the idea of world literature. It offers a critical examination of cosmopolitanism as a field of controversy. While some writers and readers embraced the creative, imaginative, emotional, and political potentials of world citizenship, hostile critics denounced it as a politically and morally suspect ideal, and stressed instead the responsibilities of literature towards the nation. In this age of empire and rising nationalism, world citizenship came to enshrine a paradox: it simultaneously connoted positions of privilege and marginality, connectivity and non-belonging. Chapters on Oscar Wilde, Lafcadio Hearn, George Egerton, the periodical press, and artificial languages bring to light a variety of literary responses. The book interrogates cosmopolitanism as a liberal ideology that celebrates human diversity and as a social identity linked to worldliness. It investigates its effect on gender, ethics, and the emotions. It presents English-language literature of the fin de siècle as a dynamic space of exchange and mediation, and argues that our own approach to literary studies should become less national in focus.
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41

Bogdanova, Olga A. Russian Estate and Europe: Diachrony, Nostalgia, Universalism. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9.

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The book brings together articles by 24 authors, distributed into three problematic and thematic sections: a diachronic view of the Russian estate, estates of the Russian emigration, estates of European countries. A number of constant features of the Russian literary estate and cottages (storehouse of culture, moral space, the core of national identity, the concept of “non-city” in mass society, etc.) are highlighted in a comparative and diachronic analysis. The structure-forming potential and references of the “estate-dacha topos” in the foreign culture of Russian emigrants of the ХХth century disclosed in the works by I.A. Bunin, V.V. Nabokov, B.K. Zaitsev, L.F. Zurov, I.S. Shmelev, V.A. Nikiforov-Volgin of the 1920–1960s and in the Russian-language periodicals of France, Germany, Latvia, Estonia of the 1920–1930s. The most important topic of the book is the search for the origins of the Russian estate phenomenon in world culture, along with its involvement in the spectrum of similar phenomena in other national literatures (Greek, Polish, English, Belgian). The isomorphism of the estate space in Russia and other European countries allows us to speak of the “estate topos” as a universality. The publication is addressed to humanities professionals, primarily philo- logists, and at the same time to a wide circle of students and interested readers.
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42

Hales, Shelley. The History of Human Habitation. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0004.

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Charles Garnier’s exhibition L’Histoire de l’habitation humaine, designed for the 1889 Exposition Universelle in Paris, included reconstructions of Greek, Roman and, most originally, a Gallo-Roman house that represented Classical antiquity. The accounts of Garnier’s lost houses offer a means to explore the ways in which the physical resurrection of the domestic past became a powerful means of literal and metaphorical place-making for visitors to exhibitions in Britain and France throughout the nineteenth century. They provide an opportunity to articulate more closely the changing perceptions in European culture. These transpired in both the roles of these reconstructions and the nature of antiquity’s relationship to contemporary personal and national identity. The chapter also documents an ethnographic turn that allows scholars to look back at the century’s domestic reconstructions through a different (and perhaps less comfortable) lens.
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43

Mérand, Frédéric. The Political Commissioner. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192893970.001.0001.

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Based on four years of embedded observation in the cabinet of a European Commissioner, this book develops a sociology of international political work. Empirically, it offers an insider’s chronicle of the European Union between 2015 and 2019. The analysis traces the successes and failures of Commissioner Pierre Moscovici and his team on five issues that defined European politics between 2015 and 2019: the Greek crisis, budgetary disputes with Spain and Portugal, the rise of populism in Italy, the reform of the eurozone, and the fight against tax evasion. The aim is not to ascertain whether the Commission’s policy was good or bad, but to understand how political work is done in a European Union where the “spectacle of power” is blurred by twenty-four official languages, twenty-eight national histories, a powerful technocracy, and sometimes opaque institutions. As a life-long socialist politician and former French finance minister, Pierre Moscovici was perhaps the most intensely political character in Jean-Claude Juncker’s self-styled “Political Commission.” Brandishing his leftist identity, rejecting technocratic talk, he surrounded himself with staffers sharing his ambition—but also critical of his actions. Shadowing them from the corridors of the Berlaymont, the seat of the European Commission, to Washington and Athens, The Political Commissioner throws light on the partisan struggles that shaped the Juncker Commission, tensions with the Eurogroup and the Parliament, and recurring conflicts with the Member States. It also shows how political staffers operate informally and in their interaction with the media and civil servants, as they craft and sell public policies to the public.
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44

Murray, Chris. China from the Ruins of Athens and Rome. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198767015.001.0001.

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Fascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain’s information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino–British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Britain, popular opinion on Chinese culture wavered during the nineteenth century, as Charles Lamb and Joanna Baillie demonstrated in ekphrastic responses to chinoiserie. A former reverence for China yielded gradually to hostility, and the classical inheritance informed a national identity-crisis over whether Britain’s treatment of China was civilized or barbaric. Amidst this uncertainty, the melancholy conclusion to Virgil’s Aeneid became the master-text for the controversy over British conduct at the Summer Palace in 1860. Yet if Rome was to be the model for the British Empire, Tennyson, Sara Coleridge, and Thomas de Quincey found closer analogues for the Opium Wars in Greek tragedy and Homeric epic. Meanwhile, Sinology advanced considerably during the Victorian age, with translations of Laozi and Zhuangzi placed in dialogue with the classical tradition. Classics changed too, with not only canonical figures invoked in discussions of China, but current interests such as Philostratus and Porphyry. Britain broadened its horizons by interrogating the cultural past anew as it turned to Asia: Anglophone readers were cosmopolitans in time as well as space, aggregating knowledge of Periclean Athens, imperial Rome, and many other polities in their encounters with Qing Dynasty China.
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