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Relevant bibliographies by topics / Greek feminism

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Academic literature on the topic 'Greek feminism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Greek feminism"

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Alvanoudi, Angeliki. "Gender, Language and a Lipstick: Creating Cultural Change in a World of Paradoxes." Humanities 7, no. 3 (August 27, 2018): 87. http://dx.doi.org/10.3390/h7030087.

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This paper addresses the paradoxes and possibilities for academic feminism in the Third Millennium drawing on feminist linguistics. It targets the role of language in the construction of social gender, focusing on data from Greek, and shows that gendering discourse can effect cultural change. It is suggested that academic feminists can be agents of cultural change when they promote feminist language reform in the service of challenging the dominant gender order.

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Bernick, Susan E. "The Logic of the Development of Feminism; or, Is MacKinnon to Feminism as Parmenides Is to Greek Philosophy?" Hypatia 7, no. 1 (1992): 1–15. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00694.x.

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Catharine MacKinnon's investigation of the role of sexuality in the subordination of women is a logical culmination of radical feminist thought. If this is correct, the position of her work relative to radical feminism is analogous to the place Parmenides's work occupied in ancient Greek philosophy. Critics of MacKinnon's work have missed their target completely and must engage her work in a different way if feminist theory is to progress past its current stalemated malaise.

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Tripathi Sharma, Dr Shreeja. "Towards a ‘Vedic Feminine Renaissance’." SMART MOVES JOURNAL IJELLH 8, no. 11 (November 28, 2020): 216–26. http://dx.doi.org/10.24113/ijellh.v8i11.10872.

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The sense of justice and equity towards women is considered among the best indicators that reflect the socio-cultural development of a civilisation. The position and status of women, as reflected in literature naturally serves as a test to gauge the sensibilities and cultivation of each associated age. It is matter of general agreement that the feminine ideals of womanhood during the early Vedic age remain exalted and exemplary. The Vedic narratives elevate the ephemeral spirit of womanhood, which progressively lost its sheen in successive stages. While the contemporary feminine polemics consistently unravel unhackneyed theories, generic in nature, we are lacking in such an orientation which targets specifics of local, regional and traditional culture. Feminists in India are no exception, and have largely adopted the theories of Feminism emanating from the discourse of the West. The Indian Vedic repository contains instances which testify the epitome of womanhood at its best. However, the Indian ethos of feminism imbedded firmly in the Vedic roots remain largely inaccessible in the contemporary feministic theory. The need for adapting ‘global feminism’ to the ‘classical Indian taste’ remains an unobserved concern. This paper explores the possibilities inherent in the study of classical mythic literature and their potential for stimulating ‘local theories’ of feminism in India through a study of selected feminine ideals present in the early Vedic narratives. Can study of ancient Vedic literature inspire a reawakening in Indian feminism, just as the study of classical Greek literature did for the West during Renaissance in Europe - is a question, this paper seeks to address.

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Psarra, Angelika. "Feminism and Communism: Notes on the Greek Case." Aspasia 1, no. 1 (March 1, 2007): 207–13. http://dx.doi.org/10.3167/asp.2007010112.

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Singh, Raj Kishor. "Olympian Myth and Gender Performitivity in Angela Carter’s The Passion of New Eve." Interdisciplinary Journal of Management and Social Sciences 2, no. 1 (April 29, 2021): 157–64. http://dx.doi.org/10.3126/ijmss.v2i1.36754.

