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Dissertations / Theses on the topic 'Grammatologia'
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Kim, Nam-See. "Grammatologie der Schrift des Fremden." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2009. http://dx.doi.org/10.18452/15929.
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Die vorliegende Arbeit beschäftigt sich mit dem westlichen Verständnis von chinesischer Schrift. Im westlichen Diskurs herrscht eine Auffassung vor, der zufolge die chinesischen Schriftzeichen eine „fast naturalistische Darstellung“ von Dingen seien, die unabhängig von der gesprochenen Sprache im Sinne „eines visuellen Objekts“ funktionieren soll. Dabei wird die Tatsache, dass auch sie wie alle anderen Schriftsysteme zur Wiedergabe der gesprochenen Wörter verwendet werden und dadurch funktionieren, ausgeblendet. Die Vorstellung der sprachunabhängigen chinesischen Schrift wirkt darüber hinaus auch auf die Kulturtheorien ein, die auf der Schrift basierend die chinesische bzw. asiatische Kultur zu charakterisieren und sie mit der europäischen zu vergleichen versuchen. Dabei ist zu beobachten, dass die angenommene sprachunabhängige Bildhaftigkeit oder Konkretheit der chinesischen Schrift zwar einerseits Grund für eine Aufwertung ist, wobei das aus ihr resultierende Denkmodell als ein alternatives des westlichen Denkens aufgefasst wird, dass aber letztendlich aus derselben Auffassung auch das negative Urteil entspringt, mit jener visuellen Konkretheit gehe ein ‚geringer Abstand zu den Gegenständen‘ einher und daraus folge eine Unfähigkeit zum abstrakten Denken bei dem, der sich dieser Schrift bediene. Die Frage, die vorliegende Arbeit durchzieht, lautet daher: Woher stammt dieser ‚Mythos‘ der chinesischen Schrift, der wiederum zurückwirkt auf das westliche Ostasienbild? Und warum bewahrt er sich so hartnäckig im westlichen Denken, dass seine Nachwirkung bis in aktuelle Theorien zu beobachten ist? Wie ist die ambivalente Einschätzung chinesischer bzw. ostasiatischer Kultur in ihnen zu verstehen, die aus derselben ideographischen Auffassung chinesischer Schrift stammt? Durch eine kritische Auseinandersetzung mit der Rezeptionsgeschichte der chinesischen Schrift unter Berücksichtigung des abendländischen China-, bzw. Ostasienbilds wird versucht, darauf zu antworten.This dissertation deals with the Western views of Chinese characters. In Western discourses the Chinese written language has generally been viewed as a naturalistic representation of things, close to visual images (pictographs) or as a means of conveying ideas (ideographs), unrelated to spoken language. The fact that they reproduce spoken language like all other writing systems has been underexplored. Under this assumption, cultural theories have defined Chinese or Asian cultures as essentially distinct from European cultures. However, the language-independency and concreteness of Chinese script provides reason for revaluation of those views that consider the Chinese (or Asian) ways of thinking as an alternative to Western thought: that which ultimately arises from the negative judgments that those with visual concreteness are farther detached from objects, and are, therefore, unable to exercise abstract thinking. Through a critical analysis of the history of discourses of Chinese writings, this work address the following questions: Whence comes the ‘myth ''of the Chinese character, which, in turn, reinforces the Western views of Asia: why it remains so persistent in Western views as observed in contemporary cultural theories; how the ambivalent appreciation of Chinese or East Asian-culture resulted from the same ideographic view of the Chinese written language.
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Torrens, Antoine. "« Diverse escriture d’un mesme nom » : translittérer les écritures orientales en alphabet latin dans la France de l’humanisme." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL009.
