Journal articles: 'Graphic communication design (GCD)'

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GABRIELYAN, T. O. "Communication means of "classic" graphic design." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 4-2 (2021): 92–103. http://dx.doi.org/10.37485/1997-4663_2021_4_2_92_103.

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Ouyang, Chao Ying, and Feng Liu. "The Typeface Details Design in Graphic Visual Communication Engineering." Applied Mechanics and Materials 170-173 (May 2012): 3296–99. http://dx.doi.org/10.4028/www.scientific.net/amm.170-173.3296.

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This article describes the concept of the details in typeface design,the details in typeface design’ s effection in transmission power in graphic visual communication engineering. By the analysis of the graphic visual communication engineering examples,it has searched the use of the details in typeface design in graphic visual communication engineering design and the effection of the graphic visual communication engineering information’s transmission,and it also propose how to effectively use typeface design to improve the graphic visual communication engineering aesthetic content and effective communication of messages in graphic visual communication engineering,and reach to the ultimate goal in the last.

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Banchero, Paola. "Graphic design and religion." Journal of Media and Religion 9, no. 3 (July 30, 2010): 176–78. http://dx.doi.org/10.1080/15348423.2010.500978.

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Hiswara, Abrar, and Noeman Achmad. "Pelatihan Desain Grafis bagi Siswa SMK Global Persada Mandiri Bekasi." Journal Of Computer Science Contributions (JUCOSCO) 2, no. 1 (February 2, 2022): 70–78. http://dx.doi.org/10.31599/jucosco.v2i1.936.

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Graphic design is a communication process using visual elements, such as typography, photography, and illustrations that are intended to create a perception of a message being conveyed. This field involves the process of visual communication and communication design and is very much needed by today's society, including students at SMK Global Persada Mandiri Bekasi. The material provided in this graphic design training is an introduction to graphic design, the benefits of graphic design, types of graphic design, and the practice of making graphic designs, in the form of logos, banners, and flyers. This graphic design training in the form of logo creation training provides tremendous benefits for students. Students can design any logo so that their soft skills increase and can be used in everyday life. Keywords— Graphic design, logo, soft skills

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Huang, Jian Wen. "Research on the Computer Graphic Design and Visual Communication Design." Advanced Materials Research 1055 (November 2014): 342–45. http://dx.doi.org/10.4028/www.scientific.net/amr.1055.342.

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With the development of computer processing software and related technology, modern television, advertising, games, software and commercial activities have made extensive use of computer image processing software for graphic design and visual communication design. The works designed by these means have a strong infection, clear characteristics and it is easy to impress viewers. And the works designed by these means have a high degree of art innovation and also have a positive and profound significance on the creators. This paper analyzed and discussed the computer-based graphic design and visual communication design and their related applications.

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Guan, Xuelun, and Kaihong Wang. "Visual Communication Design Using Machine Vision and Digital Media Communication Technology." Wireless Communications and Mobile Computing 2022 (March 30, 2022): 1–11. http://dx.doi.org/10.1155/2022/6235913.

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The dynamic design of graphic language can be seen everywhere in life as the digital media era progresses. Graphic designs, such as product packaging, poster design, book binding design, and logo design, are examples of traditional visual design. The print media is the most important factor. Graphic design that is aided by digital media technology is not limited to print but also includes network media. The teaching research of China’s visual design specialty is still in its early stages, the relevant teaching system reform of various colleges and universities is still being explored, and there is no unified standard in the digital information age. As a result, it is critical to conduct in-depth research using scientific and systematic methods in order to pave the way for the development of a domestic visual design specialty in the information age. Simultaneously, the popularization and development of new media have had a significant impact on traditional printing media, breaking the monotony of traditional visual communication and making modern visual design more vivid and intuitive. Visual perception in psychology is introduced into design thinking in this paper. Apart from its expression in art culture, the concept of space also encompasses the physics concepts of time and space, as well as the scientific research theory of visual perception in psychology, which transcends the perceptual cognition level of space in art design.

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Bowen, Peng, and Li Hua. "Analysis of Computer Graphic Image Design and Visual Communication Design." Journal of Physics: Conference Series 1827, no. 1 (March 1, 2021): 012141. http://dx.doi.org/10.1088/1742-6596/1827/1/012141.

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Eshun, E. F., P. Korwu, and E. Appiah. "Peer assessment in graphic design studio: Communication design students' perspectives." Journal of Science and Technology (Ghana) 37, no. 1 (February 12, 2018): 64–74. http://dx.doi.org/10.4314/just.v37i1.6.

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Large class-sizes have become a common feature in almost all higher education institutions in developing countries. Consequently, educators have to implement innovative pedagogies and assessment practices to deal with the current challenges in education delivery at that level. The purpose of this study was to examine students’ perceptions of their attitudes during peer assessment practice in graphic design studio in higher education. The study was conducted with 94 students at the Kwame Nkrumah University of Science and Technology, Kumasi, Ghana. The results showed that the students had a positive experience and perception of the peer assessment process. They also held positive views of the task worth of peer-assessment just like their perception of peer-assessment as an aid to learning. The results revealed that peer learning and objectivity are significantly related to task worth. The findings of this study have confirmed the advantages associated with the use of peer-assessment in higher education instead of a teacher centered approach and reaffirmed the existing unequivocal views held by similar studies.Keywords: Peer assessment; students’ perceptions; studio pedagogy; graphic design

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BERDNIK, T. O., and P. O. MOROZOVA. "Means and tools of communication in graphic design." Декоративное искусство и предметно-пространственная среда. Вестник МГХПА, no. 4-2 (2021): 127–33. http://dx.doi.org/10.37485/1997-4663_2021_4_2_127_133.

