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Journal articles on the topic 'Golem'

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1

Thomas, Gavin, John Casken, Soloists; amp &, Music Projects London, and Richard Bernas. "Golem." Musical Times 132, no. 1782 (August 1991): 399. http://dx.doi.org/10.2307/965899.

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2

Wohlfeld, Valerie. "Golem." Studies in American Jewish Literature (1981-) 27 (January 1, 2008): 113. http://dx.doi.org/10.2307/41206104.

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3

Lustick, Ian. "Must Every Golem Die?" Palestine/Israel Review 1, no. 1 (April 1, 2024): 237–41. http://dx.doi.org/10.5325/pir.1.1.0013.

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Abstract Settler-colonial projects often produce states that eventually turn against the purposes of those who created them. We see this in the American and Boer revolts against the British and the sabotage by British settlers in Ireland and French settlers in Algeria of efforts to integrate the native populations of those territories into the British and French states. We see it also in the relationship between the objectives of European states and Zionists to end antisemitism by exporting the Jewish problem to the Middle East and in Israel’s increasingly pariah status on the world stage and the global increase in antisemitism—both accelerated by Israel’s ferocious response to the Hamas and Islamic Jihad attacks in October 2023. In the Jewish tradition this is the story of the golem—the legendary creature conjured by rabbinic skill and divine power to protect the Jews from their enemies in sixteenth-century Prague. At first successful, the golem became increasingly wild and eventually was put to death by the rabbi who created him out of fear for the welfare of the Jewish community itself. But not all golems must die. The key is to recognize they are not tied to their original purposes and can thus be transformed.
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4

Singer, Sean. "The Golem." Iowa Review 33, no. 1 (April 2003): 101. http://dx.doi.org/10.17077/0021-065x.5698.

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5

Dekel, Edan, and David Gantt Gurley. "Kafka's Golem." Jewish Quarterly Review 107, no. 4 (2017): 531–56. http://dx.doi.org/10.1353/jqr.2017.0028.

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6

Dixon, Deborah, Harriet Hawkins, and Elizabeth Straughan. "Golem geographies." Dialogues in Human Geography 2, no. 3 (November 2012): 292–95. http://dx.doi.org/10.1177/2043820612468649.

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7

Gee, Henry. "Golem schmolem." Nature 414, no. 6866 (December 2001): 848–49. http://dx.doi.org/10.1038/414848a.

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8

Kodama, Maria. "El Golem." El Hilo de la Fabula, no. 20 (September 25, 2020): 145–50. http://dx.doi.org/10.14409/hf.v0i20.9643.

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9

Rihaczek, Karl. "Der Golem." Datenschutz und Datensicherheit - DuD 39, no. 2 (January 31, 2015): 69. http://dx.doi.org/10.1007/s11623-015-0366-z.

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10

Skowroński, Rafał. "Głos GoLema. Tożsamość superkomputera a kategoria wyzwania w Golemie XIV Stanisława Lema." Literaturoznawstwo 1, no. 13 (April 30, 2020): 56–67. http://dx.doi.org/10.25312/2451-1595.13/2019__05rs.

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GoLem’s voice: The identity of a supercomputer and the challenge category in the Golem XIV by Stanisław Lem The article reflects on the topic of genology, autobiographism (autobiographic triangle, category of challenge) and cultural context (kabbalah and the legened of the golem) in a complex in the category of genre book Golem XIV written by Stanisław Lem. The analysis goal is to show the connection of Golem XIV words with the cultural context and the human author of his lectures and to deny the need to categorize literature by genre like in the structural methodology. The problem of the authors presence in the novel is undrelined. Keywords: Stanisław Lem, golem, category of challenge, autobiographism, genology, ethics, culture
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11

Susilawati, E. "The Slavery of Mystical Creature on The Golem and The Jinni." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 1 (December 1, 2020): 638–42. http://dx.doi.org/10.34010/icobest.v1i.108.

