Relevant bibliographies by topics / Golem

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Golem'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Golem"

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Thomas, Gavin, John Casken, Soloists; amp &, Music Projects London, and Richard Bernas. "Golem." Musical Times 132, no. 1782 (August 1991): 399. http://dx.doi.org/10.2307/965899.

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Wohlfeld, Valerie. "Golem." Studies in American Jewish Literature (1981-) 27 (January 1, 2008): 113. http://dx.doi.org/10.2307/41206104.

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Lustick, Ian. "Must Every Golem Die?" Palestine/Israel Review 1, no. 1 (April 1, 2024): 237–41. http://dx.doi.org/10.5325/pir.1.1.0013.

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Abstract Settler-colonial projects often produce states that eventually turn against the purposes of those who created them. We see this in the American and Boer revolts against the British and the sabotage by British settlers in Ireland and French settlers in Algeria of efforts to integrate the native populations of those territories into the British and French states. We see it also in the relationship between the objectives of European states and Zionists to end antisemitism by exporting the Jewish problem to the Middle East and in Israel’s increasingly pariah status on the world stage and the global increase in antisemitism—both accelerated by Israel’s ferocious response to the Hamas and Islamic Jihad attacks in October 2023. In the Jewish tradition this is the story of the golem—the legendary creature conjured by rabbinic skill and divine power to protect the Jews from their enemies in sixteenth-century Prague. At first successful, the golem became increasingly wild and eventually was put to death by the rabbi who created him out of fear for the welfare of the Jewish community itself. But not all golems must die. The key is to recognize they are not tied to their original purposes and can thus be transformed.
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Singer, Sean. "The Golem." Iowa Review 33, no. 1 (April 2003): 101. http://dx.doi.org/10.17077/0021-065x.5698.

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Dekel, Edan, and David Gantt Gurley. "Kafka's Golem." Jewish Quarterly Review 107, no. 4 (2017): 531–56. http://dx.doi.org/10.1353/jqr.2017.0028.

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Dixon, Deborah, Harriet Hawkins, and Elizabeth Straughan. "Golem geographies." Dialogues in Human Geography 2, no. 3 (November 2012): 292–95. http://dx.doi.org/10.1177/2043820612468649.

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Gee, Henry. "Golem schmolem." Nature 414, no. 6866 (December 2001): 848–49. http://dx.doi.org/10.1038/414848a.

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Kodama, Maria. "El Golem." El Hilo de la Fabula, no. 20 (September 25, 2020): 145–50. http://dx.doi.org/10.14409/hf.v0i20.9643.

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Rihaczek, Karl. "Der Golem." Datenschutz und Datensicherheit - DuD 39, no. 2 (January 31, 2015): 69. http://dx.doi.org/10.1007/s11623-015-0366-z.

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Skowroński, Rafał. "Głos GoLema. Tożsamość superkomputera a kategoria wyzwania w Golemie XIV Stanisława Lema." Literaturoznawstwo 1, no. 13 (April 30, 2020): 56–67. http://dx.doi.org/10.25312/2451-1595.13/2019__05rs.

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GoLem’s voice: The identity of a supercomputer and the challenge category in the Golem XIV by Stanisław Lem The article reflects on the topic of genology, autobiographism (autobiographic triangle, category of challenge) and cultural context (kabbalah and the legened of the golem) in a complex in the category of genre book Golem XIV written by Stanisław Lem. The analysis goal is to show the connection of Golem XIV words with the cultural context and the human author of his lectures and to deny the need to categorize literature by genre like in the structural methodology. The problem of the authors presence in the novel is undrelined. Keywords: Stanisław Lem, golem, category of challenge, autobiographism, genology, ethics, culture
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Dissertations / Theses on the topic "Golem"

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Marková, Klotylda. "Produkční zajištění multimediálního projektu GOLEM." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-205566.

