Academic literature on the topic 'Giorgio De Chirico'
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Journal articles on the topic "Giorgio De Chirico"
Loreto, Giovanni, and Ara H. Merjian. "Giorgio de Chirico." Grey Room 44 (July 2011): 86–89. http://dx.doi.org/10.1162/grey_a_00046.
Full textLista, Giovanni. "L’itinéraire de Giorgio De Chirico." Ligeia N°177-180, no. 1 (2020): 189. http://dx.doi.org/10.3917/lige.177.0189.
Full textArriagada S., Jaime. "Giorgio de Chirico (1888-1978)." Revista Médica Clínica Las Condes 29, no. 5 (September 2018): 583. http://dx.doi.org/10.1016/j.rmclc.2018.09.001.
Full textSinger, Andrew. "The Cities of Giorgio de Chirico / OraÅele lui Giorgio de Chirico by Constantin Severin." World Literature Today 95, no. 4 (2021): 83–84. http://dx.doi.org/10.1353/wlt.2021.0279.
Full text이민수. "Giorgio de Chirico: Rivalry and Difference." Journal of History of Modern Art ll, no. 32 (December 2012): 103–36. http://dx.doi.org/10.17057/kahoma.2012..32.004.
Full textRoos, Gerd, and Martin Weidlich. "Giorgio De Chirico et la « bande Breton »." Ligeia N°177-180, no. 1 (2020): 83. http://dx.doi.org/10.3917/lige.177.0083.
Full textBlanke, Olaf, and Theodor Landis. "The Metaphysical Art of Giorgio de Chirico." European Neurology 50, no. 4 (2003): 191–94. http://dx.doi.org/10.1159/000073858.
Full textBellow, Juliet. "Animated Stones: Giorgio de Chirico’s Le Bal and the Neo-Classical Body." Experiment 17, no. 1 (2011): 311–20. http://dx.doi.org/10.1163/221173011x611978.
Full textROSTOVA, N. N. "Philosophy of «metaphysical painting» of Giorgio de Chirico." Personality.Culture.Society 20, no. 1-2 (2018): 149–57. http://dx.doi.org/10.30936/1606-951x-2018-20-1/2-149-157.
Full textRoelens, Nathalie. "Calvino e le “città metafisiche” di Giorgio de Chirico." Italies, no. 16 (June 1, 2012): 369–86. http://dx.doi.org/10.4000/italies.4466.
Full textDissertations / Theses on the topic "Giorgio De Chirico"
Barbosa, Paulo Roberto Amaral. "Melancolia e questões estéticas Giorgio De Chirico." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-03062011-104012/.
Full textThe melancholy reflection on the aesthetic production of Giorgio De Chirico makes up the framework of this research. In this study, the feelings and resentments that permeate biographical and aesthetic aspects related directly or indirectly to issues of melancholy in Giorgio De Chiricos works are considered. Would the melancholy constitution of his production be sustained by the references of the artist? That is, would the recognized influence of philosophers like Nietzsche and Schopenhauer and artists such as Arnold Böcklin and Max Klinger provide the basis for de Chirico\'s melancholy posture? Would the context experienced in Europe in the twentieth century (surrounded by two world wars) contribute to the adoption of this condition? Would the biographical circumstances steer the artist towards the expression of melancholy in his works? Finally, would De Chirico make use of what might be called an \"aesthetics of melancholy as one of the pillars of his poetic reflection? The elucidation of these questions may lie in the historical sources that combine art and melancholy from the writings of the Greek philosophers, through questions of the Renaissance and coming to modern ideas - of which De Chirico is a result.
Verger, Anne. "Giorgio de Chirico entre peinture et écriture." Aix-Marseille 1, 1997. http://www.theses.fr/1996AIX10107.
Full textFenzi, Lisa. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung." Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://dx.doi.org/10.18452/17444.
