Relevant bibliographies by topics / Gothic literature

Academic literature on the topic 'Gothic literature'

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Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Gothic literature"

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Donnar, Glen. "“It’s not just a dream. There is a storm coming!”: Financial Crisis, Masculine Anxieties and Vulnerable Homes in American Film." Text Matters, no. 6 (November 23, 2016): 159–76. http://dx.doi.org/10.1515/texmat-2016-0010.

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Despite the Gothic’s much-discussed resurgence in mainstream American culture, the role the late 2000s financial crisis played in sustaining this renaissance has garnered insufficient critical attention. This article finds the Gothic tradition deployed in contemporary American narrative film to explore the impact of economic crisis and threat, and especially masculine anxieties about a perceived incapacity of men and fathers to protect vulnerable families and homes. Variously invoking the American and Southern Gothics, Take Shelter (2011) and Winter’s Bone (2010) represent how the domestic-everyday was made unfamiliar, unsettling and threatening in the face of metaphorical and real (socio-)economic crisis and disorder. The films’ explicit engagement with contemporary American economic malaise and instability thus illustrates the Gothic’s continued capacity to lay bare historical and cultural moments of national crisis. Illuminating culturally persistent anxieties about the American male condition, Take Shelter and Winter’s Bone materially evoke the Gothic tradition’s ability to scrutinize otherwise unspeakable national anxieties about male capacity to protect home and family, including through a focus on economic-cultural “white Otherness.” The article further asserts the significance of prominent female assumption of the protective role, yet finds that, rather than individuating the experience of financial crisis on failed men, both films deftly declare its systemic, whole-of-society basis. In so doing, the Gothic sensibility of pervasive anxiety and dread in Take Shelter and Winter’s Bone disrupts dominant national discursive tendencies to revivify American institutions of traditional masculinity, family and home in the wakes of 9/11 and the recession.
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Bhandari, Sabindra Raj. "Terror and Horror : Gothic Crosscurrents in Literature." Janapriya Journal of Interdisciplinary Studies 9, no. 1 (July 1, 2020): 35–44. http://dx.doi.org/10.3126/jjis.v9i1.46531.

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The word “Gothic” was originally implied to anything that is wild, barbarous, destructive and outlandish. When applied to literature, the term, was used both with eulogistic and disparaging connotations and became the synonyms for the grotesque, ghastly and violently supernatural. The literature was based on gloom, fear, terror and horror. In its long run, the Gothic literature got its horizon expanded with the touch of novelty and multi dimensional perspectives. This study relates the affinity between the spirits of Gothic architecture and literature that came as a vogue in late eighteenth century England. The main argument of this study is to reveal how the spirits of horror and terror intersected in literature. Similarly, it is also interesting to see how the aspects of horror and terror have crosscurrents between themselves. The more the genre found its way, there remained crosscurrents between the Gothic literatures propagated in Germany, England and France. This study is qualitative and its nature, purpose and approaches are historical. As such, this study makes a systematic and objective evaluation of facts, themes and ideas related to the previous study to understand causes, development, and trends of Gothic. This analysis helps to explain the present relevance, and also anticipates future aspects of the Gothic literature, exploring how this literature got its efflorescence in our own day being modern Gothic, which incorporates many shades of interpretations.
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Doyle, Laura. "At World's Edge: Post/Coloniality, Charles Maturin, and the Gothic Wanderer." Nineteenth-Century Literature 65, no. 4 (March 1, 2011): 513–47. http://dx.doi.org/10.1525/ncl.2011.65.4.513.

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Laura Doyle, “At World's Edge: Post/Coloniality, Charles Maturin, and the Gothic Wanderer” (pp. 513–547) The Gothic text has been shown to represent colonialism's crimes through its literary tropes of imprisonment, terror, rape, and tyranny. This essay takes a further step to propose that Gothic texts also register the historical resistance to colonialism's crimes. That is, they refer to anti-colonial insurgency—in Ireland, India, the Caribbean, and elsewhere—in the process evincing ambivalent anxieties about global, imperial instability. After reviewing the Gothic‘s entanglement with discourses of both liberation and barbarism, reflective of its contradictory political investments, the essay focuses on Charles Maturin's Melmoth the Wanderer (1820) to demonstrate the ways in which Gothic texts are structured against insurgency even as, in their “wandering,” haunted figures, they unveil a world in turmoil.
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Beidler, Peter G., and George E. Haggerty. "Gothic Fiction/Gothic Form." American Literature 62, no. 1 (March 1990): 122. http://dx.doi.org/10.2307/2926798.

