Relevant bibliographies by topics / Gil de Zamora, Juan

Academic literature on the topic 'Gil de Zamora, Juan'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "Gil de Zamora, Juan"

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Martín Iglesias, José Carlos. "Obras de Juan Gil de Zamora (OFM) en el manuscrito Salamanca, Biblioteca General Histórica de la Universidad, 2691." Archivo Ibero-Americano 82, no. 294 (June 23, 2022): 121–60. http://dx.doi.org/10.48030/aia.v82i294.250.

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This article describes the contents of the manuscript Salamanca, Biblioteca General Histórica de la Universidad, 2691, which preserves a collection of mostly unpublished texts taken from two encyclopaedic compilations by Juan Gil of Zamora (OFM) († c. 1318): the Historia naturalis, canonica et ciuilis and the Liber illustrium personarum. In addition, it notes the sources used by the Franciscan writer, some already known, such as the Chronicon mundi by Lucas de Tuy, the Historia de rebus Hispanie by Rodrigo Jiménez de Rada, the Legenda aurea by Jacobus of Voragine or the stories gathered in the so-called Hispanic Passionary, but others noted for the first time, such as the Rationale diuinorum officiorum by Guillaume Durand the Speculator and the Translatio s. Nicolai Barium an. 1087 by John of Bari. This article also studies the different versions of the same works in the remaining writings of Juan Gil of Zamora indicating whether they have been preserved or lost. Finally, in an Appendix, it offers the editio princeps of a hymn and a prayer composed by the Zamoran friar in honour of the guardian angels.
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Urbano, Carlota Miranda. "Recensão a: Zamora, Juan Gil de - Ars Musicae." Humanitas 63 (2011): 831–33. http://dx.doi.org/10.14195/2183-1718_63_89.

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Atanasio Peralta, Miguel Ángel. "Aproximación a los sermonarios de Juan Gil de Zamora, OFM." Hispania Sacra 73, no. 148 (December 10, 2021): 315–24. http://dx.doi.org/10.3989/hs.2021.024.

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En el artículo se propone una aproximación a los sermonarios del franciscano Juan Gil de Zamora quien floreció a finales del siglo XIII e inicios del XIV. Se presentan los cuatro manuscritos de segura atribución egidiana (Olomouc M II 243; Lisboa BN, IL.44; Asissi 414; Ciesyn, SZ DD V 7), la estructura de cada colección de sermones y su relación con las demás. A continuación, se comparan los dos prólogos que conservamos para deducir información sobre el posible proyecto de Juan Gil para la predicación. Para ello, ofrecemos en el apéndice la primera edición crítica del prólogo del manuscrito de Lisboa.
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Martín, Jose Carlos. "La Vita beati Hysidori de Juan Gil de Zamora." Cahiers de recherches médiévales et humanistes, no. 16 (December 10, 2008): 119–33. http://dx.doi.org/10.4000/crm.10742.

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Lopes Frazão da Silva, Andréia Cristina. "A Legenda beate Barbare Virginis et Martiris do legendário abreviado de Juan Gil de Zamora (XIII-XIV)." Specula: Revista de Humanidades y Espiritualidad, no. 3 (May 14, 2022): 59–98. http://dx.doi.org/10.46583/specula_2022.3.1023.

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Durante o medievo floresceu o culto a Santa Bárbara. A partir do século xiii o seu culto difundiu-se na Península Ibérica e os primeiros textos sobre a santa começaram a circular na região. Dentre os primeiros, encontra-se o capítulo dedicado à mártir que compõe o legendário abreviado organizado pelo franciscano Juan Gil de Zamora em fins do século xiii. O artigo apresenta as conclusões da análise, em perspectiva historiográfica, desta narrativa, discutindo as motivações contextuais para sua inclusão no legendário egidiano. É proposto que a composição da Legenda Beate Barbare Virginis et Martiris por Juan Gil se associou às tradições que recepcionou, sua atuação como franciscano, sua formação escolar, os propósitos da redação do legendário abreviado, seus relacionamentos e compromissos pessoais e institucionais e por eventos do contexto em que viveu.
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Martín Iglesias, José Carlos. "La entrada Dentium proprietates et infirmitates del Armarium scripturarum de Juan Gil de Zamora (OFM) († ca. 1318) : editio princeps acompañada de un comentario gramatical." Archivum Latinitatis Medii Aevi 70, no. 1 (2012): 273–84. http://dx.doi.org/10.3406/alma.2012.1131.