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Wang, Yanna. "Graphic Composition Art of Packaging Visual Communication Design Based on VR." Wireless Communications and Mobile Computing 2022 (February 11, 2022): 1–9. http://dx.doi.org/10.1155/2022/4054207.

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Visual communication is a popular art form that aids in the transmission of information and reflects people’s aesthetic preferences. In visual communication, the graphic element is an important combination element that plays a key role. Virtual reality (VR) technology will become more widely used as computer technology advances and network applications become more popular. As a result, research into VR technology generation and application in packaging design will aid in the popularization and application of VR technology, as well as the advancement of product packaging design. The application of graphic composition art in packaging visual communication design is investigated in this paper. This paper introduces the basic concepts and characteristics of virtual reality (VR), as well as the development and application fields of VR technology, based on the current state of virtual panorama development at home and abroad. It also provides advice and recommendations on graphic creativity in VR technology packaging design, as well as the symbol of graphic creativity and the value of graphic composition art in packaging visual communication design.

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Yang, Chao-Ming, and Tzu-Fan Hsu. "New Perspective on Visual Communication Design Education: An Empirical Study of Applying Narrative Theory to Graphic Design Courses." International Journal of Higher Education 6, no. 2 (April 12, 2017): 188. http://dx.doi.org/10.5430/ijhe.v6n2p188.

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Visual communication design (VCD) is a form of nonverbal communication. The application of relevant linguistic or semiotic theories to VCD education renders graphic design an innovative and scientific discipline. In this study, actual teaching activities were examined to verify the feasibility of applying narrative theory to graphic design courses. Matched group design was employed to equally divide 30 participants into experimental and control groups, who participated in distinct activities over a 4-week period. The results revealed that incorporating narrative theory into graphic design courses enabled increasing students’ poster design capabilities across various dimensions, including thematic concept, image creativity, and visual aesthetic. Narrative is a storytelling method. Applying narrative techniques to VCD not only facilitates the creativity of designers, but also elicits the audience’s visual memory, thereby encouraging a bidirectional communication between the two entities.

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Lu, Lifang, and Lu Huang. "Exploration and Application of Graphic Design Language Based on Artificial Intelligence Visual Communication." Wireless Communications and Mobile Computing 2022 (September 20, 2022): 1–10. http://dx.doi.org/10.1155/2022/9907303.

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Graphic design is one of the design disciplines with the longest history in the history of human design. As a marginal discipline, it integrates science and art organically. Graphic design has three basic characteristics: information, art, and economy. Information refers to the fact that graphic design is a carrier of information communication, and graphic design works have the practical function of specific information transmission. Among them, graphic design language is the direct form of information communication, but there is a relative lack of research on the intelligent recognition of graphic design language. To address this problem, this paper focuses on the analysis method of graphic design language based on artificial intelligence visual communication. First, in order to segment different parts of the image more accurately, this paper improves a deep learning-based image segmentation method. The method uses a three-branch network structure to learn semantic information, detail information, and fusion information, respectively. The coding network uses a lightweight convolutional neural network and adds an attention mechanism in the branches to weight the importance of image feature channels, and the features extracted from different perceptual fields of the image are multiscale fused to fuse the features extracted from different stages of the coding network. Then, the salient target regions are detected on the basis of segmented images, the salient target emotions are analyzed by using feature pyramids to improve the convolutional neural network, the emotions expressed by graphic design language are analyzed by constructing a weighted loss convolutional neural network on a multilayer supervised module, and the salient target emotions are fused to obtain the final emotion classification results. The experimental results show that our proposed method outperforms traditional segmentation methods in the dataset, and the sentiment analysis based on segmented images can obtain higher sentiment classification accuracy than the sentiment analysis method that directly identifies the whole image, which is beneficial to the research and application of graphic design language.

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Nemtchinova, Elena E., Stepan A. Popov, Yuri N. Kepa, Daria Yu Ermilova, and Nadezhda B. Lyakhova. "Memphis patterns in graphic design." LAPLAGE EM REVISTA 7, Extra-D (July 21, 2021): 427–33. http://dx.doi.org/10.24115/s2446-622020217extra-d1123p.427-433.

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The purpose of this work is to study the theory of Memphis patterns use, as well as the use of elements of ornamental art in graphic design, which are extremely relevant in modern design. The Memphis pattern trend in modern graphic design requires in-depth analysis. Why is the specificity of the means of expressing Memphis patterns associated with the requirements of today’s effective communication? This study examines the techniques of the artistic language of the Memphis pattern and its expressive means. The analysis of the used ornamental elements is carried out. The connection between the Memphis and the neo-geo styles of their artistic techniques, which are based on the ornaments of the past, is outlined. The study notes that a person at all times is connected with their past and their ideas about beauty are returning today in new forms of digital technologies. The provisions of the study are of methodological value for understanding the current trends in graphic design.