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The Golem is an artificial creature that made from clay and water with incantations and spells by a man (rabbi), It made to serve its creator. It well known as a creature of Jewish Mythology. The object of this research is The Golem, Chava on the novel with tittle “The Golem and The Jinni” by Helene Wecker. In this novel the character of Golem described as a good creature and has intimate relationship with the Jinni. Actually it is different as the others stories of Golem that always described as an evil creature who can destroy or kill the creator. The purpose of this research is to describe narratively the slavery of mystical creature, especially Golem and how Golem can survive and get along with human. Chava hardly refuse the orders from her master to kill human and do bad things even she was threaten got killed by her master. Due to this research found there was a friction role of Golem, in the past it is made to protect the master or the group from the harm thing or enemy while in this novel it is made to be a wife and she had a feeling and look as well as human. She could make a relationship with both human and the other creature such as Jinni. This research hopefully can be used as a source of cultural studies and narrative approach.
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12

Thorstensen, Erik. "Creating Golems: Uses of Golem Stories in the Ethics of Technologies." NanoEthics 11, no. 2 (March 23, 2017): 153–68. http://dx.doi.org/10.1007/s11569-016-0279-9.

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13

Leetal, Dean. "A Trans, Autistic, and Neurogender Jewish Monster: The Story of the Golem." Graduate History Review 12 (October 19, 2023): 201–26. http://dx.doi.org/10.18357/ghr12202321580.

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This critical commentary revisits the Jewish story of the Golem and reads it as a transgender text. Some say that the Golem inspired Mary Shelley's Frankenstein, a story famously interpreted by Susan Stryker as an allegory for her own trans experience: living on the edge of society, her humanity debated, defined by a morally questionable medical establishment. But there are important dierences between Frankenstein and the Golem. The Golem is brought to life through language, particularly the Hebrew word ‘emet,’ and is an animated clay tasked with protecting Jewish marginalized communities. Today, questions of language and truth are at the center of many debates regarding the validity and nature of transgender people. The concept of protecting marginalized communities, even while being rejected from them, is also painfully relevant. Unlike Frankenstein, though, the Golem is nonverbal, which is linked to autism. Thus, I argue that a neurogender analysis of their story that accounts for both gender and neurodivergence is critical. This reading focuses on these points of relation and what they may bring to light.
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14

Stępnik, Małgorzata. "The Golem Awakened." Cultural Critique 111, no. 1 (2021): 26–51. http://dx.doi.org/10.1353/cul.2021.0011.

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15

Poenaru, Vlad Eugen. "Selos do Golem." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 8, no. 15 (November 30, 2014): 2. http://dx.doi.org/10.17851/1982-3053.8.15.2.

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Stępnik. "The Golem Awakened." Cultural Critique 111 (2021): 26. http://dx.doi.org/10.5749/culturalcritique.111.2021.0026.

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17

Judensnaider, Ivy. "Adamah, a Golem." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 6, no. 11 (October 30, 2012): 119–25. http://dx.doi.org/10.17851/1982-3053.6.11.119-125.

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Não sei de onde surgiu o rumor ou como a lenda sobre Adamah, a Golem, se espalhou. Como refazer o trajeto do mágico relato de uma boneca de barro que, por forças ocultas e secretas, ganhou vida e quase virou gente?
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18

Thiry-Cherques, Hermano Roberto. "O golem laborioso." Organizações & Sociedade 9, no. 25 (December 2002): 143–61. http://dx.doi.org/10.1590/s1984-92302002000300009.

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Nesse artigo apresentamos e discutimos os principais traços da mentalidade de golem como meio de sobrevivência nas organizações contemporâneas. Após algumas observações introdutórias, particularmente sobre o tema da alienação, os conceitos de mentalidade de golem e da sua adequação às formas contemporâneas de produção são desenvolvidos com base nos resultados de pesquisas acadêmicas. Essas pesquisas sugerem que a atitude próxima a dos escravos, mais do que um processo de adequação, é uma disposição ou mentalidade que permite aos trabalhadores sobreviverem às pressões do sistema.
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19

Ashbrook, William. "Golem. John Casken." Opera Quarterly 9, no. 2 (1992): 177–79. http://dx.doi.org/10.1093/oq/9.2.177.