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Cet article offre l’editio princeps du petit traité sur les dents et leurs maladies issu de l’encyclopédie Armarium scripturarum de Juan Gil (OFM) de Zamora († ca. 1318). Le seul manuscrit connu est Salamanca, Biblioteca General Histórica de la Universidad, 2691, fol. 109r-115v. Les sources utilisées sont le De proprietatibus rerum de Barthélemy l’Anglais et le Viaticum de Constantin l’Africain. Mots-clés : Franciscains, encyclopédisme, Moyen Âge, Espagne.
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O'Callaghan, Joseph. "Fray Juan Gil de Zamora, Infante Sancho, and Alfonso el Sabio." Philosophy. Journal of the Higher School of Economics VI, no. 4 (December 31, 2022): 127–52. http://dx.doi.org/10.17323/2587-8719-2022-4-127-152.

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In his De preconiis Hispanie, Fray Juan Gil de Zamora endeavored to inculcate in Infante Sancho, Alfonso X’s second son and heir, an understanding of the history of Spain and to cite examples of rulers who used their authority well and those who abused it. He reminded the young prince that he would be accountable to God and that he should not pursue his own interests to the detriment of his people. He specifically denounced royal avarice and argued that a king should not impoverish his people with unaccustomed levies of taxation. Moreover, he stressed the king's duty to rule in accordance with the approved laws and customs established with the consent of the people. Although he did not criticize Alfonso X by name, he was aware of popular complaints of excessive taxation and innovations in the law. While providing Infante Sancho with a manual for good government, he also conveyed a tacit critique El Rey Sabio.
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Estévez Sola, Juan Antonio. "Un manuscrito desconocido del De Preconiis Hispanie de Juan Gil de Zamora." Revue d'Histoire des Textes 12 (January 2017): 381–92. http://dx.doi.org/10.1484/j.rht.5.112819.

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McNABB, RICHARD. "Innovations and Compilations: Juan Gil de Zamora's Dictaminis Epithalamium." Rhetorica 21, no. 4 (January 1, 2003): 225–54. http://dx.doi.org/10.1525/rh.2003.21.4.225.

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Abstract: This essay brings to light a previously untranslated Latin medieval rhetorical treatise from Castile and Leóón——Juan Gil de Zamora's letter writing manual Dictaminis Epithalamium, or The Marriage Song of Letter-Writing (c. 1277). Juan Gil (c. 1240––c. 1318) was among the first writers in Castile and Leóón to compose a rhetorical treatise on the technical elements of composition. I outline the theoretical and technical elements of Juan Gil's ars dictaminis. Following an explication of his theory, I historicize the Dictaminis Epithalamium within the western European rhetorical tradition and within the established dictaminal genre. I argue that Juan Gil develops a new rhetoric for letter writing——one incorporating innovations as well as compilations of ideas from the Italian and French schools of letter-writing.
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Marcos Casquero, Manuel Antonio. "Juan Gil de Zamora. La Historia Naturalis de Juan Gil de Zamora (Ed. y trad. A. Domínguez García y L. García Ballester). Junta de Castilla y León, Consejería de Cultura y Turismo, 1994." Estudios Humanísticos. Filología, no. 17 (November 15, 2016): 423. http://dx.doi.org/10.18002/ehf.v0i17.4532.

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Dissertations / Theses on the topic "Gil de Zamora, Juan"

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Ferrero, Hernández Cándida. "LIber contra venena et animalia venenosa. Estudio preliminar, edición crítica y traducción." Doctoral thesis, Universitat Autònoma de Barcelona, 2002. http://hdl.handle.net/10803/5536.

