Dissertations / Theses on the topic 'Gothic film'
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Consult the top 32 dissertations / theses for your research on the topic 'Gothic film.'
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Hanson, Helen. "Painted women : framing portraits in film noir and the gothic woman's film of the 1940s." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364751.
Full textMaye, Valerie Renee. "Reviving the Romantic and Gothic traditions in contemporary zombie fiction." Thesis, State University of New York at Buffalo, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10255511.
Full textThis paper combines concepts from Romantic and Gothic literature with ecocriticism in order to discuss eco-zombies in Mary Shelley’s Frankenstein as well as the film, 28 Days Later and the texts that follow the film: the graphic novel, 28 Days Later: The Aftermath by Steve Niles, and the comic books series, 28 Days Later, by Michael Alan Nelson. Throughout this paper, nature, primarily through the eco-zombie interpretation of it, is read as a character in order to determine how much agency nature has over the human characters within the texts and film being discussed. The use Todorov’s narrative theory, in this paper, depicts the plots of these stories, specifically the changes to the lives of these characters and how they are affected by nature in various ways, to depict nature’s ever growing assertiveness over the humans that encounter it as well as how those humans attempt to overcome the disruptions that nature places on their sense of self. Both Frankenstein’s monster and the infected in 28 Days Later, when seen as eco-zombies, and therefore granting agency to nature, exert power of humans through physically affecting them as well as mentally.
Ashton, Romana, and darkroom@optus com au. "Antipodean Gothic Cinema: A Study of the (postmodern) Gothic in Australian and New Zealand Film since the 1970s." Central Queensland University. Humanities, 2006. http://library-resources.cqu.edu.au./thesis/adt-QCQU/public/adt-QCQU20060921.111449.
Full textKierstead, Joshua Anthony. "Noir of the past: anatomy of the historical film noir." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5791.
Full textAlthans, Katrin [Verfasser]. "Darkness Subverted : Aboriginal Gothic in Black Australian Literature and Film / Katrin Althans." Bonn : Universitäts- und Landesbibliothek Bonn, 2021. http://d-nb.info/1229086420/34.
Full textWest, Brandon Charles. "The Real Blurred Lines: On Liminality in Horror and the Threatened Boundary Between the Real and the Imagined." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/86381.
Full textMaster of Arts
Quazi, Sobia. "The spectral figure unbound : a psychoanalytic reading of female gothic literature and film." Thesis, University of Essex, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.573015.
Full textDe, Amil Da Costa Jacob Ramalho J. R. "Romantic-Gothic sepulchres : intersections of death, memory, and mourning in film (1907-1958)." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1468578/.
Full textLawn, Jennifer. "Trauma and recovery in Janet Frame's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25087.pdf.
Full textWenk, Christian. "Abjection, madness and xenophobia in gothic fiction." Berlin : wvb, Wiss. Verl, 2008. http://d-nb.info/989569101/04.
Full textCompton, Mark Daniel. "Neo-Raconteur: Allocating Southern-Gothic Symbolism into Design Media." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1394.
Full textBlakeney, Luda Katherine. "Silent Era adaptations of 19th and early 20th century Gothic novels with a special emphasis on psychological and aesthetic interpretations of the monster figure." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/23630.
Full textColombani, Elsa. "Contes gothiques, Tim Burton : de Vincent à Miss Peregrine’s Home for Peculiar Children." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100090.
Full textThe films of Tim Burton can easily be recognized by their thematic codes and identifiable images so much so that the director’s very name has given birth to the adjective “Burtonian”. But what does it qualify exactly? This dissertation proposes to demonstrate that Burton’s signature is particularly recognizable because it inherits from gothic literature and film. Burton tackles and transforms gothic tropes using a double strategy of adherence and reversal. To define what we call the “Burtonian gothic”, we first study the crossing between the humane and the monstrous, an issue directly inherited from Mary Shelley’s Frankenstein and its film adaptation by James Whale in 1931. We analyze then the geography of the Burtonian landscape and its representation of a cruel and mechanical society from which the characters must escape to survive. Art emerges as an ambivalent means of survival which leads us to consider the artistic creation of the filmmaker himself, built like great gothic works on blurred frontiers, between life and death, past and present, dream and reality
Markodimitrakis, Michail-Chrysovalantis. "Gothic Agents Of Revolt: The Female Rebel In Pan's Labyrinth, Alice's Adventures In Wonderland And Through The Looking Glass." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460074928.
