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1

Michael, Adam. "GM gibberish." Nature Biotechnology 17, no. 6 (June 1999): 520. http://dx.doi.org/10.1038/9787.

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2

Rée, Jonathan. "Rée on gibberish." Philosophers' Magazine, no. 10 (2000): 32. http://dx.doi.org/10.5840/tpm20001055.

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Kelly-Bootle, Stanley. "Call That Gibberish?" Queue 3, no. 6 (July 2005): 64. http://dx.doi.org/10.1145/1080862.1080884.

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Bush, Elizabeth. "Gibberish by Young Vo." Bulletin of the Center for Children's Books 75, no. 6 (2022): 206. http://dx.doi.org/10.1353/bcc.2022.0101.

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Elzweig, Brian. "Unintended Consequences, Loopholes, and Gibberish." Texas A&M Law Review 7, no. 1 (October 2019): 153–85. http://dx.doi.org/10.37419/lr.v7.i1.4.

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This Article examines Congress’s decades-long attempt to ensure that securities class action lawsuits of national importance are litigated in federal courts. The intent is limiting strike suits. Congress attempted to curtail strike suits through the enactment of the Private Securities Litigation Reform Act (“PSLRA”). The PSLRA required heightened pleading requirements to ensure the validity of federal securities class actions. Instead of solving the dilemma, plaintiffs circumvented the PSLRA by bringing fraud cases as state law claims. To combat the circumvention of the PSLRA, Congress enacted the Securities Litigation Uniform Standards Act (“SLUSA”). SLUSA federally preempted state law claims based on alleged misrepresentations, untrue statements, or omissions of material facts, requiring them to be brought in federal court. However, SLUSA did not address the concurrent jurisdiction provision of the Securities Act of 1933. This created an anomaly whereby many federal claims under the 1933 Act were brought in state courts, while state fraud claims were required to be brought in federal court. Congress could have addressed this enigma when it enacted the Class Action Fairness Act (“CAFA”). Instead, CAFA, which reformed class actions generally, exempted most securities class actions from its rules. In 2018, the Supreme Court decided Cyan v. Beaver County and allowed 1933 Act claims covered by SLUSA to continue to be brought in state courts. The Court was silent on non-covered securities. This Article recommends how Congress can accomplish its goal of forcing important securities class actions into federal courts.
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Smith, Corinne Roth. "From Gibberish to Phonemic Awareness." TEACHING Exceptional Children 30, no. 6 (July 1998): 20–25. http://dx.doi.org/10.1177/004005999803000605.

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7

KOLB, GWIN J., and ROBERT DEMARIA. "DR JOHNSON'S ETYMOLOGY OF GIBBERISH." Notes and Queries 45, no. 1 (March 1, 1998): 72–74. http://dx.doi.org/10.1093/nq/45-1-72.

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KOLB, GWIN J., and ROBERT DEMARIA. "DR JOHNSON'S ETYMOLOGY OF GIBBERISH." Notes and Queries 45, no. 1 (1998): 72–74. http://dx.doi.org/10.1093/nq/45.1.72.

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9

Sayers, William. "Cant, Rant, Gibberish, and Jargon." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 28, no. 1 (January 2, 2015): 1–10. http://dx.doi.org/10.1080/0895769x.2015.1038967.

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Flynn, Timothy W., John D. Childs, Stephania bell, Jake S. Magel, Robert H. Rowe, and Haideh Plock. "Manual Physical Therapy: We Speak Gibberish." Journal of Orthopaedic & Sports Physical Therapy 38, no. 3 (March 2008): 97–98. http://dx.doi.org/10.2519/jospt.2008.0103.

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Bradnock, Lucy. "‘Mantras of Gibberish’: Wallace Berman's Visions of Artaud." Art History 35, no. 3 (March 8, 2012): 622–43. http://dx.doi.org/10.1111/j.1467-8365.2012.00898.x.

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Rollin, Henry R. "Subtle thought disturbance in schizophrenia." Psychiatric Bulletin 19, no. 11 (November 1995): 697. http://dx.doi.org/10.1192/pb.19.11.697.

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Thought disorder, perhaps the most telling symptom of schizophrenia, presents itself in an infinite variety of ways. This ranges from unintelligible gibberish on the one hand to far more subtle disturbances on the other, disturbances which in other circumstances might be construed as examples of donnish games with twisted logic. Here is one that sticks in my memory.
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13

Ducharme, Edward R., and Mary K. Ducharme. "Walkie-Talkie Gibberish and Real Writing: Looking Ahead and Back." Journal of Teacher Education 49, no. 1 (January 1998): 3–4. http://dx.doi.org/10.1177/0022487198049001001.

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14

Boyd, Jeffrey H. "A paradigm shift in mathematical physics, Part 1: The Theory of Elementary Waves (TEW)." JOURNAL OF ADVANCES IN MATHEMATICS 10, no. 9 (June 30, 2015): 3828–39. http://dx.doi.org/10.24297/jam.v10i9.1908.

