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1

Great Britain. Department of the Environment. Secretary of State's guidance - lead glass, glass frit and enamel frit manufacturing processes. London: HMSO, 1995.

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2

Isabelle, Biron, and Wallace Collection (London England), eds. Catalogue of glass and limoges painted enamels. London: Trustees of the Wallace Collection, 2011.

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3

'50s & '60s glass, ceramic & enamel wares: Designed & signed by George Briard, Sascha B., Bellaire, Higgins--. Atglen, PA: Schiffer Publishing, 1996.

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4

Materials and manufacture in ancient Mesopotamia: The evidence of archaeology and art : metals and metalwork, glazed materials and glass. Oxford, England: B.A.R., 1985.

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5

Cox, M. E. A review of the best available techniques not enrailing excessive cost for controlling releases from non-asbestos mineral fibre processes, and glass and enamel frit processes. Manchester: UMIST, 1996.

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6

Marmi, Dionigi. Segreti di fornace. Montelupo Fiorentino [Italy]: Aedo, 2003.

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7

Londe, Richard Parker La. Richard La Londe and friends: Fused glass, vitreous enamels and other techniques : book II. Freeland, Wash: Ozone Press, 2009.

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8

Würzburg, Mainfränkisches Museum. Emailbemaltes Glas, Römer und barockes Farbglas: Aus der Glassammlung des Mainfränkischen Museums Würzburg. Würzburg: Mainfränkisches Museum, 1993.

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9

Letkiewicz, Ewa. Polskie witraże nowożytne malowane emaliami. Lublin: Uniwersytet Marii Curie-Skłodowskiej, 1995.

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10

Dietzel, Adolf Hugo. Practical significance and calculation of surface tension of glass, enamels and glazes. Washington, DC: National Aeronautics and Space Administration, 1987.

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11

International Association for the History of Glass. Comitato nazionale italiano. Giornate nazionali di studio. Il vetro in Italia meridionale e insulare: Quarta Giornata nazionale di studio, Comitato nazionale AIHV : atti del primo Convegno multidisciplinare, Napoli, 5-7 marzo 1998. Napoli: De Frede, 1999.

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12

Convegno multidisciplinare (1st 1998 Naples, Italy). Il vetro in Italia meridionale e insulare: Quarta Giornata nazionale di studio, Comitato nazionale AIHV : atti del primo Convegno multidisciplinare, Napoli, 5-6-7 marzo 1998. Napoli: De Frede, 1999.

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13

Glass exchange between Europe and China, 1550-1800: Diplomatic, mercantile, and technological interactions. Aldershot, Hants, England: Ashgate, 2008.

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14

Stefano, Carboni, Henderson Julian, and Islamic Art Society (London, England)., eds. Mamluk enamelled and gilded glass in the Museum of Islamic Art, Qatar. London: Islamic Art Society, 2003.

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15

Ribeiro, Maria Queiroz. Os vidros da dinastia mameluca no Museu Calouste Gulbenkian =: Mamluk glass in the Calouste Gulbenkian Museum. Lisboa: Fundação Calouste Gulbenkian, 2000.

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16

Heiligenstein, Auguste. Auguste Heiligenstein: 1891-1976 : émailleur sur verre et céramique. Paris: Editions Delpha, 1994.

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17

Cutler, Anthony. Ivory, Steatite, Enamel, and Glass. Oxford University Press, 2008. http://dx.doi.org/10.1093/oxfordhb/9780199252466.013.0041.

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18

Campana, D. M. Enamel Decorations for Porcelain and Glass. Campana Art Co, 1986.

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19

Traditional Printing on Ceramics, Glass and Enamel. A & C Black, 2003.

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20

New glass, ceramics and enamel from Scandinavia. London: Saga Scandinavian Art Ltd, 1989.

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21

Britain, Great. Glass Manufacture and Production Glass Frit and Enamel Frit (Chief Inspector's Guidance to Inspectors). Stationery Office Books, 1992.

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22

Agency, Environment. Manufacture of Glass Fibres, Other Non-asbestos Mineral Fibres, Glass Frit, Enamel Frit and Associated Processes. Stationery Office Books, 1996.

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23

Christine, Daintith, United Kingdom Institute for Conservation of Historic and Artistic Works of Art., and Glass and Enamel Conservation (Meeting) (1989 : [London]), eds. Glass and enamel conservation: Collected papers from a one-day meeting on The Conservation of Glass and Enamels held on 11 November 1989. London: United Kingdom Institute for Conservation of Historic and Artistic Works, 1992.

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24

Christine, Daintith, and United Kingdom Institute for Conservation of Historic and Artistic Works., eds. Glass and enamel conservation: Collected papers from a one-day meeting on the conservation of glass and enamels held on 11 November 1989. London: United Kingdom Institute for Conservation of Historic and Artistic Works of Art, 1992.

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25

Ayuntamiento, Barcelona (Spain), and Barcelona (Spain). Museo de Arte Moderno., eds. Els Vitralls cloisonné de Barcelona. [Barcelona]: Ajuntament de Barcelona, 1985.

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26

Nelson, Harold B., 1947- author, Enamel Arts Foundation, Fuller Craft Museum, Craft & Folk Art Museum (2004-), Crocker Art Museum, and Arkansas Arts Center, eds. Little dreams in glass and metal: Enameling in America, 1920 to the present. The University of North Carolina Press, 2015.

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27

From pinheads to hanging bowls: The identification, deterioration and conservation of applied enamel and glass decoration on archaeological artefacts. [London]: United Kingdom Institute for Conservation, 1987.

