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Relevant bibliographies by topics / Graupner

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Academic literature on the topic 'Graupner'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Graupner"

1

Lawson, C. "Exploring Bach's contemporaries: Fasch and Graupner." Early Music 43, no. 1 (January 14, 2015): 179–82. http://dx.doi.org/10.1093/em/cau143.

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O'Loughlin, Niall, Keith Puddy, Victoria Soames, Roger Heaton, Julius Drake, and Duke String Quartet. "The Early Clarinet Family: Anonymous, Handel, Graupner, Beethoven, Danzi." Musical Times 134, no. 1805 (July 1993): 410. http://dx.doi.org/10.2307/1003111.

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Talle, Andrew. "Nürnberg, Darmstadt, Köthen - Neuerkenntnisse zur Bach-Überlieferung in der ersten Hälfte des 18. Jahrhunderts." Bach-Jahrbuch 89 (March 12, 2018): 143–72. http://dx.doi.org/10.13141/bjb.v20031785.

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Der Artikel widmet sich der Identifizierung und näheren Beschreibung dreier Schreiber: LS=Lorenz Sichart (1694-1771; Sighard, Sichert), Anonymus Darmstadt=Christoph Graupner d. J. (1715-1760) und Anonymus 5= Bernhard Christian Kayser (1705-1758). Erwähnte Artikel: Rudolf Bunge: Johann Sebastian Bachs Kapelle zu Cöthen und deren nachgelassene Instrumente. BJ 1905, S. 14-47 Alfred Dürr: Heinrich Nicolaus Gerber als Schüler Bachs. BJ 1978, S. 7-18

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Clark, Christina A. "Sexuality Human Rights: A Global Overview. Edited by H. Graupner & P. Tahmindjis." Journal of Sex Research 44, no. 3 (July 23, 2007): 303–4. http://dx.doi.org/10.1080/00224490701444088.

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Eichberg, Hartwig. "Unechtes unter Johann Sebastian Bachs Klavierwerken." Bach-Jahrbuch 61 (March 22, 2018): 7–49. http://dx.doi.org/10.13141/bjb.v19752001.

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Eine Reihe von Stücken Unter Bachs verstreuten Capriccios, Variationen, Sonaten und Suiten, die in NBA V/10 hätten aufgenommen werden sollen, kann als nicht authentisch aus Bachs Œuvre und damit aus der der NBA ausgeschieden werden. Alle diese Stücke sind ohne Authentifizierung überliefert und zeigen stilistische Merkmale, die nicht zu Bachs Autorschaft passen: BWV 834, 835 (J. P. Kirnberger), 838 (C. Graupner), 839, 844/8443 (BWV 844a vermutlich eine Komposition von W. F. Bach; BWV 844a eine spätere Version, wahrscheinlich aus dem Kreis von J. C. Kittel), 845, 964, 968 (BWV 964 und 968 nicht-authentische Transkriptionen aus den Soloviolinsonaten von J. S. Bach, vermutlich von W. F. Bach), 969 und 990. Darüber hinaus wird gezeigt, dass Bach drei weitere Kompositionen, die in andere NBA-Bände passen würden, fälschlicherweise zugeschrieben wurden: BWV 943, 960 und 923a (eine fehlerhafte Version von BWV 923, wahrscheinlich aus dem Kreis von Kittel). In einem Anhang wird die Authentizität der B-Dur-Suite (BWV 821) diskutiert, deren Autorschaft noch unklar und die daher für die Veröffentlichung in einem Ergänzungsband des NBA vorgesehen ist. (Übertragung des englischen Resümees am Ende des Bandes)

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FRAMPTON, ANDREW. "CHRISTOPH GRAUPNER (1683–1760), JOHANN DAVID HEINICHEN (1683–1729), GEORG PHILIPP TELEMANN (1681–1767) ICH HEBE MEINE AUGEN AUF: TELEMANN, HEINICHEN & GRAUPNER IN LEIPZIG Veronika Winter (soprano) / Alex Potter (countertenor) / Hans Jörg Mammel (tenor) / Markus Flaig (bass) / L'arpa festante / Rien Voskullen (director) Carus 83.337, 2015: one disc, 78 minutes." Eighteenth Century Music 13, no. 2 (August 16, 2016): 326–28. http://dx.doi.org/10.1017/s1478570616000166.

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Cammarota, Robert M. "On the Performance of "Quia respexit ... omnes generationes" from J. S. Bach's Magnificat." Journal of Musicology 18, no. 3 (2001): 458–89. http://dx.doi.org/10.1525/jm.2001.18.3.458.

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The modern-day custom of performing the 'omnes generationes' section from J. S. Bach's Magnificat twice as fast as the aria "Quia respexit" has its origins in Robert Franz's vocal and orchestral editions of 1864, the details of which were discussed in his Mittheilungen of 1863. Up until that time, 'omnes generationes' was inextricably connected to "Quia respexit" and formed part of the third movement of Bach's Magnificat. Moreover, when Bach revised the score in 1733, he added adagio to the beginning of "Quia respexit . . . omnes generationes," establishing the tempo for the whole movement. In this study I show that Bach's setting of this verse is in keeping with Leipzig tradition (as evidenced by the settings of Schelle, G. M. Hoffmann, Telemann, Kuhnau, and Graupner) and with early 18thcentury compositional practice; that he interpreted the verse based on Luther's 1532 exegesis on the Magnificat; that the verse must be understood theologically, as a unit; that the change in musical texture at the words 'omnes generationes' is a rhetorical device, not "dramatic effect"; and, finally, that there is no change in tempo at the words 'omnes generationes' either in Bach's setting or in any other from this period. An understanding of the early 18th-century Magnificat tradition out of which Bach's setting derives, with the knowledge of the reception of Bach's Magnificat in the mid 19th century, should help us restore Bach's tempo adagio for the movement.

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Krum, Jonathan G., and Scott A. Ensign. "Evidence that a Linear Megaplasmid Encodes Enzymes of Aliphatic Alkene and Epoxide Metabolism and Coenzyme M (2-Mercaptoethanesulfonate) Biosynthesis in XanthobacterStrain Py2." Journal of Bacteriology 183, no. 7 (April 1, 2001): 2172–77. http://dx.doi.org/10.1128/jb.183.7.2172-2177.2001.

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ABSTRACT The bacterial metabolism of propylene proceeds by epoxidation to epoxypropane followed by a sequence of three reactions resulting in epoxide ring opening and carboxylation to form acetoacetate. Coenzyme M (2-mercaptoethanesulfonic acid) (CoM) plays a central role in epoxide carboxylation by serving as the nucleophile for epoxide ring opening and the carrier of the C3 unit that is ultimately carboxylated to acetoacetate, releasing CoM. In the present work, a 320-kb linear megaplasmid has been identified in the gram-negative bacterium Xanthobacter strain Py2, which contains the genes encoding the key enzymes of propylene oxidation and epoxide carboxylation. Repeated subculturing of Xanthobacter strain Py2 under nonselective conditions, i.e., with glucose or acetate as the carbon source in the absence of propylene, resulted in the loss of the propylene-positive phenotype. The propylene-negative phenotype correlated with the loss of the 320-kb linear megaplasmid, loss of induction and expression of alkene monooxgenase and epoxide carboxylation enzyme activities, and the loss of CoM biosynthetic capability. Sequence analysis of a hypothetical protein (XecG), encoded by a gene located downstream of the genes for the four enzymes of epoxide carboxylation, revealed a high degree of sequence identity with proteins of as-yet unassigned functions in the methanogenic archaeaMethanobacterium thermoautotrophicum andMethanococcus jannaschii and in Bacillus subtilis. The M. jannaschii homolog of XecG, MJ0255, is located next to a gene, MJ0256, that has been shown to encode a key enzyme of CoM biosynthesis (M. Graupner, H. Xu, and R. H. White, J. Bacteriol. 182: 4862–4867, 2000). We propose that the propylene-positive phenotype of Xanthobacter strain Py2 is dependent on the selective maintenance of a linear megaplasmid containing the genes for the key enzymes of alkene oxidation, epoxide carboxylation, and CoM biosynthesis.

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9

Willmes, Bernd. "Werner H. Schmidt, Vielfalt und Einheit alttestamentlichen Glaubens. Band 1: Studien zur Hermeneutik und Methodik, Pentateuch und Prophetie. Hrsg. von Axel Graupner, Holger Delkurt und Alexander B.Ernst, Neukirchen-Vluyn (Neukirchener Verlag) 1995, 256 S., 68.- DM; ISBN 3-7887-1546-4." Biblische Zeitschrift 44, no. 1 (April 5, 2000): 125–28. http://dx.doi.org/10.1163/25890468-04401017.

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Takahashi, Tsutomu, Yoshihiro Nagao, and Yuzuru Kushiyama. "Possible High Ice Particle Production during Graupel–Graupel Collisions." Journal of the Atmospheric Sciences 52, no. 24 (December 1995): 4523–27. http://dx.doi.org/10.1175/1520-0469(1995)052<4523:phippd>2.0.co;2.

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Dissertations / Theses on the topic "Graupner"

1

Grosspietsch, Christoph. "Graupners Ouverturen und Tafelmusiken : Studien zur Darmstadter Hofmusik und thematischer Katalog /." Mainz ; London ; Paris : Schott, 1994. http://catalogue.bnf.fr/ark:/12148/cb369580341.

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2

Schmidt, René R. "The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 2." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc277743/.