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Why is quantum mathematics (QM) the only science based on probability amplitudes rather than probabilities? A paradigm shift called the Theory of Elementary Waves (TEW) posits zero energy waves traveling in the opposite direction as particles, which a particle follows backwards: like a probabilistic guidance system emanating from detectors. Probability amplitudes are the mathematical analog of these elementary rays. Although this proposal might sound like gibberish, that is the hallmark of a paradigm shift. Thomas Kuhn warns that previous paradigm shifts were rejected because they sounded like gibberish. TEW is internally coherent, explains a mountain of empirical data, and resolves insoluble problems of QM. For example, it dispenses with the need for wavefunction collapse because probability decisions are made at the particle source, not the detector. It is the only local realistic theory consistent with the Bell test experiments. That which QM calls “nonlocality,” TEW calls “elementary rays.” One term is vague, the other involves elegant mathematics. This article introduces that mathematical notation, explains complementarity in double slit experiments, and reinterprets Feynman diagrams. QM and TEW are partners that need each other. One is a science of observables; the other a science of how nature works independent of the observer.
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Saxena, Rajeev, Ravi Shirahatti, Chinmay Shah, Mukhit Kazi, Ashwini Bhosale, Ladkat Ladkat, Devendra Panchawadkar, and Shrikant Diwanay. "Impact of gibberish meditation on students learning in a dental school." International Journal of Medical Science and Public Health 2, no. 2 (2013): 420. http://dx.doi.org/10.5455/ijmsph.2013.2.446-452.

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Ward, Ian. "Masks, Mingling and Magic: Gibberish Law in the Age of Covid." Liverpool Law Review 43, no. 1 (October 26, 2021): 57–76. http://dx.doi.org/10.1007/s10991-021-09288-x.

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AbstractThe experience of Covid-19 has taught us many things, not least the consequence of what John Milton termed ‘gibberish law’. Law drafted amidst the ‘throng and noises of irrational men’. The closer purpose of this article is the attempt to regulate ‘gatherings’ during the coronavirus pandemic, including the re-invention of a bespoke crime of ‘mingling’. A jurisprudential curiosity which, it will be suggested, is symptomatic of a broader malaise. An assault on the integrity of the rule of law which is only too familiar; much, it might be said, like the arrival of a pandemic. The first part of the article will revisit three particular gatherings, in part to debunk the myth of the unprecedented. But also to introduce some themes, literal and figurative, of masking and muddle. The conjuring of what Shakespeare called ‘rough magic’. The second part of the article will then take a closer look at the jurisprudential consequence of this conjuration. The final part will venture some larger concerns, about the crisis of parliamentary democracy in the ‘age of Covid’.
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Willi, Andreas. "Old Persian in Athens Revisited (Ar. Ach. 100)." Mnemosyne 57, no. 6 (2004): 657–81. http://dx.doi.org/10.1163/1568525043083514.

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AbstractThe Old Persian line in Aristophanes' Acharnians (100) is commonly believed to contain nothing but comic gibberish. Against this view, it is argued here that a responsible reconstruction of an Old Persian original is possible if one takes into account what we nowadays know about late fifth-century Old Persian. Moreover, the result, whose central element is the Persian verb for 'writing',fits in with both general considerations on linguistic realism in drama and the historical reality of diplomatic interaction between Greece and Persia during the Peloponnesian War.
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Krysko, Michael A. "‘Gibberish’ On The Air: Foreign Language Radio And American Broadcasting, 1920–1940." Historical Journal of Film, Radio and Television 27, no. 3 (August 2007): 333–55. http://dx.doi.org/10.1080/01439680701443101.

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Madiou. "Abject Talks Gibberish: “Translating” Abjection in Rabih Alameddine's An Unnecessary Woman." Arab Studies Quarterly 43, no. 3 (2021): 249. http://dx.doi.org/10.13169/arabstudquar.43.3.0249.

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Yin, Jing, Wei Gu, Xiao Fang Yang, and Chuan Hua Li. "Design of QT-4.7 LAN Chat System Based on ARM Linux." Advanced Materials Research 926-930 (May 2014): 1906–9. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.1906.

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Instant messaging technologies are becoming more and more mature as network gains popularity and develops rapidly. Instant messaging software such as QQ and Wechat from Tencent, Mitalk and YY Voice are based on C/S mode. In this paper, after completing software development, the platform is migrated and its kernel recompiled. After building root file system and migrating relevant library files, it not only resolves the problems such as Chi-nese gibberish and missing input method after migration, but also designs an instant messaging software for enterprises similar to IP messenger through P2P technology and C++ pro-gramming in QT framework based on Socket communication mechanism, thus realizing messaging and file transfer within LAN.
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21

Thomas, Jafrā D., and Bradley J. Cardinal. "Gibberish in Communicating Written Physical Activity Information: Making Strides at Derailing a Perpetual Problem." Sociology of Sport Journal 35, no. 2 (June 1, 2018): 108–18. http://dx.doi.org/10.1123/ssj.2017-0181.

