Relevant bibliographies by topics / Gertrude

Academic literature on the topic 'Gertrude'

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Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Gertrude"

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Stevenson, Deborah. "Gertrude Is Gertude Is Gertrude Is Gertrude (review)." Bulletin of the Center for Children's Books 62, no. 5 (2009): 183–84. http://dx.doi.org/10.1353/bcc.0.0619.

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Marranca, Bonnie. "St. Gertrude." Performing Arts Journal 16, no. 1 (January 1994): 107. http://dx.doi.org/10.2307/3245832.

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Hough, S. "Gertrude Killeen." Seismological Research Letters 77, no. 4 (July 1, 2006): 481. http://dx.doi.org/10.1785/gssrl.77.4.481.

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Burns, Edward. "Gertrude Stein." PMLA 103, no. 5 (October 1988): 821. http://dx.doi.org/10.2307/462527.

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Lynch, Peter. "Gertrude Healy." Musical Times 136, no. 1825 (March 1995): 124. http://dx.doi.org/10.2307/1003996.

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Pernell, Ruby B. "Gertrude Wilson." Journal of Teaching in Social Work 6, no. 2 (January 26, 1993): 131–35. http://dx.doi.org/10.1300/j067v06n02_11.

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Uman, Gwen C. "Where's Gertrude?" Journal of the American Geriatrics Society 45, no. 8 (August 1997): 1025–26. http://dx.doi.org/10.1111/j.1532-5415.1997.tb02976.x.

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Feuer, Lewis S. "Gertrude Himmelfarb." Philosophy of the Social Sciences 23, no. 1 (March 1993): 5–25. http://dx.doi.org/10.1177/004839319302300101.

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Batey, Mavis, and Sally Festing. "Gertrude Jekyll." Garden History 20, no. 1 (1992): 94. http://dx.doi.org/10.2307/1586933.

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Blamires, C. "Gertrude Blamires." BMJ 340, mar26 2 (March 26, 2010): c1753. http://dx.doi.org/10.1136/bmj.c1753.

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Dissertations / Theses on the topic "Gertrude"

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Pasquier, Marie-Claire. "Gertrude Stein, théâtre et théâtralité." Paris 4, 1991. http://www.theses.fr/1991PA040014.

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Ce travail analyse l'œuvre "théâtrale" de Gertrude Stein (théâtre "virtuel"), depuis les premières "pièces" (1913) jusqu'à l'opéra The mother of us all (1946). Il s'appuie sur une distinction non dogmatique entre deux pôles : le dramatique - construction d'une action, conflit - et le théâtral - conception picturale et symbolique de l'espace, temps suspendu, prééminence des images. Après un premier chapitre "panoramique" intitule "genèse et fortune", une analyse des textes eux-mêmes fait apparaitre : 1. La récurrence de certains mots privilégiés appelés ici "mots-figurants" (mean, yes ou may, par exemple). 2. Un jeu steinien sur les noms, appelé ici "Gertrude Stein onomaturge". 3. La corrélation entre théâtre et prière, ou théâtre et méditation ("des saints en actes"). 4. La prédominance d'un thème et modèle de fonctionnement : la guerre. Le théâtre "virtuel" de Gertrude Stein semble bien avoir influence directement ou indirectement des artistes de l'avant-garde des années 60 et 70 tels que Bob Wilson et Richard Foreman, mais on trouve aussi chez elle des traits qu'on trouvera en France ou en Angleterre chez des auteurs dramatiques tels que Beckett ou Ionesco, Pinter, Marguerite Duras, ou Nathalie Sarraute
This study of Gertrude Stein's theatre (from the first "plays" in 1913 to The opera the mother of us all in 1946) is based on the distinction between drama proper and theatricality, a quality which can be found in writings not designed for the stage. Drama is based on constructed action and conflict, while theatricality is the pictorial quality of language, framing devices, the visibility of speech, the dream-like quality of images. Gertrude Stein's "plays", which indeed play with language, are approached from various points of view: small units such as recurrent words (mean, yes or may, for example), nouns and titles, the symbolic vision of space (as in pre-renaissance paintings), an almost mystic suspension of time (for saints, "acting" means doing nothing), the theatrical as one dimension of war and war as one dimension of the theatrical. The innovations of Gertrude Stein, it is argued, have influenced the European (and European) avant-garde of the sixties and seventies: Beckett, Ionesco, Pinter, Duras, Sarraute, Bob Wilson, Richard Foreman, Sam Shepard
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Porter, David. "Rhetorical, pedagogical, and Jewish : the language practices of Gertrude Stein /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978258.

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Thesis (Ph. D.)--University of Oregon, 2000.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 296-308). Also available for download via the World Wide Web; free to University of Oregon users.
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Blizzard, Allison. "Portraits of the 20th century self : an interartistic study of Gertrude Stein's literary portraits and early modernist portraits by Paul Cézanne, Henri Matisse and Pablo Picasso /." Frankfurt am Main : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb392447627.

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Schnell, Andréa Elizabeth. "Gertrude Bell : an Orientalist in context." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112515.

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This thesis is about the life and work of Gertrude Bell, a British woman born in the late nineteenth century, whose extensive knowledge of Middle East cultures and people won her a job as the Oriental Secretary in Iraq after World War One. Modern historians, including Toby Dodge and Edward Said, consider Bell to be an irredeemable orientalist, one whose work is only ethnocentric and essentialist. Using the work of Billie Melman and Mohja Kahf, my aim is to contextualize Bell's work, and to see if, given the various circumstances in which she worked, a more sympathetic reading is not possible, and if perhaps Said and Dodge are not sometimes guilty of essentialism. I will also examine Said's theories in Orientalism, and though this thesis is in no way an attempt to discredit Said's work, I wish to pose a question; if one can take a small piece of the Orientalist puzzle (Bell's work) and shows that it differs from Said's description, does this undermine the idea of orientalism as a cohesive body of ideas?
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Ryan, Betsy Alayne. "Gertrude Stein's theatre of the absolute /." Ann Arbor (Mich.) : UMI, 1994. http://catalogue.bnf.fr/ark:/12148/cb37421280q.

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Abreu, Andreia Manuela Passos de. "Gertrude Stein e o cubismo literário." Master's thesis, Universidade Aberta, 2008. http://hdl.handle.net/10400.2/1225.

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Gibbs, Anna. "Gertrude Stein and feminist literary theory." Thesis, Gibbs, Anna (1989) Gertrude Stein and feminist literary theory. PhD thesis, Murdoch University, 1989. https://researchrepository.murdoch.edu.au/id/eprint/52950/.

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This thesis attempts to render intelligible some significant issues in feminist literary theory - and perhaps 'feminist theory' more generally - through a reading of some of Gertrude Stein's writing, concentrating especially on The Autobiography of Alice B. Toklas and some of Stein's shorter prose. The issues explored all arise out of the confrontation of Anglo-American empiricism with what has been qualified - too neatly - as French theoretical work in the domains of philosophy, and literary theory. I refer particularly to a body of work that may be broadly termed 'postmodern', though in fact it is heterorather than homo- geneous. While this work is troubling to feminists for its reinscription of metaphors of Woman, local rather than global uses of it may open up new possibilities for feminist readings of texts other than those that form a part of the realist canon and have come to dominate (especially) American thought about feminist strategies of writing and reading. Modernist and postmodernist texts fit less easily into a critical framework which concerns itself primarily with defining and delimiting a female literary tradition, and hence depends upon notions of the self as individual, autonomous entity; of experience as conscious and transparent; and writing as representation. My reading of Gertrude Stein aims to show both how her texts resist this kind of interpretation, and how, within a framework of sexual difference, they may be mobilized to elaborate (and problematize) questions of authorship, of the possibility of feminine subjectivity, and of 'writing the body'. Further, I argue that a focus on these issues reveals the androcentric bias of most discussions of modernism, especially as it is opposed to postmodernism, and that an adequate reading of Stein's writing must force a redefinition of the relations between the two. Thus, the very theoretical work which facilitates a new understanding of Stein's textual strategies can in turn be revised by such a reading.
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Geronimo, Vanessa. "A peça-paisagem de Gertrude Stein." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/136321.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2015.
Made available in DSpace on 2015-11-10T03:07:04Z (GMT). No. of bitstreams: 1 336030.pdf: 1022966 bytes, checksum: e8b23710b7dc600a38125224d3d9b0e4 (MD5) Previous issue date: 2015
Esta pesquisa foi realizada pensando na tradução da peça-paisagem, peça-ópera, Four Saints in Three Acts, escrita em 1927, pela autora norte-americana Gertrude Stein (1874-1946). A peça foi elaborada musicalmente por Virgil Garnett Thomson (1896 ? 1989), crítico e compositor americano que, após estabelecer uma amizade com Stein, pediu se ela poderia escrever um libreto, uma ópera, para que ele fizesse o arranjo musical. Four Saints, publicada na obra Last Operas and Plays (1949), inicia na página 440 e termina na página 480. Nesta pesquisa serão apresentadas duas traduções para o português brasileiro das primeiras seis páginas da peça ? páginas 440 a 445 ? escrita em língua inglesa. Uma das traduções teve o foco mais literal, buscando manter o significado das palavras; e a outra, considerando as peculiaridades do texto steiniano, teve o foco mais autoral, fazendo uma dosagem entre forma e conteúdo, privilegiando ambos. A peça foi apresentada pela primeira vez em 1934 no Wadsworth Atheneum museum, em Hartford, Connecticut, nos Estados Unidos. Duas semanas depois foi para a Broadway; também foi comentada em diversas colunas de jornais e em rádios, levando à fama uma nova forma de teatro.