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La obra, escrita por el franciscano Juan Gil de Zamora, es una pequeña enciclopedia organizada alfabéticamente cuyo objetivo es presentar remedios contra venenos de origen mineral, vegetal y animal. Dentro del reino animal dedica especial atención a la diferencia que hay entre animales extraordinarios y extremadamente malignos y aquellos que, aun pequeños, resultan fastidiosos para la vida del hombre, tales son las pulgas, chinches, mosquitos.
El trabajo ha consistido, en primer lugar, en la colación de los manuscritos, el 1404 del fondo de los Duques de Urbino, de la Biblioteca Apostólica Vaticana, en Roma, (s. XIV), y el MF 139 de la Biblioteca de la Fundación Bartolomé March, en Mallorca, (s. XV). A partir de éstos, y teniendo en cuenta la primera edición que de la obra hizo Manuel de Castro, ("El tratado Contra Venena de Fr. Juan Gil de Zamora O. F. M.", AIA, Segunda época n. 141, 1976, 117pp), se ha realizado la primera edición que tiene en cuenta los dos manuscritos, así como correcciones de lectura a la primera edición.
Asimismo, en segundo lugar, se ha realizado la traducción de la obra, la primera que de la misma se hace, incorporando un aparato de notas que incluyen textos de autores que tratan temas similares, anteriores o contemporáneos al autor. De igual manera en las notas se ofrece un comentario amplio sobre los nombres de plantas, así como sobre algunos términos aclaratorios, de carácter médico.
A modo de prólogo se ha realizado el estudio de la obra, dentro del contexto de la época y de la producción literaria del autor, interesante personaje que formó parte del círculo de Alfonso X y de Sancho IV. En este estudio preliminar se realiza un estudio de las fuentes que maneja, y que demuestra la relación de esta obra con el Speculum Naturale de Vincent de Beauvais y con el Liber Canonis de Avicena.
Como complemento al trabajo se incluyen unos índices relativos al texto latino, que se han organizado bajo cuatro epígrafes: plantas y sus derivados, animales y sustancias derivadas, minerales y nombres de persona, lugar y obras.
The work above mentioned, written by the Franciscan Juan Gil Zamora, is a small encyclopaedia, alphabetically organised, whose aim is to put forward remedies against poisons of mineral, vegetable and animal origin. Within the animal field he devotes special attention to the difference existing between those extraordinary animals extraordinarily harmful and those that, even though small in size, are annoying for man's life, such as fleas, bugs and mosquitoes.
This piece of work was first done filtering the manuscripts 1404 of the Dukes of Urbino's collection, from the Apostolic Vatican Library in Rome (XIV c.) and MF 139 of the Bartolome March foundation Library, in Majorca (XV c.). Starting from these manuscripts and taking into account the first edition of the work done by Manuel de Castro ("The treatise Contra Venena by Fr. Juan Gil de Zamora, Franciscan" AIA, Second époque nr. 141, 1976, 117 pp), we did the first edition that takes into account both manuscripts, as well as reading corrections to the first edition.
We have also effected the translation of the work , the first one effected adding a set of notes that include text of authors dealing in similar topics, older or contemporary to the author. In the notes we offer ample comment on the names of the plants, as well as some clearing terms of a medical character.
As a prologue we have effected a study of the work within the context of the time and the literary production of the author, who was a very interesting character of the entourage of Alfonso X and Sancho IV. In this preliminary study we do a research into the sources that he uses that proves the relation of this work with Vincent de Beauvais' Speculum Naturale and Avicena's Liber Canonis.

As a complement to our work we add some indexes relative to the Latin text, that have been organised under four epigraphs: plants and their derivatives, animals and derived substances, minerals and names of people, place and work.
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Hamy-Dupont, Adrienne. "Système encyclopédique et prédication mariales chez Juan Gil de Zamora (OFM, + c. 1306) : les sermones virginales. Édition, traduction et commentaires." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC095.

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Juan Gil de Zamora est l’un des plus importants encyclopédistes hispaniques de langue latine. Actif à la fin du XIIIe siècle, il est lié à la cour d’Alphonse X et de Sanche IV et remplit des charges élevées dans son ordre franciscain, après des études parisiennes. Ce travail propose une editio princeps traduite et commentée de ses seize sermons mariaux répertoriés à ce jour. Elle est précédée d’une étude introductive fournissant données biographiques, réflexion sur son système encyclopédique, étude de sa part mariale et diverses découvertes homilétiques
Juan Gil of Zamora is one of the major hispanolatin encylopedist. Active at the end of the XIIIth century, he was linked with Alphonse the Xth’s and Sancho the IVth’s courts. Before playing an important part in his Franciscan Order he studied in Paris. This work provides with a translated and commented editio princeps of the sixteen marian sermons that could be listed. It goes with an introduction dealing with afresh biographical datas, thoughts on Gil’s encyclopedic system, marian production and homiletic discoveries
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Moreno, María Paz. "El culturalismo en la poesía de Juan Gil-Albert /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488190109868359.

