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Books on the topic 'Granprincipe Ferdinando de' Medici'

Author: Grafiati
Published: 10 March 2023

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1

Pittura nella Firenze di Ferdinando II de' Medici. Milano: M. Voena, 2003.

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2

Monica, Bietti, Giusti Anna Maria, and Cappelle medicee (Florence Italy), eds. Ferdinando I de' Medici 1549-1609: Maiestate tantum. Livorno: Sillabe, 2009.

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3

Monica, Bietti, Giusti Anna Maria, and Cappelle medicee (Florence Italy), eds. Ferdinando I de' Medici 1549-1609: Maiestate tantum. Livorno: Sillabe, 2009.

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4

Mina, Gregori, ed. Pittura nella Firenze di Ferdinando II de' Medici. Milano: M. Voena, 2003.

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5

Bertelà, Giovanna Gaeta. La Tribuna di Ferdinando I de' Medici: Inventari 1589-1631. Modena: Franco Cosimo Panini, 1997.

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6

Zucchini, Elisa. Giuseppe Maria Crespi e il Gran Principe Ferdinando de' Medici. Firenze: Firenze University Press, 2021.

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7

Uffizi, Galleria degli, ed. Il gran principe Ferdinando de' Medici (1663-1713): Collezionista e mecenate. Firenze: Giunti, 2013.

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8

Brook, Anthea. Pietro Tacca a Livorno: Il monumento a Ferdinando I de' Medici. Livorno: Comune di Livorno, 2008.

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9

Pasqui, Teresa. Libro di conti della commedia: La sartoria teatrale di Ferdinando I de' Medici nel 1589. Firenze: Nicomp, 2010.

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10

1577-1640, Tacca Pietro, ed. Pietro Tacca, Hofbildhauer der Medici (1577-1640): Politische Funktion und Ikonographie des frühabsolutistischen Herrscherdenkmals unter den Grossherzögen Ferdinando I., Cosimo II. und Ferdinando II. Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2005.

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11

Caterina, Caneva, Vervat Muriel, and Galleria degli Uffizi, eds. Il Giuramento del Senato fiorentino a Ferdinando II de' Medici: Una grande opera del Suttermans restaurata. Firenze: Edifir, 2002.

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12

Gabbiani, Anton Domenico. Il gran principe Ferdinando de' Medici e Anton Domenico Gabbiani: Mecenatismo e committenza artistica ad un pittore fiorentino della fine del Seicento. [Prato]: Noèdizioni, 2003.

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13

Gabbiani, Anton Domenico. Il gran principe Ferdinando de' Medici e Anton Domenico Gabbiani: Mecenatismo e committenza artistica ad un pittore fiorentino della fine del Seicento. [Prato]: Noèdizioni, 2003.

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14

(Italy), Poggio a. Caiano, ed. Il gran principe: Ferdinando de' Medici e Anton Domenico Gabbiani : mecenatismo e committenza artistica ad un pittore fiorentino della fine del Seicento. [Firenze?]: Noèdizioni, 2003.

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15

Riccardo, Spinelli, ed. Il Gran Principe Ferdinando de' Medici e Anton Domenico Gabbiani: Mecenatismo e committenza artistica ad un pittore fiorentino della fine del Seicento. Prato: Noèdizioni, 2003.

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16

Il principe in fuga e la principessa straniera: Vita e teatro alla corte di Ferdinando de' Medici e di Violante di Baviera (1675-1731). Firenze: Le Lettere, 2010.

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17

Spinelli, Leonardo. Il principe in fuga e la principessa straniera: Vita e teatro alla corte di Ferdinando de' Medici e di Violante di Baviera (1675-1731). Firenze: Le Lettere, 2010.

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18

Villa Medici: Il sogno di un cardinale : collezioni e artisti di Ferdinando de' Medici. Roma: De Luca, 1999.

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19

La Toscana del Granduca Ferdinando II. Diplomazia, cerimonie e quotidianità alla corte dei Medici. Pontecorboli Editore, 2018.

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20

Andrea Di Michelangelo Ferrucci: Bizzarrie Fantastiche e Tradizione Nella Scultura Fiorentina Al Tempo Dei Granduchi Ferdinando I e Cosimo II de' Medici. Polistampa, 2022.

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21

Gagliano, Marco da. Madrigals, Part 6. Edited by Edmond Strainchamps. A-R Editions, 2021. http://dx.doi.org/10.31022/b223.

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Abstract:
Il sesto libro de madrigali a cinque voci, Marco da Gagliano's final book in the genre, was published in 1617, nine years after its predecessor. In the book's dedication Gagliano indicated that its music was composed the year before, and not earlier in the gap between the two books. Book 6 was popular enough that it was reprinted in 1620, and although he lived another twenty-six years, Gagliano published no more madrigals. There are sixteen compositions in the book, fourteen of them by Gagliano, one by Lodovico Arrighetti, and one by an unnamed composer who was most certainly Ferdinando Gonzaga, duke of Mantua. The poets now recognized as authors of the texts are Giovanni Battista Guarini, Torquato Tasso, Francesco Petrarca, Ottavio Rinuccini, Gabriello Chiabrera, Gasparo Murtola, and Antonio Ongaro. In the diversity of their style, the madrigals of the Sesto libro provide a conspectus of the compositional craft evinced in Gagliano's earlier books: now the rush and brevity of canzonetta-influenced madrigals like those in the fourth and fifth books stand next to madrigals with the more traditional manner of text setting so often found in his first three books. There is also a drinking song that alternates duets with a refrain and a seven-voiced concertato piece, both taken from Medici court entertainments. One of the most telling madrigals in the book, “Filli, mentre ti bacio,” is an abbreviation and a recasting of the madrigal as it appears in his Primo libro, thereby disclosing the remarkable change in Gagliano's aesthetic thinking about the genre during the fifteen years that lie between his first and last books. Shortly after the appearance of the Sesto libro, a vicious attack on its madrigals and on Gagliano himself was made by Mutio Effrem. Although its condemnation of the book on theoretical grounds is misguided and without merit, Effrem's Censure seems to have damaged Gagliano's standing in Florence and to some degree may have influenced his decision to abandon the genre.
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