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An assessment of the contributions of Christoph Graupner's 1,418 extant church cantatas is enhanced by a study of his fifty-five surviving Christmas cantatas, written for the feasts of Christmas, St. Stephen's, St. John's, and the Sunday after Christmas. Graupner's training in Kirchberg, Reichenbach and at the Thomas School in Leipzig is recounted as well as his subsequent tenures in Hamburg and Darmstadt. This volume contains the appendices and bibliography.

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Schmidt, René R. "The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 1." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc278444/.

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An assessment of the contributions of Christoph Graupner's 1,418 extant church cantatas is enhanced by a study of his fifty-five surviving Christmas cantatas, written for the feasts of Christmas, St. Stephen's, St. John's, and the Sunday after Christmas. Graupner's training in Kirchberg, Reichenbach and at the Thomas School in Leipzig is recounted as well as his subsequent tenures in Hamburg and Darmstadt.

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Graupner, Sven [Verfasser]. "Ein durchgängiges Architekturkonzept für Anwendungs- und Betriebssysteme / Sven Graupner." Chemnitz : Universitätsbibliothek Chemnitz, 1997. http://d-nb.info/1210523434/34.

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Graupner, Tom-David [Verfasser]. "Vorgehensmodell zur Gestaltung internetbasierter Mehrwertdienste für den Maschinen- und Anlagenbau / Tom-David Graupner." Heimsheim : Jost-Jetter, 2010. http://d-nb.info/1006183450/34.

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Denzau-Graupner, Ulrike Renate Margarete [Verfasser]. "Die Rolle von peripheren mononukleären Zellen bei Morbus Crohn / Ulrike Renate Margarete Denzau-Graupner." Tübingen : Universitätsbibliothek Tübingen, 2021. http://nbn-resolving.de/urn:nbn:de:bsz:21-dspace-1183835.

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Graupner, Richard [Verfasser]. "Der Gottesdienst als Ritual : Entdeckung, Kritik und Neukonzeption des Ritualbegriffs in der evangelischen Liturgik / Richard Graupner." Göttingen : Vandenhoeck & Ruprecht, 2019. http://www.v-r.de/.

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8

Graupner, Franziska Verfasser], and Wolfgang [Akademischer Betreuer] [Zinth. "Ultraschnelle Fluoreszenzspektroskopie zu Photostabilität und Photoreaktivität von Thioindigo- und Hemithioindigo-basierten Farbstoffmolekülen / Franziska Graupner ; Betreuer: Wolfgang Zinth." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1147681465/34.

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9

Graupner, Achim [Verfasser], René [Akademischer Betreuer] Schüffny, Helmut [Akademischer Betreuer] Beikirch, and Peter [Akademischer Betreuer] Schwarz. "Robuster Entwurf und statistische Modellierung für Bildsensoren mit hochparalleler analoger Bildverarbeitungseinheit / Achim Graupner. Gutachter: Helmut Beikirch ; Peter Schwarz. Betreuer: Rene Schüffny." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://d-nb.info/1068151803/34.

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Graupner, Sven-Thomas [Verfasser], Boris M. [Akademischer Betreuer] Velichkovsky, and Alexander [Akademischer Betreuer] Strobel. "Okulomotorische und elektrophysiologische Effekte der Distraktordarbietung in freier Bildbetrachtung / Sven-Thomas Graupner. Gutachter: Boris M. Velichkovsky ; Alexander Strobel. Betreuer: Boris M. Velichkovsky." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://d-nb.info/1067729534/34.

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Books on the topic "Graupner"

1

Musikalische Handlungsräume im Wandel: Christoph Graupner in Darmstadt zwischen Oper und Sinfonie. Mainz: Schott, 2011.

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2

Graupners Ouverturen und Tafelmusiken: Studien zur Darmstädter Hofmusik und thematischer Katalog. Mainz: Schott, 1994.

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3

Jorge Armando Cabrera Graupera: Mártir de la abogacía cubana. La Habana: Ediciones ONBC, 2011.

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4

Oswald, Bill, and Grosspietsch Christoph, eds. Christoph Graupner: Thematisches Verzeichnis der musikalischen Werke : Graupner-Werke-Verzeichnis, GWV : Instrumentalwerke. Stuttgart: Carus, 2005.

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5

Peter, Ahnsehl, and Bill Oswald, eds. Christoph Graupner, Hofkapellmeister in Darmstadt, 1709-1760. Mainz: Schott, 1987.

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6

Talle, Andrew. Bach, Graupner, and the Rest of Their Contented Contemporaries. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038136.003.0003.