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20

Garfield, Rachel. "Darwin As Golem." Jewish Quarterly 61, no. 3-4 (October 2, 2014): 112–13. http://dx.doi.org/10.1080/0449010x.2014.978607.

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21

Pinch, Trevor. "Science as Golem." Academe 82, no. 1 (1996): 16. http://dx.doi.org/10.2307/40250841.

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22

Grinbaum, Alexei. "The nanotechnological golem." NanoEthics 4, no. 3 (October 19, 2010): 191–98. http://dx.doi.org/10.1007/s11569-010-0103-x.

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23

Seligmann-Silva, Márcio. ""O Golem: Entre a técnica e a magia, aquém da bioética." Remate de Males 27, no. 2 (November 13, 2012): 183–95. http://dx.doi.org/10.20396/remate.v27i2.8636003.

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The text shows some ideas about the relationship between the Golem and the issue of technique. First it introduces into the mythical and mystical traditions that shaped the Golem as well as into the construction of its legend. Secondly the text recalls the beginning of the Modern age and the role that was then reserved for the technique. In one last step the article tries to articulate some actual debates about bioethics and the issue of the Golem. In this moment some science fiction works are also taken in account.
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24

Aquino, Thiago Avellar. "A Lenda do Golem e suas repercussões no pensamento de Viktor Frankl." Estudos de Religião 36, no. 1 (May 16, 2022): 185–200. http://dx.doi.org/10.15603/2176-1078/er.v36n1p185-200.

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O presente artigo teve por objetivo identificar em que aspecto a lenda judaica do Golem exerceu influências no pensamento de Viktor Frankl. Em alguns dos seus livros, Viktor Frankl fez referência a um ser mítico da cultura judaica: o Golem. Qual o significado desta figura lendária para a construção de sua visão de homem? O artigo se justifica na medida em que visa compreender a influência da cultura religiosa de um autor em sua obra. Dessa forma, procedeu-se uma breve análise bibliográfica acerca das referências sobre o Golem na obra de Frankl e na religião judaica. As narrativas dessa lenda possivelmente causaram um grande impacto no autor; dessa forma, os principais resultados apontam para uma influência na concepção judaica de homem no estilo de pensamento do autor. Concluiu-se que Frankl foi influenciado mais pela forma judaica de compreender o mundo, o que o ajudou a dar forma ao conteúdo do seu pensamento, conforme se constatou por meio da história do Golem.
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Aquino, Thiago Avellar. "A Lenda do Golem e suas repercussões no pensamento de Viktor Frankl." Estudos de Religião 36, no. 1 (July 23, 2024): 185–200. http://dx.doi.org/10.15603/2176-0985/er.v36n1p185-200.

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O presente artigo teve por objetivo identificar em que aspecto a lenda judaica do Golem exerceu influências no pensamento de Viktor Frankl. Em alguns dos seus livros, Viktor Frankl fez referência a um ser mítico da cultura judaica: o Golem. Qual o significado desta figura lendária para a construção de sua visão de Homem? O artigo se justifica na medida em que visa compreender a influência da cultura religiosa de um autor em sua obra. Dessa forma, procedeu-se uma breve análise bibliográfica acerca das referências sobre o Golem na obra de Frankl e na religião judaica. As narrativas dessa lenda possivelmente causaram um grande impacto no autor; dessa forma, os principais resultados apontam para uma influência na concepção judaica de homem no estilo de pensamento do autor. Concluiu-se que Frankl foi influenciado mais pela forma judaica de compreender o mundo, o que o ajudou a dar forma ao conteúdo do seu pensamento, conforme se constatou por meio da história do Golem.
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26

Chinchilla Sánchez, Kattia. "Entre el Adán y el Golem, a propósito de un poema de Jorge Luis Borges." Revista de Filología y Lingüística de la Universidad de Costa Rica 17, no. 1-2 (August 31, 2015): 63. http://dx.doi.org/10.15517/rfl.v17i1-2.20974.