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The topic of this master thesis is an analysis of the multimedia project GOLEM, which has carried out two following results: theatrical one (GOLEM Štvanice) and audio-visual one (GOLEM Cube). The first part is focused on the specifics of the immersive theatre phenomenon, which was introduced in the Czech theatrical milieu for the very first time, and on the production procedure within the confines of the Prague theatre stage. The second part deals with audio-visual recording of a theatre peace, which takes place in an unconventional space, and then focuses on a technical method development for all movie-making fields with great emphasis on keeping the theatrical authenticity. It also deals with the specific system of installation within the particular space. Based on this case study of an immersive theatre performance and methodical approach to its audio-visual preservation this work develops some basic requirements that should lead to the successful results of similar future projects pointing out some possible application in other fields of practice.
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Morel, Dorothée. "Le mythe du golem, de la créature au créateur." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040241.

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Le mot golem, un hapax biblique traduit de l’hébreu golmi, présent dans le Psaume CXXXIX,16, désigne la forme du premier homme avant son animation par le souffle divin. Le plus souvent traduit par « embryon » ou « masse informe », son sens a généré une exégèse considérable.De la tradition juive, le mot en arrivera à désigner un homme artificiel, et sa création sera attribuée à de pieux rabbins dans une perspective d’imitation Dei, selon une interprétation magique du Sefer Yetsirah ou « Livre de la Création » qui en contiendrait la clé. L’expérience doit prouver la puissance créatrice des lettres de l’alphabet hébraïque ou des lettres du Nom de Dieu, selon les maîtres de la Cabbale achkénase et européenne du Nord. Ils ont consigné les techniques de création : c’est un rituel en deux temps, façonnement de la forme humaine à partir des éléments puis animation de celle-ci grâce aux récitations de combinatoires de lettres. La réussite de l’expérience est considérée comme la pierre de touche de la perfection religieuse du créateur comme de sa puissance créatrice, à l’instar de celle des lettres de l’alphabet hébraïque.Le golem entre dans le domaine légendaire vers la fin du XVIIIe siècle et les débuts du XIXe siècle, pour prêter à de saints rabbins des pouvoirs démiurgiques. A une première légende d’origine polonaise centrée sur le Rabbin Elias Baalschem de Chelm, succède la légende pragoise un peu plus tardive qui prend le pas sur la première et attribue au Rabbin Judah Löw ben Bezalel, outre des pouvoirs surnaturels, la création d’un golem censé protéger la ville juive des accusations de crimes riruels historiques. Si c’est au créateur que nous avons choisi de nous intéresser plus particulièrement, nous n’avons manqué d’évoquer le mot « golem » lui-même, son origine ainsi que celle de la légende et en regard de parallèles anciens. Nous nous sommes appuyée sur les thèmes mis en avant itérativement par les auteurs et dans lesquels s’inscrit le thème : Cabbale juive et mystique des lettres et du Nom de Dieu ou Schem. Magie, alchimie nous ont amenée à évoquer avec les auteurs le thème de Faust puis de Frankenstein explicites dans les textes, pour souligner la création dans la création. Nous nous sommes servie du thème du Graal pour mettre l’accent, avec une interrogation sur le parallèle icône et idole, sur la littéralité du thème de la création, avant d’en arriver à mettre l’accent sur une poétique des commencements, création de l’homme artificiel et création littéraire en miroir
The word golem, a biblical hapax which was translated from the Hebrew term “golim”, is to be found in Psalm CXXXIX,16. It refers to the shape of the first man before his being given life by the breath of God.Most of the time, translated by the word “embryo” or “shapeless mass”, its very meaning has given rise to considerable exegis.From the Jewish tradition, the word will consequently happen to describe an artificial man whose creation will be ascribed to devout rabbis who had in prospect an Imitatio Dei, according to the magic interpretation of the Sefer Yetsirah or “Book of Creation” which is supposed to hold the key of it. The experiment must prove the creative power of the letters of the Hebrew alphabet or the letters attributed to the Name of God, according to the Ashkenazi and Northern European masters of the Cabbala. They have consigned their techniques of creation; the ritual takes place in two stages: first of all, there is the building of the human shape from the elements, then its animation happens owing to the reciting and combined arrangement of letters. The success of the experiment is considered as the touchstone of the religious perfection of the maker as well as his creative power, just like that of the letters of the Hebrew alphabet.The golem became part of the legendary field between the end of the XVIIIth century and the beginning of the XIXth century, giving holy rabbis such powers as demiurges.The first legend brought to light has Polish origins and is centered on Reb Elias Baalschem of Chelm. Not long after it will give precedence to the legend born in Prague which tells the story of Rabbi Löw who, besides his supernatural powers, made a golem to protect the Jewish town accused of committing ritual historical crimes.Trought I decided to take a special interest in the maker’s function, actually I did mention the word golem, its origin as well as its legends, in connection with ancient parallels. I based my study on the iterated themes regularly brought to light by authors in whose works I might find the following themes: Jewish Cabbala, the mystic of the letters and the Name of God or Schem.Magic, alchemy would lead me to evoke the themes of Faust and Frankenstein and to underluie with their authors the theme of creation within creation.I called to mind the myth of the Holy Grail too, to wonder about the paralell between icon and idol, as well as about the literality of the poetic of all beginnings with the making of the artificial man and any literay creation, acting like a mirror writing
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Souza, Paula Tainar de. "Expressionismo alemão no cinema : horror poético-quotidiano em O golem." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em História Social, 2016. http://www.bibliotecadigital.uel.br/document/?code=vtls000208945.