Full textThis study describes and analyses in detail a total of 13 important works by the Italian painters Giorgio de Chirico (1888 Volos, Greece – 1978 Rome), Filippo de Pisis (1896 Ferrara – 1956 Milan) and Giorgio Morandi (1890 Bologna – 1964 Bologna). Its findings include the partially unexpected discovery that the “yet-figurative” aesthetics of these works, which may be valued as backward and even reactionary raise a very modern and relevant question about the special quality of pictures. The works’ scepticism of a fixed kind of perception also emerges in their productive confrontation with canonical, more traditional pictures and in their affirmation of art’s ability to encourage a special, “other” way of seeing. The argument of this study is based on the investigation of the unavoidable relationship between visibility and invisibility as a central moment in de Chirico’s, de Pisis’ and Morandi’s artistic production, and proposes a dialogue with the theories of Arthur Schopenhauer, Friedrich Nietzsche and Giacomo Leopardi, whose influence on the tree painters was of great importance, especially in conjunction with the dissolution of classic concepts of reality. The crisis of representation resulting from this dissolution led in the visual arts to a critical confrontation with the concept of the “Real”. As a consequence of this confrontation news forms of representation and observation emerged. Essential to this transformation is that conscious reflexions about sight and perception became themselves the subjects and objects of pictures. This aspect is also considered from the perspective of phenomenology and its tools of enquiry. The dissertation’s focus and structure derive from the direct confrontation with the pictures, which also informs its conceptual horizon.
Peppel, Claudia. "Der Manichino von der Gliederpuppe zum techisierten Kultobjekt ; Körperimaginationen im Werk Giorgio de Chiricos." Weimar VDG, 2007. http://d-nb.info/987165704/04.
Full textDi, Gregorio Roberto <1994>. "Il teatro dei Dioscuri: Giorgio de Chirico e Alberto Savinio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17945.
Full textWalker, Deborah, and mikewood@deakin edu au. "Giorgio de Chirico and the idea of enigmatic imagery: The innocence of becoming." Deakin University. School of Contemporary Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.104950.
Full textMical, Thomas. "A fragmentary writing : the (convulsive) enigma of eternal recurrence in de Chirico’s "architecture"." Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/23978.
Full textFenzi, Lisa Verfasser], Michael [Akademischer Betreuer] [Diers, and Gottfried [Akademischer Betreuer] Boehm. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung : Bildbeschreibungen und Bildanalysen / Lisa Fenzi. Gutachter: Michael Diers ; Gottfried Boehm." Berlin : Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://d-nb.info/108847974X/34.
Full textFenzi, Lisa [Verfasser], Michael [Akademischer Betreuer] Diers, and Gottfried [Akademischer Betreuer] Boehm. "(Un)sichtbarkeit Giorgio de Chirico, Filippo de Pisis, Giorgio Morandi zur Kunstauffassung : Bildbeschreibungen und Bildanalysen / Lisa Fenzi. Gutachter: Michael Diers ; Gottfried Boehm." Berlin : Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2016. http://d-nb.info/108847974X/34.
Full textPlaga, Anneliese. "Sprachbilder als Kunst Friedrich Nietzsche in den Bildwelten von Edvard Munch und Giorgio de Chirico." Berlin Reimer, 2006. http://d-nb.info/986888761/04.
Full textBooks on the topic "Giorgio De Chirico"
Martine, Soria, and Bilbao Bizkaia Kutxa, eds. Giorgio de Chirico. Bilbao: Bilbao Bizkaia Kutxa, 2001.
Find full textGiorgio, De Chirico. Giorgio De Chirico. Ferrara: Commune di Ferrara Assessorato Istituzioni Culturali, 1985.
Find full textGiorgio, De Chirico. Giorgio De Chirico. Milano: Mazzotta, 2001.
Find full textJole, De Sanna, ed. Giorgio De Chirico: Disegno : opere della Fondazione Giorgio e Isa De Chirico. Milano: Electa, 2004.
Find full textDe, Chirico Giorgio. Giorgio de Chirico: Obra selecta. México, D.F: Museo de Arte Moderno, 1993.