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En la producción de literaria de Jorge Luis Borges, hay un pequeño poema llamado "El Golem", que nos remiten a la tradición de la Cábala hebrea. Este artículo pretende mostrar una dimensión mítica simbólica en los binomios DIOS-criatura, DIOS-Adán, el hombre-monstruo, rabino-GOLEM.
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27

Tarlin, Sandra H. "My Uncle the Golem." Bridges: A Jewish Feminist Journal 11, no. 2 (October 2006): 95–97. http://dx.doi.org/10.2979/bri.2006.11.2.95.

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28

Rickels, Laurence. "Satan and Golem, inc." Parallax 10, no. 1 (January 2004): 49–57. http://dx.doi.org/10.1080/1353464032000171082.

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29

Gratzer, Walter. "Grappling with the golem." Nature 364, no. 6432 (July 1993): 22–23. http://dx.doi.org/10.1038/364022a0.

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30

Tarlin, Sandra H. "My Uncle the Golem." Bridges: A Jewish Feminist Journal 11, no. 2 (2006): 95–97. http://dx.doi.org/10.1353/brd.2006.0064.

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31

Bullard, Len. "Building a better Golem." Markup Languages: Theory and Practice 2, no. 4 (September 1, 2000): 337–51. http://dx.doi.org/10.1162/109966200750428678.

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32

Nye, Maggie. "We Made a Golem." Pleiades: Literature in Context 37, no. 2 (2017): 75–82. http://dx.doi.org/10.1353/plc.2017.0119.

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33

Gifford, Fred. "Medicine Meets the Golem." Metascience 16, no. 2 (May 9, 2007): 277–79. http://dx.doi.org/10.1007/s11016-007-9101-1.

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34

Steinmüller, Peter. "Der Golem aus Stahl." VDI nachrichten 77, no. 26 (2023): 26–27. http://dx.doi.org/10.51202/0042-1758-2023-26-26.

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35

Schäfer, Peter. "The Magic of the Golem: The Early Development of the Golem Legend." Journal of Jewish Studies 46, no. 1-2 (July 1, 1995): 249–61. http://dx.doi.org/10.18647/1802/jjs-1995.

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36

Judensnaider, Ivy. "EL MAHARAL Y LA CREACIÓN DEL GOLEM." Prometeica - Revista de Filosofía y Ciencias, no. 3 (November 1, 2010): 68–80. http://dx.doi.org/10.24316/prometeica.v0i3.61.

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En el s. XVI, en Praga, el sabio y rabino Maharal crea un Golem pormedio de la magia de la Cábala. El material es el barro. El ritual decreación involucra recitar el Génesis y evocar los misteriostransmitidos de generación en generación, desde la Señal. El ritualtambién incluye la repetición de los Nombres que todos temenpronunciar. Se trata, por tanto, de la repetición del propio actocreador de Dios, de la emulación de la creación de Adán, el primerhombre. Al Golem, son destinadas tareas heroicas. Después, cuando elhombre de barro comienza a demostrar señales de madurez espiritual,ha llegado la hora de deshacer la magia. Este artículo pretende, portanto, por medio de la leyenda del Maharal y del Golem enriquecer ladiscusión sobre Creador-Criatura.
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Radaeva, E. A. "CULTURE THROUGH THE PRISM OF EXPRESSIONIST TRADITIONS IN CINEMA ART OF THE XX-XXI CENTURIES (IMAGE OF GOLEM)." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 23, no. 79(2) (2021): 234–43. http://dx.doi.org/10.37313/2413-9645-2021-23-79(2)-234-243.