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Após as disputas pela hegemonia econômica durante o século XIX, o continente europeu foi palco da Primeira Guerra Mundial e a Alemanha viu-se inserida em um contexto caótico. A derrota alemã na guerra agravou os problemas políticos e econômicos que o país enfrentava e a imposição do Tratado de Versalhes juntamente com a implantação da República de Weimar contribuiram para o aumento do ressentimento alemão. Esse contexto foi terreno fértil para o cinema expressionista que havia acabado de surgir e toda a tensão presente no cotidiano ofereceu contribuição para um refinamento do gênero. Ao estabeler um diálogo entre obra de arte e contexto, o historiador pode resgatar vestígios utilizando-os enquanto fonte para construção do conhecimento histórico. O expressionismo alemão auxiliou na criação de uma nova imagem de mundo ao passo que também representou com maestria a tensão que todos estavam vivendo no pós-Primeira Guerra na Alemanha. A fonte documental é o filme alemão The Golem: how he came into the world produzido no ano de 1920 pelo diretor Paul Wegener que está inserido entre os filmes do período. A presente pesquisa tem o objetivo de identificar a potência criativa no processo de produção expressionista, bem como o diálogo e influência do contexto no qual foram produzidos utilizando a obra The Golem (1920) como ponto de partida.
After disputes over economic hegemony during the 19th century, the continent hosted the First World War and Germany found itself inserted in a chaotic context. The German defeat in the war aggravated the political and economic problems facing the country, and the imposition of the Versailles Treaty, with the establishment of the Weimar Republic, contributed to the increase in German resentment. This context is fertile ground for the expressionist cinema that had just come up; all the present tension in daily life offered contribution to a refinement of the genre. By establishing a dialogue between the work of art and context the historian can rescue traces, using them as a source for construction of historical knowledge. The German expressionism helped in creating a new image of the world while also represented a masterly tension that everyone was living in post-War Germany. The source document is the German film The Golem: how he come into the world, produced in 1920 by the director Paul Wegener, that is inserted among the films of the period. This research aims to identify the creative power in the expressionist production process, and the dialogue and influence of the context in which they were produced, using the work The Golem (1920) as a starting point.
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Tytell, Frances Wilke. "The golem speaks : a study of four modern Jewish American novels /." Electronic thesis, 2005. http://etd.wfu.edu/theses/available/etd-06262005-195633/.