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The Passion of New Eve is an Angela Carter’s critical response to the essentialism of the feminism of 1970s. People had assumption that female experience should be white, middle-class and heterosexual. This assumption has been distorted in the novel with the sense that, traditionally, gender is a social and cultural construct, and this has been illustrated in the story by showing how New Eve acquires womanhood through the socio-cultural situation in Zero’s harem and also while Eve is in love relationship with Tristessa. In her novel, Carter presents Evelyn as a model of gender transfer and acquisition. Greek myth and Carter’s myth have a good blending meta-narrative relationship, a mytho-grand-narrative. Mother is a good example of the Greek myth of Tiresias, a Hermaphrodite. Mother’s hermaphrodite body is used as a grotesque and Carnivalesque body similar to that of Tiresias. Evelyn feels horror at the grotesque and Carnivalesque, physical excesses of the body figure of Mother and expresses revulsion at the sight, but later he himself is turned into a mythic and monstrous being, like Greek god Androgynes, with both male and female physical and psychical features, and in case of Evelyn, with the body of a female but the mind of a man. Angela Carter presents a grotesque realism in the novel, and it is postmodernistic in characteristic because it subverts the patriarchal myths of femininity and masculinity and makes a strong debatable argument over essentializing and universalizing tendencies in the feminism of the 1970s, with the allusions to Greek myths and the biblical story of Adam and Eve. The novel confirms de Beauvoir’s theory that one is not born but rather becomes a woman. Through New Eve, we learn the postmodernistic fact raised by the feminists that biological sex and culturally determined gendered one are not the same, but two different things.

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Papadogiannis, Nikolaos. "Red and Purple? Feminism and young Greek Eurocommunists in the 1970s." European Review of History: Revue européenne d'histoire 22, no. 1 (December 24, 2014): 16–40. http://dx.doi.org/10.1080/13507486.2014.983424.

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Petrov, Branislava. "The Immanence and the Transcendence of the Emerging Subject in Marx’s Philosophy of History." Identities: Journal for Politics, Gender and Culture 17, no. 2-3 (December 30, 2020): 94–98. http://dx.doi.org/10.51151/identities.v17i2-3.455.

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The Author’s aim in this paper is to expose the hidden distortions in Marx’s understanding of the subject of history, such that occur under the influence of the patriarchal ideology. In order to do so, the author will first offer what she believes is the most satisfying explanation of the subject in Marxism, namely, the idea of subject as an emerging immanence. The Author will further claim that Marx’s attempt to overcome Hegelian teleological image of the world and to replace its transcendental subject with an immanent one, remains essentially flawed. The cause of this shortcoming the author will find in the contradiction inherent to Marx’s idea of subject. In the conclusion, the author will name feminism as the key theory for overcoming this contradiction. Author(s): Branislava Petrov Title (English): The Immanence and the Transcendence of the Emerging Subject in Marx’s Philosophy of History Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 17, No. 2-3 (Winter 2020) Publisher: Institute of Social Sciences and Humanities - Skopje Page Range: 94-98 Page Count: 5 Citation (English): Branislava Petrov, “The Immanence and the Transcendence of the Emerging Subject in Marx’s Philosophy of History,” Identities: Journal for Politics, Gender and Culture, Vol. 17, No. 2-3 (Winter 2020): 94-98. Author Biography Branislava Petrov, Philosopher and Feminist Author Branislava Petrov is a philosopher and a feminist author based in Novi Sad, Serbia. She presented her work at various conferences all over Europe, some of them being: Workshop “Helene Druskowitz and Friedrich Nietzsche, 2018,” organised by Institute of Philosophy, Zagreb, Croatia; Historical Materialism Conference Athens 2019, Athens, Greece; Feminist Futures Festival 2019, Germany, Essen; Internatiolal Scientific Conference of Medical University of Kharkov, Ukraine, 2019 and 2020., etc. Her work under the title: “Ideology and Social Structures Behind the Problem of Domestic Violence” has been published in 2019 edition of the last mentioned conference. Her work under the title: “The Difference Between Marxist Radical Feminist and Liberal Feminist Approach to the Problem of Transgender Ideology” has been published in 2020 edition of the same. She organizes online reading groups focusing on the works of Second Wave feminism. She is critical of modern day liberal, as well as so called radical feminism. She is currently working on a piece titled “Feminism and Identities,” which will be presented at the online conference “Women Philosophers in South-Eastern Europe—Past, Present and Future,” organized by Institute of Philosophy, Zagreb, Croatia. She works as a freelance writer and translator. She speaks English and Greek languages.

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Brown, Daniel. "GEORGE EGERTON'SKEYNOTES: NIETZSCHEAN FEMINISM ANDFIN-DE-SIÈCLEFETISHISM." Victorian Literature and Culture 39, no. 1 (December 6, 2010): 143–66. http://dx.doi.org/10.1017/s1060150310000318.

