Relevant bibliographies by topics / Greek feminism; National identity

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Greek feminism; National identity'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Greek feminism; National identity"

1

Chairetis, Spyridon. "Tracing the Ephemeral." VIEW Journal of European Television History and Culture 10, no. 19 (June 24, 2021): 89. http://dx.doi.org/10.18146/view.248.

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This paper examines how Greek television fiction introduced and represented lesbian characters during primetime. Drawing on feminist and queer theory and taking the codes and conventions of the comedy genre into account, the paper reveals Greek comedy’s elusive and ambiguous stances towards heteronormativity. By applying a qualitative textual approach, the paper argues that despite their subversive potentialities, the television shows in question (re)produce cultural stereotypes about lesbian identity, invest in queerbaiting strategies and play down the transgressive elements of certain lesbian characters. Despite this critique, the paper stresses the importance of recording, archiving, and further exploring such ephemeral moments in television history in understanding how small national television industries as well as audiences have engaged with the visual representation of gender and sexual diversity.
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Chung, Hyun Back. "National Identity and Feminism." Trans-Humanities Journal 2, no. 1 (2010): 175–94. http://dx.doi.org/10.1353/trh.2010.0007.

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Curthoys, Ann. "Feminism, Citizenship and National Identity." Feminist Review, no. 44 (1993): 19. http://dx.doi.org/10.2307/1395193.

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Curthoys, Ann. "Feminism, Citizenship and National Identity." Feminist Review 44, no. 1 (July 1993): 19–38. http://dx.doi.org/10.1057/fr.1993.18.

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Ben-Aharon, Eldad. "Armenian feminism and national identity." Patterns of Prejudice 51, no. 2 (March 12, 2017): 211–13. http://dx.doi.org/10.1080/0031322x.2017.1287464.

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Koumandaraki, Anna. "The Evolution of Greek National Identity." Studies in Ethnicity and Nationalism 2, no. 2 (September 2002): 39–53. http://dx.doi.org/10.1111/j.1754-9469.2002.tb00026.x.

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Tsoukalas, Constantine. "European modernity and Greek national identity." Journal of Southern Europe and the Balkans 1, no. 1 (May 1999): 7–14. http://dx.doi.org/10.1080/14613199908413983.

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Lennox, Sara. "Divided Feminism: Women, Racism, and German National Identity." German Studies Review 18, no. 3 (October 1995): 481. http://dx.doi.org/10.2307/1431776.

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Tziampiris, Aristotle. "Greek Historiography and Slav-Macedonian National Identity." Historical Review/La Revue Historique 8 (July 6, 2012): 215. http://dx.doi.org/10.12681/hr.283.

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Zambeta, Evie. "Religion and national identity in Greek education." Intercultural Education 11, no. 2 (July 2000): 145–56. http://dx.doi.org/10.1080/713665239.

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Dissertations / Theses on the topic "Greek feminism; National identity"

1

TzanakeÌ?, DeÌ?meÌ?tra. "Gender and nationalism in the Hellenic world 1836-1897." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244240.

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Chrysoloras, Nikolaos. "Religion and national identity in the Greek and Greek-Cypriot political cultures." Thesis, London School of Economics and Political Science (University of London), 2010. http://etheses.lse.ac.uk/3026/.

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This thesis investigates the reasons for the idiosyncratic politicization of religion and the Church in Greece and Cyprus, and seeks to account for the production, development and propagation of religious nationalism and the sacralisation of politics in these two countries. It is a study of the birth (1830- 1864), development, and contemporary mutation (1974-2000) of the 'Helleno- Christian' nationalist discourse, which reached its zenith, not in Greece, where it was born, but in Cyprus, immediately before and after independence (1950- 1974). The aim of the project is to explain the political processes whereby this ideology (Helleno-Christianism) attained a hegemonic status in the Greek and Greek-Cypriot political cultures, and to account for the present eminence of this prominent type of Greek nationalism. Hopefully, this thesis fulfils a threefold purpose: firstly, it covers importcint gaps in the relevant historiography on Greek and Greek-Cypriot nationalisms. This 'historical' task is carried out through the analysis of the important role of the Orthodox Church in the consolidation of Greek and Greek-Cypriot national identities. Secondly, this case study is used as a test ground for an alternative theoretical framework in the study of nationalism which may offer solutions to the practical and theoretical problems of the dominant modernist pciradigm. Thirdly, a comparative approach to the study of Greek nationalism in mainland Greece and in Cyprus is adopted- to my knowledge, for the first time- in the following pages. There are two main research questions to be answered by this project: Why and how religion in Greece and Cyprus has been politicized in such manner so that Orthodoxy and nationalism became so closely associated? And, what are the results of this politicization in terms of contemporary Church policy, and national identity awareness in contemporary Greece and Cyprus? In other words, the logic that will be underlying my argument is that in order to understand contemporary Greek nationalism, one has to look back at its formative period.
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Stavrinides, Christos. "National identity in Greek cinema : gender representation and Rebetiko." Thesis, University of Sheffield, 2011. http://etheses.whiterose.ac.uk/14994/.

