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Books on the topic 'GIRISH KARNAD'

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Author: Grafiati

Published: 18 May 2024

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1

Girish Karnad: History and folklore. Delhi: B.R. Pub. Corp., 2011.

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2

Girish Karnad: Poetics and aesthetics. Delhi: B.R. Pub. Corp., 2011.

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3

Jaydipsinh, Dodiya, ed. The plays of Girish Karnad: Critical perspectives. New Delhi: Prestige, 1999.

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4

Potsangbam, Amita. Myth and psychology in the plays of Girish Karnad. New Delhi: Sunmarg Publishers & Distributors, 2017.

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5

The Indian imagination of Girish Karnad: Essays on Hayavadana. New Delhi: Prestige Books, 2000.

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6

The plays of Girish Karnad: De-colonisation of language and techniques. New Delhi: Authorspress, 2013.

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7

Plays of Girish Karnad: His poetics of gender, identity and culture. Delhi: B.R. Publishing Corporation, 2015.

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8

Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Jaipur: Rawat Publications, 2009.

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9

Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Jaipur: Rawat Publications, 2009.

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10

Three plays of Girish Karnad: A study in poetics and culture : Hayavadana, Tale-danda, the Fire and the rain. New Delhi: Prestige Books, 2004.

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11

Sudhakar, Pandey, and Barua Freya, eds. New directions in Indian drama: With special reference to the plays of Vijay Tendulkar, Badal Sircar, and Girish Karnad. New Delhi: Prestige, 1994.

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12

Girish Karnad and Mahesh Dattani: Methods and motives. Jaipur: Yking Books, 2012.

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13

Joshi, Vivek Vishnupant. History, Myth & Folktales in the Plays of Girish Karnad. Lulu Press, Inc., 2018.

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14

Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott and Girish Karnad. Jaipur: Rawat Publications, 2009.

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15

Dhanavet, P. The Indian Imagination of Girish Karmad: Essays on Hayavadana. Prestige Books, 2000.

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16

Booth, Marilyn. Women and the Emergence of the Arabic Novel. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.7.

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Abstract:

Women’s engagement in producing the early Arabic novel goes beyond authorship: it involves readership, girls’ education, venues, sensitivities, and gender difference as a topic in public discourse. Fiction became one of several genres for articulating female views of self and society amidst the stresses of late colonial modernity. This chapter first considers the venues where women’s fiction was produced and marketed, along with debates over the projected effects of fiction reading and the approach adopted by the first generation of Arab women novelists. It then discusses how women gained experience at fiction writing through translation-adaptation before turning to novels that focus on gender politics and the love plot. It also highlights the work of ‘Afīfa Karam to emphasize the ambiguities or tensions of early Arabic novels as women authors sought to balance gender expectations with the era’s discourses of domestic duty.

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