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The majority of physical activity resources are too difficult to be easily read and understood by most U.S. adults. Attempts to ensure that such resources are written in the most accessible manner possible have been advanced (e.g., 2010 U.S.National Action Plan to Improve Health Literacy). For this study, physical activity educational resources were collected through the Internet (N = 163), and their reading grade levels were analyzed. Over 50% of the resources were written at an unsatisfactory level, with the observed reading grade level being greater than eighth-grade (M = 8.98,SD = 2.92,p < .001, 95% CI [8.53, 9.43]), the maximum recommended. Suggestions for future research and publicly engaged sociology of sport praxis are discussed, with a focus on increasing the equity of written physical activity educational resources.
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Yilmazyildiz, Selma, Werner Verhelst, and Hichem Sahli. "Gibberish speech as a tool for the study of affective expressiveness for robotic agents." Multimedia Tools and Applications 74, no. 22 (July 31, 2014): 9959–82. http://dx.doi.org/10.1007/s11042-014-2165-1.

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23

Kidd, Stephen E. "‘NONSENSE’ IN COMIC SCHOLIA." Classical Quarterly 67, no. 2 (July 26, 2017): 507–21. http://dx.doi.org/10.1017/s0009838817000477.

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In 1968 E.K. Borthwick, with a brilliant conjecture, cleared up a passage from Aristophanes’Peacethat had been considered ‘nonsense’ since antiquity. ‘Bell goldfinch’ (κώδων ἀκαλανθίς) the line seemed to be saying: a jumbled idea at best, gibberish at worst (1078). The scholium reads ad loc.: ταῦτα δὲ πάντα ἐπίτηδες ἀδιανοήτως ἔφρασεν, ‘all this is said as deliberate nonsense’, and later scholars generally follow suit (W.W. Merry, for example, in his 1900 edition ofPeacerefers to the line as ‘magnificent nonsense’). But Borthwick showed that this was not the case: ‘even nonsense expressions in Aristophanes’, he writes, ‘are not haphazard collocations of incongruous words signifying nothing’. What, then, to do with the ancient scholar (and those later ones) who failed to understand the passage, claiming it instead to be ‘nonsense’?
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24

Zien, Katherine. "Troubling Multiculturalisms: Staging Trans/National Identities in Teatro de Ciertos Habitantes's El gallo." Theatre Survey 55, no. 3 (August 18, 2014): 343–61. http://dx.doi.org/10.1017/s0040557414000350.

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The collaborative “antiopera” El gallo: Ópera para actores (The Cock: An Opera for Actors), which was produced from 2007 to 2009 by Mexican theatre company Teatro de Ciertos Habitantes (hereafter referred to as Ciertos Habitantes) and British composer Paul Alan Barker, toured for three years to dozens of venues in Mexico and abroad, garnering numerous awards and accruing more than a hundred performances. Performed in speech/song gibberish, El gallo mingles physical theatre and butoh techniques. The piece chronicles the making of an opera, from auditions through rehearsals and performance, alongside the emotional, physical, and vocal breakdowns of the five main characters and their beleaguered director. El gallo enacts an allegory of conflict-ridden community formation through the device of a play within a play.
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Geller, Jeffrey L. "One Case History • Gibberish: A Bipolar Survival Story • A Million Little Pieces • Goat: A Memoir." Psychiatric Services 56, no. 8 (August 2005): 1026–27. http://dx.doi.org/10.1176/appi.ps.56.8.1026.

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26

Boyd, Jeffrey. "Paul Dirac’s view of the Theory of Elementary Waves." JOURNAL OF ADVANCES IN PHYSICS 13, no. 3 (March 29, 2017): 4731–34. http://dx.doi.org/10.24297/jap.v13i3.5921.

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Is science open to a new idea? Thomas Kuhn says paradigm shifts sound like gibberish to scientificleaders, and are rejected for that reason. The Theory of Elementary Waves (TEW) is such an idea:quantum particles follow waves moving in the opposite direction. Time always goes forwards. Wefocus on Paul Dirac’s 1930 book The Principles of Quantum Mechanics, applied to TEW. We keepDirac notation and quantum math but replace the picture of how nature is organized. Waveinterference and probabilistic effects occur prior to particle emission. Wave function collapse occursat emission & there is no further interference. We have launched a successful program of teachingthis form of physics in the format of YouTube music videos of five minutes duration. Some of ourvideos have been watched 40,000 times: within YouTube search for “Jeffrey H Boyd” to watch theseamusing videos including one in which Yoda (from Star Wars) solves what Richard Feynman calledthe “Fundamental Mystery of Quantum Mechanics.”
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Appel, Nadav. "‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music." Popular Music 33, no. 1 (January 2014): 91–108. http://dx.doi.org/10.1017/s0261143013000548.

