Relevant bibliographies by topics / Giorgio De Chirico

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Giorgio De Chirico'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Giorgio De Chirico.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Giorgio De Chirico"

1

Loreto, Giovanni, and Ara H. Merjian. "Giorgio de Chirico." Grey Room 44 (July 2011): 86–89. http://dx.doi.org/10.1162/grey_a_00046.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lista, Giovanni. "L’itinéraire de Giorgio De Chirico." Ligeia N°177-180, no. 1 (2020): 189. http://dx.doi.org/10.3917/lige.177.0189.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Arriagada S., Jaime. "Giorgio de Chirico (1888-1978)." Revista Médica Clínica Las Condes 29, no. 5 (September 2018): 583. http://dx.doi.org/10.1016/j.rmclc.2018.09.001.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Singer, Andrew. "The Cities of Giorgio de Chirico / Oraşele lui Giorgio de Chirico by Constantin Severin." World Literature Today 95, no. 4 (2021): 83–84. http://dx.doi.org/10.1353/wlt.2021.0279.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

이민수. "Giorgio de Chirico: Rivalry and Difference." Journal of History of Modern Art ll, no. 32 (December 2012): 103–36. http://dx.doi.org/10.17057/kahoma.2012..32.004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Roos, Gerd, and Martin Weidlich. "Giorgio De Chirico et la « bande Breton »." Ligeia N°177-180, no. 1 (2020): 83. http://dx.doi.org/10.3917/lige.177.0083.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Blanke, Olaf, and Theodor Landis. "The Metaphysical Art of Giorgio de Chirico." European Neurology 50, no. 4 (2003): 191–94. http://dx.doi.org/10.1159/000073858.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bellow, Juliet. "Animated Stones: Giorgio de Chirico’s Le Bal and the Neo-Classical Body." Experiment 17, no. 1 (2011): 311–20. http://dx.doi.org/10.1163/221173011x611978.

Full text
Abstract:
Abstract In his set and costume designs for the 1929 production Le Bal, Giorgio de Chirico critiqued two aspects of the Ballets Russes' legacy: the troupe's increasing reliance on the Classical tradition and its longstanding allegiance to the Gesamtkunstwerk. The mismatched shards of classical architecture in de Chirico's designs undermined the corporeal harmony and grace central to the Classical ideal in art and dance. His uncanny substitution of inorganic materials for body parts undermined the belief, shared by many artists in this period, in the potential of human surrogates to aid them in their progress toward the total artwork of the future.
APA, Harvard, Vancouver, ISO, and other styles
9

ROSTOVA, N. N. "Philosophy of «metaphysical painting» of Giorgio de Chirico." Personality.Culture.Society 20, no. 1-2 (2018): 149–57. http://dx.doi.org/10.30936/1606-951x-2018-20-1/2-149-157.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Roelens, Nathalie. "Calvino e le “città metafisiche” di Giorgio de Chirico." Italies, no. 16 (June 1, 2012): 369–86. http://dx.doi.org/10.4000/italies.4466.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Giorgio De Chirico"

1

Barbosa, Paulo Roberto Amaral. "Melancolia e questões estéticas Giorgio De Chirico." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-03062011-104012/.