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Since the foundation of the modern Greek state in 1832 there has been a major controversy amongst Greeks as to what is truly Greek. Two central viewpoints stand out and form the two versions of the Greek national identity - the Hellenic and the Romeic. Each notion of Greekness is depicted by distinctively different characteristics in terms of its origins, mentality, behavioural norms, musical preferences as well as domestic and international relations. For most of the twentieth century the Hellenic and the Romeic were expressed through cultural discourses such as film and music. The purpose of this study is to examine the expression of these versions of Greek identity in Greek Cinema and the various ways in which this leads to gender representation. Three films are used as case studies: Stella (1955), Never on Sunday (1960) and Diplopennies (1966). Through musical, textual, sociological and historical analysis, the thesis identifies the ways in which the two notions of Greekness are portrayed in the films, primarily through the personification of these identities in the male and female protagonists. The thesis illustrates how these portrayals result in the engendering of the two identities and the attribution of gender traits to the main characters. Moreover, the study delineates how in Greek Cinema the musical genre Rebetiko became indissolubly associated with the Romeic identity and, indeed, its prime signifier. Rebetiko, through its association with the protagonists, contributes to their personification of the Romeic identity and, with its gendered traits, constitutes a central factor in the formation of gender in the films. Finally, the thesis elucidates how the film musical, the only film genre in Greek Cinema to be associated with the Hellenic identity, forms the battlefield on which the two identities confront each other and are expressed more distinctly and dramatically than in any other genre.
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Dionatos, Charalambos. "Greek pupils’ awareness of their national and European identity." Thesis, Cardiff University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444126.

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Ergul, Feride Asli. "The Formation Of Turkish National Identity: The Role Of The Greek." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611204/index.pdf.

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This dissertation analyzes the role of the Greek &ldquo
other&rdquo
in the process of Turkish national identity formation. Addressing the transformation of Turkish identity from multi-ethnic, multi-cultural and multi-religious imperial character into a homogeneous and unitary national form, this thesis mainly focuses on the changing attitude of the Ottoman elites of the last period and the modern Turkish state elites towards the Greeks in domestic and foreign affairs. In fact, this change can be evaluated as a part of constructing a Turkish nation which had been long carried out as break from the plural Ottoman inheritance. Within this context, this dissertation aims to understand the importance of Greek culture in Turkish identity, the stimulating role of the Greek existence in Anatolia during the Turkish War of Independence, neglect of the Turkish history writing about the Greek background or the Rumi identity and besides, the fragile relations between Turkey and Greece via questioning the overlapping aspects of Turkish nationalism and Greek &ldquo
otherization&rdquo
.
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Bozatzis, Nikolaos. "Greek national identity in talk : the rhetorical articulation of an ideological dilemma." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286983.

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Katsan, Gerasimus Michael. "Unmaking history: postmodernist technique and national identity in the contemporary greek novel." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1062992115.

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Kiralp, Sevki. "National identity and elite interests : Makarios and Greek Cypriot nationalism (1967-1974)." Thesis, Keele University, 2014. http://eprints.keele.ac.uk/1214/.

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Within the field of Nationalism Studies, the relationship between “National Identity” and “ethnicity” has been widely studied. Likewise, the relationship between “National Identity”, “elite interests” and “ethnic conflicts” has also been investigated. In fact, there is a considerable amount of studies focused on the “inter-state” aspects of “National Identity”, “ethnicity” and “elite interests”, however, such studies tend to highlight the “elite” of the “homeland” as the political and social leaders of their ethnicity; seeing themselves responsible for defending the political interests of their ethnic relatives in transnational borders, or liberating them from other states via “secessionist” or “irredentist” policies. Nevertheless, an example of elite of “ethnic kin”, who dominates another state outside its “homeland”, has not yet been widely theorized academically, with a focus on “National Identity” and “elite interests”. This study aims to fill that gap within the literature through the example of President Makarios and Greek Cypriot nationalism. While Cyprus was a British colony, the Greek Cypriot community was mobilized to unify Cyprus with their “homeland” Greece. However, the result of such mobilization was the foundation of a Cypriot state, based on power-sharing between the Greek Cypriot majority and Turkish Cypriot minority. In the post-Independence era, particularly with the consolidation of the military dictatorship in Greece (1967), President Makarios abandoned the Enosis (unification of Cyprus with Greece) policies and made attempts to reconstruct the Greek Cypriot National Identity in favour of a Greek Cypriot-ruled independent Cypriot state. President Makarios also ignored Greek Junta's manipulations about the Cypriot politics. The subsequent struggle continued until the Athens-led coup d'état that overthrew the President (1974). This thesis shall follow Brass’ “Instrumentalist” theory and shall analyze the reconstruction of the Greek Cypriot National Identity. The thesis will also investigate the role played by the interests of both the President and the Greek Cypriots in constructing this new National Identity.
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Pophaides, Irene. "The genesis of Greek Cypriot national identity in British-occupied Cyprus, 1878-1931." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611696.