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AbstractIn this paper, I examine several aspects of pop-rock music that are characterised by the childlike use of language. Relying on the theoretical work of Gilles Deleuze and Félix Guattari – particularly on their concept of ‘becoming-child’ – I locate, describe and analyse three distinct childlike strategies common in pop-rock: the use of gibberish and nonsense that unbinds language from sense, enabling it to release its own expressive intensities; the utilisation of baby talk and other childlike vocal mannerisms, drawing attention to the physical properties of the act of singing as bodily experimentation; and different forms of repetition that ‘shake’ sense out of words, allowing them to draw their own lines of flight. Foregrounding these strategies, I ultimately claim, expands our understanding of pop-rock music while problematising its traditional interpretation as ‘rebellious’ music, offering its positive, productive qualities and ‘minoritarian’ politics as an alternative to the restricting dichotomy between oppression and liberation implied by the concept of rebellion.
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Aboh, Sopuruchi Christian. "Neologistic Jargon Aphasia: A Case of Akala Gboo." Theory and Practice in Language Studies 11, no. 5 (May 1, 2021): 521–27. http://dx.doi.org/10.17507/tpls.1105.09.

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This paper conducts a psycholinguistic analysis of a neologistic jargon aphasic, Akala Gboo (a pseudonym of the patient) who is 52 years old. Neologistic jargon aphasia is a type of language disorder that manifests in the form of fluent speech, production of series of meaningless sounds and formulation of new words. This aphasic condition has not been explored to a large extent by researchers. By adopting the descriptive research design and using oral interview as instrument of data collection, the research finds out that the jargon aphasic exhibits elements of phonemic and morphemic paraphasias; as well as production of new words which are very much meaningful to him but they sound as gibberish to the hearers such as kwotekumakumakakununism, inianimous kalikwokaminolamkamkwuu. The paper finds out that the stimulants of the jargon aphasic symptoms are excitement and excessive intake of alcohol and cigarette. However, the paper recommends that government agencies and Non-Governmental Organisations (NGOs) should set up an aphasia centre where the needs of aphasics will be catered for and which will also make them easily accessible for aphasia researchers.
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Jandric, Andrej. "Normativity in tractatus." Theoria, Beograd 54, no. 3 (2011): 5–26. http://dx.doi.org/10.2298/theo1103005j.

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Although the Tractatus is composed of meaningless sentences, as Wittgenstein himself acknowledges in the penultimate section, according to the traditional interpretation they are not just plain nonsense because they convey important truths about the common structure of language and reality. These truths cannot be said but can only be shown. Resolute readers claim that the notion of important or illuminating nonsense is inconsistent with the context principle, which Wittgenstein ascribed to in the Tractatus, and that most of its sentences are mere gibberish. In this paper I maintain that Wittgenstein thought there were meaningless sentences that show something, only what they show are not truths but rules. Such sentences, which comprise the Tractatus, are normative and do not represent any state-of affairs, therefore they cannot be meaningfully expressed in a purely descriptive language Wittgenstein considers in the Tractatus. His claim that there is something that cannot be said but can only be shown is the first version of the thesis of nonreducibility of normative sentences, which he later developed in the rule-following considerations.
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Kato, Masato, Xiaoming Zhou, and Steven L. McKnight. "How do protein domains of low sequence complexity work?" RNA 28, no. 1 (October 20, 2021): 3–15. http://dx.doi.org/10.1261/rna.078990.121.

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This review covers research findings reported over the past decade concerning the ability of low complexity (LC) domains to self-associate in a manner leading to their phase separation from aqueous solution. We focus our message upon the reductionist use of two forms of phase separation as biochemical assays to study how LC domains might function in living cells. Cells and their varied compartments represent extreme examples of material condensates. Over the past half century, biochemists, structural biologists, and molecular biologists have resolved the mechanisms driving innumerable forms of macromolecular condensation. In contrast, we remain largely ignorant as to how 10%–20% of our proteins actually work to assist in cell organization. This enigmatic 10%–20% of the proteome corresponds to gibberish-like LC sequences. We contend that many of these LC sequences move in and out of a structurally ordered, self-associated state as a means of offering a combination of organizational specificity and dynamic pliability to living cells. Finally, we speculate that ancient proteins may have behaved similarly, helping to condense, organize, and protect RNA early during evolution.
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Yousif, Sura F. "ENCRYPTION AND DECRYPTION OF AUDIO SIGNAL BASED ON RSA ALGORITHN." International Journal of Engineering Technologies and Management Research 5, no. 7 (March 21, 2020): 57–64. http://dx.doi.org/10.29121/ijetmr.v5.i7.2018.259.

