Relevant bibliographies by topics / Global jazz / Books

Books on the topic 'Global jazz'

To see the other types of publications on this topic, follow the link: Global jazz.
Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 44 books for your research on the topic 'Global jazz.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Deconstructing post-WWII New York City: The literature, art, jazz, and architecture of an emerging global capital. New York: Routledge, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Storia del jazz: Una prospettiva globale. Viterbo: Stampa alternativa/Nuovi equilibri, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Global Jazz: A Research and Information Guide. Routledge, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Henry, Clarence Bernard. Global Jazz: A Research and Information Guide. Taylor & Francis Group, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Henry, Clarence Bernard. Global Jazz: A Research and Information Guide. Taylor & Francis Group, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Henry, Clarence Bernard. Global Jazz: A Research and Information Guide. Taylor & Francis Group, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nicholson, Stuart. Jazz and Culture in a Global Age. Northeastern University Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Jazz and Culture in a Global Age. Northeastern, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Henry, Clarence Bernard. Global Jazz: A Research and Information Guide. Routledge, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Saito, Yoshiomi. Global Politics of Jazz in the Twentieth Century. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Saito, Yoshiomi. Global Politics of Jazz in the Twentieth Century. Taylor & Francis Group, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Washburne, Christopher. Latin Jazz. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195371628.001.0001.

Full text
Abstract:
Latin Jazz: The Other Jazz is an issue-oriented historical and ethnographic study that focuses on key moments in the history of the music in order to unpack the cultural forces that have shaped its development. The broad historical scope of this study, which traces the dynamic interplay of Caribbean and Latin American musical influence from eighteenth- and nineteenth-century colonial New Orleans through to the present global stage, provides an in-depth contextual foundation for exploring how musicians work with and negotiate through the politics of nation, place, race, and ethnicity in the ethnographic present. Latin jazz is explored both as a specific subgenre of jazz and through the processes involved in its constructed “otherness.” Latin Jazz: The Other Jazz provides a revisionist perspective on jazz history by embracing and celebrating jazz’s rich global nature and heralding the significant and undeniable Caribbean and Latin American contributions to this beautiful expressive form. This study demonstrates how jazz expression reverberates entangled histories that encompass a tapestry of racial distinctions and blurred lines between geographical divides. This book acknowledges, pays tribute to, and celebrates the diversity of culture, experience, and perspectives that are foundational to jazz. Thus, the music’s legacy is shown to transcend far beyond stylistic distinction, national borders, and the imposition of the black/white racial divide that has only served to maintain the status quo and silence and erase the foundational contributions of innovators from the Caribbean and Latin America.
APA, Harvard, Vancouver, ISO, and other styles
13

Shaping jazz: Cities, labels, and the global emergence of an art form. 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
14

Phillips, Damon J. Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton University Press, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
15

Phillips, Damon J. Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton University Press, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Robson, Andrew. Austral Jazz: The Localization of a Global Music Form in Sydney. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Robson, Andrew. Austral Jazz: The Localization of a Global Music Form in Sydney. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
18

Robson, Andrew. Austral Jazz: The Localization of a Global Music Form in Sydney. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
19

Robson, Andrew. Austral Jazz: The Localization of a Global Music Form in Sydney. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
20

Gioia, Ted. The History of Jazz. 3rd ed. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190087210.001.0001.

Full text
Abstract:
The History of Jazz, 3rd edition, is a comprehensive survey of jazz music from its origins until the current day. The book is designed for general readers and students, as well as those with more specialized interest in jazz and music history. It provides detailed biographical information and an overview of the musical contributions of the key innovators in development of jazz, including Louis Armstrong, Duke Ellington, Billie Holiday, Coleman Hawkins, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Ella Fitzgerald, Miles Davis, John Coltrane, Ornette Coleman, and others. The book also traces the evolution of jazz styles and includes in-depth accounts of ragtime, blues, New Orleans jazz, Chicago jazz, swing and big band music, bebop, hard bop, cool jazz, avant-garde, jazz-rock fusion, and other subgenres and developments. The volume also provides a cultural and socioeconomic contextualization of the music, dealing with the broader political and social environment that gave birth to the music and shaped its development—both in the United States and within a global setting.
APA, Harvard, Vancouver, ISO, and other styles
21

