Relevant bibliographies by topics / Ghost

Academic literature on the topic 'Ghost'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Ghost"

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Abd Rahman, Ain Nur Iman, and Zainor Izat Zainal. "HUMAN AND GHOST ATTACHMENT IN HANNA ALKAF’S THE GIRL AND THE GHOST." Platform : A Journal of Management and Humanities 5, no. 1 (June 30, 2022): 2. http://dx.doi.org/10.61762/pjmhvol5iss1art17206.

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For centuries, authors of literary works have sought to bewitch and enchant readers with accounts of supernatural elements such as monsters, spirits and ghosts. Ghosts especially are often depicted as representations of evil and the polar opposite of mankind. In Hanna Alkaf’s The Girl and The Ghost (2020) the adolescent protagonist, Suraya, develops an unusual bond with a ghost, Pink. This is indeed refreshing, considering the human-ghost relationship in the local literary scene is often represented as antagonistic, opposing forces, resulting in ghosts being portrayed as evil, vengeful creatures set to taunt, haunt and wreck humans’ lives. Critical examination of the human-ghost bond in the local literary-critical practice is lacking. This research aims to fill this gap by examining the human-ghost bond in The Girl and The Ghost and how this bond contributes to the (human) protagonist’s personal development. In this paper, The Girl and The Ghost is read using John Bowlby’s theory of attachment due to its robust approach to understanding human beings' emotional bond, or attachment, with their attachment figures. We argue the human-ghost bond in The Girl and The Ghost sets the novel apart from other local ghost stories filled with wicked, destructive ghosts. The findings suggest other possibilities of attachment figures when the relationship between a mother and child grows apart. The unusual but enduring relationship between Suraya and Pink demonstrates that a child’s secure attachment need not be limited to motherly figures. Keywords: Malaysian literature in english, the girl and the ghost, hanna alkaf, ghost tales, attachment theory
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Rui, Congshan, Le Zhang, Jiaojiao Liang, Yining Li, Tianwen Hou, Shunli Zang, Chaohao Wang, and Lei Zhao. "P‐8.6: Methods of Ghost Measurement and Mitigation in Virtual Reality Pancake Optical System." SID Symposium Digest of Technical Papers 55, S1 (April 2024): 1145–48. http://dx.doi.org/10.1002/sdtp.17305.

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In the VR optical system, the pancake optics faces the problem of ghost, which is more serious than the conventional aspherical/Fresnel optics. The causes of pancake ghosts are different, thus the performance of pancake ghosts in the image is also different. Some of them can be clearly imaged, but some exist in the form of light spots. The presence of these ghosts seriously affects the image contrast. In this paper, ghost measurement and simulation methods are proposed, which obtains the Virtual image distance, position and brightness of the ghost image, and the cause of the ghost image is obtained by combining the simulation and measurement. Finally, ghost intensity was reduced from 4.68% to 2.39% using the ghost image mitigation methods. A pancake optical system was optimized and prototype was demonstrated, with a field of view of 108°, an exit pupil diameter of 10mm, and a ghost image intensity of less than 2.39%.
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Tjong, Cendrawaty, Raina Ophelia Sunggiardi, and Vania Vania. "Similarities and Disparities of Ghosts in Eastern and Western Literature Based the Novels Liaozhai Zhiyi, Dracula, dan a Christamas Carol." Lingua Cultura 4, no. 2 (November 30, 2010): 149. http://dx.doi.org/10.21512/lc.v4i2.363.

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Ghosts is one of life unexplained phenomena also interesting theme for entertainment and literature materials. Every nation have their own ghost literature that reflects the nation’s view on ghost itself. This article compares China’s Liaozhai Zhiyi, Western’s Dracula and A Christmas Carol as representations of both culture. The writer through desktop study method found that culture influenced and shaped ghost image in the mind of novel writer. This leads to different image of ghost in the two cultures. The results is: ghost in two cultures appear mostly in the night time, have different types and classifications, different physical images, different way of thinking and how to handle ghosts.
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Xue, Wanli, Zhe Zhang, and Shengyong Chen. "Ghost Elimination via Multi-Component Collaboration for Unmanned Aerial Vehicle Remote Sensing Image Stitching." Remote Sensing 13, no. 7 (April 4, 2021): 1388. http://dx.doi.org/10.3390/rs13071388.

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Ghosts are a common phenomenon widely present in unmanned aerial vehicle (UAV) remote sensing image stitching that seriously affect the naturalness of stitching results. In order to effectively remove ghosts and produce visually natural stitching results, we propose a novel image stitching method that can identify and eliminate ghosts through multi-component collaboration without object distortion, segmentation or repetition. Specifically, our main contributions are as follows: first, we propose a ghost identification component to locate a potential ghost in the stitching area; and detect significantly moving objects in the two stitched images. In particular, due to the characteristics of UAV shooting, the objects in UAV remote sensing images are small and the image quality is poor. We propose a mesh-based image difference comparison method to identify ghosts; and use an object tracking algorithm to accurately correspond to each ghost pair. Second, we design an image information source selection strategy to generate the ghost replacement region, which can replace the located ghost and avoid object distortion, segmentation and repetition. Third, we find that the process of ghost elimination can produce natural mosaic images by eliminating the ghost caused by initial blending with selected image information source. We validate the proposed method on VIVID data set and compare our method with Homo, ELA, SPW and APAP using the peak signal to noise ratio (PSNR) evaluation indicator.
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Oh, Jeongmi. "Research on world “Water ghost stories”: Focusing on the types of water ghosts and the functions of ‘Seizer’." Institute of Humanities at Soonchunhyang University 42, no. 4 (December 31, 2023): 39–71. http://dx.doi.org/10.35222/ihsu.2023.42.4.39.

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Water demons are beings that have an inseparable relationship with water, seducing people through their voices and eventually leading them to death. Water demons are dual beings, both human and ghost, and the mechanism of seduction and death through their voices is emphasized. Even to this day, ''‘Water ghost’ stories'' stands out among ''modern ghost stories'' more than any other story, and is actively handed down. In addition to beings called ''Water ghosts'', there are also monster-like water fairies, feminine beings with ''恨'' who seduce and eat people. It is found all over the world, including Germanic mythology, Slavic mythology, and Indonesian legends. They are people and ghosts, and monsters and fairies. Until now, this linguistic gap could not be resolved because the standards and foundations for storytelling had not been established. Now these Water ghost types need to be sorted out and redefined. We have experienced various symbolic dimensions of nature through the presence of water ghosts in the story. The archetype of the Water ghost changes over time, from the Water ghost who tempts people to death with voices from the past to the mermaid princess who sacrifices herself for love. In this paper, I have newly introduced the “Water ghost' stories” and have attempted to establish the types and prototype meanings of new theory of “Water ghost' stories” around the world. In addition to comparing stories from Korea and abroad, focusing on stories in which water ghost appear, we will also consider women's ‘Seizure’ and death through their voices. I would also like to classify the types and clarify the meaning of the original form of the World Water ghost.
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Ye, Hanwen. "An Analysis of the Female Ghost Images in Ancient Chinese Novels on the Theme of Romantic Relationship Between Man and Ghost." Communications in Humanities Research 28, no. 1 (April 19, 2024): 1–7. http://dx.doi.org/10.54254/2753-7064/28/20230005.

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From Jin to Qing Dynasty of China, there are a large number of novels depicting human-ghost romance. In this literature, female images, femininity and gender relationship patterns reflect the patriarchal values of a specific historical period. Previous research on ancient Chinese female ghost novels often focused on their romantic story with a male human and the awakening consciousness of female, but the research on Character depiction of female ghost was very few. Therefore, this paper aims to investigate the relationship between the image shaping of female ghosts and the values of contemporary Chinese ancient patriarchal society, existing in the stories of the ancient Chinese romances novels of Song, Yuan and Ming dynasty. Studies have suggested that the female ghosts in ancient Chinese "human-ghost romance" novels are essentially projections of the male author's ideals, reflecting the phallocentrism of ancient Chinese ghost fiction.
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Carrillo, Paul, Dave Donaldson, Dina Pomeranz, and Monica Singhal. "Ghosting the Tax Authority: Fake Firms and Tax Fraud in Ecuador." American Economic Review: Insights 5, no. 4 (December 1, 2023): 427–44. http://dx.doi.org/10.1257/aeri.20220321.

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An important but poorly understood form of firm tax evasion arises from “ghost firms”—fake firms that issue fraudulent receipts so that their clients can claim false deductions. We provide a unique window into this global phenomenon using transaction-level tax data from Ecuador. Five percent of firms use ghost invoices annually. Among these firms, ghost transactions comprise 14 percent of purchases. Ghost transactions are prevalent among large firms and firms with high-income owners and exhibit suspicious patterns, such as bunching below financial system thresholds. An innovative enforcement intervention targeting ghost clients rather than ghosts themselves led to substantial tax recovery. (JEL D22, H25, H26, K34, L25, O14)
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Carlson, Jon F., Sunil K. Chebolu, and Ján Mináč. "Ghosts and Strong Ghosts in the Stable Category." Canadian Mathematical Bulletin 59, no. 4 (December 1, 2016): 682–92. http://dx.doi.org/10.4153/cmb-2016-038-4.

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AbstractSuppose that G is a finite group and k is a field of characteristic p > 0. A ghost map is a map in the stable category of finitely generated kG-modules which induces the zero map in Tate cohomology in all degrees. In an earlier paper we showed that the thick subcategory generated by the trivial module has no nonzero ghost maps if and only if the Sylow p-subgroup of G is cyclic of order 2 or 3. In this paper we introduce and study variations of ghost maps. In particular, we consider the behavior of ghost maps under restriction and induction functors. We find all groups satisfying a strong form of Freyd’s generating hypothesis and show that ghosts can be detected on a finite range of degrees of Tate cohomology. We also consider maps that mimic ghosts in high degrees.
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Halimah, Umi. "HANTU PEREMPUAN JAWA DALAM ALAMING LELEMBUT SEBAGAI REPRESENTASI FEMME FATALE." Sabda : Jurnal Kajian Kebudayaan 10, no. 1 (February 3, 2017): 1. http://dx.doi.org/10.14710/sabda.v10i1.13302.

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This research entitled “The Javanese Female Ghost in “Panjebar Semangat” as a Representation of Femme Fatale”aims to show the feminist value in Javanese horror stories with female ghost as a villain and men as most of their victims. This research uses feminism as a main approach and femme fatale theory as the specific approach theory. This research shows that there are three kinds of of female ghost, they are female ghosts who experienced a miserable life before her death, sensual women and women whose background is not known. For the three kinds of women it can be revealed the causes of the female spirits to become evil spirits, the modes of female ghosts to ensnare and trap victims, the female ghost‟s harmful effects to men, and the solutions as the anti-climac in the story
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Krebs, Paula M. "Folklore, Fear, and the Feminine: Ghosts and Old Wives' Tales in Wuthering Heights." Victorian Literature and Culture 26, no. 1 (1998): 41–52. http://dx.doi.org/10.1017/s1060150300002266.

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Wuthering heights is haunted, of course. But not only by the ghost of Catherine, who harries Heathcliff and terrifies Lockwood. Not only by the shades of Heathcliff and Catherine (or Laurence Olivier and Merle Oberon) who set off toward Penistone Crag. The ghosts in Wuthering Heights are not Gothic ghosts nor the ghosts from Victorian magazine ghost stories. They represent a different kind of haunting altogether — the haunting of the Victorian middle classes by fear of the people they designated as “the folk.”
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Dissertations / Theses on the topic "Ghost"

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Whalen, Brian Phillip. "Ghost." [Ames, Iowa : Iowa State University], 2009.

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Thompson, Robert C. "Entertaining ghosts Gettysburg ghost tours and the performance of belief /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8217.

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Thesis (M.A.) -- University of Maryland, College Park, 2008.
Thesis research directed by: Dept. of Theatre. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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McFadyen-Ketchum, Andrew. "Ghost Gear." Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1791982151&sid=2&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Sellas, Alexis B. "Ghost-Jet." FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/352.

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GHOST-JET is a collection of poems rooted in the lyrical tradition, often juxtaposing images of the natural world--the human body, insects, the Florida terrain--against images of surrealism--ethereal spirits, monsters, dreamscapes--in order to create metaphorical leaps of the imagination. In these poems there is the world as we know it and the world on the peripheral--zombies and babies turning into crocodiles, portraying the anxieties of the contemporary world we face as parents, children, and citizens. Written primarily in free verse, the collection also contains more traditional forms: pantoum, sestina, and haiku. There are no section breaks in this collection. Instead, the poems alternate between the personal and the political; between the particular fears of parenting and the more abstract fears in a new, post-September 11th America; between the violence perpetuated by family members and violence committed by the unknown, faceless aggressors in the world around us.
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Ligon, Rebecca. "Ghost Parties." University of Akron / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=akron1460297955.

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Whitby, Bess. "Ghost Machine." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822764/.

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This thesis consists of a collection of poems. By virtue of its content and arrangement, the collection ruminates on and attempts to work through the problem of corporeality and bodily experience: the anxieties surrounding illness, mortality, and the physicality of contemporary life. This collection explores the tension inherent in the mind/body duality and, rather than prescribing solutions, offers multiple avenues and perspectives through which to view bodily experience, as well as how that experience affects an individual’s identity, agency, and sense of self.
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Van, der Merwe Almini. "Ghost Limb." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/27405.

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This thesis, submitted as part of an M.A in Creative Writing, takes the form of a novel set in a small coastal town outside Cape Town and follows the life of Johanna, a maid to a pastor's family in the early 90s. At the centre of the novel is the relationship between Johanna and a first-person child narrator. Johanna arrives and sets out to undermine the household and social order with increasingly bold acts of violence. She is abusive but despite the sporadic abuse the narrator and Johanna develop an odd friendship. Her past is revealed in late night confidences (a paraplegic mother, a white employer who she identifies as family and a stint in a squatter camp where she loses her ID). Near the beginning of the novel the child and Johanna embark on a quest to obtain her birth certificate from her old employer (needed for a new ID). The journey is unsuccessful but signals the start of a kind of sympathy between the two protagonists (with insight by the narrator into Johanna's past). Johanna finds a kind of belonging in the neighbourhood and with the narrator's family, particularly with the neighbourhood children. She is like a child herself and they become a neighbourhood pack roving the streets on bicycle. But Johanna has periodic rages, throwing bricks or abusing pets and comes to focus her ire on the youngest member of the family, the narrator's youngest brother. When political forces at large come into play (as well as an increased sense of danger), the adults set out to anglicize the family in a half-baked attempt to emigrate. The children are sent to English schools and Johanna, sensing her loosening grip on the family ramps up her reign of terror. She recruits the narrator in a plot against her brother, a prank only half comprehended that she consents to in order to placate Johanna. When the time comes, they dress up as "bergies", capitalising on the paranoia of the time. They ambush her brother and what (at least for the narrator) was a game turns into a horrifying dismemberment of her brother. Johanna disappears for weeks but returns for one final confrontation outside the pastorie. After this Johanna disappears permanently from the life of the narrator and her family, and her brother is patched up with little visible impairment. Soon afterwards the family moves to a security complex, an island of safety in the crime-ridden reality of South Africa that recalls their European dream. Years later the narrator interrogates this suppressed chapter and longs for the Johanna of her childhood in relief to the cultural anonymity that has become her life. Constructed in episodes that succeed each other spatially rather than chronologically the novel seeks to reconstruct the childhood landscape while building obliquely to a tragic climax. The style is lyrical, referencing magical realism and could be read as an effort in prose poetry with paragraphs operating as lyrical units. Of interest to the story are themes of cultural and physical homelessness as well as language itself as it relates to a stable cultural identity.
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Cigic, Anne E. "Tiny Ghost." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555073754387796.

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Giarratano, Natalie A. "Hungry Ghost." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4779/.

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Cobb, William Mark. "Marcuse's ghost /." Diss., Digital Dissertations Database. Restricted to UC campuses, 2007. http://uclibs.org/PID/11984.

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Books on the topic "Ghost"

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Groves, Paul. 13 ghosts: Ghost hunter's workpack. London: Edward Arnold, 1985.

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Phillips, J. The ghost! the ghost!! the ghost!!! [London]: Arcady Press, 1998.

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Hunter, Jana Novotny. Ghost games. New York, N.Y: Doubleday Book for Young Readers, 1993.

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Hervey, Sheila. Canada ghost to ghost. Toronto, Can: Stoddart Pub., 1996.

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Frend, De Morgan William. When ghost meets ghost. Toronto: S.B. Gundy, 1995.

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Durgin, Doranna. Ghost whisperer: Ghost trap. New York: Pocket Star Books, 2009.

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Gudgeon, Christopher. Ghost trackers: The unreal world of ghosts, ghost-hunting, and the paranormal. Toronto, Ont: Tundra, 2010.

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D, Seymour St John, and Neligan Harry L, eds. True Irish ghost stories. 2nd ed. London: Fitzhouse, 1990.

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Margaret, Miller, and Margaret Miller. My first ghost. New York: Disney * Hyperion Books, 2012.

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Aleksandar, Sotirovski, ed. Ghost. Edinburgh: Barrington Stoke, 2009.

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Book chapters on the topic "Ghost"

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Payne, Christopher, and Andrew Kjos. "Ghost." In A Beginner’s Guide to Special Makeup Effects, 17–20. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003093701-5.

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Tobias, Michael Charles. "Euclid’s Ghost." In Codex Orféo, 81–82. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30622-3_31.

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Mercer, Peter. "The Ghost." In Hamlet and the Acting of Revenge, 11–26. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09217-8_2.

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Rajasekar, Shanmuganathan, and Miguel A. F. Sanjuan. "Ghost Resonances." In Springer Series in Synergetics, 241–60. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24886-8_9.

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Pomerance, Murray. "Passion's Ghost." In A Companion to Jean-Luc Godard, 367–82. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118586815.ch23.

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Matthaeus, Franziska, Damian Stichel, and Kai Breuhahn. "The Ghost." In The Art of Theoretical Biology, 26–27. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33471-0_13.

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Weik, Martin H. "ghost image." In Computer Science and Communications Dictionary, 681. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_7952.

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-02721-6_90-1.

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Harris, Anne M. "Ghost-Child." In On (Writing) Families, 69–75. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-622-6_10.

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Heholt, Ruth. "Ghost Stories." In The Palgrave Encyclopedia of Victorian Women’s Writing, 661–64. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_90.

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Conference papers on the topic "Ghost"

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Yong, Pei, and Xi-quan Fu. "Ghost diffraction and ghost imaging in two-color ghost imaging." In International Symposium on Optoelectronic Technology and Application 2016. SPIE, 2016. http://dx.doi.org/10.1117/12.2245014.

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Kwak, Matthijs. "GHOST." In the 8th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2540930.2558131.

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Kim, Chulmin, Ki-Woong Park, and Kyu Ho Park. "GHOST." In the 2012 International Workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2141702.2141705.

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Fan, Xiaoming, Jianyong Wang, Bing Lv, Lizhu Zhou, and Wei Hu. "GHOST." In Proceeding of the 17th ACM conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1458082.1458327.

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Guarneri, Andrea, Laura A. Ripamonti, Francesco Tissoni, Marco Trubian, Dario Maggiorini, and Davide Gadia. "GHOST." In CHItaly '17: 12th Biannual Conference of the Italian SIGCHI Chapter. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3125571.3125580.

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Humphries, Jack Tigar, Neel Natu, Ashwin Chaugule, Ofir Weisse, Barret Rhoden, Josh Don, Luigi Rizzo, Oleg Rombakh, Paul Turner, and Christos Kozyrakis. "ghOSt." In SOSP '21: ACM SIGOPS 28th Symposium on Operating Systems Principles. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3477132.3483542.

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Swantner, William. "Ghost focus modeling in laser systems." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1992. http://dx.doi.org/10.1364/oam.1992.mq4.

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Identification of single reflection and multiple reflection ghosts in high power laser systems is essential for the safeguard of components, equipment, and personnel. Most ray trace programs require the user to model each path of reflections as an independent optical system. The OPTIC AD program permits us to trace rays in a non-sequential fashion, to calculate the remaining energy in a ray, to split a ray at a partially reflecting surface, and to display all the ray paths simultaneously. We have used the program to look for ghost foci in high power laser systems and in interferometers. We will show the results of several of these analyses. The results will indicate how we can remove from consideration ghost rays that exceed a user specified number of reflections or whose energy is below a user specified lower limit.
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Liu, Yuqing. "GHOST FROM THE FUTURE: HONG KONG TEMPORALITIES IN THE FILM ROUGE." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.22.

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This paper explores how the film Rouge (1987) adapts and transforms traditional ghost narratives and how the cinematic anxiety of time is associated with the countdown temporality of Hong Kong in the 1980s. I argue that Rouge transforms two narrative structures of traditional Chinese literature — Caizi-jiaren (scholar-beauty) and the “historical ghost tale” — to foreground the particular temporality of Hong Kong. Firstly, the returning of the female ghost and her failure in pursuit of love intensifies the conflict between the modern linear time and the cosmological ghostly time and poignantly manifests the impossibility of a fifty-year unchanged commitment. Secondly, unlike traditional “historical ghost tales” in which ghosts were called back by traumas of the collapse of old dynasties, the revenant of the heroin in this film returns to the living world for the prearranged trauma of the future, due to the particular temporality of countdown Hong Kong has confronted since 1982. The countdown forced Hong Kong to enter a circular time and to experience the prearranged calamity in the future. Thus, I contend that this film rehearses a demise of Hong Kong, which exacerbates, rather than alleviates, the anxiety and pain associated with the traumatic experience.
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Elsasser, Wolfgang. "Ghost Metrology with Classical Light – The Story Continues: Ghost Spectroscopy and Ghost Polarimetry." In 2019 21st International Conference on Transparent Optical Networks (ICTON). IEEE, 2019. http://dx.doi.org/10.1109/icton.2019.8840013.

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Sjuve, Eva. "Ghost scraper." In Proceeding of the seventh ACM conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1640233.1640368.

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Reports on the topic "Ghost"

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Ahmed, Zainab, Matthew Azar, Sabrina Camarda, Larissa Duggan, David Dupont, Stephanie Emmanouil, Araceli Ferrara, et al. Victorian Ghosts, 1852-1907. York University, 2020. http://dx.doi.org/10.25071/10315/.

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Victorian Ghosts 1852-1907 is a collection of Victorian Ghost Stories collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes 21 ghost stories spanning six decades. Each story includes a short introduction and explanatory notes. This is supplemented by accompanying essays that helps guide readers through the anthology.
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Azar, Matthew, Sabrina Camarda, Larissa Duggan, David Dupont, Stephanie Emmanouil, Araceli Ferrara, Taylor Grigg, et al. Victorian Ghosts, 1852-1907. Edited by Matthew Dunleavy. York University, 2021. http://dx.doi.org/10.25071/10315/41231.

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Abstract:
The following collection of Victorian Ghost Stories was collated and annotated by scholars at York University enrolled in the fourth-year Victorian Ghosts course offered through the department of English during Fall 2020. Starting with Elizabeth Gaskell’s “The Old Nurse’s Story” (1852)—a staple of many Victorian Ghost Story Anthologies—and ending with Ambrose Bierce’s “The Moonlit Road” (1907), this collection includes twenty-one ghost stories spanning six decades. As our classes were moved online for the 2020-21 academic year, this Scalar project functioned as a collaborative space with each student responsible for one ghost story (writing a short introduction and creating explanatory notes) and then finding links between those texts (and texts outside the course) to create a critical apparatus that helps guide readers through the anthology. This is the first edition and attempt at creating a project of this kind for this course and I hope it offers a foundation for future projects for EN 4573 (Victorian Ghosts) at York University. I cannot praise the students enough for their effort and enthusiasm during our time together when faced with learning a new software and completing unfamiliar assignments—not to mention, doing this all while navigating a (new to many of them) completely remote learning environment.
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Pieper, Kraig, and Audrean Jurgens. Ghost In The Machine. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1199.

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Wager, Elizabeth. Suspected ghost, guest or gift authorship. Committee on Publication Ethics, January 2006. http://dx.doi.org/10.24318/cope.2019.2.18.

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5

Sowers, Arthur E. The Electrofusion Mechanism in Erythrocyte Ghost Membranes. Fort Belvoir, VA: Defense Technical Information Center, November 1988. http://dx.doi.org/10.21236/ada203041.

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Frolov, A. Accretion of Ghost Condensate by Black Holes. Office of Scientific and Technical Information (OSTI), June 2004. http://dx.doi.org/10.2172/826958.

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Dada, Samuel. Ghost in the machine; do animals have consciousness? Ames (Iowa): Iowa State University, January 2020. http://dx.doi.org/10.31274/cc-20240624-789.

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8

Osher, Stanley. Level Set and Ghost Fluid Based Underwater Shock Analysis. Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada398182.

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S.R. Hudson and J. Breslau. Temperature Contours and Ghost-Surfaces for Chaotic Magnetic Fields. Office of Scientific and Technical Information (OSTI), January 2008. http://dx.doi.org/10.2172/960372.

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10

Drew, Dennis M. Marlborough's Ghost: Eighteenth-Century Warfare in the Nuclear Age. Fort Belvoir, VA: Defense Technical Information Center, April 1985. http://dx.doi.org/10.21236/ada424804.

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