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Souza, Jamyle Rocha Ferreira Souza. "A RELAÇÃO CORTESANIA-RUSTICIDADE NA CENA IBÉRICA: JUAN DEL ENCINA, LUCAS FERNÁNDEZ E GIL VICENTE." Instituto de Letras, 2016. http://repositorio.ufba.br/ri/handle/ri/26592.

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Submitted by Roberth Novaes (roberth.novaes@live.com) on 2018-07-13T21:32:32Z No. of bitstreams: 1 TESE JAMYLE ROCHA FERREIRA SOUZA.pdf: 1562300 bytes, checksum: 719d3bfcbace78df6d3323cd229dbd7a (MD5)
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O presente trabalho procura analisar cortesania e rusticidade como duas convenções literárias distintas nas obras de Juan del Encina (1468-1529), Lucas Fernández (1474-1541) e Gil Vicente (1465?-1536?). As três dramaturgias em questão revelaram uma predileção pelo topos do rústico na corte. A opção estética dos nossos dramaturgos se renova justamente quando faz representar no espaço cortesão rústicos que se aproximam da realidade do universo campesino, distantes da tradição bucólica que privilegiava uma visão idealizada, revelada principalmente na figura do pastor. Essa opção estética pode ser compreendida, segundo o crítico espanhol José María Díez Borque (1987), como um “salto mortal”, uma vez que confronta a privilegiada estimativa literária da poesia cortesanesca e cumpre um fim imediato de divertir a nobreza ociosa. Desse modo, os três autores, cada um a seu modo, rompem os limites sociais da cortesia e multiplicam as possibilidades literárias no espaço dramático. Nesse sentido, fazer dialogar as três dramaturgias possibilita uma visão mais abrangente de como se deu na cena ibérica o processo de reconhecimento do “estilo rústico” enquanto estética valorizada, confrontando a poética culta cortesã.
El presente trabajo busca analizar “cortesanía”e “rusticidad” en cuanto dos convenciones literarias distintas en las obras de Juan del Encina (1468-1529), Lucas Fernández (1474-1541) y Gil Vicente (1465?-1536?). Las tres dramaturgias en cuestión tuvieron una predilección por el topos del rústico en la corte. La opción estética de los nuestros dramaturgos se renueva justamente cuando en el espacio cortesano hace representar rústicos que se acercan de la realidad del universo rústico, distantes de la tradición bucólica que privilegiaba una visión idealizada, demostrada principalmente en la figura del pastor. Esta opción estética puede ser comprendida, según el crítico español José María Díez Borque (1987), como un “salto mortal”, una vez que confronta con la privilegiada estimativa literaria de la poesía cortesanesca y cumple un fin inmediato de divertir la nobleza ociosa. De este modo, los tres autores, cada uno a su modo, rompen los límites sociales de la cortesía e escenifican en el mismo espacio dramático estilos distintos, multiplicando, así, las posibilidades literarias. En ese sentido, hacer dialogar las tres dramaturgias posibilita una visión más amplia de como se dio en la escena ibérica el proceso de reconocimiento del “estilo rústico” en cuanto estética valorizada que va de encuentro a la poética culta cortesana.
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Zamora, Cardona Juan Carlos [Verfasser], Thorsten [Akademischer Betreuer] Kröll, and Muhsin N. [Akademischer Betreuer] Harakeh. "Nuclear Reaction Studies using Stored Ion Beams at ESR with EXL / Juan Carlos Zamora Cardona. Betreuer: Thorsten Kröll ; Muhsin N. Harakeh." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2016. http://d-nb.info/1112141456/34.

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Pérez, Rey Jorge. "Du Levant à la Touraine : la perception contrastée de la France et de l'Espagne dans la prose de Juan Gil-Albert." Tours, 1989. http://www.theses.fr/1989TOUR2012.

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Gil-albert, juan: poete, essayiste et romancier espagnol, ne en 1904 a alcoy, alicante. Region natale et nation, exile et retour: la confrontation des images litteraires du levant espagnol et de la touraine francaise chez juan gil-albert. La memoire proustienne au service "d'un espagnol qui raisonne". Presentation d7une approche golbale et dynamique de la partie de l'oeuvre en prose de juan gil-albert relative a tours et a la touraine dans ses rapports avec la partie relative a alcoy et au levant, avec leurs implications au niveau de la formation de la conscience nationale chez l'auteur. L'emergence d'une notion d'alterite (au niveau du sentiment national) a travers la confrontation des images d'enfance du pays natal et des images d'adolescence d'une region d'une nation etrangere une etude des "images de l'autre" a travers la presence de la france et de l'espagne dans l'oeuvre en prose de juan gil-albert
Gil-albert, juan, spanish poet, essayist, and novelist, born in alcoy, province of alicante, spain, in 1904. Region of brith and notion, exile and return: a comparison of the literary images of the spanish levant and the touraine region of france in the work of juan gil-albert. Proustian memory at the service of "a reasoning spaniard". Presentation of an overall dynamic approach to gil-albert's prose work concerning tours and touraine, compared with his work referring to alcoy and the levant, and the implications of this work for the formation of the author's national identity. Development of a notion of otherness at the level of national identity through the comparison of childhood images from the author's birthplace with adolescent images of a region of a foreign country. A study of "images of the other" developed from references to spain and france in juan gil-albert's prose work
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Books on the topic "Gil de Zamora, Juan"

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Zamora, Juan Gil de. Legende sanctorum et festivitatum aliarum quivus ecclesia sollempnizat: Leyendas de los santos y de otras festividades que celebra la iglesia. Zamora, España: Instituto de Estudios Zamoranos "Florián de Ocampo", 2014.

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Rovira, José Carlos. Juan Gil-Albert. [Alicante]: Caja de Ahoros Provincial de Alicante, Obra Social y Cultural, 1991.

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Flórez, Fernando Castro. J. J. Gil: Juan José Gil. Las Palmas de Gran Canaria: Viceconsejeria de Cultura y Deportes, Gobierno de Canarias, 1999.

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Zamora, Juan. Juan Zamora: Where on the sun. Salamanca: DA2, 2010.

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Kroebel, Pedro Montalbán. La fascinación de Gil-Albert: Basada en textos de Juan Gil-Albert. Valencia: Institució Alfons el Magnànim, 2006.

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Calomarde, Joaquín. Juan Gil-Albert: Imagen de un gesto. Barcelona: Anthropos, 1988.

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Simón, Claudia. Cartas a Juan Gil-Albert: Epistolario selecto. Alicante: Instituto Alicantino de Cultura Juan Gil-Albert, 2016.

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Moreno, María Paz. El culturalismo en la poesía de Juan Gil-Albert. [Alicante]: Instituto Alicantino de Cultura "Juan Gil-Albert". Diputación Provincial de Alicante, 2000.

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Gil, Juan, Rocío Carande Herrero, and Daniel López-Cañete Quiles. Pro tantis redditvr: Homenaje a Juan Gil en Sevilla. Sevilla: Universidad de Sevilla, 2010.

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Roz, José Sant. La cultura como sepultura: Juan Félix Sánchez, Epifania Gil. [Venezuela]: Ediciones Actual, 1998.

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Book chapters on the topic "Gil de Zamora, Juan"

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Alonso, Luis. "El ‘Prosodion’ de Juan Gil de Zamora." In Studies in the History of the Language Sciences, 1. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.34.02alo.

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Tang, Frank. "Royal Misdemeanour: Princely Virtues and Criticism of the Ruler in Medieval Castile (Juan Gil de Zamora and Álvaro Pelayo)." In Disputatio, 99–121. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.disput-eb.3.450.

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Bañuls Oller, José Vte, and Carmen Morenilla Talens. "Presentación de la lectura dramatizada de El Camaleón de Juan Alfonso Gil Albors." In Das Tragische, 213–71. Stuttgart: J.B. Metzler, 2000. http://dx.doi.org/10.1007/978-3-476-02694-1_12.

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Badolato, Nicola. "Armidoro, Oristeo e altri principi giardinieri sulle scene dell’opera veneziana nel Seicento." In Studi e saggi, 301–25. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.19.

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The subject of aprince dressing as a gardener to approach his beloved is dear to the European theatrical tradition: the model of Don Duardos by Gil Vicente (1562), reprinted in El rincipe viñador by Luis Vélez de Guevara (1668), is also used in French theatre, which proposes a variation in Le Prince déguisé by Georges de Scudery (1636), partly based on the novel Grisel y Mirabella by Juan de Flores (1524). This subject was later integrated into 17th century Italian theatre, starting with Venetian opera. This essay analyses in particular some works produced in Venice in the middle of the century, starting with Il prencipe giardiniero by Benedetto Ferrari (1644), whose subject anticipates first L’Oristeo (1651) by Giovanni Faustini and Francesco Cavalli, and Laurindo by Gio. Andrea Moniglia, written in 1657 and printed as Il principe giardiniere under the name of Giacinto Andrea Cicognini starting from 1664.
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Ferrero Hernández, Cándida. "El Liber illustrium personarum de Juan Gil de Zamora." In Œuvrer pour le salut, 39–54. Casa de Velázquez, 2019. http://dx.doi.org/10.4000/books.cvz.9181.

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"The Ars musica of Juan Gil de Zamora: Musical Expression and Instruments of the Reconquista." In Music in Early Franciscan Thought, 197–232. BRILL, 2013. http://dx.doi.org/10.1163/9789004248182_010.

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"JUAN GIL-ALBERT (1904-1994)." In Poetas del exilio español, 285–96. El Colegio de México, 2006. http://dx.doi.org/10.2307/j.ctv6mtcbt.27.

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"Columpna Firmissima: D. Gil Torres, The Cardinal Of Zamora." In Cross, Crescent and Conversion, 241–61. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004163430.i-362.23.

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Linehan, Peter. "Columpna Firmissima: D. Gil Torres, the Cardinal of Zamora *." In Historical Memory and Clerical Activity in Medieval Spain and Portugal, 1–20. Routledge, 2018. http://dx.doi.org/10.4324/9781351219105-7.

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Corral, Rose. "LA EXPERIENCIA MEXICANA DE JUAN GIL-ALBERT." In Los refugiados españoles y la cultura mexicana, 35–46. El Colegio de México, 1999. http://dx.doi.org/10.2307/j.ctv3dnq03.5.

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Conference papers on the topic "Gil de Zamora, Juan"

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Navarro, Juan F. "Fabricación de (sin)sentido." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4970.

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Abstract:
FABRICATION OF (NON)SENSE es un proyecto artístico que trata de cuestionar los sistemas discursivos sobre los que se construyen la Ciencia y el Arte, mediante la fabricación de un resultado científico `falso’ con apariencia de veracidad y su posterior difusión en el ámbito científico internacional: ha sido presentado en la 2nd International Conference on Mathematics and Computers in Sciences and Industry, celebrada en Malta en agosto de 2015, y publicado en el Journal of Advances in Applied Mathematics (Vol. 1, No. 3, pp. 160-174) en 2016. La aportación, titulada A Symbolic Algorithm for the Computation of Periodic Orbits in Non-Linear Differential Systems, presenta un método para el cálculo de órbitas periódicas en sistemas diferenciales no lineales, empleando para ello una adaptación del método de Poincaré-Lindstedt. Como proyecto artístico, ha sido seleccionado en la convocatoria `Arte en la Casa Bardín’ del Instituto Juan Gil-Albert.Esta comunicación al III Congreso Internacional de Investigación en Artes Visuales analiza, en primer lugar, las partes en las que se ha estructurado el proyecto. En segundo lugar, establece los diferentes niveles de lectura de la pieza, como cuestionamiento de los sistemas de la Ciencia y el Arte y, finalmente, como una reducción al absurdo. Por último, articula una serie de conexiones con otras piezas, estudios y movimientos adscritos al ámbito del arte contemporáneo.http://dx.doi.org/10.4995/ANIAV.2017.4970
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