Dissertations / Theses on the topic 'Great Britain Intellectual life 19th century'
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Bennett, Joshua Maxwell Redford. "Doctrine, progress and history : British religious debate, 1845-1914." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:299ba472-2a9c-488c-a8de-12ac55acc4ea.
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Religion and history became closely related in new ways in the Victorian imagination. This thesis asks why this was so, by focusing on arguments within British Protestant culture over progress and development in the history of Christianity. In an intellectual movement approximately beginning with the 1845 publication of John Henry Newman's 'Essay on the Development of Christian Doctrine', and powerfully spreading and developing until the earlier years of the twentieth century, British intellectuals came to treat the history of religion - both as a past and present process, and as a didactic genre - as a vital element of broader attempts to stabilise or reconstruct religious belief and social order. Religious revivalists, determined to use church history as a raw material for the inculcation of exclusive confessional identities and dogmatic theology, were highly successful in pressing it on the attention of early Victorian audiences. But they proved unable to control its meaning. Historians rose to prominence who instead interpreted the history of Christianity as a guide to how religious culture, which many treated as indistinguishable from society as a whole, might eventually supersede denominational and dogmatic divisions. Humanity's spiritual development in time, which numerous British critics assessed with the aid of German Idealist thought, also became an attractive apologetic resource as the epistemological basis of Christian belief came under unprecedented public challenge. A major part of that danger was perceived to come from rival, avowedly secularising interpretations of human social progress. Such accounts - the ancestors of twentieth-century secularisation theory - were vigorously opposed by historians who understood modernity as involving not the decline, but the purification of Christianity. By exploring the ways in which Victorian critics - clerical and lay, religious and secular - approached religious history as a resource for solving the problems of their own age, this thesis offers a new way of understanding the importance of history, claims to knowledge, and the nature and ends of 'liberalism' in the long nineteenth century.
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Lindsay, Christy. "Reading associations in England and Scotland, c.1760-1830." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cfeb9aa2-6917-4356-8d11-b26237c795a5.
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This thesis examines provincial literary culture in the late eighteenth and early nineteenth century, through the printed and manuscript records of reading associations, the diaries of their members, and a range of other print materials. These book clubs and subscription libraries have often been considered to be polite and sociable institutions, part of the cultural repertoire of a new urban, consumer society. However, this thesis reconsiders reading associations' values and effects through a study of the reading materials they provided, and the reading habits they encouraged; the intellectual and social values which they embodied; and their role in the performance of gender, local and national identities. It questions what politeness meant to associational members, arguing for the importance of morality and order in associational conceptions of propriety, and downplaying their pursuit of structured sociability. This thesis examines how provincial individuals conceived of their relationship to the reading public, arguing that associations provided a tangible link to this abstract national community, whilst also having implications for the 'public' life of localities and families. The thesis also considers how these institutions interacted with enlightenment thought, suggesting that both the associations' reading matter and their philosophies of corporate improvement enabled 'ordinary' men and women to participate in the Enlightenment. It assesses English and Scottish associations, which are usually subjected to separate treatment, arguing that they constituted a shared mechanism of British literary culture in this period. More than simply a 'polite' performance, reading, through associations, was fundamentally linked to status, to citizenship, and to cultural participation.
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Steinberg, Oded Yair. "The illusion of finality : time and community in the writings of E.A. Freeman, J.B. Bury and the English-Teutonic circle of historians." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:3920bcbb-2ab2-4daf-97a1-9bb63512322c.