Making Jazz French: Music and Modern Life in Interwar Paris (American Encounters/Global Interactions). Duke University Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
22

Saito, Yoshiomi. Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
23

Saito, Yoshiomi. Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
24

Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
25

Saito, Yoshiomi. Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and American Music. Taylor & Francis Group, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
26

Follow Your Heart: Moving with the Giants of Jazz, Swing, and Rhythm and Blues (African Amer Music in Global Perspective). University of Illinois Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
27

Music and the New Global Culture: From the Great Exhibitions to the Jazz Age. University of Chicago Press, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
28

Making Jazz French: Music and Modern Life in Interwar Paris (American Encounters/Global Interactions). Duke University Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
29

Liebersohn, Harry. Music and the New Global Culture: From the Great Exhibitions to the Jazz Age. University of Chicago Press, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
30

Loza, Steven, and Anthony Wilson. The Jazz Pilgrimage of Gerald Wilson. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816023.001.0001.

Full text
Abstract:
Jazz great Gerald Wilson (1918–2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, this book presents a perspective on what the musician and composer called his “jazz pilgrimage.” Wilson uniquely adapted Latin influences into his jazz palette, incorporating many Cuban and Brazilian inflections as well as those of Mexican and Spanish styling. Throughout, the book refers to Wilson's compositions and arrangements, including their historical contexts and motivations. It provides savvy musical readings and analysis of the repertoire, and concludes by reflecting upon Wilson's ideas on the place of jazz culture in America, its place in society and politics, its origins, and its future. With a foreword written by Wilson's son, Anthony, and such sources as essays, record notes, interviews, and Wilson's own reflections, the biography represents the artist's ideas with all their philosophical, historical, and cultural dimensions. Beyond merely documenting Wilson's many awards and recognitions, this book ushers readers into the heart and soul of a jazz creator. Wilson emerges a unique and proud African American artist whose tunes became a mosaic of the world.
APA, Harvard, Vancouver, ISO, and other styles
31

Bennett, Robert. Deconstructing Post-WWII New York City: The Literature, Art, Jazz, and Architecture of an Emerging Global Capital. Taylor & Francis Group, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
32

Bennett, Robert. Deconstructing Post-WWII New York City: The Literature, Art, Jazz, and Architecture of an Emerging Global Capital. Taylor & Francis Group, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
33

Bennett, Robert. Deconstructing Post-WWII New York City: The Literature, Art, Jazz, and Architecture of an Emerging Global Capital. Taylor & Francis Group, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
34

Bennett, Robert. Deconstructing Post-WWII New York City: The Literature, Art, Jazz, and Architecture of an Emerging Global Capital. Taylor & Francis Group, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
35

Bennett, Robert. Deconstructing Post-WWII New York City: The Literature, Art, Jazz, and Architecture of an Emerging Global Capital. Taylor & Francis Group, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
36

Greenland, Thomas H. Epilogue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0009.

Full text
Abstract:
This epilogue examines some of the changes that have taken place in the decade-plus since the author conducted his study in 2002, along with their impact on New York City's jazz scene. It begins with a discussion of the terrorist attacks of September 11, 2001; the housing bubble in 2007–2008 and the ensuing global financial crisis; and the continued gentrification of New York neighborhoods. It then considers how the economic recession affected jazz entrepreneurs and looks at the advent of file-sharing and music-streaming technologies as well as digital media such as Facebook, artist websites and blogs, YouTube, Myspace, and Twitter. It also recounts the 2008 election of Barack Obama as the nation's first black president and assesses its implications for jazz communities. It shows that jazz people improvise over “the changes” as they try to adapt to New York's highly variable environment.
APA, Harvard, Vancouver, ISO, and other styles
37

Domínguez, Virginia R., and Jane C. Desmond, eds. Kristin Solli on Ian Condry. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040832.003.0027.