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In this article, the author comes to the conclusion that the expressionist tradition in cinema quite adequately reflects the laws of the cultural development of society: creative figures throughout the twentieth and first 20 years of the twentyfirst century. periodically return to the Golem theme; his image remains relevant, since it embodies the idea of sometimes the only defense (from the outside) of a person helpless before the collisions of the surrounding world, which means that this latent fear of the world cannot be considered exclusively the property of the modernist worldview of the early twentieth century. Unshakable to this day, however, remains the moral law: in every film product, the Golem is subject to destruction as a godless substance, as an unsuccessful attempt by a person to stand on the same level with the Creator. At the same time, the image of the Golem in the history of cinematography is influenced by the historical situation and the constantly changing spiritual and aesthetic demands of the viewer associated with it. Mythological Golem in the XXXXI centuries. ceases to be slow and clumsy, and for its revival, neither an ecstatic mystical experience, nor a righteous man, nor a whole group of such (obviously, because in modern reality it is very problematic to find them): for more than 100 years in cinema, the mythical Golem from an earthen image, thanks to the director's vision, she gradually follows the path of her increasing "incarnation" and eventually turns into a fragile girl, now into an unhappy child.
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Bešlić, Milan. "Luko s ovoga i onoga svijeta." Croatica et Slavica Iadertina 14, no. 1 (February 11, 2019): 163–68. http://dx.doi.org/10.15291/csi.2775.

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U tekstu se iznosi teza da je Paljetkova impresivna produkcija u gotovo svim književnim vrstama primarno obilježena njegovim pjesništvom te da je ono i najznačajnija dionica koja je ujedno i golem prinos suvremenomu hrvatskom pjesništvu. Također, nastoji se ukazati i na činjenicu da je to pjesništvo i samoniklo, to jest izvornoga pjesničkoga glasa, kao i goleme leksičke kulture i zavidnoga pjesničkoga umijeća u rimovanim i nerimovanim stihovima. Isto tako, podvlači se i činjenica da je Paljetkovo pjesništvo otvorilo i posve novi poetski prostor u suvremenoj hrvatskoj književnosti snažno obilježen autorskim značajkama. Ovdje se ukazuje i na jednu od temeljnih odrednica Paljetkova pjesništva, naime, da je ono stvaralački proces otvoren bezbrojnim temama i neiscrpnoj energiji u proizvodnji pjesme.
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Brzostek, Dariusz. "Gdzie kończy się literatura? Głos Pana i Golem XIV — Stanisława Lema „resztki po powieści”." Literatura i Kultura Popularna 23 (May 31, 2018): 39–50. http://dx.doi.org/10.19195/0867-7441.23.3.

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Where the literature ends? His Master’s Voice and Golem XIV — Stanisław Lem’s “relics of a novel”The paper discusses the literary works of Polish science fiction writer — Stanisław Lem, particulary two of his late novels: His Master’s Voice 1968 and Golem XIV 1981. The essay focuses on the relics of a novel in these non-narrative works, including the lectures of an artificial intelligence Golem XIV and scientific essays on the first contact between humans and alien life form His Master’s Voice. A subject of the paper is the psychoanalysis of the creative process and the reading of the relics of a novel such as a description as a pattern of development or a found-manuscript device in terms of Lacanian theory of the symptom and the theory of jouissance of the speaking subject parlêtre.
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40

Siusko, Y., V. Svoboda, J. Stockel, I. Garkusha, D. Solyakov, I. Girka, V. Volkov, et al. "Breakdown Phase in the GOLEM Tokamak and Its Impact on Plasma Performance." Ukrainian Journal of Physics 66, no. 3 (April 7, 2021): 231. http://dx.doi.org/10.15407/ujpe66.3.231.

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The effect of the breakdown phase on subsequent plasma parameters in GOLEM tokamak is investigated remotely. The dependence of the breakdown voltage and the breakdown time on the time delay between the switchings-on of a toroidal magnetic field Bt and a toroidal electric field Et for different groups of the pressure magnitudes is built. The performed experiments have shown that, for GOLEM tokamak, the shorter the temporal delay, the better are the mean plasma parameters. In addition, the breakdown phase is discussed in more details. In the discussion, the avalanche phase of the breakdown is analyzed. The dominant mechanism of particle losses during the avalanche phase, future steps, and tasks are discussed and set. The experiments on studying the breakdown phase have been carried out remotely on GOLEM tokamak by undergraduate students of V.N. Karazin Kharkiv National University.
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Pokorny, Matyas, Petr Macha, and Vojtech Svoboda. "Magnetic field simulations of the GOLEM tokamak via the NICE code." Journal of the ASB Society 4, no. 1 (December 6, 2023): 26–34. http://dx.doi.org/10.51337/jasb20231206003.

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In this paper, the direct and inverse equilibrium computation mode of the NICE code is put into operation for the case of the GOLEM tokamak. This enables, for the first time, simulations of GOLEM's magnetic field. The computation mode put into operation simulates the magnetohydrodynamic equilibrium of a tokamak plasma based on a given plasma position or given currents in poloidal magnetic field coils. In order to set up NICE, a virtual model of GOLEM is introduced that includes axially symmetrical approximations of GOLEM's iron core and primary transformer coils. The results of NICE simulations are compared with experimental measurements, and it is shown that NICE simulations produce plasma equilibrium configurations typical for GOLEM. Nevertheless, a more detailed validation of GOLEM's virtual model and of the results of NICE simulations is to be performed in the future.
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MAHESWARI, V. UMA, A. SIROMONEY, and K. M. MEHATA. "MINING WEB USAGE GRAPHS USING EXAMPLE SEARCH SPACE." International Journal of Computational Intelligence and Applications 02, no. 02 (June 2002): 209–20. http://dx.doi.org/10.1142/s146902680200049x.

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Web mining refers to the process of discovering potentially useful and previously unknown information or knowledge from web data. A graph-based framework is used for classifying Web users based on their navigation patterns. GOLEM is a learning algorithm that uses the example space to restrict the solution search space. In this paper, this algorithm is modified for the graph-based framework. GOLEM is appropriate in this application where the solution search space is very large. An experimental illustration is presented.
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43

du Mesnildot, Stéphane. "Anton Chigurh, un Golem texan." Vertigo 33, no. 1 (2008): 41. http://dx.doi.org/10.3917/ver.033.0041.

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44

Morency, Jean. "Le golem de la biographie." Dossier 30, no. 2 (August 30, 2005): 21–33. http://dx.doi.org/10.7202/011241ar.

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Résumé Depuis son essai consacré à Victor Hugo en 1970, Victor-Lévy Beaulieu a multiplié les biographies d’écrivains. Ces essais entremêlant souvent l’écriture biographique et l’écriture de fiction, il devient possible de questionner la place qu’ils occupent dans l’oeuvre de Beaulieu et le rôle qu’ils jouent dans l’élaboration de ses textes de fiction. Dans cet article, l’auteur analyse les rapports entre l’écriture biographique et l’écriture de fiction chez Beaulieu, principalement dans Monsieur Melville. Dans un premier temps, il dégage la dialectique de la biographie et de la fiction chez Beaulieu, notamment à la lumière de l’inscription de la figure du golem dans Monsieur Melville. Dans un deuxième temps, à partir des thèmes de la filiation et de l’héritage, l’auteur mesure l’impact de Monsieur Melville sur l’élaboration de l’oeuvre littéraire de Beaulieu dans les années quatre-vingt et quatre-vingt-dix.
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Yehuda, Simone Naomi. "Was I Born a Golem?" Bridges: A Jewish Feminist Journal 15, no. 1 (April 2010): 27–32. http://dx.doi.org/10.2979/bri.2010.15.1.27.

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46

Cabrera, Daniel H. "The Soul of the Golem." Empedocles: European Journal for the Philosophy of Communication 1, no. 1 (November 1, 2009): 107–21. http://dx.doi.org/10.1386/ejpc.1.1.107/1.