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One of the most important methods to protect and verify information that are exchanged over public communication channels in the existence of third party called antagonists is encryption. The stored or transmitted message is transformed in the encryption process to unreadable or gibberish form. The reverse process in which the intendent recipient can reveal the encrypted message content is called decryption. The encryption and decryption processes are achieved using secret keys that are exclusively exchanged between the sender and recipient. This method can be applied to any form of message such as audio, video, image or text data. The current work applies the well-known RSA algorithm for audio signal encryption and decryption. The performance of the presented algorithm has been tested via experimental implementation which show that the Cpestral Distance Measure (CD), Linear Predicative Code Measure (LPC) and Segmental Spectral Signal to Noise Ratio (SSSNR) reach to 6.8781, 4.9614 and -21.5563 dB respectively using Matlab simulations. The results on the presented technique validated that it is secure, reliable and efficient to be applied in secure audio communications as well as it performed high intelligibility of the recovered audio signal.
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Boyd, Jeffrey H. "A paradigm shift in mathematical physics, Part 2: A new local realism explains Bell test & other experiments." JOURNAL OF ADVANCES IN MATHEMATICS 10, no. 9 (July 17, 2015): 3876–89. http://dx.doi.org/10.24297/jam.v10i9.1884.

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An earlier article in this journal introduced a renegade theory called the Theory of Elementary Waves (TEW). Whereas quantum mathematics (QM) is a science of observables, TEW is a science of physical nature independent of the observer. They are symmetrical: complement and support each other. That article left three dangling threads that this article addresses: 1. Our claim that TEW is the only local realistic theory that can explain Bell test experiments, 2. Focusing on the medium in which elementary waves move, and 3. Demonstrating that there is zero experimental support wave particle duality. TEW is neither the hidden variable theory of Einstein, Podolsky and Rosen (EPR), nor the absorber theory of Wheeler and Feynman, nor an offshoot nor variant of quantum theory. It is a new paradigm, discovered by a dissident, Lewis E. Little who, after his PhD in physics, worked alone for decades outside the ivory tower of academic physics searching for and eventually finding a theory that explains quantum experiments based on local realism. The fate of new paradigms, unfortunately, is to be rejected as gibberish by leaders of the old paradigm. Plate tectonics was dismissed as absurd during the twentieth century.
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Arthur. "The Gift of the Gab in Post-Conquest Canterbury: Mystical “Gibberish” in London, British Library, MS Cotton Caligula A. xv." Journal of English and Germanic Philology 118, no. 2 (2019): 177. http://dx.doi.org/10.5406/jenglgermphil.118.2.0177.

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Scott, Virginia. "Dark Thoughts about [Theatre] History." Theatre Survey 45, no. 2 (November 2004): 189–93. http://dx.doi.org/10.1017/s0040557404000134.

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Coetzee's nameless speaker, known only as “Mother,” is accused by her son of an excess of righteousness, and so might I be if I were to agree with her, at least in part, about that gang of thugs. Nonetheless, my hope for the future of the discipline does include the possibility that Clio will escape from the particular thug responsible for jargon and gibberish. Actually, nothing arouses darker thoughts in those of us who believe in lucid and stylish prose than sentences like “what is at stake here is the possibility that the cultural presence of the actor in theatre and in theatre history is delimited by material representational practices generated within a particular discursive site, and subject to the constraints of what can be enunciated about the self's contingent existence.” This may be perfectly clear to others, but I read it as a signal to a choir within which I do not sing, and I stop reading—a pity, since the topic is especially interesting to me and the author has important things to say. But, as Terry Eagleton says in his new book After Theory (the one presently receiving an international drubbing), “you can be difficult without being obscure.”
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Jackson, Jacquelyne Johnson. "On Oakland's Ebonics: Some Say Gibberish, Some Say Slang, Some Say Dis Den Dat, Me Say Dem Dumb, It Be Mother Tongue." Black Scholar 27, no. 1 (March 1997): 18–25. http://dx.doi.org/10.1080/00064246.1997.11430836.

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Croijmans, Ilja, Iris Hendrickx, Els Lefever, Asifa Majid, and Antal Van Den Bosch. "Uncovering the language of wine experts." Natural Language Engineering 26, no. 5 (September 23, 2019): 511–30. http://dx.doi.org/10.1017/s1351324919000500.

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AbstractTalking about odors and flavors is difficult for most people, yet experts appear to be able to convey critical information about wines in their reviews. This seems to be a contradiction, and wine expert descriptions are frequently received with criticism. Here, we propose a method for probing the language of wine reviews, and thus offer a means to enhance current vocabularies, and as a by-product question the general assumption that wine reviews are gibberish. By means of two different quantitative analyses—support vector machines for classification and Termhood analysis—on a corpus of online wine reviews, we tested whether wine reviews are written in a consistent manner, and thus may be considered informative; and whether reviews feature domain-specific language. First, a classification paradigm was trained on wine reviews from one set of authors for which the color, grape variety, and origin of a wine were known, and subsequently tested on data from a new author. This analysis revealed that, regardless of individual differences in vocabulary preferences, color and grape variety were predicted with high accuracy. Second, using Termhood as a measure of how words are used in wine reviews in a domain-specific manner compared to other genres in English, a list of 146 wine-specific terms was uncovered. These words were compared to existing lists of wine vocabulary that are currently used to train experts. Some overlap was observed, but there were also gaps revealed in the extant lists, suggesting these lists could be improved by our automatic analysis.
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Jansen, Lisa, and Michael Westphal. "Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style." English Today 33, no. 2 (February 13, 2017): 46–55. http://dx.doi.org/10.1017/s0266078416000651.