Full text
Abstract:
This essay is a response to Ian Condry’s contribution in this book, Global Perspectives on the United States. Solli appreciates Condry’s analysis and ideas about music, location, and power but also extends them by discussing an example that, like Condry’s case, suggests the intricacies and paradoxes that follow in the wake of the global dissemination of U.S. popular culture. More specifically, Solli here examines jazz, a genre that has received considerable attention by scholars interested in the local/global dynamic that Condry addresses. While acknowledging that hip-hop in Japan and jazz in Norway have their important differences, Solli considers some similarities as well, especially the dynamic whereby the music gains meaning from being positioned in relation to a perceived U.S. center. Solli notes that both academic and popular discourses tend to focus on how U.S. cultural products and practices are changed and reworked by people in other places, and she asks if this move might risk recentering the U.S. even if the goal is the opposite. In the end, this essay argues that it is important to show how hip-hop in Japan, jazz in Norway, or country music in Brazil, for example, complicate simplistic models of U.S. cultural imperialism. Has the time now come to examine what is and is not localized?
APA, Harvard, Vancouver, ISO, and other styles
38

Brennan, Matt. Kick It. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190683863.001.0001.

Full text
Abstract:
The drum kit—the combination of kick drum, snare drum, and cymbals—has provided the pulse of popular music from before the dawn of jazz up to the present day pop charts. This book is a provocative social history of the instrument that looks closely at key innovators in the development of the kit: inventors and manufacturers like the Ludwig and Zildjian dynasties, jazz icons like Gene Krupa and Max Roach, rock stars from Ringo Starr to Keith Moon, and popular artists who haven't always got their dues as drummers, such as Karen Carpenter and J Dilla. Addressing a seeming contradiction – the centrality of the drum kit on the one hand, and the general disparagement of drummers on the other—this book makes the case for the drum kit’s role as one of the most important and transformative musical inventions of the modern era. Going beyond its purely musical history, it uses the instrument to replay the wider history of the United States and to chart the rise of the drum kit’s global economic and cultural influence. Tackling the history of race relations, global migration, and the changing tension between high and low culture, it shows how the drum kit, drummers, and drumming helped change modern music—and society as a whole—from the bottom up.
APA, Harvard, Vancouver, ISO, and other styles
39

Mendoza S., Enrique Javier, and Jorge Iván Sepúlveda C., eds. Real Book Colombia. Editorial Pontificia Universidad Javeriana, 2021. http://dx.doi.org/10.11144/javeriana.9789587816693.

Full text
Abstract:
Este libro surge como una consecuencia directa de la presencia del jazz en Colombia y de su desarrollo en diferentes ámbitos musicales del país. Enrique Mendoza y Jorge Sepúlveda recopilaron en él cincuenta partituras que componen un amplio repertorio grabado por jazzistas colombianos, en el que se puede apreciar de manera única la trayectoria y el desarrollo de este género en el país desde la segunda mitad del siglo XX hasta hoy. Las partituras que aquí se reproducen dan cuenta de los diferentes acercamientos y de las vinculaciones estéticas y estilísticas que ha tenido el músico colombiano tanto con la tradición jazzística foránea como con repertorios populares y tradicionales nacionales. Se trata de un panorama complejo y diverso que permite apreciar cómo los jazzistas colombianos han entablado un diálogo constante con el estilo, permitiendo que sus reflexiones lleguen e intervengan en el ecosistema jazzístico en Colombia. Lejos de querer imponerse como un repertorio canónico, en las manos de viejas y nuevas generaciones, Real Book Colombia permite conocer una tradición musical heterogénea, que ojalá pueda ser desafiada desde la desobediencia creativa o asimilada desde la simpatía. Además, es una importante herramienta pedagógica que amplía el catálogo de la enseñanza del jazz a nivel global, pues forma parte de una corriente de libros conocidos como real books que, desde mediados de los años setenta, han aportado a la difusión de este estilo en todo el mundo.
APA, Harvard, Vancouver, ISO, and other styles
40

Rasula, Jed. Acrobatic Modernism from the Avant-Garde to Prehistory. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198833949.001.0001.

