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Books on the topic 'Ghost theories'

Author: Grafiati

Published: 14 March 2023

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1

Quantum gauge theories: A true ghost-story. New York: John Wiley & Sons, 2001.

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2

Sabol, John G. Ghost culture: Theories, context, and scientific practice. Bloomington, IN: AuthorHouse, 2007.

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3

Sabol, John G. Ghost culture: Theories, context, and scientific practice. Bloomington, IN: AuthorHouse, 2007.

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4

Ghost-seers, detectives, and spiritualists: Theories of vision in Victorian literature and science. New York: Cambridge University Press, 2010.

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5

Smajic, Srdjan. Ghost-seers, detectives, and spiritualists: Theories of vision in Victorian literature and science. New York: Cambridge University Press, 2010.

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6

Nonlinear water waves with applications to wave-current interactions and tsunamis. Philadelphia: Society for Industrial and Applied Mathematics, 2011.

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7

Sabol, John. Ghost Culture: Theories, Context, and Scientific Practice. AuthorHouse, 2007.

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8

Scharf, Gunter. Quantum Gauge Theories : A True Ghost Story. Wiley-Interscience, 2001.

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9

Smajić, Srdjan. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge University Press, 2010.

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10

Smajić, Srdjan. Ghost-Seers, Detectives, and Spiritualists: Theories Of Vision In Victorian Literature And Science. Cambridge University Press, 2013.

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11

Srdjan Smajić. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge University Press, 2010.

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12

Srdjan Smajić. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge University Press, 2006.

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13

Smajic, Srdjan. Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science. Cambridge University Press, 2010.

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14

Ghinis, Jimmy. Ghost Signal: New Paranormal Research in Deceased Ghosts, Entities, New Theories, New Techniques, New Enhancements and the Afterworld Revealed. Independently Published, 2019.

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15

Ghinis, Jimmy. Ghost Signal: New Paranormal Research in Recently Deceased Ghosts, Entities, New Theories, New Techniques, New Enhancements and the Afterworld Revealed. Lulu Press, Inc., 2019.

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16

Wright, Douglas Glen. Ghost writers: Theories and strategies of communication in the autobiographies of Augustine, Descartes, Rousseau, and Nietzsche. 2001.

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17

Baulieu, Laurent, John Iliopoulos, and Roland Sénéor. Geometry and Quantum Dynamics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198788393.003.0014.

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A geometrical derivation of Abelian and non- Abelian gauge theories. The Faddeev–Popov quantisation. BRST invariance and ghost fields. General discussion of BRST symmetry. Application to Yang–Mills theories and general relativity. A brief history of gauge theories.

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18

Grossman, Andrew. Animated Pasts and Unseen Futures: on the Comic Element in Hong Kong Horror. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0006.

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Analyses of horror cinema seldom focus on the genre’s intersections with comedy, perhaps because the dominant influence of psychoanalysis on horror has emphasized gender, sexuality, trauma, abandonment, and various aspects of the unconscious. Yet Hong Kong might well boast world cinema’s most successful engagement of the horror-comedy as a sustained genre. From the late 1970s through the early 1990s, the ghosts and animated corpses of Taoist folklore became invested with the martial arts comedy advanced by Jackie Chan and Sammo Hung, rendering supernatural bodies as clownish cyphers rather than the romantic entities of Enchanting Shadow or AChinese Ghost Story. If spirits represent an intermediary stage between life and death, so too does the stylized clown, whose death-defying feats and transgression of “normal” human limitations render our mortal fears absurd. Presenting superstition as a comedy of stubborn familiarity and reveling in the foolishness of a premodern past, the Hong Kong horror-comedy resists the ideology of the encroaching Mainland, which has often censored “backwards” depictions of Chinese folklore and fantasy. In addition to examining the phenomenology of Hong Kong’s horror-comedies, this chapter also considers how such films fit into overall theories of physical comedy, from Bergson to Koestler.

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19

Fiddler, Michael, Theo Kindynis, and Travis Linnemann, eds. Ghost Criminology. NYU Press, 2022. http://dx.doi.org/10.18574/nyu/9781479885725.001.0001.