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Singing is a very dynamic and innovative mode of communication through which artists often express themselves with a set of various voices. Today, pop music circulates across national boundaries and English is the main medium of communication in transnational pop culture. In this special context different varieties of English meet at a high density. Rihanna's single Work is an example of this prevalent multivocality in pop music culture. Her language performance attracted public attention of various sorts as she audibly incorporates several Caribbean English Creole (CEC) features. While some critics describe her lyrics as ‘gibberish’ (cf. Noelliste, 2016), others acknowledge her performance as a ‘reclamation of her Barbadian heritage’ (Gibsone, 2016). The example of Rihanna shows that singers can be transporters of English varieties: she is a Caribbean artist who started a successful career in the US, and whose music today has global reach. Singers, like Rihanna, are thus mobile, transnational linguistic agents. On the one hand, she physically travels the world playing concerts to her audiences. On the other, her persona, music, videos, and further media commodities are part of the global ‘mediascape’ (Appadurai, 1996). In other words, her products easily spread across the globe and are reproduced, transcending national and social boundaries. New technologies (e.g. smart phones, tablets) and applications (Facebook, Twitter, Instagram) facilitate as well as accelerate the transnational dissemination of media resources. Moreover, singers show that the linguistic (and cultural) resources as such are mobile. Different language influences are formed into individual linguistic repertoires. Singers often playfully employ certain features to highlight parts of their identity or locate themselves in a particular music genre.
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Sternick, Alex. "Non Linear Approaches & Interventions using Nonsensical Tools and Humordrama on stage to Elicit Self Acceptance & Humor." International Journal of Whole Person Care 7, no. 1 (January 15, 2020): 9. http://dx.doi.org/10.26443/ijwpc.v7i1.211.

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"The Patient should be instructed not just to accept his fear, but also to laugh at it. This requires courage to be ridiculous" (Viktor Frankl) The workshop will demonstrate non-linear interventions using clownish reduction, paradoxical interventions and nonsense on stage (theater\drama based), to help one in accepting and PLAYING his Narratives based on Weakness, Imperfection, Failure to perform a task, and out of Self-Acceptance to play, maximize and exaggerate his 'weak patterns'. The idea is to elicit Self-Humor in the protagonist without the need to fix oneself but rather having a distance from the situation, till the Fear and Self-Rejection are melting away. To do that we should know how to transcend beyond our Hyper-Critical Mind, Mental Turbulence & Inner Censorship. One should practice how to align with his right hemisphere and intuition. For that, we will use Improvisational tools and skills highlighting Nonsense, Gibberish Exercises and Zen oriented interventions (Humordrama). Viktor Frankl once said "Today I am going to have a stroke"- this was the beginning of Paradoxical Therapy based on Self-Humor and Nonsense, when one is encouraged to maximize and exaggerate his Fears, Imperfections and Shame - to admit them fully till they will pass away. In the workshop we will experiment with Non-Linear Solutions: what will happen if I stop to push gas in neutral sticking to an old way action based on my old belief system which supports my comfort zone, and from now on will adopt a new refreshing, beating, paradoxical, paralogical way of action...facing Uncertainity in the most playfool way (Paradoxical Decisions). 'If sense has not helped us so far it is the time to do something else, to play with Non-Sense'
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39

Korenkova, Tatiana V. "“Dyr bul shchyl / ube sh shchur” by Alexei Kruchenykh: The logic of variations." Tekst. Kniga. Knigoizdanie, no. 30 (2022): 71–94. http://dx.doi.org/10.17223/23062061/30/5.