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This thesis aims to show, how periodization and race converged vigorously during the nineteenth century. The research focuses mainly on the question of how nineteenth century historians viewed the transformation from Antiquity to the Middle Ages. For many scholars, the year 476 A.D. became associated with the fall of Rome. During the nineteenth century, historians elaborated two main arguments: 1) 'The Roman' emphasized the decline that had occurred after the fall of Rome. 2) 'The Teutonic' signified the rejuvenation which the German tribes had brought about in the decaying Empire. Although I relate to the 'Roman' argument, the heart of the discussion is devoted to the 'Teutonic' school that was supported not only by German but also by British or more accurately English historians. The first part of the dissertation is devoted to the theme of 'Community and Race'. In this part, I engage with the thematic question of how the historians of the second half of the nineteenth century constructed past and present communities through the concept of race. A close community or Gemeinschaft of English and German historians emerged during the middle of the nineteenth century. Based on the concept of Teutonic kinship, this community emphasized the notions of race and historical time, which actually invented a new sense of belonging. The English and the Germans were one, an almost indivisible community founded on a purported notion of race. Despite several national or particularistic inclinations, these nations had a common Teutonic past, which always bonded them together. Therefore, the historians 'imagined' a new ultimate transnational (racial) community of belonging. In the second part I study the theme of 'Time'. The linkage between the two parts is embedded in the idea of the Community as a 'Time Maker'. Namely, in what manner does the construction of a community by the historians defines the division of time. The chapter that links the two themes of 'Community' and 'Time' examines the writings of scholars in the eighteenth and nineteenth centuries who underlined the Germanic invasions of the 4th and 5th centuries A.D. as the events that symbolized the fall of Rome and the end of Antiquity. This governing observation is connected directly with the racial Teutonic feelings that were prevalent among English and German historians. The discussion of it set the framework for the following chapters, which delve into the distinct periodization's of Edward Augustus Freeman (1823-92) and John Bagnell Bury (1861-1927). These historians, who were in constant and close contact until the death of Freeman in 1892, reveal similarities as well as major differences in their historical writings. The main reason why they were chosen derives from the new periodization which they had adopted. Both of them devised a method that signified a departure from the accepted and almost 'sacred' division between Antiquity and the Middle Ages.
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Abraham, Adam. "Spurious Victorians : imitation and the nineteenth-century novel." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cbf24b85-cc63-42be-ba84-2f065942c4d8.
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In 'A Critique of Modern Textual Criticism', Jerome J. McGann writes, '[A]n author's work possesses autonomy only when it remains an unheard melody'. For the published and successful writer in the nineteenth century, such autonomy was often unattainable. Publications such as The Pickwick Papers inspired an array of opportunistic successors, including stage plays, unauthorized sequels, jest books, song books, and shilling and penny imitations. Despite the proliferation, this strain of writing is rarely studied. This thesis recovers ephemeral, scurrilous texts, often anonymous or pseudonymous, and reads them in the context of their canonical sources. Retrieving bibliographical environments, it demonstrates how plagiaristic, parodic, and willfully unoriginal works impacted on the careers of three novelists: Charles Dickens, Edward Bulwer Lytton, and George Eliot. The thesis argues that formal distinctions among modes of Victorian writing - criticism, parody, and plagiarism - often blur. Further, it argues that our understanding of a particular novelist's work must be broadened to include sequels, spinoffs, and imitations: to know a particular author means to know the spurious and oftentimes bad (morally or aesthetically) works that the author inspired. The Spurious Victorians of the title form something of countercanon to the 'major' writers of the period. Thomas Peckett Prest, Rosina Bulwer Lytton, and Joseph Liggins, among many others, informed and influenced the literary history that has in turn denied them admission. William Makepeace Thackeray wrote, 'If only men of genius were to write, Lord help us! how many books would there be?' Of course, Victorian print culture found room for the genius and the subgenius, Boz as well as Bos. 'Spurious Victorians' recovers works that have been lost from view in order to better understand the process by which an individual authorial voice emerged amid an echo chamber of competing, imitative voices.
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McMurray, David, and University of Lethbridge Faculty of Arts and Science. "'A rod of her own' : women and angling in victorian North America." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2007, 2007. http://hdl.handle.net/10133/537.
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This thesis will argue that angling was a complex cultural phenomenon that had developed into a respectable sport for women during the Early Modern period in Britain. This heterogeneous tradition was inherited by many Victorian women who found it to be a vehicle through which they could find access to nature and where they could respectably exercise a level of authority, autonomy, and agency within the confines of a patriarchal society. That some women were conscious of these opportunities and were deliberate in their use of angling to achieve their goals while others happened upon them in a more unassuming manner, underscores how angling also functioned as a canopy of camouflage within Victorian society. In other words, though it outwardly appeared as a simple recreational activity, angling possessed the ability to function as a meta-narrative for its adherents, where the larger experiences and intentions of women became subtly intertwined, if not hidden, within the actual activity itself.viii, 197 leaves ; 29 cm.
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Clark, Duane E. "A pious and sensible politeness : forgotten contributions of George Jardine and Sir William Hamilton to 19th century American intellectual development." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5670/.