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28

Louise, Bacon, Knight Barry, and United Kingdom Institute for Conservation of Historic and Artistic Works., eds. From Pinheads to Hanging Bowls: The identification, deterioration and conservation of applied enamel and glass decoration on archaeological artefacts : the proceedings of a conference held by UKIC Archaeology Section, May 1984. London: United Kingdom Institute for Conservation of Historic & Artistic Works, 1987.

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29

Boda, Yang, and Zhongguo mei shu quan ji bian ji wei yuan hui., eds. Jin yin bo li fa lang qi. Beijing: Wen wu chu ban she, 1987.

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30

Jin yin bo li fa lang qi (Zhongguo mei shu quan ji). Fa xing zhe Xin hua shu dian Beijing fa xing suo, 1987.

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31

Pina, Leslie A. Designed & Signed: '50S & '60s Glass, Ceramics & Enamel Wares by Georges Briard, Sascha Brasto (Schiffer Book for Collectors With Value Guide.). Schiffer Publishing, 1996.

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32

Parker, Philip M. The 2007 Import and Export Market for Glass Frit, Powder, Granules, Flake, and Prepared Pigments, Opacifiers, Colors, and Vitrifiable Enamel Used in Ceramic, ... and Glass Industry in United States. ICON Group International, Inc., 2006.

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33

Parker, Philip M. The 2007 Import and Export Market for Glass Frit, Powder, Granules, Flake, and Prepared Pigments, Opacifiers, Colors, and Vitrifiable Enamel Used in Ceramic, Enameling, and Glass Industry in India. ICON Group International, Inc., 2006.

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34

Parker, Philip M. The 2007 Import and Export Market for Glass Frit, Powder, Granules, Flake, and Prepared Pigments, Opacifiers, Colors, and Vitrifiable Enamel Used in Ceramic, Enameling, and Glass Industry in China. ICON Group International, Inc., 2006.

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35

Fausto Berti (Editor); David P. Beneteau (Translator) (Editor), ed. The Ceramist's Secrets. Aedo Editore, 2005.

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36

Charleston, R. J. Glass and Enamels: The James A. Rothschild Collection at Waddesdon (James A. de Rothschild Collection at Waddesdon Manor). Unicorn Press, 2006.

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37

Parker, Philip M. The World Market for Glass Frit, Powder, Granules, Flake, and Prepared Pigments, Opacifiers, Colors, and Vitrifiable Enamel Used in Ceramic, Enameling, ... Industry: A 2007 Global Trade Perspective. ICON Group International, Inc., 2006.

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38

The World Market for Glass Frit, Powder, Granules, Flake, and Prepared Pigments, Opacifiers, Colors, and Vitrifiable Enamel Used in Ceramic, Enameling, ... Industry: A 2004 Global Trade Perspective. Icon Group International, Inc., 2005.

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39

Swarzenski, Hanns, and Nancy Netzer. Enamels and Glass (Catalogue of Medieval Objects). Museum of Fine Arts (Boston), 1986.

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40

Paint With Style Enameled Glass. Leisure Arts, 2008.

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41

Weiner, Kay Bain. Designs for Glass Enameling: Techniques and Patterns. Eastman Publishing, 2005.

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42

Weiner, Kay Bain. Contemporary Glass Enameling: Fusing with Powders, Paints, and Frit. Eastman Publishing, 2005.

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43

Foy, Daniele. An Overview of the Circulation of Glass in Antiquity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198790662.003.0009.

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This chapter presents new data from archaeological finds, the study of stamps, and the results of laboratory analysis, on local and inter-regional trade in different glass products in the Roman period—raw glass, glass for recycling, windowpanes of different types, glass drinking and table vessels and containers. Raw glass, remelted and blown in western workshops, originates from several primary production centres in the eastern Mediterranean: until the mid-second century AD, glass from the Syro-Palestinian coast dominates. Large containers, for alcoholic drinks, oils, or garum, were traded over short distances. The unguentaria of the second and third centuries, containing perfumed oil, travelled further. Some of these containers are stamped and enable a more precise study revealing local, regional, and inter-regional exchange. These stamps, referring to the producer of the contents and not to the maker of the object, emanate from private individuals, the imperial power, and perhaps also towns.
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44

Parker, Philip M. The 2007-2012 World Outlook for Architectural Interior Gloss and Quick-Drying Enamels and Other Gloss Solvent-Thinned Paints and Enamels. ICON Group International, Inc., 2006.

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45

The 2006-2011 World Outlook for Architectural Interior Gloss and Quick-Drying Enamels and Other Gloss Solvent-Thinned Paints and Enamels. Icon Group International, Inc., 2005.

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46

Parker, Philip M. The 2007-2012 Outlook for Architectural Interior Gloss and Quick-Drying Enamels and Other Gloss Solvent-Thinned Paints and Enamels in India. ICON Group International, Inc., 2006.

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47

Rachel, Ward, British Museum, Association for the History of Glass (Great Britain), and British Museum. Dept. of Oriental Antiquities (1937- ), eds. Gilded and enamelled glass from the Middle East. London: Published for the Trustees of the British Museum by British Museum Press, 1998.

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48

Parker, Philip M. The 2007-2012 Outlook for Architectural Interior Gloss and Quick-Drying Enamels and Other Gloss Solvent-Thinned Paints and Enamels in Greater China. ICON Group International, Inc., 2006.

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49

Parker, Philip M. The 2007-2012 Outlook for Architectural Interior Gloss and Quick-Drying Enamels and Other Gloss Solvent-Thinned Paints and Enamels in the United States. ICON Group International, Inc., 2006.

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50

Swarzenski, Hanns, and Nancy Netzer. Medieval Objects in the Museum of Fine Arts Boston: Medieval Enamels and Glass. Museum of Fine Arts Boston, 1986.

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