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Teoh, Remedios A., and remedios teoh@deakin edu au. "Gender and national identity: The people's theatre in the Philippines (1967-2000)." Deakin University. School of Social and International Studies, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.150434.

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The Philippine Education Theater Association (PETA), the People’s Theatre in the Philippines was founded within the bounds of the nationalist leftist tradition. Its origin therefore determines to a great extent the contours of the discourse on the feminist movement in the Philippines, its participation within the cultural movement and the founding years of the pioneering People’s Theatre in the country. As a grass roots theatre from a Third World nation, the PETA theatre model responded to the needs in raising socio-political and economic consciousness and can therefore serve as an alternative tool to formal education for other Third World countries. This thesis argues, the People’s Theatre development is determined within the matrix of gender, class, politics and the nationalist movement to which it is intertwined or inextricably linked. The feminist, nationalist and radical movements have become superimposed upon the history of the People’s Theatre and have nurtured its development as a consciousness raising educational tool.
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Books on the topic "Greek feminism; National identity"

1

Language and national identity in Greece, 1766--1976. New York: Oxford University Press, 2009.

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Proteou, Pavlina. National identity, minorities and the Greek state: The Ntopioi/Slavophones of Greek Macedonia. [s.l.]: typescript, 1995.

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Culture and national identity in Republican Rome. Ithaca, N.Y: Cornell University Press, 1992.

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Gruen, Erich S. Culture and national identity in Republican Rome. London: Duckworth, 1993.

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5

Paschalis, Kitromilides, Tampakē Anna, and Symposio Hellēno-voulgarikes scheseis tēn epochē tēs diamorphōsēs tōn ethnikōn tautotētōn (2008 : Athens, Greece), eds. Greek-Bulgarian relations in the age of national identity formation. Athens: Institute for Neohellenic Research, National Hellenic Research Foundation, 2010.

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1952-, Moghadam Valentine M., ed. Gender and national identity: Women and politics in muslim societies. London: Published for the United Nations University World Institute for Development Economics Research (UNU/WIDER) by Zed Books, 1994.

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7

Arms and the woman: Just warriors and greek feminist identity. New York: Columbia University Press, 2008.

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Made in India: Decolonizations, queer sexualities, trans/national projects. New York: Palgrave Macmillan, 2004.

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Negotiating identity in the ancient Mediterranean: The archaic and classical Greek multiethnic emporia. Cambridge: Cambridge University Press, 2012.

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Infiltrating culture: Power and identity in contemporary women's writing. Manchester, UK: Manchester University Press, 1996.

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Book chapters on the topic "Greek feminism; National identity"

1

Fokas, Effie, and Evangelos Karagiannis. "Greek Identity and Europe: Entanglements and Tensions." In Religion and National Identities in an Enlarged Europe, 68–95. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9780230390775_4.

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Photiou, Maria. "National Identity and the Politics of Belonging in Greek Cypriot Visual Culture." In Flags, Color, and the Legal Narrative, 669–84. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-32865-8_31.

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Nikolaou, Petros. "National Identity, , and Through the Cypriot Greek-Speaking Press Between 1878 and 1912." In Cypriot Nationalisms in Context, 47–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97804-8_3.

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Kynourgiopoulou, Vasiliki. "National Identity Interrupted: The Mutilation of the Parthenon Marbles and the Greek Claim for Repatriation." In Contested Cultural Heritage, 155–70. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7305-4_7.

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"Greek." In Shakespeare and National Identity. Bloomsbury Publishing Plc Imprint previously known as Arden Shakespeare, 2017. http://dx.doi.org/10.5040/9781474296113.se2467.

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"Malina: experience and feminism." In Women Writers and National Identity, 64–92. Cambridge University Press, 2003. http://dx.doi.org/10.1017/cbo9780511485732.004.

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Maliaras, Nikos. "Alternative Greek national music." In Music, Language and Identity in Greece, 131–37. Routledge, 2019. http://dx.doi.org/10.4324/9781315276151-8.

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Repousis, Georgios, and Andreas Leutzsch. "Greek Identity: Between Hellenism and Europeanism." In European National Identities, 95–112. Routledge, 2017. http://dx.doi.org/10.4324/9781351296489-6.

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"“Race,” Masculinity, and National Identity." In Feminism and the Honor Plays of Lope de Vega, 199–236. Purdue University Press, 1994. http://dx.doi.org/10.2307/j.ctt6wq6cj.12.

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Vlagopoulos, Panos. "The harmonisation of Greek folk songs and Greek ‘national music’." In Music, Language and Identity in Greece, 109–30. Routledge, 2019. http://dx.doi.org/10.4324/9781315276151-7.

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