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In recent years there has been a renewed interest in Scottish contributions to the intellectual development in the early America. There has been a significant amount of work focused on Scottish luminaries such as Hutcheson, Hume and Smith and their influence on the eighteenth century American founding fathers. However, little attention has been directed at what we might call the later reception of the Scottish Enlightenment in the first half of the nineteenth century. This thesis presents an in-depth account of the intellectual and literary contributions of two relatively obscure philosophers of the nineteenth century: George Jardine and Sir William Hamilton. This study is framed by biographies of their lives as academics and then focuses on a detailed account of their work as represented in American books and periodicals. In addition, some attention will be given to their respected legacies, in regards to their students who immigrated to America. This thesis is comprised of two sections. The first contains five chapters that lay out the details of the lives and legacies of Jardine and Hamilton. Chapter 1 looks at the literary and historical context of Scotland’s contributions to early American academic development. Chapter 2 is a focused biography of the academic life of George Jardine. Though this biography centres on Jardine’s life as an educator, it constitutes the most complete account of his life to date. Chapter 3 looks in depth at Jardine’s academic and literary reception in America. This chapter chronicles the dissemination of Jardine’s pedagogical strategies by former students who immigrated to America as well as how his ideas were presented in American books and journals. Chapter 4 returns to a biographical format focused on one of Jardine’s most famous students – Sir William Hamilton. Like the biography on Jardine the emphasis of this chapter is on Hamilton’s role as an educator. Chapter 5 looks at Sir William Hamilton’s academic and literary reception in the United States. This chapter also presents material on Hamilton’s personal connections to Americans that have been overlooked in transatlantic intellectual history. Section two presents annotated catalogs of books and journals that exemplify the literary reception of Jardine and Hamilton in America. In the case of Jardine I include catalogs of two of his students who immigrated to America as a means to highlight Jardine’s indirect impact on the American religious and educational literature. Whereas many have argued that the 19th century witnessed a decline in Scottish education and Philosophy this study shows that these ideas thrived in America and it is evident Scotland was still exporting useful knowledge to the United States well past the civil war.
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Riso, Mary. "The good death : expectations concerning death and the afterlife among evangelical Nonconformists in England 1830-1880." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19976.
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This thesis examines six factors that helped to shape beliefs and expectations about death among evangelical Nonconformists in England from 1830 down to 1880: the literary conventions associated with the denominational magazine obituaries that were used as primary source material, theology, social background, denominational variations, Romanticism and the last words and experiences of the dying. The research is based on an analysis of 1,200 obituaries divided evenly among four evangelical Nonconformist denominations: the Wesleyan Methodists, the Primitive Methodists, the Congregationalists and the Baptists. The study is distinctive in four respects. First, the statistical analysis according to three time periods (the 1830s, 1850s and 1870s), close reading and categorisation of a sample this large are unprecedented and make it possible to observe trends among Nonconformists in mid-nineteenth-century England. Second, it evaluates the literary construct of the obituaries as a four-fold formula consisting of early life, conversion, the living out of the faith and the death narrative as a tool for understanding them as authentic windows into evangelical Nonconformist experience. Third, the study traces two movements that inform the changing Nonconformist experience of death: the social shift towards middle-class respectability and the intellectual shift towards a broader Evangelicalism. Finally, the thesis considers how the varying experiences of the dying person and the observers and recorders of the death provide different perspectives. These features inform the primary argument of the thesis, which is that expectations concerning death and the afterlife among evangelical Nonconformists in England from 1830 down to 1880 changed as reflections of larger shifts in Nonconformity towards middle-class respectability and a broader Evangelicalism. This transformation was found to be clearly revealed when considering the tension in Nonconformist allegiance to both worldly and spiritual matters. While the last words of the dying pointed to a timeless experience that placed hope in the life to come, the obituaries as compiled by the observers of the death and by the obituary authors and editors reflected changing attitudes towards death and the afterlife among nineteenth-century evangelical Nonconformists that looked increasingly to earthly existence for the fulfilment of hopes.
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Dawkins, Charlie. "Modernism in mainstream magazines, 1920-37." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:71ef5fb2-9a5a-4277-9b0d-edf307acd1e7.