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Bringing together prominent early contributions from this emergent perspective, the volume traces the origins, theory, and method of ghost criminology. From the powers of exorcism and erasure marshalled by state agents, street-level struggles over memorialization and memory, to the lingering violence of crime scenes and the ghostly traces of outlaw artists, Ghost Criminology is a volume attuned to that which is well-theorized in other disciplines—the spectral, hauntological, apparitional. Each of the writers assembled here shares, as Mark Fisher (2017) put it, a fascination for the outside, “that which lies beyond standard perception, cognition and experience.” Assembling an arsenal of cutting-edge social and cultural theory, the volume tangles with some of criminology’s most stubborn revenants—the politics of criminalization, the commodification of crime and violence, the haunting power of the image, as well as the unheard and disregarded cries of the dead.

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20

Thomas, Richard. Para-News: UFOs, Ghosts, Conspiracy, Cryptids - and More. Bretwalda Books, 2012.

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21

Dalton, Dennis. Hindu Political Philosophy. Edited by George Klosko. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199238804.003.0050.

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The long tradition of Hindu philosophy in India had several distinct peaks of systematic thought. The apogee of its political theory developed during the nineteenth and twentieth centuries as a response to the British imperial authority, commonly known as the Raj. This article describes modern Hindu political philosophy's admixture of its classical tradition with contemporary Indian nationalism as it encountered British theories of freedom, equality, power, and social or political change. The result was an original and cogent system of ideas that at once responded to the British intellectual challenge and reconstituted key elements of the classical Indian philosophical tradition. The leading formulators of this formidable project were four major Hindu theorists: Swami Vivekananda, Aurobindo Ghose, Rabindranath Tagore, and Mohandas K. Gandhi. These four are intricately connected by a logical nexus of concepts derived from their common religion, their interpretative intellectual project of reforming Hinduism in the face of British colonialism, and their significant commitment to the cause of Indian independence.

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22

Dawson, Melanie V. Edith Wharton and the Modern Privileges of Age. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066301.001.0001.

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This project explores age-based obsessions of the modern era, situating the charting and interrogation of age among modernity’s central preoccupations, with particular attention to the gendering of old age and the creation of intergenerational conflicts. While chronological considerations privileged the young and tended to exclude those past adulthood, much of modern literature interrogated the age-based forms of standardization rooted in the era’s understanding of personal development. By focusing on the ways that age was constructed so as to uphold the ideal of a coherent, stable self, this literature interrogates theories of development that were believed to govern life trajectories, and with them, ideals about progress, often to the point of envisioning aging as a form of unwelcome dissolution. The era’s literary texts, however, complicated such views by adding to familiar figures of the flapper and the young generation a host of others that broke age thresholds: the mature youth, the youthful adult, the young middle-aged, the rejuvenate, the child bride, the aged, and the ghost. All such figures invited an interrogation of youth’s supposed ascendancy by suggesting that modernity’s age-based privileges were more varied and more widely dispersed than they seemed. If youth appeared dominant in terms of bodily forms and youthful energies, the more mature are revealed as possessing resources, experiences, and strategies that counter the assets of the young, leading to scenarios where the outcomes of intergenerational conflicts were both volatile and unexpected.

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23

Hiltebeitel, Alf. Introduction: Freud’s “The ‘Uncanny’ ” and the Mahābhārata. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878337.003.0001.

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Chapter 1 provides entrée to the book’s Mahābhārata subject matter. Among what Freud calls three “classes” of the uncanny, it treats Freud’s handling of castration anxiety and his emphasis on Oedipal themes, but also discusses Freud’s belated handling of the pre-Oedipal, along with his explanations of sources for burial alive, doubles, and ghosts (which he calls “revenants”). It discusses parallels between Freud’s view that “ontogeny recapitulates phylogeny” and Indian theories of karma and reincarnation. The author argues that the Mahābhārata forges a comparable empire to Freud’s with its own uncanny handling of myth. He also introduces two prominent epic terms that parallel Freud’s understanding of the “uncanny”: māyā, or “illusion,” which is associated especially with Kṛṣṇa, and adbhuta, the “marvelous.”

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24

Aebischer, Pascale. Technology and the Ethics of Spectatorship. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.4.

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This chapter revisits debates regarding the use of technology to enhance or remediate performances in the light of Emmanuel Levinas’s understanding of the ethical encounter as a face-to-face encounter between a subject and her/his other. Building on these debates and Robert Weimann’s distinction between locus and platea, it suggests that performance theory’s emphasis on the physical co-presence of spectator and performer undervalues the experience of the spectator. Using three productions that use digital media as examples, the chapter demonstrates how online live streaming (in Cheek by Jowl’s Measure for Measure), digital hologram projection (in the McGuires’ Ophelia’s Ghost), and the use of an online stage (in the RSC’s collaboration with Google+ on #dream40) each harness the affordances of digital media to create conceptual spaces in which spectators can experience ethical encounters. Digital media thus open up distinct ways of experiencing dilemmas explored by Shakespeare’s plays.

