Academic literature on the topic 'Graphic arts Australia History'
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Journal articles on the topic "Graphic arts Australia History"
Jones, Stephen. "Synthetics: A History of the Electronically Generated Image in Australia." Leonardo 36, no. 3 (June 2003): 187–95. http://dx.doi.org/10.1162/002409403321921389.
Full textWorden, Suzette. "Designing Australia Readings in the History of Design Michael Bogle (Editor)." Design Journal 5, no. 3 (November 2002): 68–70. http://dx.doi.org/10.2752/146069202789317735.
Full textTriggs, T. "Designing Graphic Design History." Journal of Design History 22, no. 4 (November 23, 2009): 325–40. http://dx.doi.org/10.1093/jdh/epp041.
Full textJobling, P. "Graphic Design, A New History." Journal of Design History 21, no. 3 (September 1, 2008): 296–98. http://dx.doi.org/10.1093/jdh/epn019.
Full textDonnelly, B. "Locating Graphic Design History in Canada." Journal of Design History 19, no. 4 (January 1, 2006): 283–94. http://dx.doi.org/10.1093/jdh/epl023.
Full textHowes, J., and P. Paucker. "German Jews and the Graphic Arts." Leo Baeck Institute Yearbook 34, no. 1 (January 1, 1989): 443–73. http://dx.doi.org/10.1093/leobaeck/34.1.443.
Full textRosenfeld, A., and M. A. Smith. "Rock-Art and the History of Puritjarra Rock Shelter, Cleland Hills, Central Australia." Proceedings of the Prehistoric Society 68 (2002): 103–24. http://dx.doi.org/10.1017/s0079497x00001468.
Full textDevine, Kit. "On country: Identity, place and digital place." Virtual Creativity 11, no. 1 (June 1, 2021): 111–23. http://dx.doi.org/10.1386/vcr_00045_1.
Full textKINROSS, R. "Conversation with Richard Hollis on Graphic Design History." Journal of Design History 5, no. 1 (January 1, 1992): 73–90. http://dx.doi.org/10.1093/jdh/5.1.73.
Full textBelichko, Nataliia, and Nadiia Marchenko. "GRAPHIC LITERATURE: DEFINITIONS, HISTORY, COMPONENTS." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 30 (December 9, 2021): 29–37. http://dx.doi.org/10.33838/naoma.30.2021.29-37.
Full textDissertations / Theses on the topic "Graphic arts Australia History"
Timney, Todd F. "Design History Matters: Visualizing Graphic Design History Through New Media." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/38.
Full textMedley, Stuart. "Less realism : more meaning : evaluating imagery for the graphic designer." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2008. https://ro.ecu.edu.au/theses/232.
Full textParis, Lisa. "Visual arts history and visual arts criticism : Applications in middle schooling." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1240.
Full textFarmer, Margaret Art College of Fine Arts UNSW. "Terra Alterius: land of another." Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/29574.
Full textHutton, Ailsa Kate. "Re-viewing history : antiquaries, the graphic arts and Scotland's lost geographies, c.1660-1820." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7361/.
Full textJoern, Albert. "The repositioning of traditional martial arts in Republican China." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114301.
Full textÀ travers cet essai, j'examine la façon dont les pratiquants d'arts martiaux dans l'ère républicaine de la Chine étaient impliqués dans le but de réinventer ce qu'incarnait le domaine des arts martiaux à une époque où la culture physique était traitée comme un instrument de construction de la nation en réponse au discours colonial et au processus de modernisation. Les arts martiaux ont été repositionnés à partir d'un ensemble de personnes indirectement associés qui se livraient à un ensemble de combats et qui concentraient leurs compétences sur des entraînements aux armes encourageant le tir à l'arc et le combat à la lance, afin de devenir une activité de loisir avec un corps formalisé de connaissances, de compétences et de pratiques imprégnées avec une identité chinoise adapté à la classe moderne urbaine et de citoyens chinois éduquée. Ceci est ma conviction que ces efforts ont été un facteur très important dans la raison pour laquelle la pratique des arts martiaux aujourd'hui est si étroitement associée aux concepts de la culture de soi.Ce repositionnement des arts martiaux chinois fut motivé par le schisme entre les traditionalistes qui défendaient leurs croyances et leurs pratiques de l'époque impériale de la Chine, et les modernistes qui, eux, ont vu l'adoption complète de technologies et de concepts occidentaux comme le seul mouvement bénéfique à la modernisation de la Chine. En raison de la politique à travers l'éducation, la compréhension du corps et de sa représentation dans la société, les efforts visant à préserver les pratiques traditionnelles ont été compliquées par la dynamique liée à l'identité et le pouvoir de l'état. Le domaine des arts martiaux a été critiqué par les réformistes et les modernistes incluant ceux qui furent impliqués dans le « New Culture movement», qui a fait valoir que la Chine devait embrasser des notions scientifiques des pays occidentaux et abandonner leurs «superstitions féodales. » Dans ce contexte, le domaine des arts martiaux traditionnels a été stigmatisé par des liens avec la révolte des Boxers, la diversité des pratiques et la discrétion qui existait entre les différentes écoles de pratique.En réponse aux mouvements de modernité qui ont critiqué les systèmes de croyances traditionnels dont les pratiquants d'arts martiaux ont fait appel à l'appui de leurs systèmes pour justifier leur pratique comme une forme de loisir, des associations telles que les Jingwu Tiyu Hui et le Zhongyang Guoshuguan ont été formés selon les modèles occidentaux institutionnels dans le but d'unifier et de , en quelque sorte , moderniser les arts martiaux chinois. Les enseignants et les administrateurs concernés par ces institutions voulaient préserver la pratique des arts martiaux, et pour ce faire ils ont dû développer des nouvelles façons de systématiser les méthodes de formation, les réinventer en les promouvant à une nouvelle génération d'étudiants sous une forme qui n'avaient jamais existé auparavant.
