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1

Genevieve, Vaughan, ed. The gift =: Il dono : a feminist analysis. Roma: Meltemi, 2004.

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2

I, Arnolʹd V. Lectures and problems: A gift to young mathematicians. Providence, Rhode Island: American Mathematical Society, 2016.

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3

José, Menéndez Augustín, ed. The Constitution's gift: A constitutional theory for a democratic European Union. New York: Rowman & Littlefield Publishers, 2011.

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4

Solidariteit/rivaliteit: Ruil en gift bij Marcel Maus en Pierre Bourdieu. Antwerpen: Garant, 2009.

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5

J, Abad, Asorey M, and Cruz A, eds. New perspectives in quantum field theories: Proceedings of the XVIth GIFT International Seminar on Theoretical Physics, 3-8 June 1985, Jaca, Huesca, Spain. Singapore: World Scientific, 1986.

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6

Ross, Stephen David. The gift of truth: Gathering the good. Albany, N.Y: State University of New York Press, 1997.

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7

God's mission and postmodern culture: The gift of uncertainty. Maryknoll, NY: Orbis Books, 2012.

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8

Mission in Christ's way: A gift, a command, an assurance. New York: Friendship Press, 1987.

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9

Herman, Menahem. Tithe as gift: The institution in the Pentateuch and in light of Mauss's prestation theory. San Francisco: Mellen Research University Press, 1992.

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10

Zell, Michael. Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726429.

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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic’s vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.
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11

Caldwell, Larry W. Sent out!: Reclaiming the spiritual gift of apostleship for missionaries and churches today. Makati, Metro Manila, Philippines: Church Strengthening Ministry, 1992.

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12

Dr, Fitzgerald Michael, ed. Asperger syndrome: A gift or a curse? New York: Nova Science Publishers, 2005.

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13

Stacy, Brady, ed. The Guru's gift: An ethnography exploring gender equality with North American Sikh women. Mountain View, Calif: Mayfield Pub., 2000.

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14

Rost, Friedrich. Theorien des Schenkens: Zur kultur- und humanwissenschaftlichen Bearbeitung eines anthropologischen Phänomens. Essen: Verlag Die Blaue Eule, 1994.

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15

Hymer, Barry. Gifts, talents and education: A living theory approach. Chichester, West Sussex: Wiley-Blackwell, 2009.

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16

Hymer, Barry, Jack Whitehead, and Marie Huxtable Hymer. Gifts, Talents and Education a Living Theory Approach. Chichester, West Sussex, UK: John Wiley & Sons, Ltd., 2008. http://dx.doi.org/10.1002/9780470715697.

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17

Jack, Whitehead, and Huxtable Marie, eds. Gifts, talents and education: A living theory approach. Hoboken, NJ: John Wiley, 2008.

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18

Arendes, Lothar. Gibt die Physik Wissen über die Natur?: Das Realismusproblem in der Quantenmechanik. Würzburg: Königshausen & Neumann, 1992.

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19

Waern, Annika, and Anders Sundnes Løvlie. Hybrid Museum Experiences. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463726443.

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"So you're the one getting this gift? Lucky you! Someone who knows you has visited the museum. They searched out things they thought you would care about, and they took photos and left messages for you." This is the welcoming message for the Gift app, designed to create a very personal museum visit. Hybrid Museum Experiences use new technologies to augment, expand or alter the physical experience of visiting the museum. They are designed to be experienced in close relation to the physical space and exhibit. In this book we discuss three forms of hybridity in museum experiences: Incorporating the digital and the physical, creating social, yet personal and intimate experiences, and exploring ways to balance visitor participation and museum curation. This book reports on a 3-year cross-disciplinary research project in which artists, design researchers and museum professionals have collaborated to create technology-mediated experiences that merge with the museum environment.
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20

Gifts and strangers: Meeting the challenge of inculturation. New York: Paulist Press, 1989.

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21

Colesworthy, Rebecca. Returning the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.001.0001.

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The decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory, Marcel Mauss’s The Gift: The Form and Reason for Exchange in Archaic Societies, to show that, his title notwithstanding, the gift Mauss envisions is a distinctively modern phenomenon. Subsequent chapters offer nuanced readings of novels and nonfiction by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. from the 1920s to 1940s, drawing on developments in the social sciences, economics, and politics to illuminate their writing, while also making a case for their unique contributions to broader interdisciplinary debates. Not only do these writers insist that literature is a special kind of gift, but they also challenge the primitivist treatment of women as gifts in the work of their Victorian forebears and contemporary male theorists. Each of these writers uses tropes and narratives of giving to imagine more egalitarian social possibilities under the conditions of the capitalist present. The language of the gift is not, as we might expect, a mark of hostility to the market, but rather a means of giving form to the “society” in market society—of representing everyday experiences of exchange that the myth of the free market works, even now, to render unthinkable.
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22

Jas, Pauline. A Gift Relationship?: Charitable Giving in Theory and Practice. NCVO Publications, 2000.

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23

Asorey, M., and J. F. Cariñena. Integrability and Quantization: Proceedings of the 20th GIFT International Seminar on Integrability and Quantization. Elsevier Science & Technology Books, 2016.

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24

Weed, Elizabeth, ed. Derrida's Gift. Duke University Press, 2006.

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25

Fossum, John Erik. Constitution's Gift: A Constitutional Theory for a Democratic European Union. Rowman & Littlefield Publishers, Incorporated, 2011.

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26

Rhetoric nd the Gift: Ancient Rhetorical Theory and Contemporary Communication. Duquesne University, 2015.

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27

Carmen, Allison. The gift of maybe: Finding hope and possibility in uncertain times. 2014.

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28

Colesworthy, Rebecca. Marcel Mauss and the Turn to the Gift. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.003.0002.

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Chapter 1 takes a cue from recent anthropologists who have stressed the influence of Mauss’s socialism on his sociological work. Returning to Mauss’s The Gift, the chapter argues that what links his essay to the experimental writing of his literary contemporaries is not their shared fascination with the primitive, as other critics have suggested, but rather their shared investment in reimagining social possibilities within market society. Mauss was, as his biographer notes, an “Anglophile.” Shedding light on his admiration of British socialism and especially the work of Beatrice and Sidney Webb—friends of Virginia and Leonard Woolf—as well as competing usages of the language of “gifts” in the social sciences and the arts, the chapter ultimately provides a new material and conceptual framework for understanding the intersection of largely French gift theory and Anglo-American modernist writing.
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29

Gift and Its Paradoxes: Beyond Mauss. Taylor & Francis Group, 2014.

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30

Pyyhtinen, Olli. Gift and Its Paradoxes: Beyond Mauss. Taylor & Francis Group, 2016.

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31

Pyyhtinen, Olli. Gift and Its Paradoxes: Beyond Mauss. Taylor & Francis Group, 2016.

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32

Abad, J., and M. Asorey. New Perspectives in Quantum Field Theories: Proceedings of the Xvith Gift International Seminar on Theoretical Physics : 3-8 June, 1985 Jaca, Huesca. World Scientific Pub Co Inc, 1986.

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33

New perspectives in quantum field theories: Proceedings of the XVIth GIFT International Seminar on Theoretical Physics, 3-8 June 1985, Jaca, Huesca, Spain. World Scientific, 1986.

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34

Sansi, Roger. Art, Anthropology and the Gift. Taylor & Francis Group, 2020.

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35

Sansi, Roger. Art, Anthropology and the Gift. Taylor & Francis Group, 2020.

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36

Sansi, Roger. Art, Anthropology and the Gift. Taylor & Francis Group, 2020.

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37

Sansi, Roger. Art, Anthropology and the Gift. Taylor & Francis Group, 2020.

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38

Driver and Vehicle Standards Agency. Official DVSA Theory Test Kit for Car Drivers - Online Subscription Gift Card. Stationery Office, The, 2017.

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39

Barthes, Roland. "A very fine gift" and other writings on theory: Essays and interviews. Edited by Turner Chris 1963 translator. 2015.

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40

Pyyhtinen, Olli. Gift and Its Paradoxes: Beyond Mauss. by Olli Pyyhtinen. Taylor & Francis Group, 2016.

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41

Theologie als Gift und Gabe: Günter Paulo Suess zu Ehren. Luzern: Edition Exodus, 2005.

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42

Art Anthropology and the Gift. Bloomsbury Publishing PLC, 2014.

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43

Smith, Isabella. Keep Calm and Listen to Single Gun Theory : Lined Journal Composition Notebook Birthday Gift for Single Gun Theory Lovers: (6x 9 Inches). Independently Published, 2021.

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44

Zamir, Tzachi. Fourth Climb. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695088.003.0009.

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This chapter begins the book’s analysis of gratitude. The fundamental religious attitude as the poem conveys it is life lived as experiencing a gift. Gratitude is the response this experience calls for. However, for gratitude to acquire value, it must be tested in various ways. To fall is to avoid gratitude. Three such avoidances—Satan’s, Adam’s, and Eve’s—are presented. A connection with contemporary gift-theory is also made in this chapter. Derrida and Jean-Luc Marion have claimed that the notion of the gift is paradoxical. Inspired by Mauss, both assert that gifts do not transcend the sphere of exchange. Milton’s Satan enables us to pinpoint their mistake.
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45

Colesworthy, Rebecca. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198778585.003.0001.

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The introduction establishes a broad historical context for the project, demonstrating the centrality of ideas about gift-giving to a number of fields and discourses following World War I. Within this context, Marcel Mauss’s classic 1925 essay, The Gift, is not unique in its topic but rather in capturing and articulating a sense shared by a wide range of thinkers and authors in the interwar period that a traditional ideological separation of gifts and exchanges was beginning to break down. The book’s focus on the way women writers in particular responded to and worked to represent this crisis is also explained. Notably, modernist writing by men—Baudelaire, Eliot, Pound—has already been central to gift theory. Shifting attention to writing by women, who have historically been treated in theory and in practice as the “supreme gift,” opens up an alternative twentieth-century genealogy of theorizing the gift.
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46

Hénaff, Marcel. The Philosophers' Gift. Translated by Jean-Louis Morhange. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286478.001.0001.

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When it comes to giving, philosophers love to be the most generous. For them, every form of reciprocity is tainted by commercial exchange. In recent decades, such thinkers as Derrida, Levinas, Henry, Marion, Ricoeur, Lefort, and Descombes, have made the gift central to their work, haunted by the requirement of disinterestedness. As an anthropologist as well as a philosopher, the author of this book worries that philosophy has failed to distinguish among various types of giving. This book returns to Mauss to reexamine these thinkers through the anthropological tradition. Reciprocity, rather than disinterestedness, the book shows, is central to ceremonial giving and alliance, whereby the social bond specific to humans is proclaimed as a political bond. From the social fact of gift practices, the book develops an original and profound theory of symbolism, the social, and the relationship between self and other, whether that other is an individual human being, the collective other of community and institution, or the impersonal other of the world.
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47

Wolfenstein, Eugene Victor. A Gift of the Spirit: Reading the Souls of Black Folk (Psychoanalysis and Social Theory). Cornell University Press, 2007.

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48

publisher, vetcats-notes. String Theory: Cat Vaccination Health Medical Record Book/ Perfect Gift for Cat Owners and Lovers. Independently Published, 2020.

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49

Wolfenstein, Eugene Victor. A Gift of the Spirit: Reading the Souls of Black Folk (Psychoanalysis and Social Theory). Cornell University Press, 2007.

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50

Newbigin, Lesslie. Mission in Christ's Way: A Gift, a Command, an Assurance (Library of Christian Stewardship). Friendship Press, 1988.

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