Full text
Abstract:
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity’s restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, recalibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound’s slogan “Make It New” became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. “Making it new” yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
APA, Harvard, Vancouver, ISO, and other styles
41

Wilson, Christopher R., and Mervyn Cooke, eds. The Oxford Handbook of Shakespeare and Music. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190945145.001.0001.

Full text
Abstract:
This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare’s plays and poems, the contributors’ lines of inquiry extending from the Bard’s own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the United Kingdom and the United States. The range of genres surveyed by the book’s team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare’s ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts.
APA, Harvard, Vancouver, ISO, and other styles
42

Solheim, Jennifer. The Performance of Listening in Postcolonial Francophone Culture. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940827.001.0001.

Full text
Abstract:
The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person interested in contemporary postcolonial France. This book is also a primer to contemporary Francophone culture from North Africa and the Middle East. Some of the French-speaking world’s most renowned and adored artists are the subject of this study, including preeminent Algerian feminist novelist, filmmaker and historian Assia Djebar (1936-2015), the first writer of the Maghreb to become part of the Académie Française; celebrated Iranian graphic novelist and filmmaker Marjane Satrapi (Persepolis, Chicken with Plums); the lauded Lebanese-Québecois playwright and dramaturge Wajdi Mouawad (Littorial, Incendies), and Lebanese comic artist and avant jazz trumpeter Mazen Kerbaj, whose improvisation with Israeli fighter jets during the 2006 Israeli War, “Starry Night,” catapulted him to global recognition. An interdisciplinary study of contemporary Francophone cultures, this book will be of interest to scholars and students in literary studies, performance studies, gender studies, anthropology, history, and ethnomusicology.
APA, Harvard, Vancouver, ISO, and other styles
43

Goldschmitt, K. E. Bossa Mundo. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190923525.001.0001.

Full text
Abstract:
Bossa Mundo chronicles how Brazilian music has been central to Brazil’s national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music’s international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This book fills a major gap in Brazilian music studies by analyzing the consequences of moments when Brazilian music was popular in Anglophone markets, with a focus on the media industries. With subject matter as varied as jazz, film music, dance fads, DJ/remix culture, and new models of musical distribution, the book demonstrates how the mediation of Brazilian music in an increasingly crowded transnational marketplace has had lasting consequences for the creative output celebrated by Brazil as part of its national brand. Through a discussion of the political meaning of mass-mediated music in chronologically organized chapters, the book shifts the scholarly focus on the music’s transnational popularity from the scholarly framework of representing Otherness to broader considerations of a media environment where listeners and intermediaries often have differing priorities. The book provides a new model for studying music from culturally rich countries in the Global South where local governments often leverage stereotypes in their national branding project.
APA, Harvard, Vancouver, ISO, and other styles
44

Browner, Tara, and Thomas L. Riis, eds. Rethinking American Music. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.001.0001.

Full text
Abstract:
Only since the 1970s have the variety of American musical styles and sounds have been allowed to stand on their own two feet in the academic world. Recent efforts to place American music-making within new or heretofore neglected contexts are diverse and inevitably shift our consciousness about music’s meaning and impact in culture. This volume contains a series of commentaries or glosses, chapters about American music broadly understood that seek especially to explore four critical factors beyond the the familiar categories defined by repertory or biography alone: the impact of performance; the role of patronage in the creation of musical objects and events; personal identity; and how larger cultural/ethnographic contexts (community values, ethnic markers, and social relations) determine certain musical results. A related concern in many of the chapters is the way music is disseminated within listening communities—how it was made “popular”—and how it continues to exert a lasting influence across the rest of the globe. The topics to be found here are wide ranging and include many genres and perspectives (hymnody, concert music, jazz, country music, hip-hop, Tin Pan Alley, and Broadway song and dance, among other types), but each chapter is focused on specific performers, patrons, works, conditions, or institutions within its cultural context.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Global jazz' for other source types:
Journal articles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography