Academic literature on the topic 'Giovanni bonifacio'
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Journal articles on the topic "Giovanni bonifacio"
Arcangeli, Alessandro. "Review of Gazzola (2018): L’Arte de’ cenni di Giovanni Bonifacio." Gesture 18, no. 1 (December 31, 2019): 110–13. http://dx.doi.org/10.1075/gest.00035.arc.
Full textDimova, Temenuzhka. "« Dextrarum junctio » ou le sceau des âmes unies : usages d’un geste dans la France des XVIIe et XVIIIe siècles." Source(s) – Arts, Civilisation et Histoire de l’Europe, no. 5 (October 20, 2022): 75–92. http://dx.doi.org/10.57086/sources.376.
Full textSordyl, Krzysztof. "Powstanie i rozwój Kościoła nowacjańskiego." Vox Patrum 55 (July 15, 2010): 553–67. http://dx.doi.org/10.31743/vp.4356.
Full textSaunders, Steven. "Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, Bonifazio Graziani, and: Masses by Domenico Scorpione, Lorenzo Penna, Giovanni Paolo Colonna, and: Masses by Pietro Degli Antoni and Giovanni Battista Bassani (review)." Notes 60, no. 1 (2003): 277–78. http://dx.doi.org/10.1353/not.2003.0129.
Full textBergstein, Mary. "Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412." Renaissance Quarterly 44, no. 4 (1991): 673–719. http://dx.doi.org/10.2307/2862484.
Full textGasparri, Maria Luisa, Jana De Boniface, Oreste Davide Gentilini, Orit Kaidar-Person, Philip Poortmans, and Thorsten Kuehn. "Abstract P1-01-16: Perspectives on axillary management after primary systemic treatment: An international EUBREAST survey." Cancer Research 82, no. 4_Supplement (February 15, 2022): P1–01–16—P1–01–16. http://dx.doi.org/10.1158/1538-7445.sabcs21-p1-01-16.
Full textArcangeli, Alessandro. "La danse et la codification d’un langage des gestes dans l’Arte de’ cenni (1616) de Giovanni Bonifacio." e-Phaïstos IV, no. 1 (April 1, 2015). http://dx.doi.org/10.4000/ephaistos.662.
Full textDissertations / Theses on the topic "Giovanni bonifacio"
GAZZOLA, Silvia. "L'Arte de' cenni di Giovanni Bonifacio." Doctoral thesis, 2009. http://hdl.handle.net/11562/337462.
Full textL’arte de’ cenni (Vicenza 1616) is an unusual and original work, written by GiovanniBonifacio, councillor and jurisconsult who lived between XVI and XVII centuries (he wasborn in Rovigo in 1547 and died in Padua in 1635). He was member of several CulturalAcademies (Accademia dei Solleciti and Accademia dei Burchelati in Treviso, AccademiaVeneziana in Venice, Accademia dei Fecondi in Padua, Accademia Filarmonica inVerona). The book is dedicated to the Filarmonica of Verona, that Giovanni Bonifacioentered in 1615, but the text seems to be written more than a decade earlier, probably in1592-1594.L’arte de’ cenni is one of the first dictionary entirely dedicated to gestures, nods, acts,symbolic forms and ways typical of a world which is investigated with a medieval methodand modern curiosity. It resembles courtesy treatises and follows meanwhile contemporarydoctrines such as Phisiognomy (the author knows and disputes Giambattista Della Porta).The text analyses gestures, their significance and cultural implications, as well as theirsymbolic meaning and effect on a social life whose foundation is based on simulation anddissimulation.To recover such rich, though heterogeneous, material is no doubt of historical interest; butin particular it could be of interest to people who work on gestural codes, whether theystudy expression modalities, possible influences on gesture, individual behaviourorganization, or the nature of shared codes ad interpersonal relationships.The present paper consists of three parts: the first one deals with Bonifacio’s biography,the history of gestures and the concept of gesture that emerges from Bonifacio’s treatise;the second part deals with the relationship existing between the book and the world ofimages. The third part explains how the Arte de’ cenni was reviewed by the critics from1616 to the present day, and contain a modern transcription of the full text.
Books on the topic "Giovanni bonifacio"
Edwin, Welti Manfred, ed. Dall'umanesimo alla riforma: Giovanni Bernardino Bonifacio, marchese d'Oria, 1517-1557. Brindisi: Amici Della A. de Leo, 1986.
Find full textMaria, Andaloro, Maddalo Silvia, and Miglio Massimo 1942-, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Roma: Istituto storico italiano per il Medio Evo, 2009.
Find full textMaria, Andaloro, Maddalo Silvia, and Miglio Massimo, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Roma: Istituto storico italiano per il Medio Evo, 2009.
Find full textMaria, Andaloro, Maddalo Silvia, and Miglio Massimo 1942-, eds. Frammenti di memoria: Giotto, Roma e Bonifacio VIII. Roma: Istituto storico italiano per il Medio Evo, 2009.
Find full textSzybowska, Urszula. Oprawy ze średniowiecznych rękopisów muzycznych w księgozbiorze Jana Bernarda Bonifacia =: Medieval musical manuscript leaves as bookbindings in the book-collection of Giovanni Bernardino Bonifacio. Pruszcz Gdański: Wydawn. Jasne, 2011.
Find full textBonifacio, Giovanni Bernardino, marchese d'Oria, 1517-1597. and Polska Akademia Nauk. Biblioteka Gdańska., eds. Die Bibliothek des Giovanni Bernardino Bonifacio, marchese d'Oria, 1517-1597, der Grundstock der Bibliothek Danzig der Polnischen Akademie der Wissenschaften. Bern: P. Lang, 1985.
Find full textSchnoebelen, Anne. Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Taylor & Francis Group, 2014.
Find full textSchnoebelen, Anne. Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani. Taylor & Francis Group, 2014.
Find full textMasses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani (Seventeenth-Century Italian Sacred Music). Routledge, 1998.
Find full textVesper and Compline Music for Four Principal Voices: Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi Da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bonifazio Graziani, Giovanni Legrenzi, Isabella Leonarda, Tarquinio Merula, Lodovico Viadana. Taylor & Francis Group, 2014.
Find full textBook chapters on the topic "Giovanni bonifacio"
Jaśniewicz, Aleksandra. "Two humanists in exile: neo-Stoic notions in the Gdańsk portraits of Giovanni Bernardino Bonifacio, Marquis of Oria (1517–1597), and Martin Opitz (1597–1639)." In Arts, Portraits and Representation in the Reformation Era, 73–88. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783666552496.73.
Full text"Credo." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 94–142. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-10.
Full text"Kyrie." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 145–53. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-12.
Full text"Gloria." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 154–65. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-13.
Full text"Credo." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 166–88. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-14.
Full text"Sanctus." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 189–90. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-15.
Full text"Agnus Dei." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 191–92. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-16.
Full text"Kyrie." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 195–206. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-18.
Full text"Gloria." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 207–25. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-19.
Full text"Credo." In Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, and Bonifazio Graziani, 226–65. Routledge, 2014. http://dx.doi.org/10.4324/9781315051178-20.
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