Find full textGiorgio, De Chirico. Giorgio de Chirico: Pictor optimus. Roma: Edizioni Carte segrete, 1992.
Find full textGiorgio, De Chirico. Giorgio de Chirico (1888-1978). [Cherasco]: Città di Cherasco, 2000.
Find full textPremio internazionale biennale d'incisione Città di Monsummano Terme (3rd 2003 Monsummano Terme, Italy). Georges Rouault, De Chirico Giorgio. Pisa: Comune di Monsummano Terme, 2003.
Find full textGiorgio, De Chirico. Giorgio de Chirico, 1920-1950. Milano: Electa, 1989.
Find full text1888-, De Chirico Giorgio, and Fagiolo dell'Arco Maurizio 1939-, eds. Giorgio De Chirico: Altri enigmi. San Polo di Reggio Emilia: La scaletta, 1996.
Find full textBook chapters on the topic "Giorgio De Chirico"
Wild, Gerhard. "Chirico, Giorgio de." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3145-1.
Full textRoos, Gerd. "giorgio de chirico." In Wiederholungstäter, 127–42. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.127.
Full textWild, Gerhard. "Chirico, Giorgio de: Poesia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3147-1.
Full textBaldacci, Paolo. "giorgio de chirico als wiederholungstäter." In Wiederholungstäter, 95–112. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.95.
Full textWild, Gerhard. "Chirico, Giorgio de: Das erzählerische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3146-1.
Full textStang, Sophia. "giorgio de chirico, der unmoralische maler." In Wiederholungstäter, 113–26. Köln: Böhlau Verlag, 2017. http://dx.doi.org/10.7788/9783412508470.113.
Full textTambling, Jeremy. "Imaginary Cities: Giorgio de Chirico and Hebdomeros." In The Palgrave Encyclopedia of Urban Literary Studies, 925–30. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-62419-8_310.
Full textTambling, Jeremy. "Imaginary Cities: Giorgio de Chirico and Hebdomeros." In The Palgrave Encyclopedia of Urban Literary Studies, 1–6. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-62592-8_310-1.
Full textBogousslavsky, Julien. "The Last Myth of Giorgio de Chirico: Neurological Art." In Neurological Disorders in Famous Artists - Part 3, 29–45. Basel: KARGER, 2010. http://dx.doi.org/10.1159/000311190.
Full textBaldacci, Paolo. "Giorgio de Chirico, il latino e la poetica della lingua morta. Arte e letteratura." In Luoghi, ambienti, immagini: il paesaggio in Properzio, 19–34. Turnhout, Belgium: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.spl-eb.5.134559.
Full textConference papers on the topic "Giorgio De Chirico"
Gargano, Marialaura. "PSYCHOLOGICAL ANALYSIS OF GIORGIO DE CHIRICO�S SELF PORTRAITS." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s15.052.
Full textRibeiro, Mariana Karina. "Giorgio de Chirico e o enigma de um dia entre texto e imagem." In Encontro da História da Arte. Universidade Estadual de Campinas, 2007. http://dx.doi.org/10.20396/eha.3.2007.3745.
Full textFermo, Paola, Paolo Baldacci, Davide Manzini, Valeria Comite, Chiara Andrea Lombardi, Andrea Bergomi, Mattia Borelli, and Vittoria Guglielmi. "Preliminary results obtained by multi-spectral imaging (MSI) on a sheet with dedication and drawing by Giorgio de Chirico." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.053.
Full textFermo, Paola, Paolo Baldacci, Davide Manzini, Valeria Comite, Chiara Andrea Lombardi, Andrea Bergomi, Mattia Borelli, and Vittoria Guglielmi. "Preliminary results obtained by multi-spectral imaging (MSI) on a sheet with dedication and drawing by Giorgio de Chirico." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.053.
Full textЛобская, А. А. "THE PROBLEM OF INTERPRETATION OF THE HOMER’S ILIAD TEXT IN GIORGIO DE CHIRICO’S CYCLE OF BOOK ILLUSTRATIONS." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.23.
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