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Books on the topic 'Glass art Australia'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Ebeltoft, Glasmuseum. Ausglass: An exhibition of glass art by 16 artists from Australia. Ebeltoft: Glasmuseum, 1995.

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2

Ioannou, Noris. Australian studio glass: The movement, its makers, and their art. Roseville East, NSW: Craftsman House, 1995.

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3

Gallery, Kurland/Summers. Australian kiln/formed glass: Exhibition April 13, 1989 - May 13, 1989. Los Angeles: Kurland/Summers Gallery, 1989.

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4

Shards of glass: Children reading and writing beyond gendered identities. Cresskill, N.J: Hampton Press, 1993.

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5

Davies, Bronwyn. Shards of glass: Children reading and writing beyond gendered identities. Cresskill, NJ: Hampton Press, 2002.

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6

Shards of glass: Children reading and writing beyond gendered identities. St. Leonards, N.S.W., Australia: Allen & Unwin, 1993.

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7

Wagga Wagga City Art Gallery., ed. Art glass from Australia: [exhibition. Wagga Wagga, Australia: Wagga Wagga City Art Gallery, 1990.

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8

Art, Canberra School of, ed. Latitudes: Bullseye glass in Australia. Canberra: Canberra School of Art, 1998.

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9

Ebeltoft, Glasmuseum. Ausglass: An exhibition of glass art by 16 artists from Australia. Glasmuseum, 1995.

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10

Links: Australian Glass and the Pacific Northwest. University of Washington Press, 2013.

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11

1946-, Bell Robert, Petrová Sylva, Art Gallery of Western Australia., and Australian International Crafts Triennial (2nd : 1992), eds. Design visions: International directions in glass, American jewellery and metalwork, Australia-New design visions. Perth, Western Australia: Art Gallery of Western Australia, 1992.

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12

Conway, Kevin, and Margaret Conway. Century of Household Glassware in Australia, 1880 to 1980: A Visual Reference and Price Guide. Conway, Kevin & Margaret, 2001.

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13

Ioannou, Noris. Australian Studio Glass: The Movement, Its Makers and Their Art. Fine Art Publishing, 1996.

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14

Osborne, Margot, and Giles Bettison. Giles Bettison: Pattern and Perception. Wakefield Press Pty, Limited, 2015.

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15

Coady, Diane. Australian Birds in Stained Glass. Kangaroo Press, 1993.

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16

Decorating with Australian Federation Stained Glass. Glass Books Pty, Limited, 2020.

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17

Press, Malakoff Fine Art, ed. Australian decorative arts survey 1994: Ceramics, fibre, glass, leather, metal, wood. North Caulfield, Vic., Australia: Malakoff Fine Art Press, 1994.

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18

Harris, Margaret. Major Authors: Christina Stead, Patrick White, David Malouf. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0019.

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This chapter examines the work of three Australian novelists who are read in the context of modernism, introducing a new dimension for the exploration of individual and national identity. David Malouf defines his Old and New World cultural heritage in a significant body of non-fiction prose, encompassing memoir and cultural commentary, along with reviews and interviews, that runs in tandem with his fiction. His intense literary self-consciousness is manifest in an extended mythology of place and history that emerges in his writing, such as Johnno (1975) and Remembering Babylon (1993). Patrick White's spiritual evocation of Australian landscape is evident from his first novel Happy Valley (1934) through The Tree of Man (1956) and Voss (1957), while issues of the construction of gender and identity are explicit in his memoir Flaws in the Glass: A Self-Portrait (1981) and the posthumously published The Hanging Garden (2012). Christina Stead's later international career, initiated by the republication in 1965 of The Man Who Loved Children (1940) followed by For Love Alone (1944), reveals her radical modernist techniques, her radical politics, and her focus on gender issues, particularly her concern with women artists, ending with the posthumous publication of I'm Dying Laughing: the Humourist (1986).
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19

Davies, Bronwyn. Shards of Glass: Children Reading and Writing Beyond Gendered Identities (Language and Social Processes). Hampton Pr, 2003.

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