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The title of George Egerton'sfirst collection of short stories,Keynotes(1893), announces a concern with the beginnings of sequences, the first principles from which larger patterns are orchestrated. The stories introduce premises from which new social and sexual relations may be engendered and individual existential choices made, a philosophical intent that harks back to the preoccupation in classical Greek thought with the nature of the Good Life and how to live it, which Friedrich Nietzsche renews for modern Western philosophy. Egerton's broad but nonetheless radical engagement with Nietzschean thought can be traced through the references she makes to the philosopher inKeynotes, which are widely credited with being the first in English literature. Indeed, such allusions are, as Iveta Jusová observes, “the most frequent literary reference[s] in Egerton's texts” (53). They were also recognised and mobilised against her by some of her earliest critics.

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Vivante, Bella. "Feminism, Women's Spirituality, Helen, Multi-Ethnicity: The Woven Fabric of My Perspective on Ancient Greek Drama, Literature, and Culture." Arethusa 34, no. 2 (2001): 137–51. http://dx.doi.org/10.1353/are.2001.0015.

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Foley, Helene. "Classics and Contemporary Theatre." Theatre Survey 47, no. 2 (September 12, 2006): 239–44. http://dx.doi.org/10.1017/s0040557406000214.

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Any discussion of ancient Greek and Roman drama on the contemporary stage must begin with a brief acknowledgment of both the radically increased worldwide interest in translating, (often radically) revising, and performing these plays in the past thirty-five years and the growing scholarly response to that development. Electronic resources are developing to record not only recent but many more past performances, from the Renaissance to the present.1 A group of scholars at the Archive of Performances of Greek and Roman Drama at Oxford—Edith Hall, Fiona Macintosh, Oliver Taplin, and their associates Pantelis Michelakis and Amanda Wrigley—are at the forefront, along with Lorna Hardwick and her associates at the U.K.'s Open University, in organizing conferences and lecture series; these have already resulted in several volumes that aim to understand the recent explosion of performances as well as to develop a more extensive picture of earlier reception of Greek and Roman drama (above all, Greek tragedy, to which this essay will be largely confined).2 These scholars, along with others, have also tried to confront conceptual issues involved in the theatrical reception of classical texts.3 Most earlier work has confined itself to studies of individual performances and adaptations or to significant directors and playwrights; an important and exemplary exception is Hall and Macintosh's recent Greek Tragedy and British Theatre 1660–1914.4 This massive study profits from an unusually advantageous set of archival materials preserved in part due to official efforts to censor works presented on the British stage. Oedipus Rex, for example, was not licensed for a professional production until 1910 due to its scandalous incest theme. This study makes a particular effort to locate performances in their social and historical contexts, a goal shared by other recent studies of postcolonial reception discussed below.5 For example, British Medeas, which repeatedly responded to controversies over the legal and political status of women, always represented the heroine's choice to kill her children as forced on her from the outside rather than as an autonomous choice. Such connections between the performance of Greek tragedy and historical feminism have proved significant in many later contexts worldwide. Work on the aesthetic side of performances of Greek drama, including translation, is at an earlier stage, but has begun to take advantage of important recent work on ancient staging, acting, and performance space.6

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Dissertations / Theses on the topic "Greek feminism"

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TzanakeÃŒ?, DeÃŒ?meÃŒ?tra. "Gender and nationalism in the Hellenic world 1836-1897." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244240.

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Roos, Bonnie. "Reviving Pygmalion : art, life and the figure of the statue in the modernist period /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045092.

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Thesis (Ph. D.)--University of Oregon, 2001.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 277-283). Also available for download via the World Wide Web; free to University of Oregon users.

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Photiou, Maria. "Rethinking the history of Cypriot art : Greek Cypriot women artists in Cyprus." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12139.