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Genesis and evolution of Alexei Kruchenykh’s poem “Dyr bul shchyl” (1912/1913) and the logic of evolution of the later author’s lifetime variations, as well as its perceptions and transformations in Russian culture, are analyzed by methods of genetic criticism. The article emphasizes that it is necessary to take into account the specifics of the lithographic method of printing in the first edition of Kruchenykh’s abstruse verses for the reconstruction and interpretation of the creative impulses at the time of ecstatic impromptu. The article, using methods of textual and genetic criticism, states a significant textual variability of Kruchenykh’s notorious poem “Dyr bul shchyl” (1913) and points out the remaining challenge of the uninfluenced final authorial intention. The hidden logic of the poem’s textual transformations was revealed by the analysis of a compiled chronological table of version changes (1913-1927/28). The article describes, how in order to get the effect of phonetic poetry (“universal language” and “language of the Universe”) Kruchenykh attempted from older versions to newer versions, step by step to destroy / overmusicalize and “disword” words / blur the spontaneous “echo” of morphological, semantic, sound-symbolic and topic-comment (theme-rheme) structures. The article offers arguments in favor of the hypothesis that at a moment of ecstatic impromptu the phrase Dyr bul arose in the futurist’s emotion-related mind as unconscious allusions to the fate of Prince Dir / voivode Dyr / Dyri (f882), “oskyldr Dyri” (?). Dyr Prince of Kiev was probably one of the first Slavic rulers converted to Christianity under the name of Il’ya (Elias; the first Christianization of Rus’ by Patriarch Photius, datable to early 867). Nestor the Chronicler made a scant mention of him in The Tale of Bygone Years (Russian Primary Chronicle). The analysis of handwriting features of Kruchenykh’s lithographic work, as well as scanning of urban legends and media sensational report on archaeological discoveries and excavation of trace of early Christians who lived in Kiev before the arrival of Prince Rurik of Novgorod (882), argues in favor of this hypothesis. An explanation why this poetic miniature, the “Black square of Russian poetry,” became one of most notorious examples of transrational poetry (zaum), despite the existence of similar texts in Russian literary tradition prior to futurism (ritual gibberish, a song from Old Russian poems collected by Kirsha Danilov, as well as poetry of Andrei Bely and Velemir Khlebnikov) is offered. The author declares no conflicts of interests.
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40

Hoare, J. E. "Dragons, lions and gibbering demons." Pacific Review 6, no. 2 (January 1993): 191–92. http://dx.doi.org/10.1080/09512749308719036.

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41

Majkut, Paul. "Media Structural Defacement and Its Philosophical Implications." Glimpse 21 (2020): 97–107. http://dx.doi.org/10.5840/glimpse20202111.

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Examples given in this paper deal with print media, but the argument applies to all media. These examples illustrate structural-linguistic principles, principles that may be extended to any medium. The approach is structuralist.The history of handwritten and printed texts in the West is an inseparable history of punctuation and lettering. Written and printed texts represent spoken language: letters are representations of segmental-phonemes (linguistically meaningful sounds); graphemic punctuation represents meaningful supra-segmental phonemes (intonation, pitch, pause, etc.).Alphabetical, graphemic representation in the West has through the ages developed many arbitrary systems of grammatic punctuation to show speech, but the semantics of speech representation remains under-developed. This is no less true of digital media as of print media. Digital print media are particularly vulnerable to ambiguity. Emoticons and emojis came about of necessity. Just as early-print punctuation was primarily invented by printers and printers’ devils, not scholars, so too emoticons are Silicon-Valley formalization of user-invented semantic punctuation. :-) becomes [smiley emoji] or [smiling alien emoji]. :-( becomes [frowning emoji] or [frowning alien emoji], and so on—and ambiguity is the hothouse of error and misreading that affects all media. We should not be surprised. It is said that a similar devil, Titivillus, caused medieval manuscript scribes to make errors in their copying.I am specifically interested in the ramifications of semantic punctuation on philosophical texts—above all, irony, though sarcasm, ridicule, double entendre, derision, mockery, satire, scorn, sneering, scoffing, gibing, taunting, acerbity, causticity, hate, trenchancy, etc., as well as positive expressions such as love, amusement, friendliness, approval, sincerity, etc. are also of semantic-punctuation representational importance. Does the failure of traditional written and printed tests to reflect, for the most part, semantic values handicap printed representational discourse? In fact, can the handicapped discussion of profound ideas be adequately represented graphemically and philosophical inquiry limited without representation of the full range of human linguistic communication?Representation of irony in print has long escaped writers and scholars. In the 17th century, John Wilkins in An Essay towards a Real Character and a Philosophical Language (1668) proposed, among other semantic punctuations, an inverted exclamation mark (¡) to indicate irony: “That is terrific work¡” for a job poorly done. “What a lovely hat you have¡” said with sarcastic irony to someone sporting a ridiculous hat. (Later, an inverted question mark was suggested for ironic statement, ¿, but confusion with Spanish inverted question marks makes it a less attractive alternative).Wilkins’ term “philosophical language” refers to language as printed representation, not speech. His argument is an early reference to what I have elsewhere argued is the failure of “bookish philosophy” that has come to typify academic philosophy, for example, the gibberish of Heidegger, Derrida, post-structuralists, post-modernists, post-humanists, numerous analytic and “linguistic” philosophers, and many others.One possible way out of these difficulties is a process of mediation, unmediation, and immediation.
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42

Lin, Hsiu-Fen, Huey-Jen Su, Nai-Lun Lee, and Jui-Hsin Su. "Cembranoids from the Cultured Soft Coral Sinularia Gibberosa." Natural Product Communications 8, no. 10 (October 2013): 1934578X1300801. http://dx.doi.org/10.1177/1934578x1300801004.

