Academic literature on the topic 'Ghosts stories, Chinese'
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Journal articles on the topic "Ghosts stories, Chinese"
Ye, Hanwen. "An Analysis of the Female Ghost Images in Ancient Chinese Novels on the Theme of Romantic Relationship Between Man and Ghost." Communications in Humanities Research 28, no. 1 (April 19, 2024): 1–7. http://dx.doi.org/10.54254/2753-7064/28/20230005.
Full textLuan, Nguyen Van, and Dinh Tran Ngoc Huy. "Witches Character in Chinese Classic Novels in Medieval Vietnam Legends." International Journal of Language, Literature and Culture 3, no. 2 (2023): 01–05. http://dx.doi.org/10.22161/ijllc.3.2.1.
Full textDelaplace, Gregory. "Chinese Ghosts in Mongolia." Inner Asia 12, no. 1 (2010): 127–41. http://dx.doi.org/10.1163/146481710792710282.
Full textDinu, Cristina. "The Narrative Motif of the Ghost in Classical Chinese Literature." International Journal of Linguistics, Literature and Culture 9, no. 1 (March 31, 2022): 1–9. http://dx.doi.org/10.19044/llc.v9no1a1.
Full textChongjie, Chen, Yoan Yoan, and Kelly Kelly. "Analysis of Society Conditions/Reality During Chinese Feudal Era in the Novel Liaozhai Zhiyi." Lingua Cultura 4, no. 2 (November 30, 2010): 173. http://dx.doi.org/10.21512/lc.v4i2.365.
Full textChu, Patricia. "“The Invisible World the Emigrants Built”: Cultural Self-Inscription and the Antiromantic Plots of The Woman Warrior." Diaspora: A Journal of Transnational Studies 2, no. 1 (March 1992): 95–115. http://dx.doi.org/10.3138/diaspora.2.1.95.
Full textLi, Wei. "From the Imagination to the Reality: Historical Aspects of Rewriting Six Dynasties Buddhist Avadāna Stories." Religions 14, no. 4 (April 18, 2023): 545. http://dx.doi.org/10.3390/rel14040545.
Full textM.M., Raihanah, and Mohd Muzhafar Idrus. "Growing Up with Ghosts: Dynamics of Rememory and Trauma in a Malaysian Filial Memoir." Kajian Malaysia 40, no. 1 (April 27, 2022): 1–18. http://dx.doi.org/10.21315/km2022.40.1.1.
Full textBorges Costa, Marilia. "Intercultural dialogue." Cultural China in Discursive Transformation 21, no. 2 (July 5, 2011): 330–50. http://dx.doi.org/10.1075/japc.21.2.10bor.
Full textkim, do-hyoung. "Reconsideration on the Work’s Internal and External Context Regarding the 『Seolgongchanjeon』 Shock: Focusing on cross-examination over 『Yongjaechonghwa』 and 『Yongcheondamjeokgi』." Korean Language and Literature 121 (July 30, 2022): 81–111. http://dx.doi.org/10.21793/koreall.2022.121.81.
Full textDissertations / Theses on the topic "Ghosts stories, Chinese"
HUANG, CHENG-WEI, and 黃正葳. "The Study of the Variations of Ghosts in Strange Stories from a Chinese Studio." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/dt53r9.
Full text國立屏東大學
中國語文學系碩士班
104
This study is carried out based on the ghost tales in Strange Stories from a Chinese Studio. It focuses on the variations between good and evil sides of ghosts, and makes a comparison between reasons of changes for this work and previous ones. Also, it explores the relationship between the description of the ghosts and the life experience and thoughts of the author, Pu Songling. By connecting the variation of ghosts to the meta-meanings of the work Strange Stories from a Chinese Studio, we may understand how Pu expressed himself in the form of ghosts, used ghosts to be sarcastic and critical about the society of that time in romantic creations, and depended on his Utopian thoughts. This dissertation is composed of six chapters and the following is the synopsis: Chapter One: Overview. In this chapter, research motives and goals are explained. 111 ghost stories out of the 491 works in Strange Stories from a Chinese Studio are selected. Besides, the work frame of the dissertation, literature reviews, and references will be involved. Chapter Two: Pu Songling and Strange Stories from a Chinese Studio. I explore the causes of how Pu’s life experience and background fostered the feelings of solitude and fury, and how background characteristic of times influenced the scholars of that time. Next, I illuminate the creation process of Strange Stories from a Chinese Studio and analyze the relationship between the philosophy of Pu and the moral lessons behind the book. Chapter Three: The similarities and dissimilarities between ghosts in Strange Stories from a Chinese Studio and those in other supernatural stories in Northern and Southern Dynasty. I use the diachronic method to analyze the discrepancies among the authors’ intents, the images of ghosts, and the relationship between humans and ghosts so as to be a thesis for further discussion of the variations of ghosts. Chapter Four: The variations of ghosts in Strange Stories from a Chinese Studio. I use textual analysis to categorize five types of evil ghosts and six types of good ghosts, explore how Pu made analogies of evil ghosts to its good ones in his tales and compared the inner meanings between good ghosts and evil men, and then explain the dual metaphors of the variations of ghosts in Strange Stories from a Chinese Studio. Chapter Five: The use of trauma narration in literature in the variations of ghosts. In terms of trauma narration in literature, we understand Pu’s experiences and changes of his mental status on national affairs, personal career, and marriages based on his biography. Then, we analyze how Pu presented his traumatic experiences in the form of scholars in Strange Stories from a Chinese Studio and reconstructed the ideal life by shaping the images of ghosts. Chapter Six: Conclusion. In this chapter, an inductive result of the variations of ghosts and the implications is involved.