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Xu, Haixia, and LiLi Shi. "Analysis of Graphic Language Expression in Visual Communication Design." Computational Intelligence and Neuroscience 2022 (September 9, 2022): 1–7. http://dx.doi.org/10.1155/2022/2434992.

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With the continuous development of society, only relying on words can no longer satisfy the mutual communication between people and countries. In the background of the data era, graphics language also meets more opportunities and challenges, so it is of great significance to transform data into the graphics language. This paper mainly designs a set of a data-based intelligent system. Through the research of multi-dimensional data visualization, firstly, the high-dimensional data is processed to reduce the dimension, so as to get the lower dimensional data, and then the low-dimensional data is transformed into a more intuitive type of graphic markers, so that users can understand the high-dimensional data more intuitively. The research results show that the system can provide users with the most appropriate label type and save users more time and energy. Data visualization has different experiences for different users, so it is a very important challenge to make users feel that pivoting is as effective as possible.

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Lzicar, Robert. "Swiss Graphic Design: A British Invention?" Design Issues 37, no. 1 (January 2021): 51–63. http://dx.doi.org/10.1162/desi_a_00624.

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The role of British graphic designers and authors in spreading Swiss Style, “Swiss graphic design,” or “Swiss typography” internationally is evident, but less is known about the process and effects of transnational exchange in design. This article follows the trajectories of objects and texts, revealing how they have established and disseminated the labels in Britain and abroad, thus contributing to our current understanding of “Swiss graphic design.” It concludes with an example of alternative historiography of modern visual communication as a constant process of exchange that reveals the complex international interaction of design discourses.

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Zaripova, Liliya Renatovna, Iskander Zinnurovich Rauzeev, Andrei Mikhailovich Siluyanichev, and Imash Adyshirin Gadzhiev. "Development of visual communications in graphic design." Laplage em Revista 6, Extra-B (December 24, 2020): 112–16. http://dx.doi.org/10.24115/s2446-622020206extra-b600p.106-110.

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The role of the existence of graphic design as one of the most important ways of conveyance of visual communication in modern society is determined. Visual communications are considered as a process of the need to study the totality of problems, especially those connected with the interaction of the “person – environment” system, meant for conveying visual information. The paper supports the statement that visual communications should be considered as a visual language, by using, it is possible to significantly diversify communicated information in society. The article identifies three types of communication: visual, audiovisual (the image is accompanied by sound content) and animated (a static image becomes dynamic, accompanied by sound). It is concluded that the development of visual communications will help improve the quality of perception of information, which is often associated with a flawlessly elaborated graphic design. The brand creation methods as one of the most important factors in the development of visual communications today in modern society are considered and described in detail.

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Zaripova, Liliya Renatovna, Iskander Zinnurovich Rauzeev, Andrei Mikhailovich Siluyanichev, and Imash Adyshirin Gadzhiev. "Development of visual communications in graphic design." Laplage em Revista 6, Extra-B (December 24, 2020): 112–16. http://dx.doi.org/10.24115/s2446-622020206extra-b600p.112-116.

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The role of the existence of graphic design as one of the most important ways of conveyance of visual communication in modern society is determined. Visual communications are considered as a process of the need to study the totality of problems, especially those connected with the interaction of the “person – environment” system, meant for conveying visual information. The paper supports the statement that visual communications should be considered as a visual language, by using, it is possible to significantly diversify communicated information in society. The article identifies three types of communication: visual, audiovisual (the image is accompanied by sound content) and animated (a static image becomes dynamic, accompanied by sound). It is concluded that the development of visual communications will help improve the quality of perception of information, which is often associated with a flawlessly elaborated graphic design. The brand creation methods as one of the most important factors in the development of visual communications today in modern society are considered and described in detail.

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Peng, Jun. "A Discussion on the Innovation of Graphic Advertising Design Curriculum Based on Competition Events." Advanced Materials Research 934 (May 2014): 269–72. http://dx.doi.org/10.4028/www.scientific.net/amr.934.269.

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Graphic advertising design in visual communication teaching is a very inclusive curriculum. This paper is started based on the competition events that the author encountered when teaching graphic advertising design, the role of competition events in promoting the information communication of advertising design teaching is analyzed and the innovative superiority of advertising design teaching in a environment of competition events is introduced in this paper, the misunderstandings existed in the teaching practice of competition events is also discussed, expecting to optimize the combination of graphic advertising design curriculum and competition events.

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Simlinger, Peter. "Visual communication design." Information Design Journal 25, no. 3 (December 31, 2019): 314–24. http://dx.doi.org/10.1075/idj.25.3.09sim.

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Abstract Having graduated in architecture at the University of Technology Wien [Vienna], I subsequently engaged in post-graduate studies at The Bartlett School of Architecture and Planning / University College London. Corporate design and signage design attracted my attention. Back home a major bank and Vienna airport (VIE), among others, were the first clients of my company. As chairman of Committee 133 “Public information symbols” of “Austrian Standards”, I was responsible for the elaboration of several theme specific national and international standards. In 1993 I founded the IIID International Institute for Information Design. Several r&d projects within the frame of the 6th and 7th European Union Framework Programmes for Research and Technological Development were carried out. However, due to the required but denied support from the Austrian Ministry of Science and Research, the founding of an interdisciplinary institute, affiliated to the United Nations University (UNU), did not materialize. No chance either to establish “Visual Communication Design” at a local university. Until now the Department of Typography and Graphic Communication of The University of Reading (UK) seems to be the only theme specific institution on tertiary university level in Europe. Challenges nowadays range from legible medical package inserts to a much required unified system for the European Union highway signs.