Full text
Abstract:
A reflexão sobre a melancolia, na produção estética de Giorgio De Chirico, compõe o arcabouço da presente pesquisa. Neste estudo, são considerados sentimentos e ressentimentos que permeiam aspectos biográficos e estéticos ligados direta e/ou indiretamente às questões da melancolia na obra do artista Giorgio De Chirico. A constituição melancólica de sua produção seria sustentada pelas referências do artista? Isto é, a reconhecida influência de filósofos como, Nietzsche e Schopenhauer e de artistas como Arnold Böcklin e Max Klinger forneceria o embasamento à postura melancólica de De Chirico? O contexto vivido na Europa, no século XX (cercado por duas Guerras Mundiais) contribuiu para a adoção desta condição? As circunstâncias biográficas direcionariam o artista para a expressão da melancolia em seus trabalhos? E, por fim, De Chirico utilizaria o que poderia se chamar de uma estética da melancolia como um dos eixos de sua reflexão poética? A elucidação dessas perguntas pode residir nas fontes históricas que unem melancolia e arte desde os escritos dos filósofos gregos, passando pelas questões do Renascimento e chegando ao ideário moderno do qual De Chirico é fruto.
The melancholy reflection on the aesthetic production of Giorgio De Chirico makes up the framework of this research. In this study, the feelings and resentments that permeate biographical and aesthetic aspects related directly or indirectly to issues of melancholy in Giorgio De Chiricos works are considered. Would the melancholy constitution of his production be sustained by the references of the artist? That is, would the recognized influence of philosophers like Nietzsche and Schopenhauer and artists such as Arnold Böcklin and Max Klinger provide the basis for de Chirico\'s melancholy posture? Would the context experienced in Europe in the twentieth century (surrounded by two world wars) contribute to the adoption of this condition? Would the biographical circumstances steer the artist towards the expression of melancholy in his works? Finally, would De Chirico make use of what might be called an \"aesthetics of melancholy as one of the pillars of his poetic reflection? The elucidation of these questions may lie in the historical sources that combine art and melancholy from the writings of the Greek philosophers, through questions of the Renaissance and coming to modern ideas - of which De Chirico is a result.
APA, Harvard, Vancouver, ISO, and other styles
2

Verger, Anne. "Giorgio de Chirico entre peinture et écriture." Aix-Marseille 1, 1997. http://www.theses.fr/1996AIX10107.

Full text
Abstract:
La these traite de la peinture et l'ecriture de giorgio de chirico (1888-1978), inventeur de la peinture metaphysique, il est a la fois un artiste, un ecrivain, un theoricien et un critique d'art. Sa biographie revele la richesse de ses references culturelles et la diversite de ses activites. Ses decors et costumes nous aident a mieux comprendre sa peinture. Ayant connu les avant-gardes du xxeme siecle, son jugement fait autorite. Dans un repertoire raisonne ont ete rassembles deux-mille-huit-cent-dix-sept titres d'oeuvres, a partir d'ouvrages generaux et de catalogues d'exposition. Les problemes des faux, de la copie et de la datation des oeuvres y sont abordes. La these presente les ecrits de l'artiste dans leur globalite, prenant la suite des travaux de fagiolo dell'arco qui s'etait arrete a ceux de 1943. L'analyse se presente en trois parties : la premiere -1909 a 1941- definit la peinture metaphysique, la deuxieme -1942- aborde des themes plus techniques : la peinture du portrait, du nu, du paysage. . . La troisieme -1943 et 1978- presente un de chirico observateur et critique de la peinture de son temps et particulierement de la "peinture moderniste". Ces deux modes d'expressions sont indissociables, les ecrits eclairant la peinture et vice-versa.
APA, Harvard, Vancouver, ISO, and other styles
3

Fenzi, Lisa. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17444.