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This thesis studies five mainstream British weekly magazines: 'Time and Tide', the 'Nation and Athenaeum', the 'Spectator', the 'Listener', and the 'New Statesman'. It explores how these magazines reviewed, discussed and analysed modernist literature over an eighteen-year span, 1920-37. Over this period, and in these magazines, the concept of modernism developed. Drawing on work by philosopher Ian Hacking, this research traces how the idea of modernism emerged into the public realm. It focuses largely on the book reviews printed in these magazines, texts that played an important and underappreciated role in negotiations between modernist texts and the audience of these magazines. Chapter 1, on 'Time and Tide', covers a period from the magazine's inception in 1920 to 1926, and draws particularly on Catherine Clay's work on this magazine. It discusses the genre of 'weekly review' that this new magazine attempted to join, and the cultural place of modernism in the early 1920s. Chapter 2, on the 'Nation and Athenaeum', covers Leonard Woolf's literary editorship (1923-30), under the ownership of J. M. Keynes, and makes use of Keynes's archive at King's College, Cambridge, and Woolf's at the University of Sussex. Chapter 3, on the 'Spectator', covers Evelyn Wrench's editorship (1925-32), and explores the relationship between this magazine, ideologies of conservatism, and modernism. Chapter 4, on the 'Listener', focuses on the magazine's publication of new poetry, including an extraordinary 1933 supplement that printed W. H. Auden's 'The Witnesses'. This work revolves around Janet Adam Smith, literary editor in these years, and draws on Smith's archive at the National Library of Scotland as well as the BBC archives at Caversham. Chapter 5, on the 'New Statesman' in the 1930s under new editor Kingsley Martin, explores a period when modernism was more widely recognized, and pays particular attention to a short text by James Joyce printed in 1932, 'From a Banned Writer to a Banned Singer'.
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O'Gorman, Aoife Siobhán. "Wissenschaft at war : British and German academic propaganda and the Great War." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0fd95e59-568d-48e4-8b72-302757436f84.
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This thesis explores academic propaganda in the first two years of the First World War, examining the activity of the university men in Britain and Germany who were left behind when their students went to the Front. Using pamphlets and manifestoes, it seeks to highlight the way the War split the international academic community and the creation of a debate which examined not only the causes of the War, but the reasons for which the nations were fighting. By exploring the propaganda organisations of both countries, as well as the academic milieu in which the subjects of this thesis worked, it hopes to provide the context within which this propaganda was created, before turning to an examination of the content of the propaganda - an aspect which has often been overlooked in propaganda studies. The investigation of the content looks first at the outbreak of war and the reaction of the academic community to a shock which shook their community. It then turns to the arguments expounded on culpability for the War, and the ideals for which each side felt they were fighting, illustrating the shift in emphasis from a political war to an ideological conflict between two opposing world views. Finally, the thesis considers perceptions of the War in the early years of the conflict, and the way in which it was seen both as a panacea to overcome social divisions and a catharsis which would lead the way to a new world - ideas which would provide the foundation for later war aims. In taking this comparative approach, the aim is to provide new insights into a fascinating and relatively little-known aspect of the history of the First World War.
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Cross, Thomas C. (Thomas Clinton). "The Life and Works of Charlotte Elizabeth Tonna: Anglican Evangelical Progressive." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278033/.
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Among the British evangelicals of her day, Charlotte Elizabeth Browne Phelan Tonna was one of the most popular. She was an Anglican Evangelical Progressive who through her works of fiction, poetry, tracts, travel accounts, and essays dealing with theology, politics and social criticism convinced fellow evangelicals to get actively involved in the issues that concerned her.
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Egan, Grace. "Corresponding forms : aspects of the eighteenth-century letter." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:1b22283d-1b7b-46bc-8bbe-fdda16b20323.
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My thesis investigates the dialogic aspects and literary qualities ascribed to letters during the long eighteenth century. In part this involves documenting the correspondence between letters and other genres, such as the novel. Being in correspondence encouraged writers such as Burney and Johnson to express the relationship between sender and recipient in interesting ways. I posit that the letter offered a sophisticated means for writers, including those in Richardson's circle, to represent speech and thought, and mimic (with varying degrees of indirection), that of others. I consider the editorial habits and typographical conventions that governed letter-writing during the period, honing in on Richardson's contributions. I link his claim that letters were written 'to the Moment' with broader tropes of 'occasional' style, and show how this manifests in letters' intricate modulations of tense and person. Chapter 1 details the conventions that prevailed in letters of the period, and their interactions with irony and innovation. I compare convention in the epistolary novels of Smollett and Richardson, and look at closure in the Johnson-Thrale correspondence. Chapter 2 demonstrates that various methods of combining one's voice with others were utilized in letters (such as those of the Burney family), including some that took advantage of the epistolary form and its reputation as 'talking on paper'. Chapter 3 shows the role of mimesis in maintaining the dialogic structure of letters, and links it to contemporary theories of sympathy and sentiment. Chapters 4 and 5 apply the findings about epistolary tradition, polyphony and sentimentalism to the letters of Sterne and Burns. In them, there is a mixture of sentiment and irony, and of individual and 'correspondent' styles. The conclusion discusses the editing of letters, both in situ and in preparation for publication. The twin ideals of spontaneity and sincerity, I conclude, have influenced the way we choose to edit letters in scholarly publications.
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Lu, Jia Jin. "Chinese Soul in British colony :the traditional village life in the New Territories, 1898-1941." Thesis, University of Macau, 2016. http://umaclib3.umac.mo/record=b3537104.
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Mead, Henry. "T.E. Hulme and the ideological politics of early modernism : some contexts." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669917.
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Condon, Liam. "John Dunton : print and identity, 1659-1732." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669920.
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Bird, Barbara. "The Victorians and role performance : the middle class gentleman in John Halifax, gentleman and Great expectations." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1221277.
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This project investigates the social role of gentleman in Victorian England as defined in two Victorian novels, Dinah Maria Mulock's John Halifax, Gentleman and Charles Dickens's Great Expectations. Mulock and Dickens promote the middle-class gentleman as a role that prioritizes the fulfillment of duty. Mulock's protagonist, John Halifax, displays this gentlemanliness throughout his social and economic rise. He bridges the upper and lower classes and embodies both a model and a pathway to middleclass gentlemanliness. Dickens's protagonist, Pip, develops this middle-class gentlemanliness as he learns from his own and four other characters' experiences. Dickens separates the inward, duty-focused gentleman and the outward, appearance-focused gentleman in the four characters that influence Pip, thus emphasizing their relationship and the power of social role encoding. These two novels reveal the performances of roles as social constructions that utilize the power of group definitions and the role writers play in shaping those definitions.Department of English
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Ferris, Natalie. "'Ludic passage' : abstraction in post-war British literature, 1945-1980." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5b3034e6-3a32-4684-b8a0-eb91cfc756c6.
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This thesis traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. It is the first sustained chronological study to consider the ways in which a select number of British poets, authors and critics challenged the received views of their post-war moment in the discovery of the imaginative and idealizing potential of abstraction. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke-Rose, as well as by groups of practitioners, such as the British concrete poetry movement, small press initiatives and Art & Language, this thesis offers a comprehensive account of the evolving status of abstraction across cultural, institutional and literary contexts. The discussions build a vision of an era that increasingly jettisons the predetermined critical lexicon of abstraction to generate works of a more pragmatic abstract inspiration: the spatial demands of concrete poetry, language as medium in the conceptual artwork, the absence of linear plot in the new novel.
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Moran, Arik. "Permutations of Rajput identity in the West Himalayas, c. 1790-1840." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:a5436935-3a87-4702-8b0a-471643633c46.
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The sustained interaction of local elites and British administrators in the West Himalayas over the decades that surrounded the early colonial encounter (c. 1790-1840) saw the emergence of a distinctly new understanding of communal identity among the leaders of the region. This eventful period saw the mountain ('Pahari') kingdoms transform from fragmented, autonomous polities on the fringes of the Indian subcontinent to subjects of indigenous (Nepali, Sikh) and, ultimately, foreign (British) empires, and dramatically altered the ways Pahari leaders chose to remember and represent themselves. Using a wide array of sources from different locales in the hills (e.g., oral epics, archival records and local histories), this thesis traces the Pahari elite's transition from a nebulous group of lineage-based leaders to a cohesive unitary milieu modelled after contemporary interpretations of Hindu kingship. This nascent ideal of kingship is shown to have fed into concurrent understandings of Rajput society in the West Himalayas and ultimately to have sustained the alliance between indigenous rulers and British administrators.
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Hauswedell, Tessa C. "The formation of a European identity through a transnational public sphere? : the case of three Western European cultural journals, 1989-2006." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/789.