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An EtOAc extract of the cultured soft coral Sinularia gibberosa yielded a new cembrane-based diterpenoid, cugibberosene A (1), together with the previously reported three cembranoids (2–4). The structure determination was based on extensive NMR studies. The cytotoxic and antibacterial activities of these isolated metabolites 1–4 were evaluated in vitro.
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Ahmed, Atallah F., Zhi-Hong Wen, Jui-Hsin Su, Ya-Ting Hsieh, Yang-Chang Wu, Wan-Ping Hu, and Jyh-Horng Sheu. "Oxygenated Cembranoids from a Formosan Soft CoralSinularia gibberosa." Journal of Natural Products 71, no. 2 (February 2008): 179–85. http://dx.doi.org/10.1021/np070356p.

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44

Roberts, Paul A. "Developmental changes in midgut chromosomes of Drosophila gibberosa." Chromosoma 97, no. 3 (November 1988): 254–60. http://dx.doi.org/10.1007/bf00292969.

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45

Velizhanov, N. M. "INFLUENCE OF GROWTH REGULATORS ON YIELDING CAPACITY OF WHITE HEAD CABBAGE PARENTAL LINES OF LATE MATURITY GROUP IN NON-TRANSPLANTED PLANT CULTIVATION." Vegetable crops of Russia, no. 1 (March 30, 2011): 42–43. http://dx.doi.org/10.18619/2072-9146-2011-1-42-43.

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The successful results of the research and efficiency of application of foliar feeding have been shown at the time of cabbage seeds raise with Gibbersib and Carbamid treatments in springtime. These treatments made the flowers and buds develop more rapidly promoting the formation of more branchy plants with numbers of seed pods.
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46

DING, WEN-JING, JIAN-HUA DING, HAI-JUN ZHANG, and LING-SHENG ZHA. "Taxonomical clarification of Tetrix gibberosa (Wang &amp; Zheng), a high-backed pygmy grasshopper species from eastern PR China (Orthoptera: Tetrigidae)." Zootaxa 5082, no. 3 (December 17, 2021): 278–85. http://dx.doi.org/10.11646/zootaxa.5082.3.5.

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Tetrix gibberosa (Wang & Zheng) is a high-backed pygmy grasshopper species from eastern PR China. Due to its reduced hind wings and pleomorphism (length changes of hind wings and the hind pronotal process, which is generally called macropterous and brachypterous morphs), the species have been described into different species which involve several taxonomically confused genera. This study clarifies its taxonomy and distribution and provides ecological information for the species. At the same time, we comment the relationships of related genera in the subfamily Tetriginae, including Tetrix Latreille, Exothotettix Zheng & Jiang, Alulatettix Liang, Aalatettix Zheng & Mao, Formosatettix Tinkham, and Formosatettixoides Zheng. Additionally, we report for the first time that nematodes can parasitize pygmy grasshoppers. New synonyms are proposed: Tetrix gibberosa (Wang & Zheng, 1993) = Alulatettix bulbosus Zheng & Zhong, 2001, syn. nov., = Exothotettix jiangxiensis Liang & Jia, 2008, syn. nov., = Tetrix glochinota Zhao, Niu & Zheng, 2010, syn. nov., = Alulatettix nigromarginalis Zhang, Deng & Zha, 2014, syn. nov., = Alulatettix flavotibialis Zhang, Deng & Zha, 2014, syn. nov..
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47

Salman, Salman R., G. A. W. Derwish, and Sahar S. Al-Salih. "Intramolecular interaction in gibberic acid and its derivatives." Spectrochimica Acta Part A: Molecular Spectroscopy 42, no. 4 (January 1986): 405–8. http://dx.doi.org/10.1016/0584-8539(86)80031-9.

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48

Kantvilas, Gintaras. "The Genus Pertusaria in Tasmanian Rainforests." Lichenologist 22, no. 3 (July 1990): 289–300. http://dx.doi.org/10.1017/s0024282990000329.

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AbstractThe genus Pertusaria is a conspicuous component of the Tasmanian rainforest lichen flora and is represented by five species: P. gibberosa Müll.Arg., P. gymnospora sp. nov., P. jamesii sp. nov., P. novaezelandiae Szatala and P. truncata Krempelh. Pertusaria nothofagi Zahlbr. is added to the synonymy of P. truncata. Descriptive, ecological and distributional data for each species are provided.
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49

Ivanova, E. P., L. L. Kirillova, and G. N. Nazarova. "Gibbersib effects on amaranth seeds germination and plant productivity." Sel'skokhozyaistvennaya Biologiya, no. 1 (February 2014): 91–97. http://dx.doi.org/10.15389/agrobiology.2014.1.91rus.

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50

Roberts, Paul A., and Laune Ann MacPhail. "Structure and activity of salivary gland chromosomes of Drosophila gibberosa." Chromosoma 92, no. 1 (May 1985): 55–68. http://dx.doi.org/10.1007/bf00327245.

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