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This thesis brings together women artists art practices situated in five key periods of Cyprus socio-political history: British colonial rule, anti-colonial struggle, 1960 Independent, the 1974 Turkish invasion and its aftermath of a divided Cyprus, which remains the case in the present day. Such study has not been done before, and for this, the current thesis aims to provide a critical knowledge of the richness and diversity of Greek Cypriot women's art practices that have frequently been marginalised and rarely been written about or researched. As the title suggests, this thesis engages in rethinking the history of Cypriot art by focusing on the art produced by women artists in Cyprus. By focusing primarily on the work of Greek Cypriot women artists I am interested to explore the conditions within which, through which and against which, women negotiate political processes in Cyprus while making art that is predominantly engaged in specific politicised patterns. The meeting point for the artists is their awareness of being women artists living in a colonised, patriarchal country under Greek Cypriot nationality. While these artists assumed very different positions in their experience of the several phases of Cyprus history, they all negotiate in their practice territorial boundaries and specific identity patterns. Significant to my thesis are a number of questions that I discuss in relation to women artists professional careers and private lives: nationalism, militarism, patriarchy, male dominance, social and cultural codes, ethnic conflict, trauma, imposed displacement through war, memory and women's roles, especially as mothers, in modern and contemporary Cyprus. Thus, I address questions of how women artists in Cyprus experienced such phenomena and how these phenomena affected both their lives and their art practices.

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KARANTONAKI, AFRODITI. "Female representations on Greek media and Greek women’s (un)employment before and after the Covid-19 pandemic : Examining whether and how media gender stereotypes can affect Greek women’s development in light of a crisis." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-39317.

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Women around the world face various kinds of discrimination, which vary from country to country and from culture to culture. Socio-economic crises and global emergencies can accentuate such gender inequalities being particularly detrimental to women. During Covid-19 pandemic women have experienced significant hardships, disproportionately affecting 740 million women worldwide (Rivera, Hsu, Esbry & Dugarova, 2020). According to the United Nations, “across the globe, women earn less, save less, hold less secure jobs, are more likely to be employed in the informal sector. They have less access to social protection and are the majority of single-parent households. Their capacity to absorb economic shocks is, therefore, less than that of men.” Furthermore, the unfair treatment of women is also reinforced by derogatory female stereotypes spread around the media, making it extremely difficult for women to rebound after a crisis (Milford, 2020). In the case of Greece, the pandemic aggravated the economic inequalities faced by women, which could be traced only after one meticulously delves into some formal documents and statistics provided by Greek open data or governmental institutions. Furthermore, the Greek mass media continue to maintain a stiff discriminative stance against women, feeding the Greek mindset with gender stereotypes affecting negatively the way females are evolving within the society, and in particular as entrepreneurs or employees. The outburst of the Covid-19 pandemic added to this, as the immediate reflexes of the Greek power and authority agents was to ‘protect‘ the existing dominant system with all its weaknesses and distortions that it may bear. Under this notion, Greek mass media, did not project the real repercussions of the pandemic, but it kept projecting the same distorted gender representations, as if the pandemic has had exclusively health repercussions. In fact, there is a large gap, with no clear conclusions regarding research on the impact the produced stereotypes by the Greek media have on women’s ability to contribute to any form of development. So, I aim to investigate how Greek women perceive their position and the way they are treated within the society and the working sector, and how the Greek mass media represent the female figure, especially after the pandemic outburst. I interviewed eight women and included extracted information from two magazines, two newspapers, and four television advertisements. I also used statistical data from governmental and other official sources investigating related data before and after the pandemic. Although recent Greek official satistical data indicate that women have been more by the Covid- 19 pandemic compared to men, results have shown that not all women have experienced gender discrimination in the workplace, nor have they been exclusively socio-economically afflicted from the Covid-19 pandemic; they have been negatively affected, though, as everybody else has. Moreover, all participants recognize the extensive stereotyped representation of women on the Greek mass media, which is also evident from the provided media extracts in this study. Furthermore, Greek mothers seem to struggle to balance between family and career, as they are not on the top choices of employers, although female entrepreneurship in Greece is steadily evolving. Finally, the place of residence appears to play a role in the way women are treated, as in large cities, people are more open-minded and less stuck with the old-fashioned gender roles of the Greek culture.

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Antoniadou, Alexandra. "Realisations of performance in contemporary Greek art." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31283.

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This is the first study to approach, both historically and theoretically, the emergence and development of performance art in Greece from the 1970s to the 2010s. Drawing on an interdisciplinary framework - including feminist theory, philosophy, sociology, art history, and more - the study aims to address an evident gap in histories of contemporary Greek art. The research begins with the emergence of performative artistic practices in the 1970s, in the conditions set out by the seven-year Dictatorship (1967-1974) and follows, selectively, the complex trajectory of these practices while investigating their connection with wider socio-political and economic developments. The thesis should not be read as a survey, despite being the first book-length analysis of Greek performance art in both English and Greek. The material included here has been selective (drawn out of years of field research) and yet presents, and represents, the spectrum of themes and positions making up the history of performance art in Greece. My contention is that the rise and establishment of performance art in Greece reflected both the political ferment of the time (early 1970s) and an enquiry into the possibility of flight from traditional media. The dual aim of this study is, first, to facilitate and encourage the integration of performance art in a revised Greek art history; and, second, to contribute to an expansion of performance art histories in an international context through the negotiation of hitherto unknown material synthesised in a study of adequate length. This thesis has required large-scale in situ research and overcoming the major obstacle of the absence of relevant publicly held archives. This was one reason why even an elementary linear history of performance art had been such an overwhelming task in the past; a second reason is the overall marginalisation of performance art theory in the Greek context. Through the Greek paradigm, the thesis illuminates new aspects not only of performance but also of post-performative participatory practices, engaging new conceptualisations. By identifying fundamental issues in the production, dissemination, and reception of performance art in Greece, I provide a critical analysis not only of its achievements and potential but also of its impasses and failures. My intention in undertaking this research has been to disprove the notion - implied or stated as a matter of fact in histories of contemporary Greek art - that performance art has had only a sporadic and inconsistent presence in this 'periphery' scene. I argue that the artists investigated in this study are conclusively part of the history of performance in the 20th and 21th centuries, thereby setting the terms and calling for further research on the subject.

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Vagena, Eftychia. "Writing the next Chapters of our Books : Every-day resistances by Greek women in Sweden." Thesis, Linköpings universitet, Tema Genus, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-143482.

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This work is dedicated to exploring the possibilities of everyday knowledges and practices to re-address the issue of resistance, problematise the existing notions and create re-articulations. In what follows, I am investigating the main intersections of discrimination in the experience of the latest wave of Greek women migrants in Sweden in order to single out and analyze the ways and tools of their everyday resistance and re-existence. Grounded in the geo-politics and body-politics of knowledge this research begins with challenging the Greek crisis and migration to transgress all-encompassing categories such as crisis, migrant, woman, everyday, resistance and at the same time propose alternative ways and tropes to comprehend and handle their content. In order to reconfigure everyday resistance and expose the marginal layers between “obedience” and “disobedience”, I will unlearn and relearn the Greek history, decolonize the Greek identity, and at last reaffirm the experiential knowing through being, a knowledge that has been durably repressed.

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Cochrane, Regina M. "Feminism, ecology, and negative dialectics, toward a feminist green political theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0022/NQ39260.pdf.

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Kataiftsis, Dimitris. "Les communautés grecques en URSS (1917-1956) et les questions du genre." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040228.

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Pour former nos hypothèses, il fallait examiner les discours scientifiques sur le genre et leurs applications dans le cas grec, ce que nous avons essayé de faire dans notre introduction.Notre travail s’est articulé en cinq grandes parties. La première aborde la formation de la diaspora grecque de la fin du 18ème siècle aux révolutions de 1917 et les représentations féminines dans l’historiographie gréco-pontique. La deuxième partie aborde l’accès des femmes au savoir, les modes d’intégration à la nouvelle société soviétique. La conservation des rôles culturels nous mène à dresser une typologie des femmes « grecques » et des femmes « soviétiques ». La troisième s’intéresse à la reformation ou disparition des rôles au cours des répressions politiques qui affectèrent considérablement la diaspora grecque. Nous avons également dressé un bilan des femmes-victimes des purges. La dernière partie a montré enfin que l’exile constitua un moment-rupture avec le passé, au moins dans les témoignages oraux de ses protagonistes. Les femmes qui nous ont parlé d’elles-mêmes et les hommes qui se sont demandés sur les questions de genre nous ont offert une image du passé originale, digne d’intérêt
In order to form our hypothesis, it would be necessary to examine the scientific discourse on gender and its application to the greek case, and this is what we tried to do in our introduction. Our study was organized in five large parts. The first one approaches the formation of greek diaspora from the end of the 18th century to the revolutions of 1917 and the woman representation in pontic-greek historiography. The second one approaches the access of women in education, the ways of integration in the new soviet society. The preservation of the cultural roles leads us to develop a typology between “greek” women and “soviet” women. The third part focuses on the reformation or disappearance of the roles during political repressions that would have an impact on greek diaspora. Furthermore, we discussed on the women-victims of purges. Finally, the last part demonstrates that the exile constituted a rupture with the past, at least as it resulted from its protagonists’ oral testimonies. The women who talked about themselves and the men surveyed on gender issues give us an original image of the past, worthy of interest