Full text
Abstract:
In dieser Dissertation werden 13 wichtige Werke Giorgio de Chiricos (1888 Volos, Griechenland – 1978 Rom), Filippo de Pisis’ (1896 Ferrara – 1956 Mailand) und Giorgio Morandis (1890 Bologna – 1964 ebenda) eingehend beschrieben und analysiert. Als Ergebnis ergibt sich die zum Teil unerwartete Entdeckung, dass die „noch“ figurative, teilweise als rückgewandt angesehene Kunst der drei untersuchten Künstler eine moderne, immer noch aktuelle Frage nach der besonderen Qualität des Bildes stellt. Ihre Skepsis gegenüber einer festgelegten Art der Wahrnehmung entfaltet sich in einer produktiven Auseinandersetzung mit den Bildern und mit einer Gattung – das Stillleben - einer tradierten Kunsttradition und zeigt Kunst in ihrer Fähigkeit ein besonderes, anderes Sehen anzuregen. Dabei zeigt sich in der Analyse der Bilder die unzertrennliche Beziehung von Sichtbarkeit und Unsichtbarkeit als einen zentralen Moment in der künstleri-schen Produktion. Diese Thematik wird unter anderem in der Verbindung de Chiricos, de Pisis’ und Morandis zu den Schriften Arthur Schopenhauers, Friedrich Nietzsches und Giacomo Leopardis erörtert und speziell mit der Auflösung des klassischen Realitätsbegriffs konfrontiert. Die aus dieser Auflösung resultierende „Krise der Repräsentation“ hat auch die Kunst der Moderne veranlasst, sich kritisch mit dem „Realen“ auseinanderzusetzen und nach neuen Formen der Darstellung, aber auch der Betrachtung zu suchen. Wesentlich ist dabei der Gesichtspunkt, dass die bewusste Reflexion des Sehens und des Wahrnehmens selbst zum Bild werden. Dieser Aspekt wird mithilfe einer phänomenologischen Perspektive und Fragestellung weiter ausgeführt und diskutiert. Der Fokus und die Struktur dieser Dissertation liegen in der konkreten und direkten Auseinandersetzung mit den Werken der drei bildenden Künstler aus denen auch der begriffliche Horizont der Arbeit immanent erschlossen wird.
This study describes and analyses in detail a total of 13 important works by the Italian painters Giorgio de Chirico (1888 Volos, Greece – 1978 Rome), Filippo de Pisis (1896 Ferrara – 1956 Milan) and Giorgio Morandi (1890 Bologna – 1964 Bologna). Its findings include the partially unexpected discovery that the “yet-figurative” aesthetics of these works, which may be valued as backward and even reactionary raise a very modern and relevant question about the special quality of pictures. The works’ scepticism of a fixed kind of perception also emerges in their productive confrontation with canonical, more traditional pictures and in their affirmation of art’s ability to encourage a special, “other” way of seeing. The argument of this study is based on the investigation of the unavoidable relationship between visibility and invisibility as a central moment in de Chirico’s, de Pisis’ and Morandi’s artistic production, and proposes a dialogue with the theories of Arthur Schopenhauer, Friedrich Nietzsche and Giacomo Leopardi, whose influence on the tree painters was of great importance, especially in conjunction with the dissolution of classic concepts of reality. The crisis of representation resulting from this dissolution led in the visual arts to a critical confrontation with the concept of the “Real”. As a consequence of this confrontation news forms of representation and observation emerged. Essential to this transformation is that conscious reflexions about sight and perception became themselves the subjects and objects of pictures. This aspect is also considered from the perspective of phenomenology and its tools of enquiry. The dissertation’s focus and structure derive from the direct confrontation with the pictures, which also informs its conceptual horizon.
APA, Harvard, Vancouver, ISO, and other styles
4

Peppel, Claudia. "Der Manichino von der Gliederpuppe zum techisierten Kultobjekt ; Körperimaginationen im Werk Giorgio de Chiricos." Weimar VDG, 2007. http://d-nb.info/987165704/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Di, Gregorio Roberto <1994&gt. "Il teatro dei Dioscuri: Giorgio de Chirico e Alberto Savinio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17945.

Full text
Abstract:
L'elaborato mira ad indagare la produzione artistica dei fratelli de Chirico nel mondo del teatro. Un'introduzione alle dinamiche del teatro immediatamente precedenti e contemporanee al lavoro di Giorgio de Chirico e di Alberto Savinio, precede le biografie essenziali dei due artisti; segue un'analisi delle commesse teatrali di Giorgio de Chirico e le collaborazioni sia come scenografo, che compositore di Savinio. Si aggiunge il commento di due opere di Alberto Savinio per le quali i due fratelli hanno collaborato unitamente e una sintesi dell'operato di entrambi per il mondo teatrale del secolo scorso.
APA, Harvard, Vancouver, ISO, and other styles
6

Walker, Deborah, and mikewood@deakin edu au. "Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming." Deakin University. School of Contemporary Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950.

Full text
Abstract:
My paintings emerge from within a context best explained by reference to Nietzsche's perspectivism. That is an intellectual attitude that deprivileges rationalism and accommodates scepticism or unknowing as an acceptable starting point From this standpoint art/language can be seen as being in a state of becoming rather than as representing a state of being. This thesis aims to demonstrate, not only by a philosophical encounter with Giorgio de Chirico's work: ie. his use of myth, his Nietzschean perspectivism and his enigmatic interpretation of figuration, that the most helpful context and understanding of my work can be realied. De Chirico's art, like Nietzsche's philosophy seeks in its processes to explore the possible unity of Dionysian aesthetic force with the Apollonian. Neither Nietzsche nor de Chirico considered within a post-Socratic world that this unity was realizable. Nevertheless they both share in their respective art forms a need to represent the relentless struggle to enact the disjunction of the two aesthetic forces in a secular world. The artist’s enigmatic imagery is characterized by a consideration of appearance and reality and it is for this reason that the work was selected as a model for investigating the nature of enigma. His use of seemingly straightforward, ordinary images suggests a sense of accessibility, yet at the same time they are irreducible to knowing and my own image-making was greatly expanded by investigating these concerns. I am not arguing that de Chirico was influenced by Nietzsche but instead that Nietzsche's philosophical point of view and his use of poetic language to express these views lay in discovering the qualities and substance of the Dionysian spirit As well as working within a Nietzschean world-view set out in The Birth of Tragedy, de Chirico has also drawn on the Italian unification, specifically the Risorgimento and the lineage of these political and mythical figures were endemic to his art and they interface the with his use of the Apollonian-Dionysian disunity first explored by Nietzsche. The focus of the exegesis will be to present the poetic and philosophical use made of the latter in de Chirico’s art It is anticipated that this philosophical encounter with the aesthetic, social and political world of de Chirico will, not only assist in interpreting his life's work anew, but will also provide a context in which my paintings of enigma might be interpreted.
APA, Harvard, Vancouver, ISO, and other styles
7

Mical, Thomas. "A fragmentary writing : the (convulsive) enigma of eternal recurrence in de Chirico’s "architecture"." Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23978.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Fenzi, Lisa Verfasser], Michael [Akademischer Betreuer] [Diers, and Gottfried [Akademischer Betreuer] Boehm. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung : Bildbeschreibungen und Bildanalysen / Lisa Fenzi. Gutachter: Michael Diers ; Gottfried Boehm." Berlin : Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://d-nb.info/108847974X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fenzi, Lisa [Verfasser], Michael [Akademischer Betreuer] Diers, and Gottfried [Akademischer Betreuer] Boehm. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung : Bildbeschreibungen und Bildanalysen / Lisa Fenzi. Gutachter: Michael Diers ; Gottfried Boehm." Berlin : Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://d-nb.info/108847974X/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Plaga, Anneliese. "Sprachbilder als Kunst Friedrich Nietzsche in den Bildwelten von Edvard Munch und Giorgio de Chirico." Berlin Reimer, 2006. http://d-nb.info/986888761/04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Giorgio De Chirico"

1

Martine, Soria, and Bilbao Bizkaia Kutxa, eds. Giorgio de Chirico. Bilbao: Bilbao Bizkaia Kutxa, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Giorgio, De Chirico. Giorgio De Chirico. Ferrara: Commune di Ferrara Assessorato Istituzioni Culturali, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Giorgio, De Chirico. Giorgio De Chirico. Milano: Mazzotta, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Jole, De Sanna, ed. Giorgio De Chirico: Disegno : opere della Fondazione Giorgio e Isa De Chirico. Milano: Electa, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

De, Chirico Giorgio. Giorgio de Chirico: Obra selecta. México, D.F: Museo de Arte Moderno, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Giorgio, De Chirico. Giorgio de Chirico: Pictor optimus. Roma: Edizioni Carte segrete, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Giorgio, De Chirico. Giorgio de Chirico (1888-1978). [Cherasco]: Città di Cherasco, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Premio internazionale biennale d'incisione Città di Monsummano Terme (3rd 2003 Monsummano Terme, Italy). Georges Rouault, De Chirico Giorgio. Pisa: Comune di Monsummano Terme, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Giorgio, De Chirico. Giorgio de Chirico, 1920-1950. Milano: Electa, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1888-, De Chirico Giorgio, and Fagiolo dell'Arco Maurizio 1939-, eds. Giorgio De Chirico: Altri enigmi. San Polo di Reggio Emilia: La scaletta, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Giorgio De Chirico"

1

Wild, Gerhard. "Chirico, Giorgio de." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3145-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Roos, Gerd. "giorgio de chirico." In Wiederholungstäter, 127–42. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.127.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Wild, Gerhard. "Chirico, Giorgio de: Poesia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3147-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Baldacci, Paolo. "giorgio de chirico als wiederholungstäter." In Wiederholungstäter, 95–112. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.95.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Wild, Gerhard. "Chirico, Giorgio de: Das erzählerische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3146-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stang, Sophia. "giorgio de chirico, der unmoralische maler." In Wiederholungstäter, 113–26. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.113.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Tambling, Jeremy. "Imaginary Cities: Giorgio de Chirico and Hebdomeros." In The Palgrave Encyclopedia of Urban Literary Studies, 925–30. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_310.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Tambling, Jeremy. "Imaginary Cities: Giorgio de Chirico and Hebdomeros." In The Palgrave Encyclopedia of Urban Literary Studies, 1–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_310-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Bogousslavsky, Julien. "The Last Myth of Giorgio de Chirico: Neurological Art." In Neurological Disorders in Famous Artists - Part 3, 29–45. Basel: KARGER, 2010. http://dx.doi.org/10.1159/000311190.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Baldacci, Paolo. "Giorgio de Chirico, il latino e la poetica della lingua morta. Arte e letteratura." In Luoghi, ambienti, immagini: il paesaggio in Properzio, 19–34. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.spl-eb.5.134559.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Giorgio De Chirico"

1

Gargano, Marialaura. "PSYCHOLOGICAL ANALYSIS OF GIORGIO DE CHIRICO�S SELF PORTRAITS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s15.052.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ribeiro, Mariana Karina. "Giorgio de Chirico e o enigma de um dia entre texto e imagem." In Encontro da História da Arte. Universidade Estadual de Campinas, 2007. http://dx.doi.org/10.20396/eha.3.2007.3745.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Fermo, Paola, Paolo Baldacci, Davide Manzini, Valeria Comite, Chiara Andrea Lombardi, Andrea Bergomi, Mattia Borelli, and Vittoria Guglielmi. "Preliminary results obtained by multi-spectral imaging (MSI) on a sheet with dedication and drawing by Giorgio de Chirico." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.053.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Fermo, Paola, Paolo Baldacci, Davide Manzini, Valeria Comite, Chiara Andrea Lombardi, Andrea Bergomi, Mattia Borelli, and Vittoria Guglielmi. "Preliminary results obtained by multi-spectral imaging (MSI) on a sheet with dedication and drawing by Giorgio de Chirico." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.053.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Лобская, А. А. "THE PROBLEM OF INTERPRETATION OF THE HOMER’S ILIAD TEXT IN GIORGIO DE CHIRICO’S CYCLE OF BOOK ILLUSTRATIONS." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.23.

Full text
Abstract:
Целью статьи было изучение формально- стилистических и содержательных особенностей интерпретации текста поэмы Гомера «Илиада» в цикле книжных иллюстраций Дж. де Кирико. В ходе исследования выявлена художественная программа автора, особенности композиционного и колористического решения. Установлены особенности выбора сюжетов для иллюстрации в пользу менее популярных и зрелищных, но с меньшим количеством насилия. The purpose of the research was to study formal, stylistic and semantic particularities of G. de Chirico’s interpretation of the Homer’s Iliad in his cycle of book illustrations. The study revealed the author’s artistic program, features of compositional and coloristic solutions and the peculiarities of choosing subjects for illustration in favor of less popular and spectacular ones, but with less violence.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Giorgio De Chirico' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography