Books on the topic 'Gothic film'

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1

Conrich, Ian, and Laura Sedgwick. Gothic Dissections in Film and Literature. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30358-5.

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2

English gothic: A century of horror cinema. London: Reynolds & Hearn, 2000.

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3

Rigby, Jonathan. English gothic: A century of horror cinema. 3rd ed. London: Reynolds & Hearn, 2004.

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4

Hopkins, Lisa. Screening the gothic. Austin., TX: University of Texas Press, 2004.

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5

Screening the gothic. Austin, TX: University of Texas Press, 2005.

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6

The biology of horror: Gothic literature and film. Carbondale: Southern Illinois University Press, 2002.

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7

Touchstones of gothic horror: A film genealogy of eleven motifs and images. Jefferson, N.C: McFarland & Co., 2010.

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8

Max, Duperray, and International Gothic Association, eds. Gothic N.E.W.S.: Exploring the Gothic in relation to new critical perspectives and the geographical polarities of North, East, West and South. Paris: M. Houdiard, 2009.

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9

Skal, David J. Hollywood gothic: The tangled web of Dracula from novel to stage to screen. New York: Faber and Faber, 2004.

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10

Skal, David J. Hollywood gothic: The tangled web of Dracula from novel to stage to screen. London: Deutsch, 1992.

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11

Skal, David J. Hollywood gothic: The tangled web of Dracula from novel to stage to screen. New York: Norton, 1990.

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12

Auger, Emily E. The development of the tech-noir film: A theory of the development of popular genres in fiction and film (gothic, detective, scifi, and tech-noir). Lewiston: Intellect, 2010.

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13

Songs of love and death: The classical American horror film of the 1930s. Westport, Conn: Greenwood Press, 1993.

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14

Hollywood horror: From gothic to cosmic. New York: Harry N. Abrams, 2003.

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15

Ellen, Snodgrass Mary. Facts on File encyclopedia of Gothic literature. New York: Facts on File, 2005.

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16

American gothic: Sixty years of horror cinema. Richmond: Reynolds & Hearn, 2006.

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17

Twenty-first-century gothic. Newcastle upon Tyne: Cambridge Scholars, 2010.

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18

Wright, Bruce Lanier. Nightwalkers: Gothic horror movies : the modern era. Dallas, Tex: Taylor Pub. Co., 1995.

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19

Rigby, Jonathan. English Gothic. Signum, 2015.

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20

Rigby and Jonathan Rigby. English Gothic. Reynolds & Hearn, 1999.

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21

Rigby, Jonathan. English Gothic. Signum, 2015.

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22

Hand, Richard J., and Jay McRoy. Gothic Film: An Edinburgh Companion. Edinburgh University Press, 2020.

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23

Rigby, Jonathan. English Gothic: A Century of Horror Cinema. 3rd ed. Reynolds & Hearn, 2007.

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24

Consuming Gothic: Food and Horror in Film. Palgrave Macmillan, 2017.

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25

Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I. B. Tauris, 2008.

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26

Hanson, Helen. Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I. B. Tauris, 2008.

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27

Gothic Imagination in Latin American Fiction and Film. University of New Mexico Press, 2019.

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28

1972-, Ng Andrew Hock-soon, ed. Asian Gothic: Essays on literature, film and anime. Jefferson, N.C: McFarland & Company, 2008.

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29

Fairytale and Gothic Horror: Uncanny Transformations in Film. Palgrave Macmillan, 2018.

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30

Marks, Laura Helen. Alice in Pornoland: Hardcore Encounters with the Victorian Gothic. University of Illinois Press, 2018.

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31

Alice in Pornoland: Hardcore Encounters with the Victorian Gothic. University of Illinois Press, 2018.

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32

Wasson, Sara-Patricia. Transplantation Gothic: Tissue Transfer in Literature, Film and Medicine. Manchester University Press, 2020.

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33

Wasson, Sara-Patricia. Transplantation Gothic: Tissue Transfer in Literature, Film and Medicine. Manchester University Press, 2020.

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34

Wasson, Sara-Patricia. Transplantation Gothic: Tissue Transfer in Literature, Film and Medicine. Manchester University Press, 2020.

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35

Davison, Carol Margaret, and Monica Germana, eds. Scottish Gothic. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474408196.001.0001.

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Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors – all specialists in their fields – combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.
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36

Darkness Subverted Aboriginal Gothic In Black Australian Literature And Film. V&r; Unipress, 2010.

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37

Body Gothic: Corporeal Transgression in Contemporary Literature and Horror Film. Gwasg Prifysgol Cymru / University of Wales Press, 2014.

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38

Gothic Dissections in Film and Literature: The Body in Parts. Palgrave Macmillan, 2017.

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39

Kedra-Kardela, Anna, and Andrzej Slawomir Kowalczyk. Expanding the Gothic Canon: Studies in Literature, Film and New Media. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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40

Kedra-Kardela, Anna, and Andrzej Slawomir Kowalczyk. Expanding the Gothic Canon: Studies in Literature, Film and New Media. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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41

Expanding the Gothic Canon: Studies in Literature, Film and New Media. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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42

Kedra-Kardela, Anna. Expanding the Gothic Canon: Studies in Literature, Film and New Media. Lang Publishing, Incorporated, Peter, 2014.

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43

Kedra-Kardela, Anna, and Andrzej Slawomir Kowalczyk. Expanding the Gothic Canon: Studies in Literature, Film and New Media. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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44

Georgieva, Margarita. The Gothic Child. Palgrave Macmillan, 2013.

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45

The Gothic Child. Palgrave Macmillan, 2013.

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46

Davies, Ann. Contemporary Spanish Gothic. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402996.001.0001.

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This book considers the Gothic as mode in contemporary Spanish culture. Its underlying principle is to see the contemporary Spanish Gothic as part of a wider, transnational Gothic continuum. Therefore, although the proposed book will seek to tease out the Gothic specifically within Spanish culture it seeks simultaneously to connect that culture with debates further afield, looking at the interplay between national and transnational concerns. Its theoretical underpinning lies primarily within Gothic scholarship but also draws on the scholarship of contemporary Spanish and transnational culture. The book refigures the idea of transcultural reinscription away from the implied sense of a unidirectional flow. Instead, it takes the contemporary Gothic not as simply a reinscription specifically within Spanish culture, but as multiple and simultaneous reinscriptions whereby Spanish culture comes to participate in a wider Gothic in which the generic and the specific are constantly in play and at play. It does this through a series of case studies: Goya biopics, bestselling novels, the haunted house in Spanish film, the Gothic camera, Gothic medicine and the body.
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47

Gothic Machine Textualities Precinematic Media And Film In Popular Visual Culture 16701910. University of Wales Press, 2012.

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48

Corrêa, Graça. Gothic Theory and Aesthetics: Transdisciplinary Landscapes in Film, Theatre, Architecture and Literature. Caleidoscópio, 2020. http://dx.doi.org/10.30618/9789896586508.

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49

Rosemary's Baby (Bloomsbury Film Classics). Bloomsbury Publishing PLC, 2002.

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50

Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. W W Norton & Co Inc, 1991.

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