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Totskas, George. "Penthesilea : woman as hero /." Online version of thesis, 1990. http://hdl.handle.net/1850/11327.

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Ladianou, Aikaterini. "Logos Gynaikos: Feminine Voice in Archaic Greek Poetry." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1236711421.

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Books on the topic "Greek feminism"

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Arms and the woman: Just warriors and greek feminist identity. New York: Columbia University Press, 2008.

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Wallace, Christine. Greer, untamed shrew. Sydney: Macmillan, Pan Macmillan Australia, 1997.

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Rereading the sophists: Classical rhetoric refigured. Carbondale: Southern Illinois University Press, 1991.

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Wallace, Christine. Germaine Greer: Untamed shrew. Sydney: Pan Macmillan Australia, 1996.

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Wallace, Christine. Germaine Greer, untamed shrew. New York: Faber and Faber, 1998.

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Wallace, Christine. Germaine Greer, untamed shrew. Boston: Faber and Faber, 1999.

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1968-, Ferstman Carla, ed. The castration of Oedipus: Feminism, psychoanalysis, and the will to power. New York: New York University Press, 1996.

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Wallace, Christine. Germaine Greer: Untamed shrew. London: Richard Cohen Books, 1999.

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Laughter of Aphrodite: Reflections on a journey to the goddess. San Francisco: Harper & Row, 1987.

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Christ, Carol P. Laughter of Aphrodite: Reflections on a journey to the Goddess. New York: Harper & Row, 1988.

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Book chapters on the topic "Greek feminism"

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Cavarero, Adriana. "Feminism and Ancient Greek Philosophy." In The Routledge Companion to Feminist Philosophy, 23–34. 1 [edition]. | New York : Routledge, 2017. | Series: Routledge philosophy companions: Routledge, 2017. http://dx.doi.org/10.4324/9781315758152-3.

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Zavos, Alexandra. "Building Alliances: Greek and Migrant Women in the Anti-racist Movement in Athens." In Feminism and Migration, 227–42. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-2831-8_12.

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Radcliffe, James. "Eco-feminism and Post-modernism." In Green Politics, 85–104. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333981696_5.

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Kotzin, Rhoda Hadassah. "Ancient Greek philosophy." In A Companion to Feminist Philosophy, 7–20. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164498.ch1.

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Skinner, Marilyn B. "Feminist Theory." In A Companion to Greek and Roman Sexualities, 1–16. Chichester, UK: John Wiley & Sons, Ltd, 2013. http://dx.doi.org/10.1002/9781118610657.ch1.

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Jironet, Karin. "Greed, charity and prudence." In Feminine Leadership, 78–91. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429486487-7.

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Case, Sue-Ellen. "The Masked Activist: Greek Strategies for the Streets." In Feminist and Queer Performance, 111–24. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-04560-7_8.

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Stevens, Lara. "From The Female Eunuch to White Beech: Germaine Greer and Ecological Feminism." In Feminist Ecologies, 115–33. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64385-4_7.

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Aston, Elaine. "Yarns and Yearnings: Story-Layering, Signifyin’, and debbie tucker green’s Black-Feminist Anger." In debbie tucker green, 151–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-34581-5_8.

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Taylor, Anthea. "Germaine Greer: ‘The Star Feminism Had to Have’, Unruliness, and Adaptable Celebrity." In Celebrity and the Feminist Blockbuster, 127–60. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-37334-2_5.

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