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Music scholars have long recognized the value of comparing settings of the same cantata texts by Bach and his German contemporaries. Examining the ways in which multiple musical minds chose to set the same words can throw the styles of each into sharp relief. This chapter presents a second pair of settings by Bach and Graupner that has received only occasional mention in the literature: Vergnügte Ruh, beliebte Seelenlust (BWV 170 and GWV 1147/11). The premieres of the two settings took place fifteen years apart; Graupner's setting was first heard on July 12, 1711, in Darmstadt, and Bach's on July 28, 1726, in Leipzig. The chapter discusses the two settings of each of Vergnügte Ruh's five movements in turn. In every case, it presents the text in three versions: (1) the original German, following the orthography and punctuation of Lehms' 1711 text; (2) the author's English, word-for-word translation; and (3) the author's English translation, which mimics the poetic structure and rhyme of Lehms' original.

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7

Cober, Stewart Gordon. Graupel growth in an icing tunnel. 1987.

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8

Berdeklis, Peter. The ice crystal-graupel collsion charging mechanism of thunderstorm electrification. 1998.

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Book chapters on the topic "Graupner"

1

Großpietsch, Christoph. "Christoph Graupner." In Barockmusikführer, 190–96. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-99520-9_48.

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McCredie, Andrew D. "The Bellerofonte — Bellérophon tradition and Barthold Feind’s libretto Bellerophon — Das in die Preussische Krone verwandelte Wagen-Gestirn for Christoph Graupner (1708)." In »Critica musica«: Studien zum 17. und 18. Jahrhundert, 201–19. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02784-9_12.

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List, Roland. "Growth and Structure of Graupel And Hailstones." In Geophysical Monograph Series, 317–24. Washington D. C.: American Geophysical Union, 2013. http://dx.doi.org/10.1029/gm005p0317.

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Savoy, Bénédicte. "Vorwort." In Paul Graupe (1881–1953), 7–10. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218454-prf.

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Rice, Albert R. "Music for the Chalumeau." In The Baroque Clarinet and Chalumeau, 43–79. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190916695.003.0002.

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Chapter 2 provides an overview of chalumeau music written from 1694 to 1780. Seventeen works are discussed that represent the large chalumeau repertoire: opera, oratorio, cantata, psalm, concerto, stage, chamber, and orchestral. The chalumeau was prominently used in European courts, schools, and concerts in Vienna, Hanover, Düsseldorf, Venice, Prague, Darmstadt, Hamburg, Liechtenstein, Frankfurt, London, Darmstadt, Zerbst, Eisenstadt, Dresden, and other cities, and in monasteries at Göttweig in Austria, and Osek and Lubens in Poland. Chalumeaux were made in five sizes: soprano, alto, tenor, bass, and basset bass (extended range bass). Soprano and bass chalumeaux were used in Vienna by several composers; soprano chalumeaux in Amsterdam by Dreux; alto, tenor, and bass chalumeaux by Graupner and Telemann in Darmstadt, Hamburg, and Frankfurt; and basset bass by Steffani in Düsseldorf and Pichler in Göttweig.

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Rice, Albert R. "Music for the Baroque Clarinet." In The Baroque Clarinet and Chalumeau, 129–89. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190916695.003.0005.

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This chapter presents an overview of music written by 23 composers representative of a larger repertoire written about 1715 to 1760 for the Baroque clarinet. The works examined include opera, cantata, duos, concertos, wedding music, chamber music, military music, sacred arias, requiem, and motets by Dreux, Vivaldi, Caldara, Faber, Telemann, Handel, Chinzer, Rathgeber, Münster, Glaser, Kölbel, Molter, Sparry, Rameau, Zach, Stark, Johann Stamitz, Graupner, d’Herbain, Pasterwiz, La Borde, Ulbrecht, and Arne. The music is written in a trumpet style characterized by repeated notes, incomplete arpeggios, fanfare motives, limited range, and restricted use of the low register. In works composed after about 1730, a lyrical style of melodic writing takes on a greater importance with scale passages, leaps of an octave or more, and more frequent use of the low register.

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Kramer, Ursula. "Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century." In Operatic Pasticcios in 18th-Century Europe, 669–86. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839448854-033.

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"graupel." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 624. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_71852.

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"Graupenerz n." In Wörterbuch GeoTechnik/Dictionary Geotechnical Engineering, 500. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-33335-4_73302.

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"graupen tonstein." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik, 624–25. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_71853.

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Conference papers on the topic "Graupner"

1

Chandrasekar, V., and Minda Le. "Evaluation of GPM-DPR Graupel and Hail Identification Algorithm on a Global Scale." In IGARSS 2020 - 2020 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2020. http://dx.doi.org/10.1109/igarss39084.2020.9323205.

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Le, Minda, and V. Chandrasekar. "Study of Vertical Features of Snow, Graupel and Hail on A Global Scale Using Gpm Products." In IGARSS 2019 - 2019 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2019. http://dx.doi.org/10.1109/igarss.2019.8898801.

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