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There are many ways of interpreting the so-called new technologies. One of the most interesting is that which stems from defining them as a social imaginary, and therefore, as collective beliefs, fears and hopes. It is common to attribute to technologies all manner of threats that, founded or not, are real in the measure that the society makes decisions and acts in a way consistent with this conviction.The fears and anxieties of society lead to a consideration of the limits of the human that technologies transgress. Among the figures with which one speaks about these limits there is Frankenstein, the modern Prometheus, which threatens modern fantasies with its deformity. There is, however, another man-made creature that can serve to orient our reflection, the Golem.In 1609, 400 years ago, Rabbi Loew died. He is credited with the creation of a homunculus by combining of secret codes. The problem of the Golem was its imperfect soul made manifest in its lack of speech. Its silent presence was a source of great fear in the community that finally asked to get rid of the creature.These figures of monstrosity, Frankenstein and above all Golem, will help us to make technologies understand from the fear that society projects onto them, and this will lead us to the question concerning the imaginary fears of the technological system.
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47

Jacoby, Jay. "The Golem in Jewish Literature." Judaica Librarianship 1, no. 2 (January 1, 1985): 100–104. http://dx.doi.org/10.14263/1/1984/827.

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48

Posner, Marcia W. "The Golem in Art: an lnterview with Beverly Brodsky, Creator of her own Golem." Judaica Librarianship 1, no. 2 (January 1, 1985): 104–6. http://dx.doi.org/10.14263/1/1984/829.

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49

Miguel, Alcebiades Diniz. "Infância monstruosa." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 9, no. 17 (November 25, 2015): 2–14. http://dx.doi.org/10.17851/1982-3053.9.17.2-14.

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A passagem do tempo e o desenvolvimento em etapas, assegurado ao ser humano, não costuma ser um atributo do monstro. Imagem perene que não se altera e que obedece outra possibilidade temporal, encarnação de estereótipos ancestrais ou visão delirante de uma continuidade ameaçadora, o monstro quando encarnado no processo histórico deve, necessariamente, abandonar sua infância. Contudo, há variedade nesse processo; analisaremos, neste artigo, duas dessas variedades, ambas leituras inspiradas da narrativo do Golem: o Golem de Gustav Meyrink e a "Sarpele cu Ochelari" de Horia Bonciu.
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50

Vito, Caitlin. "Gustav Meyrink’s 'Golem' and Leo Perutz’s 'Nachts unter der steinernen Brücke': A literary expression of the Jewish experience during the twentieth century." SURG Journal 6, no. 2 (July 9, 2013): 40–45. http://dx.doi.org/10.21083/surg.v6i2.2182.

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Gustav Meyrink’s novel Der Golem [The Golem], published in 1915, and Leo Perutz’s 1953 novel Nachts unter der steinernen Brücke [By Night under the Stone Bridge] communicate the authors’ image of the Jewish experience and treatment during the period of the twentieth century. Uncanny and fantastical elements are used throughout both texts to help portray the Jewish condition. Meyrink conveys the animosity between nationalistic Jews and middle-class assimilated Jews and highlights the rising anti-Semitism among Gentiles by associating Jews with the decay and corruption of modernity. At the same time, however, Jews are also depicted as a model of higher spirituality. Nachts unter der steinernen Brücke places the Holocaust within the greater context of Jewish history and conveys Perutz’s assessment that the tragedy of the Holocaust is one in a series of devastating events which have plagued the Jewish people. Moreover, the text casts doubt on the benevolence of Jewish and non-Jewish authority figures and even the mercifulness of God. The doubt raised in the novel regarding central Jewish beliefs mirrors the Jewish experience of disorientation and confusion following the horrors of the Holocaust. Perutz also conveys the need for Jewish history to be passed down to future generations as it is their past which helps form their Jewish identity. Keywords: Der Golem [The Golem] (Meyrink, Gustav); Nachts unter der steinernen Brücke [By Night under the Stone Bridge] (Perutz, Leo); Jewish experience (portrayal of); twentieth century; uncanny and fantastical literature; literary interpretation
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