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Fowles, Shelley. "The indistinct image of the Golem : an aspect of the uncanny." Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/7eb0e446-31e6-4dac-9f84-57b9d8f32992.

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The Golem is a creature formed by a rabbi out of mud or clay (although it can be made of wood). It is an enduring and favourite subject in Jewish folklore, and it has proved invaluable in its power to reflect the vicissitudes of history. The Golem can take many forms, but is always powered by a magic or holy word. The tale usually ends with the destruction of the creature, but hints of its probable return usually haunt and disrupt any sense of finality. The most famous and enduring version of the story was set in the Prague Ghetto, and was a favourite subject for German Expressionist artists. This is because it reflected a time when the old and the new combined in uncanny and disturbing ways. The Golem story was popular with Romantic writers like E.T.A. Hoffmann, who were similarly reacting to a world that was changing under the influence of Enlightenment thinking and war. Sigmund Freud’s famous essay, ‘The Uncanny’, (‘Das Unheimliche’) of 1919, used Hoffmann’s classic Golem tale, The Sandman, as its central focus, though Freud was never to acknowledge its Jewish origins.
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Junior, Kurt Jurgen Stuermer. "Do barro do rio: um filme de animação inspirado na lenda do Golem." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-18112013-164805/.

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O golem é um ser mítico ligado ao misticismo judaico. O relato mais significativo envolve Judah Loew, rabino de Praga na república Checa no século XVI. O rabino Loew modelou o seu golem com o barro do rio Vltava e lhe deu vida através de um processo mágico. O Golem foi criado para proteger o povo judeu dos crescentes ataques anti-semitas. Nesta animação, feita com a técnica de stop-motion utilizando a argila como meio de expressão, a lenda do golem assume uma abordagem contemporânea. O Golem tem de proteger não só o povo judeu, mas toda a humanidade contra sua maior ameaça. Buscando entender sua tarefa, ele se depara com a contradição que ela representa. Neste filme de animação a argila sublima sua materialidade e liberta-se de seu peso para tornar-se um meio líquido e etéreo. Por este motivo ela foi escolhida como meio de expressão para este projeto.
The golem is a being connected to Jewish mysticism. The most significant narrative involves Judah Loew, the late 16th-century rabbi of Prague, in the Czech Republic. The rabbi modelled the Golem out of clay from the banks of the Vltava river, and brought it to life through a magic process. The Golem was created to defend the Jews from antisemitic attacks. In this short stop-motion animation made with clay, the story of the Golem takes a contemporary approach. The Golem has to defend not the Jews only, but the whole human kind from its greatest threat. Searching for the meaning of its task, the Golem faces the contradiction it represents. In this animation, clay frees itself from its materiality leaving behind its weight to become fluid and ethereal. That is the reason why it was chosen to be used as the means of expression in this project.
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Jabs, Stefanie. "Die Rezeption von Gustav Meyrinks Roman Der Golem als Werk der Trivialliteratur." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0005/MQ43888.pdf.

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Ratner, Bram David. "An essay on the ethics of creation : Golem : Western Wall : Franz Kafka." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69606.

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This thesis explores the critical question of the ethics of creation as it emerges to the forefront of contemporary thought in the late twentieth century. The question is examined through three independent yet interrelated motifs: the legend of the Golem, the symbol of the Western Wall in Jerusalem, and the literature of Franz Kafka. An understanding of these three motifs, in all their implications, can provide valuable commentary and insightful reflections so that a discourse on a possible moral and ethical ground for affirmative creation can be engaged. It is imperative, in light of the destructive potentiality of our creative making, to address this discourse if architecture is to regain cultural relevance.
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Retzlaff, Hilde. "The Golem Project : Creation, Animation and the Re-enchantment of the World." Thesis, Kungl. Konsthögskolan, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-458.