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Adelman, Richard. "Ruskin & Gothic Literature." Wordsworth Circle 48, no. 3 (June 2017): 152–64. http://dx.doi.org/10.1086/twc48030152.

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Chialant, Maria Teresa, and Linda Bayer-Berenbaum. "The Gothic Imagination: Expansion in Gothic Literature and Art." Yearbook of English Studies 16 (1986): 308. http://dx.doi.org/10.2307/3507831.

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Fleming, PC. "The Gothic in Children’s Literature: Haunting the Borders , and: History of the Gothic: Gothic Literature, 1825–1914 (review)." Children's Literature Association Quarterly 35, no. 2 (June 2010): 213–17. http://dx.doi.org/10.1353/chq.2010.a381189.

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Skisova, Albina V. "Black and White Horrors: American Gothic. A Review. (Lennhardt, Corinna. Savage Horrors. The Intrinsic Raciality of the American Gothic. Bielefeld: Transcript, 2020. 286 p.)." Literature of the Americas, no. 13 (2022): 409–17. http://dx.doi.org/10.22455/2541-7894-2022-13-409-417.

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The monograph by Corinna Lenhardt (b. 1982) Savage Horrors: The Intrinsic Raciality of the American Gothic (2020) studies the problems of race, ethnicity, gender, genre and history of literature. The research is focused primarily on the American Gothic literature. Corinna Lenhardt argues that racialization is intrinsic and natural for all Gothic literature. The researcher also introduces the concept of gotheme and argues that literary Gothic is based on the unique binary opposition "savage villain / civil hero", proving this thesis on the material of the analyzed Gothic novels. The author highlights a long and destructive impact of Gothic racialization on cultural discourse in the United States, as well as Afro-American resistance to the status quo in the American Gothic literature. Corinna Lenhardt thoroughly studies early British Gothic novels, as well as WASP and African-American Gothic literature from the XVIII century to the present time.
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Łowczanin, Agnieszka. "Convention, Repetition and Abjection: The Way of the Gothic." Text Matters, no. 4 (November 25, 2014): 184–93. http://dx.doi.org/10.2478/texmat-2014-0013.

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This paper employs Deleuze and Kristeva in an examination of certain Gothic conventions. It argues that repetition of these conventions- which endows Gothicism with formulaic coherence and consistence but might also lead to predictability and stylistic deadlock-is leavened by a novelty that Deleuze would categorize as literary “gift.” This particular kind of “gift” reveals itself in the fiction of successive Gothic writers on the level of plot and is applied to the repetition of the genre’s motifs and conventions. One convention, the supernatural, is affiliated with “the Other” in the early stages of the genre’s development and can often be seen as mapping the same territories as Kristeva’s abject. The lens of Kristeva’s abjection allows us to internalize the Other and thus to reexamine the Gothic self; it also allows us to broaden our understanding of the Gothic as a commentary on the political, the social and the domestic. Two early Gothic texts, Walpole’s The Castle of Otranto and Lewis’s The Monk, are presented as examples of repetition of the Gothic convention of the abjected supernatural, Walpole’s story revealing horrors of a political nature, Lewis’s reshaping Gothic’s dynamics into a commentary on the social and the domestic.
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Waham, Jihad Jaafar. "The Art of Gothic Literature: An Analysis of Mary Shelley's Frankenstein." International Linguistics Research 6, no. 2 (April 25, 2023): p1. http://dx.doi.org/10.30560/ilr.v6n2p1.

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This article examines Mary Shelley's Frankenstein as an example of Gothic literature. The author analyzes the novel's themes, characters, and literary devices to explore how Shelley uses Gothic elements to create a complex and emotionally resonant work. The article also delves into the historical and cultural context in which the novel was written, highlighting the influence of Romanticism and Enlightenment philosophy. Ultimately, the article argues that Frankenstein is a masterpiece of Gothic literature that continues to captivate readers and inspire new interpretations. In "The Art of Gothic Literature: An Analysis of Mary Shelley's Frankenstein," the author examines Shelley's famous novel and its contribution to the Gothic literary tradition. The article explores the novel's themes, including the dangers of scientific progress, the limits of human knowledge, and the consequences of playing god. The author also analyzes the novel's structure, characterization, and use of symbolism, highlighting the ways in which Shelley draws upon Gothic conventions while also subverting them. Ultimately, the article argues that Frankenstein remains a powerful and influential work of Gothic literature that continues to captivate readers more than two centuries after its publication. This article analyzes Mary Shelley's novel "Frankenstein" through the lens of gothic literature. The author explores how Shelley incorporates various gothic elements such as supernatural occurrences, grotesque imagery, and emotional intensity to create a dark and unsettling atmosphere. The article also delves into the themes of the novel, including the dangers of playing god and the isolation and alienation experienced by the creature. Through a close reading of the text, the author highlights the literary techniques that Shelley employs to convey these themes and to create a timeless work of gothic literature. Ultimately, the article argues that "Frankenstein" remains a relevant and powerful example of the gothic genre due to its ability to evoke fear, explore complex themes, and showcase the artistry of its author.
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Dissertations / Theses on the topic "Gothic literature"

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Andrews, Elizabeth. "Devouring the Gothic : food and the Gothic body." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.

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At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicated the taboo of female appetite, a taboo that persists and changes within the Gothic as the female assumes the status of subject and the power to devour; she moves from being ethereal to bestial in the nineteenth century. With her renewed hunger, she becomes the consumer, devouring the villain who would eat her alive. The two sections of this study discuss the extremes of appetite and the extremes of bodily representations: starvation and cannibalism.
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Davison, Carol Margaret. "Gothic Cabala : the anti-semitic spectropoetics of British Gothic literature." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34941.

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The figure of the Wandering Jew in British Gothic literature has been generally regarded as a static and romantic Everyman who signifies religious punishment, remorse, and alienation. In that it fails to consider the fact that the legend of the Wandering Jew signalled a noteworthy historical shift from theological to racial anti-Semitism, this reading has overlooked the significance of this figure's specific ethno-religious aspect and its relation to the figure of the vampire. It has hindered, consequently, the recognition of the Wandering Jew's relevance to the "Jewish Question," a vital issue in the construction of British national identity. In this dissertation, I chronicle the "spectropoetics" of Gothic literature---how the spectres, of Jewish difference and Jewish assimilation haunt the British Gothic novel. I trace this "spectropoetics" through medieval anti-Semitism, and consider its significance in addressing anxieties about the Crypto-Jew and the Cabala's role in secret societies during two major historic events concurrent with the period of classic Gothic literature---the Spanish Inquisition, a narrative element featured in many Gothic works, and the French Revolution, a cataclysmic event to which many Gothic works responded. In the light of this complex of concerns, I examine the role of the Wandering Jew in five Gothic works---Matthew G. Lewis's The Monk (1795), William Godwin's St. Leon (1799), Charles Robert Maturin's Melmoth the Wanderer (1820), Joseph Sheridan Le Fanu's "Carmilla" (1872), and Brain Stoker's Dracula (1897). In my conclusion, I delineate the vampiric Wandering Jew's "eternal" role in addressing nationalist concerns by examining his symbolic preeminence in Nazi Germany.
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Smith, Sarah Nicole. "Group representations in Gothic literature /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1136093421&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Heinemann, Chloe Janelle. "Women's Agency in Gothic Literature." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/595049.

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The objective of this thesis is to argue for and analyze the progression of women's agency in the first century of Gothic literature. Starting with Horace Walpole's The Castle of Otranto (1764), there are stirrings of women's agency as female protagonists begin to challenge male authority and attempt to escape the entrapment of the patriarchal hierarchy. As we move from Otranto to Ann Radcliffe's The Mysteries of Udolpho (1794), we can see the progression of women's agency as the heroine acquires social, financial, and romantic control through her strong moral disposition. Finally, a new level of agency appears in Charlotte Brontë's Jane Eyre (1847), as the protagonist stands up to male authority and openly declares the idea that women should be treated equally with men. Women's agency continues to evolve in Gothic works of the twentieth and twenty-first centuries, as in Daphne Du Maurier's Rebecca (1938) and the TV series Buffy the Vampire Slayer (1997-2003), even if some limitations are still present. These works grant women more independent agency than ever before, but they also suggest that there are still constraints, even in the twenty-first century.
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Garcia, de Leon Olga Marissa. "A Curriculum on Gothic Literature." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/323631.

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Davison, Carol Margaret. "Gothic Cabala, the anti-semitic spectropoetics of British Gothic literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0002/NQ44401.pdf.

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Deans, Sharon. "Teen Gothic : sex, death and autonomy in young adult Gothic literature." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/15908.

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Adolescence – that tricky time when children have not yet reached adulthood – is a time of much disturbance, change and growth. Faced with a body that changes, stretches and grows in all directions, as does the mind, the adolescent finds that they are not who they once were, and that their concerns are not what they once were. According to David Punter, the nature of adolescence is integral to Gothic writing; for him, adolescence can be seen as a time when there is a fantasised inversion of boundaries: ‘where what is inside finds itself outside (acne, menstrual blood, rage) and what we think should be visibly outside (heroic dreams, attractiveness, sexual organs) remain resolutely inside and hidden’ (Punter 1998, 6). However, this is to ‘Gothicise’ adolescents - to view adolescents themselves as Gothic beings – rather than to understand what the true nature of their concerns and fears really are. This thesis intends to investigate, therefore, those fears and concerns as they are represented through the medium of Gothic texts written for adolescents. I propose to examine what happens to the Gothic mode in the gap between young children’s literature and adult fiction and will look at, through the Gothic lens, Young Adult literature which explores the teenager's relationships with issues such as sex, death and autonomy. As the Gothic is ‘erotic at root’ (Punter 1996, 191) and often focused on the centrality of sexuality, I explore the nature of ‘changing bodies’ and consider the adolescent’s burgeoning sexuality and desire for romantic relationships; however, the Gothic is not just about sex, and I also examine adolescent engagement with the concept of death, before finally going on to study issues of adolescent power and autonomy.
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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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Wilson, Mary E. "Gothic cathedral as theology and literature." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002826.

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Cartwright, Amy. "The future is Gothic : elements of Gothic in dystopian novels." Thesis, University of Glasgow, 2005. http://theses.gla.ac.uk/1346/.

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This thesis explores the relationship between the Gothic tradition and Dystopian novels in order to illuminate new perspective on the body in Charlotte Perkins Gilman’s Herland (1915), Aldous Huxley’s Brave New World (1932), George Orwell’s Nineteen Eighty-Four (1949), Anthony Burgess’ A Clockwork Orange (1962), Margaret Atwood’s The Handmaid’s Tale (1985) and Michel Houellebecq’s Atomised (1999). The key concerns are those of the Labyrinth, Dark Places, Connectedness and the Loss of the Individual, Live Burials, Monsters and Fragmented Flesh. A thematic approach allows for the novels to be brought together under common Gothic themes in order to show not only that they have such tendencies, but that they share common ground as Gothic Dystopias. While the focus is on bodily concerns in these novels, it is also pertinent to offer a discussion of past critical perspectives on the Dystopia and this is undertaken in Chapter One. Chapter Two looks at the narrative structure of the novels and finds similarities in presentation to Gothic novels, which leads to exploration of the position of the body in such a narrative of the unseen. The third chapter looks to the spaces inhabited by characters in the novels to examine their impact on the threat faced by these individuals. The Gothic convention of doubling is the focus of Chapter Four, which finds not only doubling operating in Dystopian novels, but the more complex relationship of triangles of doubling holding characters, fixing them in relation to those around at the expense of selfhood. Chapter Five takes Eve Kosofsky Sedgwick’s musings on the Gothic as its point of departure and finds that Dystopian bodies occupy a very similarly trapped position. Chapter Six identifies two types of monsters that inhabit the Gothic Dystopian space: those people who transform between the human and the monstrous, and those individuals who form a larger monster based on power that lives parasitically on transgressive bodies. The final chapter displays the impact of the Gothic Dystopia on individual bodies: ‘Fragmented Flesh’. The destruction of a coherent whole, a body with defined and sustainable boundaries, is the outcome of the novels where fear, repression, and the hidden combine to leave little space for cohesion and identification in the Gothic Dystopia.
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Books on the topic "Gothic literature"

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Chaplin, Susan. Gothic literature. New York: Pearson Longman, 2011.

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Mulvey-Roberts, Marie, ed. The Handbook to Gothic Literature. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4.

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Marie, Mulvey Roberts, ed. The handbook to Gothic literature. 2nd ed. New York: New York University Press, 2009.

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Marie, Mulvey Roberts, ed. The Handbook to Gothic literature. Basingstoke, England: Macmillan, 1998.

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Marie, Mulvey-Roberts, ed. The handbook to Gothic literature. New York: New York University Press, 1998.

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1967-, Sayer Karen, Mitchell Rosemary, and Leeds Centre for Victorian Studies., eds. Victorian Gothic. Horsforth, Leeds: Trinity and All Saints/Leeds Centre for Victorian Studies, 2003.