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Zhao, Wenyan. "Research on Emotional Factors and Emotional Experience of Information Graphic Design in Visual Communication Design." Tobacco Regulatory Science 7, no. 5 (September 30, 2021): 1895–903. http://dx.doi.org/10.18001/trs.7.5.111.

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Objectives: With the development of the Internet and the change of the mode of communication, information is disseminated on a large scale in a very short time. Everyone is surrounded by information. Whoever has the information will have the first chance. Methods: Interactive information visualization design provides more space for independent thinking while conveying information and emotion to users. The public has more strict requirements on visual communication design. Only graphic design incorporating emotional factors can gain public recognition and bring visual impact and spiritual enjoyment to the audience. Results: As the most common and common way of transmitting information, visual communication conveys and transmits information in a form that people can visually recognize. As more cutting-edge design concepts spread within the design circle, many designers are beginning to learn and understand information visualization design. Conclusion: This article will explore the emotional factors and emotional experiences of graphical graphic design in visual communication design through rich and specific information visualization methods.

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Liu, Chunyan, Zhe Ren, and Sen Liu. "Using Design and Graphic Design with Color Research in AI Visual Media to Convey." Journal of Sensors 2021 (September 15, 2021): 1–11. http://dx.doi.org/10.1155/2021/8153783.

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With the development of science and technology and social progress, people can reveal design information in different forms on a daily basis. The more common visual design information, the more important its development status. In visual communication design, the two most important factors are color and image. These two factors can play a great role and can attract the public’s attention. This article is based on AI technology to study the design of color matching and image application in visual media communication design, aiming to innovate the method of visual media communication design, breaking through the traditional color matching and image application, so as to better use color art in visual communication design and graphic art and design excellent works. First, this article elaborates on the concept, main components, and influencing factors of visual communication design and also introduces the application of AI technology, then designs a visual media communication design model based on AI technology, and finally analyzes the current status of visual media communication design, usage, and satisfaction. From the analytical analysis, it appears that the optical media interface is commonly used for packaging design, responding to 45.6%; it is used more in the film and television media industry, reaching 68%; 49% of the public are very satisfied with AI visual media communication design. The above data fully shows that the application of AI visual media communication design is very wide, and the color matching and image use are very prominent, and the public is willing to accept AI visual media communication design works.

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Fox, Stephen, and Stefan Grösser. "Economical information and communication design for multi-national projects." International Journal of Managing Projects in Business 8, no. 3 (June 1, 2015): 574–85. http://dx.doi.org/10.1108/ijmpb-02-2015-0014.

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Purpose – The purpose of this paper is to inform information and communication design (ICD) for multi-national projects through the presentation of an example that does not rely on expensive expertise in graphic design. Design/methodology/approach – Action research involving participants from five different sectors. Findings – Successful ICD is not necessarily dependent upon costly graphic design of elaborate explanatory methods such as storyboards. Research limitations/implications – The action research involved participants from only five differect sectors. Practical implications – Economical ICD can facilitate development of understanding among multi-sector multi-national project participants. Originality/value – The originality of this research note is that it addresses recent developments in ICD. The value of this research note is that an example is provided of application in a multi-sector multi-national project.

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Li, Xigen. "Web Page Design and Graphic Use of three U.S. Newspapers." Journalism & Mass Communication Quarterly 75, no. 2 (June 1998): 353–65. http://dx.doi.org/10.1177/107769909807500210.

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A content analysis of three U.S. Internet newspapers has found that Internet newspapers gave more priority to providing textual information than graphic information, and large graphics were more likely to appear on homepages than on frontpages and news article pages. The news links and the multiple communication channels adopted by Internet newspapers in web page design created a new environment of communication, involving more than host newspaper and initial audience. With interconnected links, the traditional one-to-many newspaper publishing process turned into many-to-many communication centered with and facilitated by the host Internet newspapers. The interconnected news links brought in audience participation in producing newspaper content and providing information beyond the original newspaper content, which demonstrates a shift of balance of communicative power from sender to receiver.

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Yan, Ru Shan. "A Study of the Influence of New Media on Graphic Design in Computer Age." Applied Mechanics and Materials 121-126 (October 2011): 4362–66. http://dx.doi.org/10.4028/www.scientific.net/amm.121-126.4362.

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New media technology changes our communication way and communication object, and also every aspect of our life, including communication, study, working, etc.. Visual language is a part of these aspects. Visual language, especially visual language of graphic design relies heavily on technology development. From petroglyph to the invention of printing, then to the application of computer, Internet, and satcom technologies, for human communication, each technology has revolutionary significance. This paper mainly discusses influence and meaning of new media on visual language of graphic design, as well as consideration of future development.

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Smith, Roger. "Terminological inexactitudes: image functions in graphic communication." Information Design Journal 4, no. 3 (January 1, 1986): 199–205. http://dx.doi.org/10.1075/idj.4.3.03smi.

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This article arises from the author's teaching notes concerning the role of images in communication and the use of information structures in transmitting messages. For those students who are potential design practitioners rather than theorists, widespread contradiction and ambiguity in the relevant literature presents many obstacles to understanding. A wide diversity of terms and definitions highlights the need for more radical analysis so that the realities represented can be effectively disclosed. To evaluate image theories and systems and the crucial issues which are raised a coherent method and framework is necessary.

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Apele, Diāna, and Ina Treiliņa. "ARTS DOMINANCE IN CALENDAR GRAPHICS DESIGN." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 593. http://dx.doi.org/10.17770/sie2020vol5.5145.

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Art, in a way, is a form of communication, which allows the artist to express their view to the world, show their interpretation and let others see the world through the eyes of the artist. Calendars are the most popular and long-term means of advertising, which is why their design requires a lot of attention. It is important that it does not only look good, but also provides information, fulfils the function of a promotional souvenir and creates an image throughout the entire year ahead. Graphic design is a form of visual communication whose purpose is to solve visual and graphic problems using artistic approaches provided by typography, different printing technologies, or image processing techniques, mechanical or analogue methods, or digital, with the aim to create a graphic design work or solve a graphic problem. Graphic design is more like a visual intermediary between the message and its recipient and a way of delivering the message to the recipient. The Aim of the Article: study graphics as the dominant feature of art in the design of calendars created by modern Latvian artists and analyse expert interviews to find out the opinions of specialists in the field about the significance of the content and design of artistic calendars nowadays. The research results were obtained using theoretical research methods: the study, analysis and evaluation of scientific and journalistic literature and Internet sources, which reveals the essence of the problem in question; expert interviews were carried out as well, which are empirical research methods.

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Huang, Shenghong. "The Influence of Digital Multimedia Communication Forms on Graphic Design." Computer Systems Science and Engineering 35, no. 3 (2020): 215–22. http://dx.doi.org/10.32604/csse.2020.35.215.

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Chen, Huaxi, and Fang Wang. "Visual communication method of graphic language in industrial product design." International Journal of Product Development 26, no. 1-4 (2022): 1. http://dx.doi.org/10.1504/ijpd.2022.10050266.

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Wang, Fang, and Huaxi Chen. "Visual communication method of graphic language in industrial product design." International Journal of Product Development 26, no. 1/2/3/4 (2022): 1. http://dx.doi.org/10.1504/ijpd.2022.125324.

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Mygal, Stanislav, Olha Borysenko, and Ruslan Skrynkovskyy. "Typological Foundations of Objects/Subjects: Design-Graphic in Communication Space." Path of Science 8, no. 2-3 (March 31, 2022): 2001–9. http://dx.doi.org/10.22178/pos.79-1.

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Ovchinnikova, Raisa Yu. "RATIO OF THE VISUAL AND COMMUNICATION ELEMENTS IN GRAPHIC DESIGN." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 23(3) (September 1, 2016): 140–49. http://dx.doi.org/10.17223/22220836/23/14.

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Cornish, Katie, Joy Goodman-Deane, Kai Ruggeri, and P. John Clarkson. "Visual accessibility in graphic design: A client–designer communication failure." Design Studies 40 (September 2015): 176–95. http://dx.doi.org/10.1016/j.destud.2015.07.003.

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Murchie, Karen J., and Dylan Diomede. "Fundamentals of graphic design—essential tools for effective visual science communication." FACETS 5, no. 1 (January 1, 2020): 409–22. http://dx.doi.org/10.1139/facets-2018-0049.

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Guidance on improving the visual aspects of science communication range from “recipe”-style instructions to hyper-focused aspects of data visualization. Currently lacking in the peer-reviewed literature is a primer in graphic design tailored to a high-level overview of basic design principles and associated jargon related to layout, imagery, typeface, and colour. We illustrate why these aspects are important to effective communication. Further, we provide considerations on when to solicit professional assistance and what to expect when working with graphic designers. Having the fundamental principles of good design in your toolbox facilitates the production of effective visual communication related to your research and fruitful scientist–designer collaborations.

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Udris-Borodavko, Natalia, Tatyana Bozhko, Liliana Vezhbovska, Oksana Chuieva, Viktoriia Oliinyk, and Yaroslav Hordiichuk. "The main trends in the graphic design development as a tool of visual communication in the information society." LAPLAGE EM REVISTA 7, no. 3 (August 10, 2021): 33–41. http://dx.doi.org/10.24115/s2446-62202021731254p.33-41.

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The aim of the article was to identify the main trends in the development of graphic design in the modern information society. This article uses qualitative and quantitative methods of analysis of graphic design development. Based on statistical analysis, the graphic design markets of Italy, Germany, Hungary and Poland for 2018 were estimated according to the European Design report (2018). Based on the indicators of ICT sector development, the state of the information society for the formation of potential trends in the development of graphic design has been identified. Indicators of skills shortages and skills shortages in the ICT sectors of the countries were taken from the OECD database (2021). The results show differences in the development of the ICT sector of countries and design markets.

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Zhang, Bingjing. "Graphic Language Representation in Visual Communication Design Based on Two-Way Long- and Short-Memory Model." Mathematical Problems in Engineering 2022 (June 2, 2022): 1–8. http://dx.doi.org/10.1155/2022/6032255.