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The Golem Project är en studie i animation av död materia. Projektets två delar består av en essä där framförallt skapelsemyter studerats och ett fysiskt experiment utifrån fastställda hypoteser. The Golem Project presenterades på Galleri Mejan hösten 2017 som en utställning med namnet The Golem Experiment.
The Golem Experiment är det fysiska experiment som resulterade av mina studier. Det presenterades i form av en skulptural installation på Galleri Mejan hösten 2017.
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Rastko, Ajtić. "Biologija i ekologija ribarice (Natrix tessellata Laurenti, 1768 (Reptilia: Serpentes, Colubridae), na ostrvu Golem Grad (Prespansko jezero, Republika Makedonija)." Phd thesis, Univerzitet u Novom Sadu, Prirodno-matematički fakultet u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101109&source=NDLTD&language=en.

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Natrix tessellata predstavlja vrstu neotrovne zmije koja ima široko rasprostranjenje.Posebno interesantnu populaciju ribarica čine zmije koje naseljavaju izolovana ostrva kao što je to slučaj na ostrvu Golem grad koje se nalazi na Prespankom jezeru u Makedoniji.    Imajući u  vidu da je ova populacija na ovom lokalitetu izuzetno brojna i slabo istražena, cilj studije je bio da se ispita životna istorija date vrste zmija, njene osnovne morfološke karakteristike, seksualni polimorfizam, zastupljenost različitih kolor morfi, dnevnu i sezonsku aktivnost, predaciju kao i njihove reproduktivne karakteristike.   Studija je sprovedena na ukupno 3850 jedinki ribarica na ostrvu Golem grad tokom prolećne i letnje sezone u periodu od 2008. do 2012. godine, a uključila je i određivanje kondicionog indeksa i njegovu vezu sa kolor morfama, polom i uzrasnim kategorijama.      Rezultati ove studije su pokazali da je populacija ribarica koja naseljava ostrvo Golem grad, specifična iz nekoliko razloga. Najpre, na relativno malom prostoru stalno je naseljen veliki broj jedinki, sa podjednakom zastupljenošću sve tri kolor morfe (tačkasta, siva i melanična kolor morfa) što predstavlja specifičnost i različitost u odnosu na sve ostale lokalitete koje naseljava ova vrsta zmije. Takođe, prosečne vrednosti ispitivanih morfoloških karakteristika ženki su značajno veće u odnosu na mužjake u sve tri uzrasne kategorije (juvenilni, subadulti i adulti). Fertilitet i fekunditet, kao i kondicioni indeks je pokazao specifičnost u odnosu na ispitivane zone ostrva.   Sumiranjem i analizom svih iznesenih rezultata može se zaključiti da je populacijaribarica Natrix tessellata na ostrvu Golem grad jako specifična zbog ujednačenog prisustva sve tri kolor morfe koje pokazuju svoju ekološku, reproduktivnu i morfološku specifičnost u odnosu na populacije ribarica koje su ispitivane na drugim lokalitetima njihovog rasprostranjenja. Kako bi se posebnost ove populacije u potpunosti  objasnila sa različitih evolutivnih i ekoloških aspekata, neophodno je izvršiti dalja ispitivanja tokom sledećih aktivnih sezona.
Natrix tessellata represents one specific type of non-toxic snake that have a wide distribution. Particularly this population of dice snake is interesting because it is consists of snakes that inhabit the isolated island Golem grad in Prespa lake in FYR Macedonia.Bearing in mind that this population at this particular site is extremely dense and poorly investigated, the goal of this study was to examine the life history of these species, its morphological characteristics, sexual polymorphism, presence of the  different color morphs, duirnal and seasonal activity, predation and their  reproductive   characteristics. The study was conducted on a total of 3850 individuals of dice snake on the island Golem grad during the spring and summer season in the period from 2008. to 2012., and included the determination of the fitness index and its relationship with a color morph, sex and age categories. Results of this study showed that the population of dice snakes that inhabits the island Golem grad, are specific for several reasons. First, the relatively small area has been inhabited by large number of individuals, with equal representation of all three color morphs  (dotted, gray and melanic morph) which represents the specificity  and diversity in relation to all other localities inhabited by this species of snake. Also, the average value of measured morphological characteristics in females  were significantly higher than in males in all three age categories (juvenile, subadult and adult). Fertility and fecundity, and fitness index have showed the specificity acording to specific zone of the island.    By summarizing and analyzing of results it can be conclude that the population of Natrix tessellata which inhabits island Golem grad are very specific due to the uniform presence of all three color morphs that demonstrate their  environmental, reproductive and morphological specificity in comparison of dice snakes populations that have been studied in other localities of their distribution range. In order to be fully explained unicity of this population from different  evolutionary and ecological aspects, it is necessary to do further research during the next active seasons.
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Books on the topic "Golem"

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Kraus, Melita. Priča o Golemu: Story of Golem. Zagreb: Izdanja Antibarbarus, 2015.

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Petiška, Eduard. Golem. [Prague?]: Martin, 1991.

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Lüdicke, Martina. Golem. Bielefeld, Germany: Kerber Verlag, 2016.

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Sadan, Noa Shaharabani. Golem. Rishon le-Tsiyon: Yediʻot aḥaronot, 2021.

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Fran, Herndon, Killian Kevin, Granary Books (Firm), and Press Collection (Library of Congress), eds. Golem. New York City: Granary Books, 1999.

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Teyssiéras, Anne. Golem. [Mortemart]: Rougerie, 2000.

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Petiška, Eduard. Golem. [Prague?]: Martin, 1991.

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Meyrink, Gustav. Golem. Praha: Levné knihy KMa, 2002.

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1951-, Murail Lorris, and Murail Marie-Aude 1954-, eds. Golem. Paris: Pocket jeunesse, 2010.

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Meyrink, Gustav. The Golem. Sawtry, Cambs: Dedalus, 1995.

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Book chapters on the topic "Golem"

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Haydt, Claudia. "Golem." In Metzler Lexikon Religion, 513. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_185.

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Geraci, Robert M. "Golem." In Encyclopedia of Sciences and Religions, 956–57. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_201027.

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Nielsen, Wendy C. "The Golem." In Motherless Creations, 139–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003276104-10.

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Segol, Marla. "Golem Diagrams: Golem Making, Astrology, and Messianism." In Word and Image in Medieval Kabbalah, 105–39. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137043139_6.

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Dischereit, Esther. "Whats App Golem." In Wegweiser und Grenzgänger, 253–58. Wien: Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205201045.253.

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Fay, Colin, Sébastien Rochette, Vincent Guyader, and Cervan Girard. "Introduction to {golem}." In Engineering Production-Grade Shiny Apps, 55–72. Boca Raton: Chapman and Hall/CRC, 2021. http://dx.doi.org/10.1201/9781003029878-5.

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Rasche, Jörg. "The Golem-complex." In Political Passions and Jungian Psychology, 152–58. Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429291845-17.

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Quercioli Mincer, Laura. "Nostalgia and Creaturality in H. Leivick’s Тhe Golem." In Biblioteca di Studi Slavistici, 57–74. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.04.

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This article examines some of the constituent elements of an often metaphysical "Jewish angst" or "Jewish toska" found in the Yiddish language drama "The Golem" (Der goylem, 1921). In this masterpiece by Russian Jewish writer H. Leivick, the renowned man-made clay giant clay of ancient Kabbalah legend, is the creature of sixteenth-century Rabbi Loew, the Maharal of Prague, and becomes an emblem of Jewish melancholic nostalgia. Such toska is directed simultaneously at the ontologically distant Creator, supremely unattainable, and at the equally unreachable messianic era. The Golem's sense of estrangement from his own existence, explored here in tandem with Leivick's biography, ultimately renders him a personification of nostalgia itself.
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Blicha, Martin, Konstantin Britikov, and Natasha Sharygina. "The Golem Horn Solver." In Computer Aided Verification, 209–23. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-37703-7_10.