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Haggerty, George E. Gothic fiction/Gothic form. University Park: Pennsylvania State University Press, 1989.

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Conrich, Ian, and Laura Sedgwick. Gothic Dissections in Film and Literature. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30358-5.

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Davison, Carol Margaret. Anti-Semitism and British Gothic Literature. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034.

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Davison, Carol Margaret. Anti-semitism and British gothic literature. New York: Palgrave Macmillan, 2004.

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Book chapters on the topic "Gothic literature"

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Willard, Thomas, Alexandra Warwick, Jerrold E. Hogle, Iain Hamilton Grant, Antonio Ballesteros González, Neil Cornwell, Madge Dresser, et al. "Gothic Specialisms." In The Handbook to Gothic Literature, 261–89. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4_2.

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Soltysik Monnet, Agnieszka. "Gothic Literature in America." In When Highbrow Meets Lowbrow, 109–30. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-349-95168-0_6.

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Farr, Jason S. "Crip gothic." In The Routledge Companion to Literature and Disability, 109–19. Abingdon, Oxon; New York, NY: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315173047-12.

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Bailey, Lauren. "Gothic Economies." In The Routledge Companion to Literature and Economics, 89–94. Abingdon, Oxon : New York, NY; Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315640808-8.

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Anderson, Melanie. "Southern Gothic." In The Routledge Companion to Literature of the U.S. South, 121–24. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003009924-31.

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Marotta, Melanie A. "Gothic Fiction as Trans Literature." In The Routledge Handbook of Trans Literature, 342–52. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003365938-34.

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Groom, Nick. "Gothic and Celtic Revivals." In A Companion to British Literature, 361–79. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch74.

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McEvoy, Emma. "Becoming a Haunted Castle: Literature, Tourism and Folklore at Berry Pomeroy." In Gothic Tourism, 127–59. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137391292_6.

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Potter, Franz J. "Horror in Gothic Chapbooks." In The Palgrave Handbook to Horror Literature, 155–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_12.

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Gilbert, R. A., Allan Lloyd Smith, Gerry Turcotte, Michael Franklin, Thomas Willard, Elizabeth Imlay, T. J. Lustig, et al. "Gothic Writers and Key Terms." In The Handbook to Gothic Literature, 1–260. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4_1.

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Conference papers on the topic "Gothic literature"

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Zhang, You. "Views on Gothic Tradition from British and American Literature." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.50.

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Yang, Siyu. "Homophobia and the Queered Gothic in Frankenstein." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.504.

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Bertolino, Antonio C., Andrea De Martin, Stefano Mauro, and Massimo Sorli. "Derivation of the Exact Curvature Formulation for Gothic Arch Ball Screw Grooves." In ASME 2022 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/imece2022-95746.

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Abstract No exact formulations are present in literature to calculate the principal curvatures of the ball screw grooves, while approximate equations are commonly adopted due to their simplicity. However, they derive from the ball bearing theory and do not take into account ball screw’s characteristic main geometric parameters, such as the helix angle. This leads to approximation relative errors up to 50% for commercial off-the-shelf ball screws. In this paper a new exact explicit exact solution is proposed by means of a rigorous mathematical approach. The helix angle and a generic gothic arch shape of the raceway profile are taken into account. The results of the exact and literature formulations are presented and compared. The principal curvature is seen to be strongly dependent on the helix angle and, therefore, the proposed exact solution should be used in the design phase and, in general, when high accuracy is required, such as in high-fidelity models for prognostic activities.
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Estevez-Albuja, Samanta, Gonzalo Jimenez, Kevin Fernández-Cosials, César Queral, and Zuriñe Goñi. "AP1000® Passive Cooling Containment Analysis of a Double-Ended LBLOCA With a 3D Gothic Model." In 2018 26th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/icone26-81886.