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With the popularity of neural network research, the application based on neural network model is gradually applied to all aspects of people’s life. Neural network model can not only solve the algebraic problems that traditional machine learning can solve but also recognize and analyze graphics through self-learning. For example, face recognition, web page recognition, product packaging design, and application are inseparable from the dissemination of graphic language. When these processes are realized through computer language, it is necessary to accurately identify these graphic languages. However, traditional machine language learning has poor performance in graphic language learning, which further leads to the application to achieve the purpose of the original visual communication design. Therefore, based on the neural network algorithm, this paper improves a new neural network model—two-way long- and short-memory model to make the computer recognize the graphic language more accurate and further explores the graphic language representation in the visual communication design based on the two-way long- and short-memory model.

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Wijaya, Novan. "Pelatihan Membuat Desain Logo Vector Menggunakan Adobe Illustrator dan Adobe Flash di SMK Bina Cipta Palembang." Jurnal Pengabdian Pada Masyarakat 1, no. 1 (December 1, 2016): 25–29. http://dx.doi.org/10.30653/002.201611.5.

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Information technology is growing rapidly, especially graphic design which beneficial to the advancement of education. In the science of graphic design can give participants skill to communication visually, either text or images to convey a message. Graphic design skilla are needed in various fields of business such as printing, advertising, multimedia, fashion, industry and education until creative industries. Software used is Adobe Illustrator. Adobe illustrator based on vectors. Final result obtained better than quality if magnification/zoom. Output of this activity is praticipants can implement graphic design either form of making school environment a bulletin board or other announcements can be implemented in the world as well as work related to graphic design.

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KURAN, Onur, and Tevfik Fikret UÇAR. "BİR GÖRSEL İLETİŞİM ARACI OLARAK TİPOGRAFİK İMGE." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (September 15, 2022): 14–26. http://dx.doi.org/10.31567/ssd.720.

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Writing is one of the main communication tools that has been widely used since the Sumerian civilization discovered it. While it had a symbolic attitude in its form in the first periods of its discovery, it was simplified over time and brought to the basic form we use today. With the discipline of typography, which allows us to use writing, which is one of the main constituent of visual communication and graphic design, both aesthetically and functionally, graphic designers visualize writing in variety of different forms, traditional and contemporary. Today, visual communication is one of the most important concepts encountered in every aspect of human life. People are now trying to meet their communication needs faster by looking and seeing instead of reading. In this study, rather than recording the verbal language, which is the main function of writing, it is explained by giving examples how writing is used as an imaginary language of expression in different art and design disciplines, especially in the graphic design discipline. In this direction, the typographic image style is defined in the study and the concept of typographic image is explained by giving examples in the disciplines of sculpture, architecture, interior architecture, textile and fashion design, and industrial design, especially in the discipline of graphic design. Keywords: Writing, Typography, Typographic Image

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Bichler, Katrin Elisabeth, and Sofie Beier. "Graphic Design for the Real World? Visual Communication’s Potential in Design Activism and Design for Social Change." Artifact 3, no. 4 (July 28, 2016): 11. http://dx.doi.org/10.14434/artifact.v3i4.12974.

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This article examines graphic design’s role within design activism. It outlines design activism in general and its relation to commercial design culture in a consumerist economy. Thereafter it discusses persuasive tendencies in graphic design and questions if its current contribution to design activism is limited to its predominant narrow role of persuading for “the good cause.” To illustrate the hypothesis that such a persuasive approach lacks activist potential and thus social impact, cases that represent traditional graphic-design activism are compared to alternative approaches with an informative rather than persuasive character. The latter cases exemplify how information design can challenge the status quo and range from conventional leaflets to interactive tools and data visualizations. The discussion explores how these cases work as a non-commercial service to its audience, rather than solely solving communicative problems for commissioning clients. It is argued that in this way visual communication can intervene into problems on a functional level, similarly to artifacts from design disciplines such as architecture and industrial or product design.

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Haught, Matthew J. "FireSigns: A Semiotic Theory for Graphic Design, by Steven Skaggs." Visual Communication Quarterly 25, no. 3 (July 3, 2018): 193–94. http://dx.doi.org/10.1080/15551393.2018.1491197.

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Rajbhandari, Jitendra Man. "Graphic Communications in the Context of Nepal." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (December 1, 2018): 50–57. http://dx.doi.org/10.3126/sirjana.v5i1.39743.

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Graphic communication, a powerful tool for conveying information through visual aids has undergone a radical change since its early application by cave artists of Paleolithic age. With the development of print technology, both the scope and significance of graphic technology have been expanding. In the context of Nepal, graphic communication has received an attention since the advent of printing press. Several artists, illustrators and graphic designers have made great contributions on the development of this form of Applied Arts. Since the last few years the Fine Arts institutions in Nepal have been introducing Graphic Communications into their curriculum which is sure to uplift the quality of graphic design in promotion of the products and services in the Nepali market.

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Huang, Jian Wen. "Character Pattern Design to Achieve Digital Media." Advanced Materials Research 1055 (November 2014): 346–49. http://dx.doi.org/10.4028/www.scientific.net/amr.1055.346.

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Character graphic design objectives and principles of digital media completed the implementation of the concept embodied in the visual design of the series. In this paper, the Character in the implementation of digital media graphic design, visual communication line to get through basic and applied to distinguish among the barriers. Character graphics digital media visual resource selection and integration will be the first graphic visual objects, followed by the use of Character graphics source element deconstruction, beaten, restructuring plan, the formation of "Ba Feier" international dance education institutions Character graphics program, the program design process adjust the original design symbol around each of the following important node, expand the design imagination, linking the core elements of the design work is completed.