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AbstractThe logical framework of Constrained Horn Clauses (CHC) models verification tasks from a variety of domains, ranging from verification of safety properties in transition systems to modular verification of programs with procedures. In this work we present Golem, a flexible and efficient solver for satisfiability of CHC over linear real and integer arithmetic. Golem provides flexibility with modular architecture and multiple back-end model-checking algorithms, as well as efficiency with tight integration with the underlying SMT solver. This paper describes the architecture of Golem and its back-end engines, which include our recently introduced model-checking algorithm TPA for deep exploration. The description is complemented by extensive evaluation, demonstrating the competitive nature of the solver.
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Henschen, Hans-Horst. "Meyrink, Gustav: Der Golem." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22848-1.

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Conference papers on the topic "Golem"

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Bekerman, Zvi, and Gabriel Horenczyk. "Golem, from Prague to cyberspace." In the Conference. Morristown, NJ, USA: Association for Computational Linguistics, 2002. http://dx.doi.org/10.3115/1658616.1658637.

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Grover, Ondrej, Vojtech Svoboda, and Jan Stockel. "Online experimentation at the GOLEM tokamak." In 2019 5th Experiment Conference (exp.at'19). IEEE, 2019. http://dx.doi.org/10.1109/expat.2019.8876482.

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Grover, Ondrej, Vojtech Svoboda, and Jan Stockel. "Remote demonstration of the GOLEM tokamak." In 2019 5th Experiment Conference (exp.at'19). IEEE, 2019. http://dx.doi.org/10.1109/expat.2019.8876584.

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Guarneri, Andrea, Dario Maggiorini, Laura Ripamonti, and Marco Trubian. "GOLEM: Generator Of Life Embedded into MMOs." In European Conference on Artificial Life 2013. MIT Press, 2013. http://dx.doi.org/10.7551/978-0-262-31709-2-ch084.

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Bromuri, S., V. Urovi, P. Contreras, and K. Stathis. "A virtual e-retailing environment in GOLEM." In 4th International Conference on Intelligent Environments (IE 08). IEE, 2008. http://dx.doi.org/10.1049/cp:20081174.

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Slater, Avery. "The Golem and the Game of Automation." In 2021 IEEE Conference on Norbert Wiener in the 21st Century (21CW). IEEE, 2021. http://dx.doi.org/10.1109/21cw48944.2021.9532551.

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Guarneri, Andrea, Dario Maggiorini, Laura Ripamonti, and Marco Trubian. "GOLEM: Generator Of Life Embedded into MMOs." In European Conference on Artificial Life 2013. MIT Press, 2013. http://dx.doi.org/10.1162/978-0-262-31709-2-ch084.

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Heinrich, Gudrun. "Automated one-loop calculations with Golem/Samurai." In 10th International Symposium on Radiative Corrections (Applications of Quantum Field Theory to Phenomenology). Trieste, Italy: Sissa Medialab, 2013. http://dx.doi.org/10.22323/1.145.0013.

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Stilman, Mike, Jon Olson, and William Gloss. "Golem Krang: Dynamically stable humanoid robot for mobile manipulation." In 2010 IEEE International Conference on Robotics and Automation (ICRA 2010). IEEE, 2010. http://dx.doi.org/10.1109/robot.2010.5509593.

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Ossola, Giovanni, Gavin Cullen, Nicolas Greiner, Gudrun Heinrich, Gionata Luisoni, Pierpaolo Mastrolia, Thomas Reiter, and Francesco Tramontano. "Automation of one-loop scattering amplitudes with Golem/Samurai." In XXIst International Europhysics Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2012. http://dx.doi.org/10.22323/1.134.0373.

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