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In order to enhance Generation II reactors safety, Generation III+ reactors have adopted passive mechanisms for their safety systems. In particular, the AP1000® reactor uses these mechanisms to evacuate heat from the containment by means of the Passive Containment Cooling System (PCS). The PCS uses the environment atmosphere as the ultimate heat sink without the need of AC power to work properly during normal or accidental conditions. To evaluate its performance, the AP1000 PCS has been usually modeled with a Lumped Parameters (LP) approach, coupled with another LP model of the steel containment vessel to simulate the accidental sequences within the containment building. However, a 3D simulation, feasible and motivated by the current computational capabilities, may be able to produce more detailed and accurate results. In this paper, the development and verification of an integral AP1000® 3D GOTHIC containment model, taking into account the shield building, is briefly presented. The model includes all compartments inside the metallic containment liner and the external shield building. Passive safety systems, such as the In-containment Refueling Water Storage Tank (IRWST) with the Passive Residual Heat Removal (PRHR) heat exchanger and the Automatic Depressurization System (ADS), as well as the PCS, are included in the model. The model is tested against a cold leg Double Ended Guillotine Break Large Break Loss of Coolant Accident (DEGB LBLOCA) sequence, taking as a conservative assumption that the PCS water tank is not available during the sequence. The results show a pressure and temperature increase in the containment in consonance with the current literature, but providing a greater detail of the local pressure and temperature in all compartments.
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Арутюнян, Ю. И. "MEDIEVAL ARCHITECTURE IN THE CREATIVE INTERPRETATION OF CHILDREN’S BOOK ILLUSTRATION." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.17.

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Abstract:
Целью исследования является классификация принципов интерпретации средневековий культуры в отечественной детской книжной графике, тема актуальна в силу разнообразия принципов трактовки готических мотивов в искусстве книги и по причине отсутствия развернутых исследований данного вопроса. Архитектурные мотивы в книжной иллюстрации выступают как маркеры времени и места, обозначают эпоху, создают эмоциональный и культурный контекст, способствуют формированию сказочной атмосферы повествования, используются в познавательной и учебной литературе. Средневековая архитектура в детской книжной графике может быть отражением системы стилизации или выполнять смысловую роль, воздействуя на принципы рецепции образа. Образы средневекового зодчества появляются в творчестве Г. А. В. Трауготов, Ф. В. Лемкуля, Г. В. Калиновского, В. Д. Пивоварова, Н. Г. Гольц. The purpose of the study is to classify the principles of interpretation of medieval culture in the domestic children’s book graphics, the topic is relevant due to the diversity of principles of interpretation of Gothic motifs in the art of the book and due to the lack of detailed research on this issue. Architectural motifs in book illustrations act as markers of time and place, denote an epoch, create an emotional and cultural context, contribute to the formation of a fabulous atmosphere of narration, are used in cognitive and educational literature. Medieval architecture in children’s book graphics can be a refl ection of the stylization system or perform a semantic role by infl uencing the principles of image reception. Images of medieval architecture appear in the works of G.A. V. Traugots, F. V. Lemkul, G. V. Kalinovsky, V. D. Pivovarov, N. G. Golts.
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Ozar, Basar, Rodney Harvill, Christopher E. Henry, and Deborah A. Norton. "Analysis for Low Pressure Cooling Injection System Suction Hydrodynamics for a Boiling Water Reactor." In 2012 20th International Conference on Nuclear Engineering and the ASME 2012 Power Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/icone20-power2012-55255.

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Abstract:
A study to characterize the steam waterhammer phenomena of a low pressure cooling injection (LPCI) system for a Mark 1 boiling water reactor (BWR) has been performed using RELAP5 and GOTHIC during a transient event. The scenario of particular interest was a manual switchover from shutdown cooling mode 3 to low pressure injection due to a loss of coolant accident (LOCA). This transient was initiated by opening the isolation valves of the two trains on a LPCI system into the torus. The torus was considered to be at atmospheric pressure and 20°C. The initial condition of the problem was set up such that the liquid was stagnant in the system. The initial temperature and pressure of the liquid, which was between the torus and isolation valves, was considered to be the same as the torus conditions. On the other hand, the initial condition of the liquid upstream of the isolation valves was chosen to be at 1 MPa and near saturation temperature. The analysis showed that the liquid in the system flashed into steam and discharged into the torus after the isolation valves started to open. Discharge of steam continued until the pressure in the LPCI system reached to a hydrostatic equilibrium with the torus. Following this, the cold liquid from the torus began to reflod the LPCI piping while condensing the steam at the liquid-steam interphase. This caused a mild steam waterhammer event when all of the steam condensed in the piping segments with closed ends. A sensitivity analysis showed that, the magnitude of the steam waterhammer predicted by both codes was sensitive to the number of nodes selected to model the piping, where the steam waterhammer phenomena occurred. Technical basis was obtained from the available literature and used as a guide to choose the number of nodes for the models in both codes. Once the steam waterhammer and the hydrodynamic properties associated with this transient were predicted by both codes, the forces exerted on critical pipe components were calculated. Also, selected thermal-hydraulic properties and hydrodynamic loads were compared between both code calculations. Comparisons showed reasonable agreements.
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