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Cheng, Jiaxia. "A comparative Study of Chinese Traditional Folk Paper-cut Art Desigh and Modern Graphic Design Based on Visual Communication." Tobacco Regulatory Science 7, no. 5 (September 30, 2021): 1028–35. http://dx.doi.org/10.18001/trs.7.5.20.

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Paper-cut, as a traditional folk art, has become a treasure of Chinese folk art in its long history of development. Paper-cut gives people artistic enjoyment visually with its unique creative techniques, full composition and vivid and interesting patterns. Methods: Traditional folk paper-cut art records the folk customs of the Chinese nation and embodies the temperament and national style of the Chinese nation. Its unique way of thinking and expression provide unique creative ideas and rich visual art resources for modern graphic design. Chinese folk paper-cut is an organic combination of decoration and practicality. Results: It can not only show the rich and colorful folk life, but also meet the aesthetic needs of a variety of situations. How to combine rich traditional culture and art with graphic design concepts and the spirit of the times to design works with national style, so as to better integrate folk paper-cut art with graphic design, is the pursuit of graphic designers. Conclusion: Based on visual communication design, this paper discusses the comparison and integration between traditional Chinese folk paper-cut art design and modern graphic design.

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Widiantoro, Danu. "Design Review on WWF Orangutan Posters." IJVCDC (Indonesian Journal of Visual Culture, Design, and Cinema) 1, no. 1 (April 1, 2022): 31–37. http://dx.doi.org/10.21512/ijvcdc.v1i1.8235.

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Graphic design as a field that is closely related to the medium of visual communication is built through elements and principles. Elements become the visual communication material used, while the principle is a system that binds the elements so that they can communicate effectively. One visual communication medium designed with elements and principles in mind is posters. Over the years posters have been used as a good visual communication medium due to their informative nature. Posters contain information that can be digested by the audience briefly and with minimal effort. Likewise, posters are used as a communication medium by WWF (Worldwild Life Fund). On its website WWF launched a poster series to introduce a variety of animal species, one of which is Orangutan Poster. This research was conducted to review the implementation of graphic design elements and principles in Orangutan posters. The method used is qualitative descriptive. Data analysis is done through literature review sources. The purpose of this research is to aims Orangutan poster using analytical design review through four stages which is stage description, the analysis stage, the stage of interpretation, and evaluation phase. The results of this study can be a supporting literacy for the application of design elements and principles in poster media. Also this research is expected to be a bridge for the audience in interpreting the poster works in more detail.

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Zhang, Wei-wei. "Research on computer graphic and image design method based on visual communication technology." MATEC Web of Conferences 365 (2022): 01043. http://dx.doi.org/10.1051/matecconf/202236501043.

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The current computer graphics and image design is not only limited to the performance of images, more attention to visual communication, enhance the performance of images and visual communication effect. With the development and application of intelligent technology, the application of visual communication technology in computer graphic design will improve the aesthetic feeling of design works, at the same time, continue to enhance the ability of design appreciation and perception. By analyzing the overview of computer graphics and image design and Visual communication definition, and combining the relevant design elements, the paper analyzes the method of computer graphics and image design based on visual communication technology.

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Hordiichuk, Yaroslav. "Communicative Images of Graphic Designers on Instagram Pages." Demiurge: Ideas, Technologies, Perspectives of Design 4, no. 1 (July 2, 2021): 21–35. http://dx.doi.org/10.31866/2617-7951.4.1.2021.236117.

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The purpose of the article is to identify the features of successful graphic designers of the 21st-century positioning on the pages of the social network Instagram, highlight the directions of communication strategies and approaches to their visualization. Research methodology. To carry out this study, we used the empirical method of collecting factual material, analysis, comparison, and generalization methods. The principal source of analytics is designers’ Instagram pages as factual material. The scientific novelty of the study consists in a comparative analysis of graphic designers’ communicative images on Instagram pages, based on which, for the first time, an attempt was made to systematize communicative contact strategies with subscribers. There are four possible approaches to creating the communicative image of the designer, which, however, do not exhaust the entire range of options. Conclusions. The communicative image use for communication on social networking pages is a reasonable and effective method of a designer’s professional development, as the number of subscribers on such pages is much bigger and reaches several hundred thousand active subscribers. The design of social communication by designers with their audience is contained in the planning of the strategy of the communication process as a whole, the tactics of individual communication acts (posts), the allocation of several types of content, and their rhythmic alternation and design. The design of social communication by designers with their audience is contained in planning the communication process strategy as a whole, the individual communication acts (posts) tactics, the allocation of several types of content, and their rhythmic alternation and design. These components combination increases the effectiveness of the designer’s communicative image, presented on the social network pages. This, in turn, together with the constant contact with subscribers, ensures the popularity of the designer, increases the range of potential customers and promotes professional growth.

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Atasoy, Seda Nur. "The role of graphic design in the COVID-19 global outbreak." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 52–69. http://dx.doi.org/10.18844/prosoc.v7i4.5791.

