Relevant bibliographies by topics / Gothic

Academic literature on the topic 'Gothic'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Gothic"

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Millsap-Spears, Carey. "‘Does he know you like I know you?’: Barbara Kean’s bisexual appeal, the Male Gothic and Gotham’s woman problem." Queer Studies in Media & Popular Culture 6, no. 1 (March 1, 2021): 19–33. http://dx.doi.org/10.1386/qsmpc_00042_1.

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This article discusses how the FOX television series Gotham (2014–19) fits the overall definition of a traditional Male (Horror) Gothic text and how disruptive female characters, like Barbara Kean, push against these seemingly strict Gothic boundaries. Through the development of the bisexual character Barbara Kean, the conservative, Male Gothic foundation is ultimately questioned in the US television series. Gotham’s portrayal of Barbara not only propagates bisexual stereotypes, but it also speaks to the larger discussion of bisexual aversion and eventual erasure present in many media texts. Additionally, Gotham employs the depraved bisexual trope, in which bisexual characters, like Barbara, are shown to be duplicitous. Barbara Kean, however, transgresses the boundaries of the Male Gothic tradition and thrives within the narrative structure of Gotham.
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Donnar, Glen. "“It’s not just a dream. There is a storm coming!”: Financial Crisis, Masculine Anxieties and Vulnerable Homes in American Film." Text Matters, no. 6 (November 23, 2016): 159–76. http://dx.doi.org/10.1515/texmat-2016-0010.

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Despite the Gothic’s much-discussed resurgence in mainstream American culture, the role the late 2000s financial crisis played in sustaining this renaissance has garnered insufficient critical attention. This article finds the Gothic tradition deployed in contemporary American narrative film to explore the impact of economic crisis and threat, and especially masculine anxieties about a perceived incapacity of men and fathers to protect vulnerable families and homes. Variously invoking the American and Southern Gothics, Take Shelter (2011) and Winter’s Bone (2010) represent how the domestic-everyday was made unfamiliar, unsettling and threatening in the face of metaphorical and real (socio-)economic crisis and disorder. The films’ explicit engagement with contemporary American economic malaise and instability thus illustrates the Gothic’s continued capacity to lay bare historical and cultural moments of national crisis. Illuminating culturally persistent anxieties about the American male condition, Take Shelter and Winter’s Bone materially evoke the Gothic tradition’s ability to scrutinize otherwise unspeakable national anxieties about male capacity to protect home and family, including through a focus on economic-cultural “white Otherness.” The article further asserts the significance of prominent female assumption of the protective role, yet finds that, rather than individuating the experience of financial crisis on failed men, both films deftly declare its systemic, whole-of-society basis. In so doing, the Gothic sensibility of pervasive anxiety and dread in Take Shelter and Winter’s Bone disrupts dominant national discursive tendencies to revivify American institutions of traditional masculinity, family and home in the wakes of 9/11 and the recession.
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Doyle, Laura. "At World's Edge: Post/Coloniality, Charles Maturin, and the Gothic Wanderer." Nineteenth-Century Literature 65, no. 4 (March 1, 2011): 513–47. http://dx.doi.org/10.1525/ncl.2011.65.4.513.

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Laura Doyle, “At World's Edge: Post/Coloniality, Charles Maturin, and the Gothic Wanderer” (pp. 513–547) The Gothic text has been shown to represent colonialism's crimes through its literary tropes of imprisonment, terror, rape, and tyranny. This essay takes a further step to propose that Gothic texts also register the historical resistance to colonialism's crimes. That is, they refer to anti-colonial insurgency—in Ireland, India, the Caribbean, and elsewhere—in the process evincing ambivalent anxieties about global, imperial instability. After reviewing the Gothic‘s entanglement with discourses of both liberation and barbarism, reflective of its contradictory political investments, the essay focuses on Charles Maturin's Melmoth the Wanderer (1820) to demonstrate the ways in which Gothic texts are structured against insurgency even as, in their “wandering,” haunted figures, they unveil a world in turmoil.
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Lasseter, Janice Milner, and George E. Haggerty. "Gothic Fiction/Gothic Form." South Atlantic Review 55, no. 4 (November 1990): 114. http://dx.doi.org/10.2307/3200455.