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La translittération est la transcription, signe par signe, d’un système d’écriture vers un autre. Relevant à la fois de l’histoire, de la linguistique et de la science des écritures – ou grammatologie –, ce travail vise à dégager les enjeux de la notion récente de translittération, appliquée à une période où elle n’était pas encore formulée ainsi, la Renaissance française. Il délimite les domaines respectifs de la translittération, de la transcription, de la traduction et du saut de code. Cette thèse prend pour point de départ les découvertes récentes sur l’hébreu dans l’humanisme français et met à profit les avancées en archéologie et en sciences cognitives concernant l’histoire de l’alphabet latin et son appréhension par ses utilisateurs. Elle s’appuie sur un corpus d’alphabets, de grammaires et de bibles du XVIe siècle pour mettre en relation les dimensions diachronique et diatopique des systèmes d’écriture. Elle montre que la pratique de la conversion d’écriture s’appuie moins sur les caractéristiques de l’écriture d’origine que sur une extension considérable de l’écriture d’arrivéeTransliteration is the transcription sign by sign from a writing system to another. Being a matter of history, linguistics and study of writing systems – or grammatology – this work aims at identifying the issues of the quite recent notion of transliteration, as applied to a period when it was not formulated in this way, the French Renaissance. It delineates the respective fields of transliteration, transcription, translation and code-switching. This thesis takes as a starting point the recent findings on Hebrew in the French humanism and makes use of the advances in archeology and in cognitive science regarding the history of the Latin alphabet and its understanding by its users. It relies on a corpus of alphabets, grammars and bibles of the 16th century to link the diachronic and diatopic dimensions of writing systems. It shows that conversion of scripts as a practice relies less on the specific features of the source script than on a considerable extension of the target script
3
Haidamachuk, O. V. "Philosophical questions in "Of grammatology" by J. Derrida." Thesis, Видавничо-поліграфічний центр "Київський університет", 2019. http://repository.kpi.kharkov.ua/handle/KhPI-Press/47292.
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Thuault, Simon. "La dissimilation graphique dans les textes égyptiens de l'Ancien Empire : essai de grammatologie cognitive." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30040.
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La « dissimilation graphique » est une particularité récurrente des écritures égyptiennes, en particulier à l’Ancien Empire (IIIe-VIe dynasties, env. 2700/2150 av. J. C.). À cette époque, la pluralité (aussi bien grammaticale que lexicale) était indiquée par le triplement des sémogrammes, signes investis d’une valeur sémantique et censés permettre la compréhension des lexèmes. De ce fait, si les idéogrammes et classificateurs étaient d’ordinaire répétés trois fois à l’identique, la « dissimilation » désigne les occurrences dans lesquelles ces trois signes sont distincts. Par exemple, si un mot comme bAk.w, « serviteurs », est traditionnellement accompagné de trois hommes assis, l’un d’entre eux pourra être remplacé par une femme en cas de dissimilation. De même, si mHy.t, « poissons », comprend habituellement trois poissons de même espèce, sa version dissimilée offrira trois espèces différentes. Cette thèse se donne pour objectif d’analyser de façon systématique la dissimilation graphique, majoritairement attestée dans les inscriptions hiéroglyphes des tombes royales et privées, mais également dans certains documents hiératiques. À travers cette étude, les raisons supposées de l’existence de la dissimilation graphique sont exposées. En conséquence, la classification égyptienne se voit placée sous de nouveaux éclairages. De plus, par l’examen d’un nombre important de textes égyptiens de l’Ancien Empire, de nouvelles analyses des fonctions des signes qui les composent seront proposées afin d’éclaircir certaines zones d’ombres de la linguistique égyptologiqueThe peculiarity called “dissimilation graphique” is recurrent in Egyptian writing systems, particularly during Old Kingdom (Dyn. III-VI, ca. 2700-2150 BC). At this time, plurality (grammatical and lexical) is indicated by the threefold of semograms, signs that have a semantic value and allow to understand the lexemes. Thus, if ideograms and classifiers are ordinary reproduced three times identically, “dissimilation” refers to occurrences where these three signs are different. For example, if bAk.w, “servants”, is usually followed by three men, in case of dissimilation, one of them can be replaced by a woman. In the same way, if mHy.t, “fish”, habitually takes three identical fish, a dissimilated version will show three different species. This Ph.D Thesis aims to analyse in a systematic way the process of “dissimilation graphique”, mostly found in hieroglyphic inscriptions of royal and private tombs, but also in some hieratic documents. Through this study, the supposed reasons of dissimilation are exposed. Consequently, Egyptian classification is newly enlightened. Moreover, in examining a great number of Old Kingdom texts, new analysis of the signs functions are proposed to clarify some unclear elements of egyptological Linguistics
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Kakoliris, Gerasimos. "An impossible project : Derrida's deconstructive reading as 'double' reading: the case of 'Of grammatology'." Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369354.
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Hales, Kevin. "The Moving Finger: A Rhetorical, Grammatological and Afrinographic Exploration of Nsibidi in Nigeria and Cameroon." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1431071905.
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Wheat, Christopher A. "Derrida's Objection To The Metaphysical Tradition." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1188.
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Derrida’s deconstruction of the philosophic tradition shows us not only the importance of pursuit of knowledge, but also the importance of questioning the assumptions on which such a pursuit is based. He argues that the metaphysical tradition is built from the privileging of the logos (speech, thought, and logic,) over it’s opposite, and while Derrida does not object to the societal results of such a privileging, he questions why we allow ourselves to make such an assumption in the investigation of the origin event, and in the nature of reality.
I chose to study deconstruction because through the course of my studies at Claremont I found myself raising similar objections to the philosophic tradition, and have a great interest in the arts and culture resulting from deconstructionist philosophy. Through my study I’ve learned to better examine not only the reasons for my own interest in philosophy and the arts, but the importance (or un-importance) of such a pursuit. I believe Derrida’s work could be important in teaching us the absurdity of sacred pursuit, and the importance of finding said sacredness in everything.
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Marc, Fabienne. "L ecriture du royaume de zhongshan (4e s. - 3e s. Av j-c. ). Elements de methodologie en grammatologie chinoise des zhou orientaux." Paris, EHESS, 1993. http://www.theses.fr/1993EHES0329.
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La premiere partie de la these presente l appareillage theorique de la recherche en grammatologie pre-imperiale et une evaluation critique des conceptions traditionnelles et modernes sur l ecriture chinoise archaique. La deuxieme partie propose un ensemble d applications grammatologiques realisees sur le corpus des trois inscriptions sur bronze de zhongshan, structure par deux questions directrices : a) quels sont les processus d evolution en jeu dans l ecriture chinoise a l epoque des royaumes-combattants , b) quelle est la signification concrete de la standardisation de l ecriture a partir de qin ? la troisieme partie independante presente une traduction annotee des trois textes precedee d un emise en perspective historique et d une courte analyse lexicometrique. Il ressort de ce travail et l application systematique a un corpus epigraphique donne, d une typologie des unites de base (sinogrammes) et elementaires (graphemes) qui s articule a ce qu il est possible de reconstituer du code vocal zhou qin. Nous montrons notamment la necessite de privilegier, lors de l identification des unites poly-graphemiques de type opaque, la presomption de phonographisme plutot que celle d iconographisme. Et, en ce qui concerne les iconogrammes, que l investigation dans les valeurs designatives de ces unites peut etre autre chose qu une extrapolation ingenieuse sur des traces. Enfin, la comparaison du corpus de zhongshan avec les ecritures des autres principautes de l epoque et avec l inventaire de la standardisation tel que nous permet de l apprehender le shuowenjiezi, nous montre que le code graphique classique est plus redevable qu on ne le pense a l egard des experiences scriptuaires des principautes vaincues par qin. Un index final permet de retrouver les emplois, equivalences et occurences de toutes les graphies du corpusThe first part of the thesis presents the theorical concepts of ancient chinese grammatology and a critical investigation into traaditionnal and modern approaches to ancient chinese script. The second part proposes a number of systematic grammatological applications for the corpus of the three inscribed bronze vessels of zhongshan these application will be defined by two leading questions : a) what are the main principles of the development of chineses writing during the warring-states period?. B) what is the signification of standarddized writing begining under the qin dynasty ? the third part gives the references for the history of the lord state of zhongshan, a short lexicometrical analysis, and an annotated translation of the three inscriptions. The work leads to the elaboration of a typology of ancient chinese characters and its systematic application to paleographical documents. Our typology is linked with what can be restitued of the zhou qin phonoligal system. Lastly, it provides a comparison of zhongshan writing with the normalised script as opreserved in the shuowenjiezi. This comparison shows that the classical script has barrowed more from the eastern zhou local writing systems than one has ggenerally granted. A final index gives the meanings, equivalences and all occurrences of each character of the corpus
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Alombert, Anne. "Simondon et Derrida face aux questions de l'homme et de la technique : ontogenèse et grammatologie dans le moment philosophique des années 1960." Thesis, Paris 10, 2020. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2020/2020PA100085/2020PA100085.pdf.