Ping-Piao-Liu and 劉炳彪. "The world Ghost and Fox-spirits in Strange Stories from a Chinese studio." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/aszg5q.
Full text國立臺東大學
兒童文學研究所
93
Abstract The fox spirit has the universal image of being tricky and the image of ghost is gloomy and terrifying, no matter in eastern or western culture. However, no one has ever encountered with a fox spirit or a ghost for sure. Then how do the writers describe the things they have never experienced? In Aesop’s Fables, which is a common introductory literature for children, there is an impressive character, the fox, the smart, witty, wicked and tricky animal. The image of fox stays in children’s mind firmly. Listening to ghost stories is one of the favorite exciting experience in childhood. Children are curious about the ghost stories and are at the same time afraid of listening to them because of the fear of overwhelming gloomy darkness. The making of images, like tricky fox spirit and the gloomy ghost, is artificial. If this assumption is true, does every maker think of an identical image? Do Chinese writers agree with foreign writers on the ideas of fox spirit and ghost? Human, who called themselves the lord of all creatures, always makes the judge of good and evil. However, can human be detached when he makes the judgment? Considering from another perspective, if a certain convention is subverted, will the roles meet conflicts? These questions are good research topics. Sung-ling Pu, the writer of Strange Stories from a Chinese studio, provided a total different perspective from the convention. He has subverted the images of fox spirit being tricky, and ghost being gloomy. This subversion carries some implied meanings, which the writer intended to express. In this thesis, the research attempt to give an interpretation which is clear and close to the writer’s intentions through analyzing and generalizing the types, characters, images, themes, and traits of fox spirit and ghost stories in Strange Stories from a Chinese studio.
Books on the topic "Ghosts stories, Chinese"
Some Chinese ghosts. Mineola, N.Y: Dover Publications, 2008.
Find full textHai, Yun. Ming ren jiang gui. Xianggang: Nan hua zao bao chu ban, 2005.
Find full textPan, Shaocong. Ling jie chu. Xianggang: Bo yi chu ban ji tuan you xian gong si, 2007.
Find full text1959-, Sui Haoping, ed. Na yi ye, wo men liao A'piao. Xinbei Shi Xindian Qu: Ren lei zhi ku shu wei ke ji gu fen you xian gong si, 2013.
Find full textShi fang cai. Xianggang: Yu zhou chu ban she, 2011.
Find full textFan, Yang. Xiao liao zhai: Liao zhai zhi yi gu shi jing bian. Xianggang: Wan li ji gou, Ming hua chu ban gong si, 2003.
Find full textCompestine, Ying Chang. A banquet for hungry ghosts. New York: Henry Holt and Co., 2009.
Find full textCompestine, Ying Chang. A Banquet for Hungry Ghosts. New York: Henry Holt and Co., 2009.
Find full textill, Hata Kōshirō 1963, and Lai Bingwei, eds. Dan xiao de yao guai: Xiao xiong Beilu he xiao chong Dada. Taibei Shi: Xiao lu wen hua shi ye gu fen you xian gong si, 2008.
Find full textXiuhua, Chen. Taiwan nü gui: Min su xue li de nü gui yi xiang. Taibei Shi: Taiwan dong fan gu fen you xian gong si, 2018.
Find full textBook chapters on the topic "Ghosts stories, Chinese"
Ng, Kenny K. K. "Censorship at Work: Cold War Paranoia and Purgation of Chinese Ghost Stories." In The Humanities in Asia, 111–28. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3668-2_6.
Full textKang, Xiaofei. "Conclusion." In Enchanted Revolution, 194–206. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197654477.003.0009.
Full text"Pandemic First Patients." In SARS Stories, 180–237. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478027812-005.
Full textHardin, Garrett. "From Jevons's Coal to Hubbert's Pimple." In Living within Limits. Oxford University Press, 1993. http://dx.doi.org/10.1093/oso/9780195078114.003.0018.
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