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This thesis analyses processes of discursive European identity formation in three cultural journals: Esprit, from France, the British New Left Review and the German Merkur during the time periods 1989-92, and, a decade later, during 2003-06. The theoretical framework which the thesis brings to bear on this analysis is that of the European Public Sphere. This model builds on Jürgen Habermas’s original model of a “public sphere”, and alleges that a sphere of common debate about issues of European concern can lead to a more defined and integrated sense of a European identity which is widely perceived as vague and inchoate. The relevancy of the public sphere model and its connection to the larger debate about European identity, especially since 1989, are discussed in the first part of the thesis. The second part provides a comparative analysis of the main European debates in the journals during the respective time periods. It outlines the mechanisms by which identity is expressed and assesses when, and to what extent, shared notions of European identity emerge. The analysis finds that identity formation does not occur through a developmental, gradual convergence of views as the European public sphere model envisages. Rather, it is brought about in much more haphazard back-and-forth movements. Moreover, shared notions of European identity between all the journals only arise in moments of perceived crises. Such crises are identified as the most salient factor which galvanizes expressions of a common, shared sense of European identity across national boundaries and ideological cleavages. The thesis concludes that the model of the EPS is too dependent on a partial view of how identity formation occurs and should thus adopt a more nuanced understanding about the complex factors that are at play in these processes. For the principled attempt to circumscribe identity formation as the outcome of communicative processes alone is likely to be thwarted by external events.
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Harris, Eleanor M. "The Episcopal congregation of Charlotte Chapel, Edinburgh, 1794-1818." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19991.
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This thesis reassesses the nature and importance of the Scottish Episcopal Church in Edinburgh and more widely. Based on a microstudy of one chapel community over a twenty-four year period, it addresses a series of questions of religion, identity, gender, culture and civic society in late Enlightenment Edinburgh, Scotland, and Britain, combining ecclesiastical, social and economic history. The study examines the congregation of Charlotte Episcopal Chapel, Rose Street, Edinburgh, from its foundation by English clergyman Daniel Sandford in 1794 to its move to the new Gothic chapel of St John's in 1818. Initially an independent chapel, Daniel Sandford's congregation joined the Scottish Episcopal Church in 1805 and the following year he was made Bishop of Edinburgh, although he contined to combine this role with that of rector to the chapel until his death in 1830. Methodologically, the thesis combines a detailed reassessment of Daniel Sandford's thought and ministry (Chapter Two) with a prosopographical study of 431 individuals connected with the congregation as officials or in the in the chapel registers (Chapter Three). Biography of the leader and prosopography of the community are brought to illuminate and enrich one another to understand the wealth and business networks of the congregation (Chapter Four) and their attitudes to politics, piety and gender (Chapter Five). The thesis argues that Daniel Sandford's Evangelical Episcopalianism was both original in Scotland, and one of the most successful in appealing to educated and influential members of Edinburgh society. The congregation, drawn largely from the newly-built West End of Edinburgh, were bourgeois and British in their composition. The core membership of privileged Scots, rooted in land and law, led, but were also challenged by and forced to adapt to a broad social spread who brought new wealth and influence into the West End through India and the consumer boom. The discussion opens up many avenues for further research including the connections between Scottish Episcopalianism and romanticism, the importance of India and social mobility within the consumer economy in the development of Edinburgh, and Scottish female intellectual culture and its engagement with religion and enlightenment. Understanding the role of enlightened, evangelical Episcopalianism, which is the contribution of this study, will form an important context for these enquiries.
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Bennett, Elizabeth Stearns. "Negotiating Interests: Elizabeth Montagu's Political Collaborations with Edward Montagu; George, Lord Lyttelton; and William Pulteney, Lord Bath." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12082/.
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This dissertation examines Elizabeth Robinson Montagu's relationships with three men: her husband, Edward Montagu; George Lyttelton, first baron Lyttelton; and William Pulteney, earl of Bath to show how these relationships were structured and how Elizabeth Montagu negotiated them in order to forward her own intellectual interests. Montagu's relationship with her husband Edward and her friendships with Lord Lyttelton and Lord Bath supplied her with important outlets for intellectual and political expression. Scholarly work on Montagu's friendships with other intellectual women has demonstrated how Montagu drew on the support of female friends in her literary ambitions, but at the same time, it has obscured her equally important male relationships. Without discounting the importance of female friendship to Montagu's intellectual life, this study demonstrates that Montagu's relationships with Bath, Lyttleton, and her husband were at least as important to her as those with women, and that her male friendships and relationships offered her entry into the political sphere. Elizabeth Montagu was greatly interested in the political debates of her day and she contributed to the political process in the various ways open to her as an elite woman and female intellectual. Within the context of these male friendships, Montagu had an opportunity to discuss political philosophy as well as practical politics; as a result, she developed her own political positions. It is clear that contemporary gender conventions limited the boundaries of Montagu's intellectual and political concerns and that she felt the need to position her interests and activities in ways that did not appear transgressive in order to follow her own inclinations. Montagu represented her interest in the political realm as an extension of family duty and expression of female tenderness. In this manner, Montagu was able to forward her own opinions without appearing to cross conventional gender boundaries.