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La thèse poursuit deux objectifs principaux. D’abord, confronter les projets d'ontogenèse et de grammatologie respectivement proposés par G. Simondon en 1958 et J. Derrida en 1967 en les resituant dans leur contexte historico-théorique et en explicitant leurs enjeux épistémologiques (il s’agit dans les deux cas d'"excéder" les présupposés métaphysiques de la tradition philosophique occidentale et d’inventer une nouvelle relation entre discours philosophique et savoirs positifs). Puis, évaluer les conséquences théoriques de ces deux gestes concernant les questions philosophiques de l’homme et de la technique (il s'agit dans les deux cas de rompre avec une conception « humaniste » de l'homme et « instrumentale » de la technique, et de repenser la relation entre vie, technique et esprit). Il s’agit enfin de confronter ces pensées au contexte technique actuel et d’ouvrir de nouvelles perspectives pour penser les enjeux anthropologiques et sociaux des transformations technologiques contemporainesThe aim of this work is twofold. First, we focus on the projects of ontogenesis and grammatology, formulated by G. Simondon in 1958 and by J. Derrida in 1967, we situate them in their theoretical context and we evaluate their metaphysical and epistemological stakes (we try to show that a new way of thinking is appearing, after the end of Western metaphysics) ;Secondly, we focus on the theoretical consequences of Simondon’s and Derrida’s thought, particularly on the questions of human and technics (we try to show that they both open a way beyond humanism and reductionism by rethinking the links between life, technics and mind or spirit). We finally try to revive Simondon’s and Derrida’s reflections in the contemporary technical context, in order to open new perspectives on the anthropological and social consequences of the current digital transformations
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Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.
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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involves accounting for the impact of film as a reflector and purveyor of popular culture. Given the powerful influence of film in moulding popular ideas, attitudes, and value systems, archival selection criteria must take into account film of all types if there is to be any future prospect of assessing the impact of film on society in a given period.
The sources used for this study include the writings of historians and archivists concerning film as historical evidence and the archival selection thereof, as well as traditional film literature. The study proceeds from a consideration of the technical and structural aspects of film to a content-oriented discussion involving the reflective and influential nature of the moving image document. Archival selection is considered in terms of its necessity and justifiability with regard to the nature of the film record, and alternative modes of selection are investigated.Arts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
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Karam, Peter. "Jacques Derrida and theology Derrida's grammatology in relationship to the theological methods of David Tracy and Mark Taylor /." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.
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Dickman-Burnett, Victoria L. "Writing and Differance, Violence in Language: Finding the Roots of Oppression and Violence in Derrida's Of Grammatology." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1366030274.
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Fee, Margery. "Ernest Buckler's The Mountain and the Valley and 'that dangerous supplement'." ARIEL, 1988. http://hdl.handle.net/2429/11771.