Full textOlmedo, Nadina Estefania. "ECOS GÓTICOS EN LA NOVELA Y EL CINE DEL CONO SUR." UKnowledge, 2010. http://uknowledge.uky.edu/gradschool_diss/86.
Full textGraham, Chelsea. "Defanged and Desirable: An Examination of Violence and the Lesbian Vampire Narrative." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460127837.
Full textO'Donnell, Stephen. "The revenant signifier : the zombie in comics and cinema." Thesis, University of Dundee, 2015. https://discovery.dundee.ac.uk/en/studentTheses/f415dc63-7ab3-4772-a697-54aa922547e2.
Full textDann, Sierra. "“Big Little Lies:” Using Hegemonic Ideology to Challenge Hegemonic Ideology." Wittenberg University Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1623773842217318.
Full textHodgen, Jacob Michael. ""Boot Camp for the Psyche" : inoculative nonfiction and pre-memory structures as preemptive trauma mediation in fiction and film /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2506.pdf.
Full textPowell, Carolyn Anna. "The secular sacred : sex, transgression and the numinous in popular vampire fiction." Thesis, University of Southampton, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323769.
Full textPeteet, Julia Clare. "Andalusia." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07192006-143237/.
Full textTitle from title screen. Jack Boozer, committee chair; Shirlene Holmes, Marian Meyers, committee members. Electronic text (138 p.) : digital, PDF file. Description based on contents viewed June 19, 2007. Includes bibliographical references (p. 28-30).
Tsang, Wai-ho, and 曾煒豪. "Post-9/11 American gothic family in The hills have eyes duology and Twilight saga." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48395079.
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Literary and Cultural Studies
Master
Master of Arts
Cederlöf, Henriette. "Gotiken hos David Cronenberg : En studie av fyra filmer." Thesis, Stockholm University, Department of Cinema Studies, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-907.
Full textSyftet med min uppsats är att undersöka förhållandet mellan fyra av den kanadensiske regissören David Cronenbergs filmer och den gotiska traditionen. De filmer jag valt att behandla är Shivers (1974), Rabid (1976), The Brood (1979) och Dead Ringers (1988). Den gotiska traditionen utmärks bland annat av en fokusering på kroppsligt baserad skräck. Skräck med utgångspunkt i kroppen återfinns även i Cronenbergs filmer. Vid en närmare studie av dessa filmer har jag dock funnit att de även innehåller element av det som feministiskt inriktade forskare kallat familjegotik – gotiska representationer av familjen.
Wiklund, Frans. "Med staden i förgrunden : Gotham City enligt Christopher Nolan." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-96431.
Full textStark, Tomas. "Barngotik." Thesis, Stockholms konstnärliga högskola, Institutionen för film och media, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-173.
Full textJoplin, Benjamin. "New breed, old blood Gothic horror in contemporary fiction and film /." 2006. http://proquest.umi.com/pqdweb?did=1126790541&sid=27&Fmt=2&clientId=39334&RQT=309&VName=PQD.
Full textTitle from PDF title page (viewed on Oct. 03, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Schmid, David. Includes bibliographical references.
O'Brien, Morgan Clark. "A critical study of Hammer Film Production’s brand of Gothic Horror from 1956 – 1972." 2013. http://hdl.handle.net/2152/22294.
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Lamonde, Marie-Andrée. "The mythology of the self in "In Dreams" : a study of the mythology, the fairy tale and the gothic traditions in Neil Jordan's film." Thesis, 2004. http://spectrum.library.concordia.ca/7870/1/MQ91060.pdf.
Full textKolich, Tomáš. "Makabrózní, mysteriózní, monstrózní. Architektura a prostředí v gotickém hororu." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353862.
Full textSmith, Julie Lynne. "Fashioning the gothic female body : the representation of women in three of Tim Burton's films." Diss., 2016. http://hdl.handle.net/10500/22190.
Full textEnglish Studies
M.A. (English Studies)
Kotrlová, Jitka. "Stínová kinematografie - Mytologie australského gotického filmu 70.let." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-342912.
Full textCederlöf, Henriette. "Alien Places in Late Soviet Science Fiction : The "Unexpected Encounters" of Arkady and Boris Strugatsky as Novels and Films." Doctoral thesis, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-105822.
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