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Many studies have been performed in the field of graphic design to prevent and monitor the coronavirus disease global outbreak, which emerged in Wuhan City, China, and has been announced as a pandemic by the World Health Organisation. Graphic Design has always taken a stand towards positive thinking by enhancing creative reactions to the challenging conditions (conditions in which there is no physical human connection, movement is restricted, concerns increase, etc.) that human beings have faced up so far and has supported the idea of the world that is trying to heal. The aim of this study is to examine the communication power that graphic design has created during the pandemic process by inspecting the current works of a common language which has been put forward as a graphic language in order to be united in the name of graphic design, both in the information charts of the coronavirus in the name of graphic design and in this troubled process of the world. In this study, the reaction, contribution and support, which have been developed by Graphic design for the COVID-19 pandemic process, were examined and samples were presented from designers by examining illustrations, posters, infographics, graphic products and so on, which have been made around the world. In addition to this, creative problem solutions and the role of graphic design have also been explored for solving these problems. Keywords: Graphic design, COVID-19, coronavirus, outbreak, epidemic.

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Yu, Ying, and Dantong Yu. "Research on the Application of Computer Big Data Technology in the Visual Communication Design of Urban Construction." Highlights in Science, Engineering and Technology 1 (June 14, 2022): 7–12. http://dx.doi.org/10.54097/hset.v1i.420.

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This article uses computer big data modelling technology to control urban construction. Use geometric model construction, texture feature extraction and real model construction to realize 3D modelling of virtual city environment scenes. At the same time, we use three-dimensional sound modelling to analyse and summarize the information data of the architectural graphic design, complete the construction of the building information model, and conduct a series of mining and management of the building information data. This describes its basic situation and attributes to optimize the data structure. The experimental results show that the digital plane pigment types of urban construction under visual communication are about 30 kinds higher than the pigment types of traditional graphic design on average. This verifies the effectiveness of the digital graphic design of architectural modelling under visual communication.

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Oliinyk, Viktoriia. "graphic novel as a popular genre of book publishing in the context of modern design." Linguistics and Culture Review 5, S4 (November 12, 2021): 942–54. http://dx.doi.org/10.21744/lingcure.v5ns4.1742.

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The relevance of the research is due both to the lack of research that would comprehend a graphic novel as an independent phenomenon and subject of art history, the youth of the genre, and its relative non-proliferation in the Ukrainian literary space. The vast majority of Russian publications touch on the analysis of specific graphic novels in the context of modern literary studies, which focuses on the narrative and ideological components of individual works without taking into account the role of the visual component for the genre as a whole. In this regard, the article is aimed at identifying the essence of the graphic novel, its differences from the classic for book design relationships of illustration and text, clarifying the nature and role of its communication and semantic saturation taking into account the functions of design as a form of communication, highlighting the unique characteristics of the genre against the background of the traditional genre means and searching for the information and aesthetic potential of the graphic novel in the practice of Ukrainian book design.

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Cheng, Rongjie. "Computer Graphic Image Design and Visual Communication Design in the Internet of Things Scenario." Security and Communication Networks 2022 (May 23, 2022): 1–10. http://dx.doi.org/10.1155/2022/8460433.

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For the problems of low-illumination reconstructed images with low resolution and long reconstruction time, an image reconstruction system based on the wavelet domain chunking compressed perception algorithm is proposed. A low-illumination image sampling model is established, and the wavelet domain chunking compression perception and information fusion processing are performed using the depth-of-field adaptive adjustment method of the image. The multiscale Retinex algorithm is used for wavelet domain chunking compressed perception and information extraction, and the information entropy feature quantity of the image is extracted. The IoT-based artificial intelligence image detection system has been formed, which effectively enhances the accuracy and timeliness of the image detection system and makes up for the deficiencies of the traditional image detection system. Simulation results show that the method is used for low-illumination image reconstruction with higher resolution, better edge perception, and shorter reconstruction time, which is more efficient for practical application.

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Zhao, Dandan, and Bo Pan. "Psychological Cognition and Thinking Needs in Visual Communication Design." E3S Web of Conferences 236 (2021): 05070. http://dx.doi.org/10.1051/e3sconf/202123605070.

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The visual information design refers to the communication and exchange with the real world through the graphic signification. The understanding of a graph is a visual recognition process of the graphic object. The audience can feel the intangibility of the design work behind the tangibility during the transmission, perception, communication and resonance processes. The unconscious mind of the audience is aroused under the visual impact, thus reaching the goal of transmitting the concept of information appeal. Influenced by the holistic view of the Gestalt Psychology, the modern cognitive psychology highlights the comprehensive analysis of human cognitive process, while Gestalt psychologists lay the emphasis on the integrity of experience and behavior. According to the principle of Gestalt Psychology, the form perceived is not the direct imitation of an objective thing, but instead, it is the perceptual construction activity when eyes capture the thing. As a manifestation system in the visual perception research field, the Gestalt Psychology teases the related perceptual organization principles for the human cognitive process and promotes the development of the visual perception researches. Based on the Gestalt Psychology, it is proposed in this research to study psychological phenomena from the holistic dynamic structure, explore the visual information design, and exploit the design field of view and creative thinking, in an effort to form a new design philosophy which will play an important role in improving the aesthetic effect and visual impact of the design work.

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Journal articles on the topic 'Graphic communication design (GCD)'

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