Lust, Caitlyn. "Women’s Work: Re-evaluating the Canon of Graphic Design History." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556273078639679.
Full textMalone, Erin. "The contributions to the history of graphic design by Dr. Robert L. Leslie and the Composing Room, Inc., 1927-1942 /." Online version of thesis, 1994. http://hdl.handle.net/1850/11977.
Full textLewis, Kevin D. "A Historical and Analytical Examination of Graphic Systems of Notation in Twentieth-Century Music." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1271353110.
Full textGauche, Catherine. "Reading the distance : decoding the autobio(graphic) novel, Portrait in pieces." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1980.
Full textThe aim of this thesis is to decode my autobiographic graphic novel, Portrait in Pieces (a narrative of a mother / daughter relationship), utilising a genealogical mode of analysis. This takes place, firstly, through a discussion of the themes of photography, memory and repetition which occur in the graphic novel; secondly, through a consideration of the role of language and difference within a specific mother / daughter relationship; and thirdly, through the study of autobiography and the self as performative entities. In this thesis I interrogate the autobiographic genre in a manner that questions internalised notions of femininity and (patriarchal) cultural constructs, which precede and influence the performance of our ‘life scripts’. I posit Portrait in Pieces as a transitional object between my mother and myself, and language as a medium which can both Otherise and close the distance between us. Translation is the medium by which one reads this distance, turning miscommunication into communication, and misunderstanding into understanding. The illustrations and text constituting the graphic novel have been produced through creative play, representing the ‘post talking’ required for the process of healing, empathising, and taking ownership of one’s ‘life script’.
Books on the topic "Graphic arts Australia History"
Geoffrey, Serle, ed. The creative spirit in Australia: A cultural history. Richmond, Vic: W. Heinemann Australia, 1987.
Find full textCochrane, Grace. The craft movement in Australia: A history. Kensington, NSW, Australia: New South Wales University Press, 1992.
Find full textStephen, Coppel, and Williams Fred 1927-, eds. Fred Williams: An Australian vision. London: British Museum Press, 2003.
Find full textKallen, Stuart A. Graphic design. Detroit: Lucent Books, 2009.
Find full textGardiner-Garden, John. Arts policy in Australia: A history of Commonwealth involvement in the arts. Canberra: Dept. of the Parliamentary Library, 1994.
Find full textGraphic design: A new history. 2nd ed. New Haven, Conn: Yale University Press, 2011.
Find full textGraphic design: A new history. London: Laurence King, 2007.
Find full textBroos, C. Dutch graphic design. London: Phaidon Press, 1993.
Find full textSteven, Heller. Design literacy: Understanding graphic design. New York: Allworth, 1997.
Find full textThornton, Richard S. Japanese graphic design. [London]: L. King, 1991.
Find full textBook chapters on the topic "Graphic arts Australia History"
Higby, Gregory, and Elaine C. Stroud. "Painting, Sculpture, Graphic Arts, and Photography." In The History of Pharmacy, 292–307. Routledge, 2018. http://dx.doi.org/10.4324/9780429021398-18.
Full text"Language, Writing, Printing and Graphic Arts." In An Encyclopedia of the History of Technology, 674–94. Routledge, 2002. http://dx.doi.org/10.4324/9780203192115-24.
Full textTargowski, Andrew. "The Future of Civilization." In Information Technology and Societal Development, 395–418. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-004-2.ch017.
Full textYılmaz, Recep, and Fatih Mehmet Ciğerci. "A Brief History of Storytelling." In Advances in Media, Entertainment, and the Arts, 1–14. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5357-1.ch001.
Full textMcClanahan, Barbara J., and Maribeth Nottingham. "The Role of Graphic Novels in K-12 Classrooms." In Advances in Early Childhood and K-12 Education, 115–41. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4721-2.ch006.
Full textHarrison, Andrew. "Historiography and Life Writing." In The Edinburgh Companion to D. H. Lawrence and the Arts, 103–15. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456623.003.0009.
Full textWright, Judson. "Triggering the Flotsam of Behavior." In Advances in Media, Entertainment, and the Arts, 264–85. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0016-2.ch011.
Full textFraunhar, Alison. "Colonial Art and Its Afterlife." In Picturing Cuba, 51–69. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9781683400905.003.0004.
Full textSantos, Carina Pino. "The Brilliant Poverty of Vigía." In Handmade in Cuba, translated by David Frye, 111–24. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401520.003.0009.
Full text"Dürer’s Apocalypse as the Origin of the Western System of Graphic Reproduction: A Contribution to the History of Descriptive Techniques in the Visual Arts." In Description in Literature and Other Media, 237–64. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789401205214_008.
Full textConference papers on the topic "Graphic arts Australia History"
Goad, Philip. "Designing a Critical Voice: Discourse and the Victorian Architectural Students Society (VASS), 1907-1961." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3992pwp5p.
Full textCorkhill, Anna, and Amit Srivastava. "Alan Gilbert and Sarah Lo in Reform Era China and Hong Kong: A NSW Architect in Asia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4015pq8jc.
Full textGaruglieri, Sara, Angela Di Paola, Simone Vecchio, Greta Frosini, and Beatrice Verona. "Architectural survey, realized with integrated methodology, of the complex of Walser houses in Alagna Valsesia, Italy." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15129.
Full textWolfe, Byron, and Seher Erdoǧan Ford. "How Do We Work? Metacognition in Creative and Collaborative Practices." In 2019 Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.64.
Full textReports on the topic "Graphic arts Australia History"
Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.
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