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Richter, David, George E. Haggerty, and Kenneth W. Graham. "Gothic Fiction/Gothic Form." Modern Language Review 86, no. 1 (January 1991): 174. http://dx.doi.org/10.2307/3732119.

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Beidler, Peter G., and George E. Haggerty. "Gothic Fiction/Gothic Form." American Literature 62, no. 1 (March 1990): 122. http://dx.doi.org/10.2307/2926798.

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Łowczanin, Agnieszka. "Convention, Repetition and Abjection: The Way of the Gothic." Text Matters, no. 4 (November 25, 2014): 184–93. http://dx.doi.org/10.2478/texmat-2014-0013.

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This paper employs Deleuze and Kristeva in an examination of certain Gothic conventions. It argues that repetition of these conventions- which endows Gothicism with formulaic coherence and consistence but might also lead to predictability and stylistic deadlock-is leavened by a novelty that Deleuze would categorize as literary “gift.” This particular kind of “gift” reveals itself in the fiction of successive Gothic writers on the level of plot and is applied to the repetition of the genre’s motifs and conventions. One convention, the supernatural, is affiliated with “the Other” in the early stages of the genre’s development and can often be seen as mapping the same territories as Kristeva’s abject. The lens of Kristeva’s abjection allows us to internalize the Other and thus to reexamine the Gothic self; it also allows us to broaden our understanding of the Gothic as a commentary on the political, the social and the domestic. Two early Gothic texts, Walpole’s The Castle of Otranto and Lewis’s The Monk, are presented as examples of repetition of the Gothic convention of the abjected supernatural, Walpole’s story revealing horrors of a political nature, Lewis’s reshaping Gothic’s dynamics into a commentary on the social and the domestic.
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Falluomini, Carla. "The position of the verb in Gothic." NOWELE / North-Western European Language Evolution 71, no. 2 (June 21, 2018): 161–75. http://dx.doi.org/10.1075/nowele.00010.fal.

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Abstract The aim of this paper is to offer a descriptive analysis of the position of the verb in the recently discovered Gothic fragment of Bologna (Gothica Bononiensia) – a text that seems to be independent of Greek or Latin models – in order to highlight analogies to and differences from other Gothic texts. The analysis shows that the position of the verb is relatively free, both in main and in subordinate clauses, with some exceptions (negatives, wh-questions and imperatives). The text exhibits the coexistence of competing grammatical constructions, used to satisfy pragmatic and stylistic requirements.
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Muravyev, Alexey. "‘Perfidious Goth’, Holy Martyrs Cult and the Memory of Roman Troops in 5th Century Edessa." Amsterdamer Beiträge zur älteren Germanistik 80, no. 1-2 (August 12, 2020): 134–42. http://dx.doi.org/10.1163/18756719-12340180.

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Abstract The present article deals with the literary image of a Gothic man who happened to be in Edessa in the 5th century AD as a part of Roman auxiliary troops. He is reported to marry there a local girl under pretext of being a celibatarian. Having left Syria for Gothia, it turned out that he was married and had children. The Syrian wife became a slave and suffered a lot before returning miraculously back to Edessa. From the comparative study of the sources it becomes clear that the Gothic auxiliary troops were summoned to Edessa in connection with the advance of the Huns. Notwithstanding the common equation of Goths and Getae, the Gothic soldier in question was Germanic and not Getan (Dacian). The last question is the character of the marriage gift he presented for his temporary marriage.
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Aibabin, Aleksandr Il’ich. "How the Goths and Alans of the Mountainous Crimea Assimilated Greek Language." Античная древность и средние века 49 (2021): 79–96. http://dx.doi.org/10.15826/adsv.2021.49.006.

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The Goths and Alans settled in the Mountainous Crimea about the mid-third century. The Eastern Roman Empire pursued the policy of integrating barbarians on the frontier in order to strengthen its northern borders. In the mountainous Crimea, the Goths and Alans assimilated Greek language in result of political and ideological interaction and trading with Cherson and other cities and towns of the Eastern Roman Empire. The earliest in this area Greek inscriptions were dipinti drawn on the light-clay narrow-neck amphorae of D. B. Shelov’s type F, which were produced in Herakleia Pontike. According to the life of St. John of Gothia who led a revolt against Khazar domination in Gothia, the correspondence of Theodore of Stoudios with the archimandrite of Gothia, and official church documents, Greek was the only language of worship in the churches and monasteries of Gothia from the establishment of the Gothic bishopric on. The priests and monks contributed to the spread of Greek language among the Goths and Alans. From the eighth to thirteenth centuries, there appeared numerous epitaphs in church burials and in cemeteries located around these churches starting with a typical Byzantine phrase: Φῶς ζωή (“Light – life”), Κύριε, βοήθει... (“Lord, help...”), Ἰησοῦς Χριστὸς νηκᾷ (“Jesus Christ conquers”), Ἐκοιμήθη (“Deceased” or “passed away”), and so on. From the materials examined there are reasons to state that, by the ninth century, the Goths and Alans assimilated Greek language, which from the ninth to thirteenth centuries predominated in Gothia. There are several written sources documenting the preservation of Gothic and Alan languages in the first half of the thirteenth century. In the mid-sixteenth century, the Goths of the mountainous Crimea spoke mostly Greek. According to written sources, the functioning of Crimean Gothic dialect was restricted and started disappearing from the sixteenth century on.
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Dissertations / Theses on the topic "Gothic"

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Andrews, Elizabeth. "Devouring the Gothic : food and the Gothic body." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.

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At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicated the taboo of female appetite, a taboo that persists and changes within the Gothic as the female assumes the status of subject and the power to devour; she moves from being ethereal to bestial in the nineteenth century. With her renewed hunger, she becomes the consumer, devouring the villain who would eat her alive. The two sections of this study discuss the extremes of appetite and the extremes of bodily representations: starvation and cannibalism.
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Wheatley, Helen. "Gothic television." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s and 70s (e.g. Mystery and Imagination (ABC/Thames, 1966-70), Ghost Story for Christmas (BBC1, 1971-78)); Danish art television in the mid-nineties (Riget (Danmarks Radio/Zentropa, 1994)); British adaptations of female Gothic literature, (e.g. Rebecca (BBC2, 1979), The Wyvern Mystery (BBC1/The Television Production Company, 2000); and big-budget, effects-laden series from North America in the 1990s (e.g. American Gothic, CBS/Renaissance, 1995-96), Millennium (20th Century Fox/10:13, 1996-1999). I argue that Gothic television plays on the genre's inherent fascination with the domestic/familial, to produce television drama with an overt consciousness of the contexts in which the programmes are being viewed, a consciousness which is locatable within the text itself; as such, the thesis defines the Gothic as a genre which is well suited to presentation on television. Furthermore, an examination is offered of the 'model' viewer as presented within the television text, enabling an understanding of the ways in which conceptions of television viewership are inscribed into television drama at the moment of production. I also interrogate the notion that television is an 'uncanny' medium by locating the precise sources of uncanniness with Gothic television, and delineate the ways in which innovations in television production have been showcased through the representation of the supernatural and the uncanny with Gothic Television.
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Bicakci, Syed Tugce. "Theorising Turkish Gothic : national identity, ideology and the Gothic." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/127791/.

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Despite increasing critical interest in Gothic in non-Western cultures, Turkish Gothic writing remains an undiscovered area of research within worldwide Gothic studies. My thesis fills this gap by bringing together Glennis Byron’s concept of ‘globalgothic’, historically informed understandings of the Gothic and Turkish national identity to theorise Turkish Gothic as a mode intimately linked to the ideological processes of Turkish identity construction. Central to this thesis is the understanding of Turkish national identity as a fragmented construct due to Turkey’s ambivalent relationship with the West over the centuries and its commonly referenced role as a bridge between the West and the East. Accordingly, the thesis begins by positioning Turkey in relation to its historical and cultural ties to the Western Gothic tradition. I reveal the origins of the multidirectional flows of globalgothic between Western and Turkish Gothic traditions, through the examination of selected works from British and American cultures depicting Turkish identity through a Gothic lens. Thereafter, taking particular times of political and social change in Turkey into account, I focus on novels and films from 1923 to 2017, with regards to their employment and transformation of Western Gothic tropes using discussions of Turkish national identity. I argue that Turkish Gothic manifests the nation’s anxieties concerning the in-betweenness of Turkish national identity and its ideological repercussions as being either Western and secular or Eastern and conservative. In doing so, the Gothic in Turkey interchangeably becomes a counternarrative for both ideologies, each demonising and undermining the other, and therefore representing the tension between two poles of the political spectrum in contemporary Turkey. As the definitions of Turkish national identity change according to the emerging political stresses in Turkey, Turkish Gothic will continue to haunt its audiences with the dark undersides of Turkishness.
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Slagle, Judith Bailey. "Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.

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Drew, Lorna Ellen. "The mysteries of the gothic, psychoanalysis/feminism/the female gothic." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1993. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq23880.pdf.

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Davison, Carol Margaret. "Gothic Cabala, the anti-semitic spectropoetics of British Gothic literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0002/NQ44401.pdf.

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Davison, Carol Margaret. "Gothic Cabala : the anti-semitic spectropoetics of British Gothic literature." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34941.

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The figure of the Wandering Jew in British Gothic literature has been generally regarded as a static and romantic Everyman who signifies religious punishment, remorse, and alienation. In that it fails to consider the fact that the legend of the Wandering Jew signalled a noteworthy historical shift from theological to racial anti-Semitism, this reading has overlooked the significance of this figure's specific ethno-religious aspect and its relation to the figure of the vampire. It has hindered, consequently, the recognition of the Wandering Jew's relevance to the "Jewish Question," a vital issue in the construction of British national identity. In this dissertation, I chronicle the "spectropoetics" of Gothic literature---how the spectres, of Jewish difference and Jewish assimilation haunt the British Gothic novel. I trace this "spectropoetics" through medieval anti-Semitism, and consider its significance in addressing anxieties about the Crypto-Jew and the Cabala's role in secret societies during two major historic events concurrent with the period of classic Gothic literature---the Spanish Inquisition, a narrative element featured in many Gothic works, and the French Revolution, a cataclysmic event to which many Gothic works responded. In the light of this complex of concerns, I examine the role of the Wandering Jew in five Gothic works---Matthew G. Lewis's The Monk (1795), William Godwin's St. Leon (1799), Charles Robert Maturin's Melmoth the Wanderer (1820), Joseph Sheridan Le Fanu's "Carmilla" (1872), and Brain Stoker's Dracula (1897). In my conclusion, I delineate the vampiric Wandering Jew's "eternal" role in addressing nationalist concerns by examining his symbolic preeminence in Nazi Germany.
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Cartwright, Amy. "The future is Gothic : elements of Gothic in dystopian novels." Thesis, University of Glasgow, 2005. http://theses.gla.ac.uk/1346/.

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This thesis explores the relationship between the Gothic tradition and Dystopian novels in order to illuminate new perspective on the body in Charlotte Perkins Gilman’s Herland (1915), Aldous Huxley’s Brave New World (1932), George Orwell’s Nineteen Eighty-Four (1949), Anthony Burgess’ A Clockwork Orange (1962), Margaret Atwood’s The Handmaid’s Tale (1985) and Michel Houellebecq’s Atomised (1999). The key concerns are those of the Labyrinth, Dark Places, Connectedness and the Loss of the Individual, Live Burials, Monsters and Fragmented Flesh. A thematic approach allows for the novels to be brought together under common Gothic themes in order to show not only that they have such tendencies, but that they share common ground as Gothic Dystopias. While the focus is on bodily concerns in these novels, it is also pertinent to offer a discussion of past critical perspectives on the Dystopia and this is undertaken in Chapter One. Chapter Two looks at the narrative structure of the novels and finds similarities in presentation to Gothic novels, which leads to exploration of the position of the body in such a narrative of the unseen. The third chapter looks to the spaces inhabited by characters in the novels to examine their impact on the threat faced by these individuals. The Gothic convention of doubling is the focus of Chapter Four, which finds not only doubling operating in Dystopian novels, but the more complex relationship of triangles of doubling holding characters, fixing them in relation to those around at the expense of selfhood. Chapter Five takes Eve Kosofsky Sedgwick’s musings on the Gothic as its point of departure and finds that Dystopian bodies occupy a very similarly trapped position. Chapter Six identifies two types of monsters that inhabit the Gothic Dystopian space: those people who transform between the human and the monstrous, and those individuals who form a larger monster based on power that lives parasitically on transgressive bodies. The final chapter displays the impact of the Gothic Dystopia on individual bodies: ‘Fragmented Flesh’. The destruction of a coherent whole, a body with defined and sustainable boundaries, is the outcome of the novels where fear, repression, and the hidden combine to leave little space for cohesion and identification in the Gothic Dystopia.
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Grzesiak, Filip. "Capturing the Gothic Line : Parametric Exploration of the Gothic Ornament." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-229425.

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The project explores the ‘Gothic Line’ as observed in ornament. Escaping strictly geometrical means of defining, the study focuses on capturing the Line’s elusive properties in connection to chosen architectural elements. With selected properties, the two-dimensional principles are extracted into the 3D environment. Using parametric design tools each feature is transformed into multiple prototypes of three-dimensional interpretation. The project aims to capture subtlety of the Gothic Line while providing a system enabling creation of architecturally relevant ornamental structures.
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Psiropoulos, Brian. "Victorian Gothic Materialism: Realizing the Gothic in Nineteenth-Century Fiction." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13423.

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This project begins by asking why so many realist novels of the Victorian period also exhibit tropes borrowed from the eighteenth-century gothic romance—its locales, characters, and thematics. While theorizations of realism and of the gothic are plentiful, most studies consider them to be essentially opposed, and so few attempts have been made to explain why they frequently coexist within the same work, or what each figural mode might lend to the other. This dissertation addresses this deficit by arguing that gothic hauntings interpolated into realist fictions figure socio-economic traumas, the result of uneasy, uneven historical change. Realism's disinterested, empiricist epistemology made it ideal for examining relationships between individuals and social processes, especially the marketplace and public institutions against and through which the modern subject is defined. The gothic's emphases on hidden forces and motives, therefore, became the ideal vehicle for novelists to express anxieties surrounding the operation of these social and economic processes, especially the fear that they are somehow rigged or malevolent. The gothic mode is by definition historiographical, and its haunting returns stage conflicts between the values of a despotic past and those of an ostensibly enlightened present. Realism, often understood as the investigation of social reality, also develops within its narrative a causal model of history. This is required for the sequence of events it narrates to be understandable in their proper contexts and indeed for whole meaning(s) to emerge out of the sum of disparate incidents depicted. Gothic materialist texts, therefore, are obsessed with time and its changes and especially how aspects of competing forms of bureaucracy and modes of capital and exchange determine and confront the modern subject.
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Books on the topic "Gothic"

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Haggerty, George E. Gothic fiction/Gothic form. University Park: Pennsylvania State University Press, 1989.

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Hofstätter, Hans Hellmut. Gothic. [Köln]: Benedikt Taschen, 1990.

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Deuchler, Florens. Gothic. London: Herbert, 1989.

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Alan, Lee, ed. Gothic. Toronto: Exile Editions, 1986.

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Viscasillas, Fernando. Gothic. [Palermo]: 89books, 2022.

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Hofstätter, Hans Hellmut. Gothic. [Köln]: Benedikt Taschen, 1990.

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David, Day. Gothic. Toronto: Exile Editions, 1986.

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1985-, Iburg Nora, and Dohmen Carlijn, eds. Gothic. Arnhem: Ellessy Jeugd, 2011.

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Henri, Stierlin, ed. Gothic. [Köln]: Benedikt Taschen, 1996.

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Waters, Colin. Gothic Whitby. Stroud: History Press, 2009.

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Book chapters on the topic "Gothic"

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Sowerby, Robin. "The Goths in History and Pre-Gothic Gothic." In A New Companion to the Gothic, 25–37. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781444354959.ch2.

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Duffy, Cian, and Peter Howell. "Gothic." In Cultures of the Sublime, 121–50. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34674-1_5.

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O'Malley, Patrick R. "Gothic." In A Companion to Sensation Fiction, 81–93. Chichester, UK: John Wiley & Sons, Ltd, 2011. http://dx.doi.org/10.1002/9781444342239.ch6.

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Gill, Richard. "Gothic." In Mastering, 272–77. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-20852-0_26.

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Riquelme, John Paul. "Gothic." In A Companion to the English Novel, 117–31. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118607251.ch8.

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Passey, Joan. "Gothic." In The Palgrave Encyclopedia of Victorian Women’s Writing, 675–80. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_133.

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Nym, Alexander, and Marcus Stiglegger. "Gothic." In Handbuch Popkultur, 91–97. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_16.

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Hogle, Jerrold E. "Gothic." In A Handbook of Romanticism Studies, 195–212. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781444356038.ch11.

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Passey, Joan. "Gothic." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–6. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-02721-6_133-1.

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Knight, G. Wilson. "Gothic." In The Golden Labyrinth, 203–28. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003258919-12.

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Conference papers on the topic "Gothic"

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Choi, Mina, Fahad Zafar, Joel Wang, Gianni Ramponi, Wei-Chung Cheng, Luigi Albani, and Aldo Badano. "GOTHIC." In ACM SIGGRAPH 2013 Posters. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2503385.2503454.

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Bernstein, Mark, and Stacey Mason. "Gothic." In the 2nd workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2310076.2310084.

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Willis, Andrew, Yunfeng Sui, Katharina Galor, and Donald Sanders. "Estimating Gothic facade architecture from imagery." In 2010 IEEE Computer Society Conference on Computer Vision and Pattern Recognition Workshops (CVPR Workshops). IEEE, 2010. http://dx.doi.org/10.1109/cvprw.2010.5543519.

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Zhang, Ke. "Study of Hawthorne's Gothic Art Novel." In 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.94.

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Uscinowicz, Jerzy. "CONTEMPORARY ALLIANCE OF ICON AND GOTHIC." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s15.40.

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Banatre, J. P., and M. Banatre. "Some aspects of the GOTHIC system." In the 2nd workshop. New York, New York, USA: ACM Press, 1986. http://dx.doi.org/10.1145/503956.503962.

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COLL-PLA, SERGIO, GUILLEM MATEU, AGUSTÍ COSTA JOVER, and JAUME ROSET-CALZADA. "MONITORING AND STUDY PROCESS OF GOTHIC BUILDINGS." In STREMAH 2021. Southampton UK: WIT Press, 2021. http://dx.doi.org/10.2495/str210101.

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Zhao, Yue. "Research on the Definition of “Gothic Music”." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.022.

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Yang, Siyu. "Homophobia and the Queered Gothic in Frankenstein." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.504.

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Petoukhov, S. M., Tuan H. Nguyen, B. Awadh, and P. M. Mathew. "Comparison of Containment Response for a CANDU 6 Station Blackout Sequence Using MAAP4-CANDU (v4.0.7) and GOTHIC (v7.2b)." In 2012 20th International Conference on Nuclear Engineering and the ASME 2012 Power Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/icone20-power2012-54167.

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The objective of this study is to compare containment simulation results predicted by MAAP4-CANDU v4.0.7 and GOTHIC v7.2b for a Station Blackout severe core damage accident, when the containment dousing spray system is not credited. The input parameters (mass and energy source terms into containment) for GOTHIC were generated by MAAP4-CANDU for the Station Blackout sequence. The GOTHIC (lumped parameter model) and MAAP4-CANDU containment nodalization models were very similar, thus facilitating direct comparison of the results. Analysis of the results demonstrated that the simulation results obtained with the two codes are similar. Good agreement was obtained for the containment pressure, gas temperature and containment atmosphere composition predictions.
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Reports on the topic "Gothic"

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Heath, Jason E., Thomas Dewers, Thomas C. Chidsey, Stephanie M. Carney, and S. R. Bereskin. The Gothic shale of the Pennsylvanian Paradox Formation Greater Aneth Field (Aneth Unit) Southeastern Utah U.S.A.: Seal for Hydrocarbons and Carbon Dioxide Storage. Office of Scientific and Technical Information (OSTI), May 2017. http://dx.doi.org/10.2172/1367407.

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Vallor, Honor. How Gothic Influences and Eidetic Imagery in Eight Color Plates and Key Poems by William Blake Figuratively Unite Body and Soul by Dramatizing the Visionary Imagination. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6543.

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Klinner, Nora. Methodenbericht zur Beschäftigtenbefragung der Goethe-Universität Frankfurt am Main zum hessischen Landesticket. Goethe-Universität, Institut für Humangeographie, January 2020. http://dx.doi.org/10.21248/gups.46489.

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Seit dem 1. Januar 2018 erhalten alle aktiven Beamt*innen, Richter*innen, Tarifbeschäftigte und Auszubildende des Landes Hessen eine Freifahrtberechtigung, sodass sie den öffentlichen Personennah- und Regionalverkehr im gesamten Bundesland kostenlos nutzen können. Diese Umstellung stellt den aktuellen Anlass für eine Fallstudie zum Thema Verkehrshandeln am Beispiel der Beschäftigten der Goethe-Universität Frankfurt a.M. dar. Im Frühjahr 2019 wurde eine quantitative Online-Befragung an der Goethe-Universität durchgeführt (n=1686). Als Grundlage und Vergleichsdatensatz diente eine Studie, die im Jahr 2015 an der Gothe-Universität durchgeführt worden ist. Ziel der Befragung war es, Informationen über die Verkehrsmittelnutzung sowie die Einstellungen zu unterschiedlichen Mobilitätsangeboten zu erhalten. Der Schwerpunkt der Befragung lag dabei auf der Nutzung des hessischen Landestickets. Das folgende Arbeitspapier befasst sich mit der Methodik der Online-Befragung und dokumentiert das Vorgehen von der Fragebogenerstellung, die Stichprobenauswahl, über die Durchführung bis zur Datenaufbereitung und reflektiert die Repräsentativität der Daten.
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Sathyanarayana, K. ,. Westinghouse Hanford. Evaluation of potential and consequences of steam bump in high heat waste tanks and assessment and validation of GOTH computer code. Office of Scientific and Technical Information (OSTI), July 1996. http://dx.doi.org/10.2172/663153.

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Geologic map of the Gothic quadrangle, Gunnison County, Colorado. US Geological Survey, 1991. http://dx.doi.org/10.3133/gq1689.

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GOTHIC-gas, oil, and thermal history integrated code-source-code, user guide, and sample input and output file. Utah Geological Survey, 1992. http://dx.doi.org/10.34191/cr-92-2.

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You might also be interested in the extended bibliographies on the topic 'Gothic' for particular source types:
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