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Boykin, Dennis Joseph. "Wartime text and context Cyril Connolly's Horizon /." University of Sydney, 2007. http://hdl.handle.net/2123/1959.
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Doctor of Philosophy (PhD)This thesis examines the literary journal Horizon, its editor Cyril Connolly, and a selection of its editorial articles, poems, short stories and essays in the context of the Second World War, from 1939-45. Analyses of these works, their representation of wartime experience, and their artistic merit, serve as evidence of a shared and sustained literary engagement with the war. Collectively, they demonstrate Horizon’s role as one of the primary outlets for British literature and cultural discourse during the conflict. Previous assessments of the magazine as an apolitical organ with purely aesthetic concerns have led to enduring critical neglect and misappraisal. This thesis shows that, contrary to the commonly held view, Horizon consistently offered space for political debate, innovative criticism, and war-relevant content. It argues that Horizon’s wartime writing is indicative of the many varied types of literary response to a war that was all but incomprehensible for those who experienced it. These poems, stories and essays offer a distinctive and illuminating insight into the war and are proof that a viable literary culture thrived during the war years. This thesis also argues that Horizon, as a periodical, should be considered as a creative entity in and of itself, and is worthy of being studied in this light. The magazine’s constituent parts, interesting enough when considered separately, are shaped, informed, and granted new shades of meaning by their position alongside other works in Horizon. Chapters in the thesis cover editorials and editing, poetry, short stories, political essays, and critical essays respectively. Analyses of individual works are situated in the context of larger concerns in order to demonstrate the coherence of debate and discourse that characterised Horizon’s wartime run. In arguing that Horizon is a singular creative entity worthy of consideration in its own right, this thesis locates itself within the emerging field of periodical studies. Further, by arguing that the magazine demonstrates the value of Second World War literature, it articulates with other recent attempts to reassess the scope and quality of that literature. More specifically, this thesis offers the first focused and in-depth analysis of Horizon’s formative years.
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Lewis, Elizabeth Faith. "Peter Guthrie Tait : new insights into aspects of his life and work : and associated topics in the history of mathematics." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6330.
Full textAbstract:
In this thesis I present new insights into aspects of Peter Guthrie Tait's life and work, derived principally from largely-unexplored primary source material: Tait's scrapbook, the Tait–Maxwell school-book and Tait's pocket notebook. By way of associated historical insights, I also come to discuss the innovative and far-reaching mathematics of the elusive Frenchman, C.-V. Mourey. P. G. Tait (1831–1901) F.R.S.E., Professor of Mathematics at the Queen's College, Belfast (1854–1860) and of Natural Philosophy at the University of Edinburgh (1860–1901), was one of the leading physicists and mathematicians in Europe in the nineteenth century. His expertise encompassed the breadth of physical science and mathematics. However, since the nineteenth century he has been unfortunately overlooked—overshadowed, perhaps, by the brilliance of his personal friends, James Clerk Maxwell (1831–1879), Sir William Rowan Hamilton (1805–1865) and William Thomson (1824–1907), later Lord Kelvin. Here I present the results of extensive research into the Tait family history. I explore the spiritual aspect of Tait's life in connection with The Unseen Universe (1875) which Tait co-authored with Balfour Stewart (1828–1887). I also reveal Tait's surprising involvement in statistics and give an account of his introduction to complex numbers, as a schoolboy at the Edinburgh Academy. A highlight of the thesis is a re-evaluation of C.-V. Mourey's 1828 work, La Vraie Théorie des quantités négatives et des quantités prétendues imaginaires, which I consider from the perspective of algebraic reform. The thesis also contains: (i) a transcription of an unpublished paper by Hamilton on the fundamental theorem of algebra which was inspired by Mourey and (ii) new biographical information on Mourey.