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25

Forter, Greg. Critique and Utopia in Postcolonial Historical Fiction. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198830436.001.0001.

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Postcolonial historical fiction offers readers valuable resources for thinking the prehistory of our present. The genre’s treatment of colonialism as geographically omnivorous yet temporally “out of joint” with itself gives it a special purchase on the continuities between the colonial era and our own. These features also enable the genre to distill from our colonial pasts the evanescent, utopian intimations of a properly postcolonial future. Critique and Utopia in Postcolonial Historical Fiction arrives at these insights by juxtaposing novels from the Atlantic world with books from the Indian subcontinent. Attending to the links across these regions, Forter develops luminous readings of novels by Patrick Chamoiseau, J. G. Farrell, Amitav Ghosh, Marlon James, Hari Kunzru, Toni Morrison, Marlene van Niekerk, Arundhati Roy, Kamila Shamsie, and Barry Unsworth. He shows how these works not only transform our understanding of the colonial past and the futures that might issue from it, but also contribute to pressing debates in postcolonial theory—debates about the politics of literary forms, the links between cycles of capital accumulation and the emergence of new genres, the meaning of “working through” traumas in the postcolonial context, the relationship between colonial and panoptical power, the continued salience of hybridity and mimicry for the study of colonialism, and the tension between national liberation struggles and transnational forms of solidarity. Beautifully written and meticulously theorized, Critique and Utopia in Postcolonial Historical Fiction will be of interest to students of world literature, Marxist critics, postcolonial theorists, and thinkers of the utopian.

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26

Canarutto, Daniel. Gauge Field Theory in Natural Geometric Language. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861492.001.0001.

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This monograph addresses the need to clarify basic mathematical concepts at the crossroad between gravitation and quantum physics. Selected mathematical and theoretical topics are exposed within a not-too-short, integrated approach that exploits standard and non-standard notions in natural geometric language. The role of structure groups can be regarded as secondary even in the treatment of the gauge fields themselves. Two-spinors yield a partly original ‘minimal geometric data’ approach to Einstein-Cartan-Maxwell-Dirac fields. The gravitational field is jointly represented by a spinor connection and by a soldering form (a ‘tetrad’) valued in a vector bundle naturally constructed from the assumed 2-spinor bundle. We give a presentation of electroweak theory that dispenses with group-related notions, and we introduce a non-standard, natural extension of it. Also within the 2-spinor approach we present: a non-standard view of gauge freedom; a first-order Lagrangian theory of fields with arbitrary spin; an original treatment of Lie derivatives of spinors and spinor connections. Furthermore we introduce an original formulation of Lagrangian field theories based on covariant differentials, which works in the classical and quantum field theories alike and simplifies calculations. We offer a precise mathematical approach to quantum bundles and quantum fields, including ghosts, BRST symmetry and anti-fields, treating the geometry of quantum bundles and their jet prolongations in terms Frölicher's notion of smoothness. We propose an approach to quantum particle physics based on the notion of detector, and illustrate the basic scattering computations in that context.

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27

Bray, Karen. Grave Attending. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286850.001.0001.

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Grave Attending: A Political Theology for the Unredeemed mounts a challenge to a regnant neoliberal capitalist narrative, pervasively secularized, of redemption. Its methodology relies on reading political theology anew through theories of affect, queerness, disability, and race. Surfacing the importance of emotion, mood, feeling, and affect for constructions of the political and the theological, this book proposes counter-redemptive narratives. Its opening provocation is a diagnosis of soteriological impulses within neoliberalism that demand we be productive, efficient, happy, and flexible in order to be of worth and therefore get saved from the wretchedness of being considered disposable. In the guise of opportunity, the theological underpinnings of neoliberalism offer a caged freedom. Counter to this cage, the affect theories explored in these pages offer a political theology that surmises that sticking with the moods of what it means to get crucified by neoliberal capitalism is both an act of resistance and the refusal to give up on life in execution’s wake. Hence, it suggests we stick with those whom neoliberalism has already marked as irredeemable. Through the concept of “grave attending” —being brought down by the gravity of what is and listening to the ghosts of what might have been (all those irredeemable subject positions and collectives we tried to closet away)—this book considers what it means to go unredeemed. An affect-infused political theology asks readers to stick with the moods of the irredeemable, while also salvaging the possibility of new worlds, not in spite of such moods, but through them.

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