Academic literature on the topic 'Girardet (Firm)'
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Journal articles on the topic "Girardet (Firm)"
Oroz, Elena. "An Interview with Matthias Müller and Christoph Girardet." Revista Laika 4, no. 7 (May 18, 2021): 43–51. http://dx.doi.org/10.11606/issn.2316-4077.v4i7p43-51.
Full textSYABANA, Rosidin Ali, and Wening UDASMORO. "Un sujet marginal: les communautés LGBTQ assimilées à de boucs émissaires dans le film 120 battements par minute." FRANCISOLA 4, no. 2 (April 29, 2020): 1–9. http://dx.doi.org/10.17509/francisola.v4i2.24201.
Full textLe Gras, Gwenaëlle. "Annie Girardot de la Comédie-Française au film policier des années 50: le brouillage des stéréotypes genrés." Studies in French Cinema 10, no. 3 (August 2010): 235–49. http://dx.doi.org/10.1386/sfc.10.3.235_1.
Full textBERGSTRÖM, STIG M., MATTHEW M. SALTZMAN, and BIRGER SCHMITZ. "First record of the Hirnantian (Upper Ordovician) δ13C excursion in the North American Midcontinent and its regional implications." Geological Magazine 143, no. 5 (August 16, 2006): 657–78. http://dx.doi.org/10.1017/s0016756806002469.
Full textHartney, Christopher. "Why Muslims Kill Themselves on Film: From Girard’s Victimage Mechanism to a Radical Constructivist Explanation." Journal of Religion and Violence 1, no. 3 (2013): 276–302. http://dx.doi.org/10.5840/jrv2013133.
Full textPadgate, Usa. "Mirror Image: A Study of the Power Politics of Mimetic Desire and Cinematic Confinement in Chloe (2009)." Advances in Language and Literary Studies 10, no. 6 (December 31, 2019): 63. http://dx.doi.org/10.7575/aiac.alls.v.10n.6p.63.
Full textChristol, Florent. "Le gore, modalité virale du cinéma hollywoodien." Cinémas 20, no. 2-3 (January 7, 2011): 97–117. http://dx.doi.org/10.7202/045146ar.
Full textTroth, Brian. "Haunted spaces: trauma, mourning, and melancholia in the HIV epidemic in France." Contemporary French Civilization: Volume 46, Issue 2 46, no. 2 (June 1, 2021): 129–46. http://dx.doi.org/10.3828/cfc.2021.7.
Full textTirado-Gallegos, Juan Manuel, Paul Baruk Zamudio-Flores, Miguel Espino-Díaz, René Salgado-Delgado, Gilber Vela-Gutiérrez, Francisco Hernández-Centeno, Haydee Yajaira López-De la Peña, María Hernández-González, J. Rodolfo Rendón-Villalobos, and Adalberto Ortega-Ortega. "Chitosan Films Obtained from Brachystola magna (Girard) and Its Evaluation on Quality Attributes in Sausages during Storage." Molecules 26, no. 6 (March 22, 2021): 1782. http://dx.doi.org/10.3390/molecules26061782.
Full text김성범 and 박연경. "Revulsion Response Evoked by The Film 'The Cook The Thief His Wife and Her Lover' -Comparative Studies on Cognitive Perspective of Aristotle, Freud and Girard-." Film Studies ll, no. 62 (December 2014): 5–23. http://dx.doi.org/10.17947/kfa..62.201412.001.
Full textDissertations / Theses on the topic "Girardet (Firm)"
Miranda, Suzana Reck. "Filmando a musica : uma interpretação do cinema de François Girard." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284771.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-05T13:11:24Z (GMT). No. of bitstreams: 1 Miranda_SuzanaReck_D.pdf: 2131895 bytes, checksum: 29d857e5d36fd63130e9911fe9539507 (MD5) Previous issue date: 2006
Resumo: Esta tese propõe uma análise da relação música/cinema fundamentada em discussões que demandam uma interface entre a Musicologia e a Teoria do Cinema. O objeto de estudo é o filme Thirty Two Short Films about Glenn Gould (1993), do canadense François Girard. O universo musical do filme sugere uma análise específica, muito além da mera funcionalidade da música em relação à diegese. O objetivo é evidenciar como Girard executa cinematograficamente uma leitura sobre posicionamentos estéticos do pianista Glenn Gould e, com isto, ampliar a reflexão em torno da interface música/cinema. A metodologia adotada dialoga, em parte, com a abordagem de cunho fenomenológico de Michel Chion. Entretanto, pelo fato de ser um filme no qual a presença da música, além de assunto, constitui o principal modo de expressão, optou-se por estabelecer, sempre que necessário, aproximações entre a teoria do cinema e da música
Abstract: This thesis proposes an analysis of the film/music relationship through discussions at the interface between Musicology and Film Theory. The chosen subject is François Girard¿s film Thirty-two short films about Glenn Gould (1993). A specific approach is required in order to study the music in this film because of the musical world interpreted here by Girard. The idea is to show how Girard gives a cinematic reading of Glenn Gould¿s aesthetical position and, through this reflection, to provide a contribution to the field of Film Music. The theoretical support for this thesis comprises a number of influential authors on music and cinema theory, with focus on Michel Chion¿s phenomenological orientation
Doutorado
Doutor em Multimeios
Longval-Laverdière, Gabrièle. "La réécriture filmique du roman d'Alessandro Baricco par François Girard : une réflexion sur l'altérité." Mémoire, 2010. http://www.archipel.uqam.ca/3389/1/M11424.pdf.
Full textBooks on the topic "Girardet (Firm)"
Chaille, François. Girard-Perregaux. Paris: Flammarion, 2004.
Find full textMaurel, Olivier. Essais sur le mimétisme: Sept oeuvres littéraires et un film revisités à la lumière de la théorie de René Girard. Paris: Harmattan, 2002.
Find full textBuompastore, Fabrizio. Liberi Tutti: Il Film Che Avrei Voluto Girare. Independently Published, 2018.
Find full textBook chapters on the topic "Girardet (Firm)"
Gimeno, Javier Elipe. "Composition musicale et construction du sens cinématographique dans le film Kristall, de Matthias Müller et Christoph Girardet." In Violence et Société. Éditions des maisons des sciences de l’homme associées, 2021. http://dx.doi.org/10.4000/books.emsha.1207.
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