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An analysis of Ernest Buckler's novel The Mountain and the Valley using Jacques Derrida's theoretical perspectives on the nature of writing as supplement. David Canaan is a writer who dreams of writing the perfect novel: his failed dream reveals that writing cannot capture perfection or presence.
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Hsueh, Chia-Hung. "Le bâtiment de la langue française selon Louis Meigret." Thesis, Université de Paris (2019-....), 2019. https://theses.md.univ-paris-diderot.fr/HSUEH_Chia-Hung_1_complete_20191108.pdf.
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La thèse présente les apports de L. Meigret (1550 – ca 1558) dans l’histoire des théories linguistiques, tant au niveau de sa vision générale, que de ses analyses phonologiques, morphologiques et syntaxiques. Elle s’appuie sur l’approche thématico-quantitative, en portant sur les motifs récurrents sous la plume du grammairien, tel que portrait, bâtiment, superfluité, usurpation, gouvernement, détermination, démonstration, résolution, etc. Avant deux parties principales, le chapitre I examine les connotations de bâtiment, qui révèlent l’influence de l’imagerie perspective dans la grammatisation du français. En traitant des « problème de lettres », la première partie propose de considérer Meigret comme un grammairien-typographe, son alphabet comme une ingénierie linguistique, et sa quête d’une écriture phonographique comme l’aboutissement d’un nouveau paradigme grammatologique à la Renaissance. Sous le nom d’« études de syntaxe », la seconde partie s’attache à révéler sa qualité de syntacticien, dans ses descriptions dépendancielles des phénomènes langagiers à tout niveau, dans ses recherches pragma-sémantiques et pronominales notamment autour de l’article, et dans ses innovations dans les procédés métalinguistiques, comme des termes localisateurs et la technique de résolutionThe thesis presents the contributions of L. Meigret (1550 - ca 1558) in the history of linguistic theories, both in terms of his general vision, as well as concerning his phonological, morphological and syntactical analyzes. It relies on the thematico-quantitative approach, in focusing on recurring themes under the pen of the grammarian, such as portrait (portraiture), bâtiment (building), superfluité (superfluity), usurpation, gouvernement (government), détermination, démonstration, résolution, and so on. Before two main parts, Chapter I examines the connotations of bâtiment, which reveal the influence of the perspective in painting during the grammatisation of French. In dealing with problème de lettres (problem of letters), the first part proposes to consider Meigret as a grammairien-typographe (grammarian-typographer), his alphabet as a linguistic engineering, and his quest for a phonographic writing as the culmination of a new grammatological paradigm at the Renaissance. Under the name of études de syntaxe (studies of syntax), the second part sets out to reveal its quality as a syntactician, in his dependent descriptions of language phenomena at all levels, in his pragma-semantic and pronominal researches, especially around the article, and in its innovations in metalinguistic tools, such as termes localisateurs (terms of locating) and la technique de résolution (the technique of resolution)
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Zangeneh, Hakhamanesh. "La structuration de la phénoménalité : temporalité, trace, événement (Heidegger, Derrida, Nancy)." Thesis, Paris Est, 2009. http://www.theses.fr/2009PEST0008.
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En lisant la deuxième partie (peu commentée) d’Etre et Temps de Heidegger comme une nouvelle philosophie transcendantale au sens étroit, nous y décelons une multiplicité de temporalités comportant plusieurs instances de la présence. L’instance la plus originaire contient pourtant, selon nous, un noyau relationnel et a-phénoménal, ce qui implique l’affirmation d’une structuration à même le phénomène. Nous poursuivons ce thème comme fil conducteur établissant un chemin de continuité entre Heidegger et Derrida, notamment dans les textes de Derrida dédiés à la phénoménologie où il est question de la métaphysique de la présence. Loin d’y voir une critique de Heidegger nous lisons ces textes comme une extension de notre problématique : le vocabulaire derridien de la trace et de la différance nous permet d’approfondir la description de ladite structuration archaïque. En insistant sur la référence analogique au domaine langagier, nous nous servirons de l’analyse grammatologique afin de répondre aux questions laissées ouvertes dans Etre et Temps, et notamment afin de caractériser la temporalisation immanente. En même temps, nous suggérons de voir une distinction dans la trace, une distinction qui traverse l’oeuvre ultérieure de Derrida. Le versant grammatologique de la déconstruction est une réponse à la question de la temporalité. Enfin, la question, récemment très discutée, de l’événementialité, se laisse rattacher à notre problématique à travers des travaux de Jean-Luc Nancy. La notion d’événement distensif, lorsque enrichi par une série de gloses historiques, est une pensée de la singularité qui ne sacrifie pas les acquis grammatologiques de la détermination d’une structuration de la phénoménalitéThis thesis begins with Heidegger’s theory of temporality in part II of Sein und Zeit. While reading it as a novel form of transcendental philosophy in the strict sense, we show, contrary to commentators, that it describes multiple temporalisations and thus multiple notions of presence. The most original notion of presence, however, contains an a-phenomenal and relational core, and this amounts to describing a structuration of phenomenality. In a next step, we examine early texts of Jacques Derrida where, in analyzing Husserl and Heidegger, the author first sets out the idea of a metaphysics of presence. Rather than reading these texts as a critique of Heidegger we show how they can be understood as an extension of our Heideggerian problematic: the notion of différance and of the written trace supply us with a particularly linguistic and writerly description of the archaic structuration. This also allows us both to respond in a novel fashion to open questions immanent to Sein und Zeit, and to suggest a previously unseen distinction running through Derridean deconstruction. The grammatological moment in deconstruction is a response to the question of temporality. Finally, we show how the recently popular discussion of the event can also be read as a thematisation of phenomenality, and specifically in the theory of Jean-Luc Nancy, how such a theory can avoid the facile metaphysical concepts of presence. By supplementing Nancy’s distensive event with a series of explicit historical glosses we show how it sketches out an original event-conception quite compatible with our interest in the structuring of phenomenality
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Webb, Mark. "Inscriptions : marks in the web of space and time." Thesis, Queensland University of Technology, 1996. https://eprints.qut.edu.au/35877/1/35877_Webb_1996.pdf.
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The theory, criticism and practice of contemporary art are
subject to an increasingly intertextual, interdiscursive
environment. Traditional notions of being and
representation, history and language, space and time are
challenged by structuralist and post-structuralist concepts. Possibilities for the meaningful production of art are developed from these concepts.
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Stevens, Grant William. "The space of editing : playing with difference in art, film and writing." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16361/1/Grant_Stevens_Thesis.pdf.
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This research project explores the creative and critical functions of editing in art, film and writing. The written component analyses the histories and discourses of 'cutting and splicing' to examine their various roles in processes of signification. The artistic practice uses more speculative and open-ended methods to explore the social 'languages' that inform our inter-subjective experiences. This project argues that editing is a creative methodology for making meaning, because it allows existing symbolic systems to be appropriated, revised and rewritten. By emphasising the operations of spacing, questioning and play, it also identifies editing as an essential tool for critically engaging with the potentials of art and theory.
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Stevens, Grant William. "The space of editing : playing with difference in art, film and writing." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16361/.
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This research project explores the creative and critical functions of editing in art, film and writing. The written component analyses the histories and discourses of 'cutting and splicing' to examine their various roles in processes of signification. The artistic practice uses more speculative and open-ended methods to explore the social 'languages' that inform our inter-subjective experiences. This project argues that editing is a creative methodology for making meaning, because it allows existing symbolic systems to be appropriated, revised and rewritten. By emphasising the operations of spacing, questioning and play, it also identifies editing as an essential tool for critically engaging with the potentials of art and theory.
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Ouellette, Régis. "La lecture derridienne de Heidegger." Doctoral thesis, Université Laval, 2001. http://hdl.handle.net/20.500.11794/52527.
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Notre question est la suivante : à partir du programme philosophique inauguré et élaboré par Derrida autour de la question du signe dans De la garammatoloqie (1967), est-il possible de déceler et de juger de la cohérence de sa démarche et par là de comprendre son «interprétation» innovatrice de la pensée de Heidegger dont l'un des aboutissements théoriques se trouve, selon nous, dans son livre intitulé Heidegger et la question (1987)? Le programme philosophique inaugural de De la grammatologie démontre que le concept derridien d'écriture excède le phonocentrisme de la tradition métaphysique occidentale et qu'il est le fondement sans cesse différé de l'expérience de la vérité. Tout cela se reproduit-il dans les lectures derridiennes de Heidegger ?
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ammannati, gianluca. "Decostruire i classici della pedagogia." Doctoral thesis, 2020. http://hdl.handle.net/2158/1191028.
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Alla luce della rivoluzionaria teoria semiologica di Derrida basata sulle quattro tesi “La
scrittura prima della lettera”, “La fine del libro e l’inizio della scrittura”, “La struttura
grafematica della comunicazione e dell’esperienza” e “Non c’è fuori testo”, nella prima
parte del nostro studio, indaghiamo quella “literacy” nell’ordine della lettura che, secondo
il grammatologo francese, dovrebbe mobilitare la competenza di decostruire un testo, in
aggiunta al classico “commento raddoppiante”. Prendiamo poi in esame “La strategia
generale della decostruzione” delle dicotomie del pensiero metafisico e la proponiamo
come metodologia per decostruire le antinomie classiche della pedagogia.
Nella seconda parte, ci cimentiamo con alcune letture decostruttive cercando di
individuare quel movimento di significazione della différance che attraversa ogni testo
inscritto nella storia della metafisica, ossia quella disseminazione del senso che deborda
qualsiasi modellistica pedagogica; un’eccedenza di senso che, paradossalmente, consente
la costruzione sistematica del discorso educativo ma, al contempo, ne impedisce la
chiusura teoretica. Pertanto, attraversando la linea del tempo, cominciamo con la
decostruzione del concetto di maieutica del Socrate platonico, poi passiamo alla
decostruzione integrale di un’opera, il De magistro di Agostino, per finire con la
decostruzione di un insieme di testi, il corpus pestalozziano. Dopo le conclusioni, in
appendice, abbozziamo una rilettura in chiave decostruttiva di un classico della pedagogia
italiana contemporanea, Educazione alla Ragione di Giovanni Maria Bertin.
21
Banting, Pamela. "Fred Wah's grammatological practice." 1986. http://hdl.handle.net/1993/15352.
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22
Tseng, Chun-Ta, and 曾君達. "Research of the He Lin-Yi`s Warring States Period Grammatology." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4s2q5t.
Full textAbstract:
碩士國立清華大學
中國語文學系所
105
On the establishment of the study of the grammatology of the Warring States period, Mr. He Linyi's General theory of Warring States text a book, which can break the traditional Jinshi vassal, that independent study of the Warring States word has become an important indicator . His Warring States Dictionary is the first By the sound level arrangement, comprehensive dictionary, regardless of the country is one of the characteristics of the book: A Qi Wen, B Yan Wen, C Jin Wen, D Chu Wen, E Qin Wen, F subdomain unknown and other five text of subdomain, give full play to using the Warring States text theory in his book of General theory. And the theoretical construction is " text of subdomain ", "glyph study" these two categories, therefore, this article decided to study Mr. He Linyi in the Warring States text on the sub-domain methods and glyph study of discussion, to find the basis for the establishment of the Warring States text Grammatology. This article will start in two directions in the introduction of Mr. He Linyi two chapters after the introduction: First, for the Warring States text sub-domain method with the previous comparison, and the glyph in the font evolution.
23
Kim, Nam-See [Verfasser]. "Grammatologie der Schrift des Fremden : eine kulturwissenschaftliche Untersuchung westlicher Rezeption chinesischer Schrift / eingereicht von: Nam-See Kim." 2009. http://d-nb.info/99553408X/34.
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