Abstract : This research was conducted considering the translation of the play-landscape, play-opera, Four Saints in Three Acts, written in 1927 by American author Gertrude Stein (1874-1946). The play was set to music by Virgil Garnett Thomson (1896 - 1989), American composer and critic who, after establishing a friendship with Stein, asked if she could write a libretto, an opera, for him to do the musical arrangement. Four Saints, published in the work Last Operas and Plays (1949), starts on page 440 and ends on page 480. In this research it will be presented two translations to Brazilian Portuguese of the first six pages of the play - pages 440 to 445. One of the translations had a more literal focus to keep the meaning of words; and the other, considering the steinian text peculiarities, had a more authorial focus, making a mix between form and content, focusing both. The play was first performed in 1934 at the Wadsworth Atheneum museum in Hartford, Connecticut, in the United States. Two weeks later it went to Broadway; it was also commented on several columns of newspapers and radio stations, leading to fame a new form of theater.
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Thomas, Chloé. "Gertrude Stein : une poétique du réalisme." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA090/document.

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Gertrude Stein (Allegheny, Pennsylvanie, 1874 – Paris, 1946), figure centrale du modernisme américain, est souvent saluée pour avoir porté très loin une expérience linguistique et grammaticale, au sein d’une œuvre très vaste explorant tous les genres – romans, nouvelles, poèmes longs et courts, essais et conférences, pièces de théâtre, livrets d’opéra, biographies et autobiographies. L’objet de ce travail est d’analyser le rapport que la langue de Gertrude Stein entretient avec le réalisme : comme tradition littéraire d’abord, en réinvestissant l’héritage naturaliste et en l’américanisant par le remplacement de Claude Bernard par William James comme figure tutélaire de la méthode expérimentale ; comme déplacement du réel dans la langue elle-même qui échoue toujours à se réifier tout à fait ; comme injonction à la véracité enfin, dans des fictions plus tardives qui mettent en scène leur propre mauvaise foi et font de l’Amérique le territoire idéal et idéel de l’iréel. Parallèlement, nous tentons de mettre au jour la dynamique des genres qui se joue dans cette conversation renouvelée avec le réalisme, où chaque déplacement au sein d’une poétique mouvante devient une nouvelle façon de mettre la langue à l’épreuve du monde et de sa capacité à le viser. À partir de deux œuvres du début de sa carrière (les trois nouvelles de Three Lives et le long roman The Making of Americans), de sa poésie dite descriptive (les « portraits »), des Stanzas in Meditation et de deux œuvres en prose plus tardives (Four in America et Ida a Novel) nous essayons de comprendre la façon dont Stein envisageait les partitions génériques, notamment entre prose et poésie, et le rôle qu’elle leur donnait dans son parcours artistique et esthétique
Gertrude Stein (Allegheny, Pennsylvania, 1874 – Paris, 1946) is a central figure of American modernism. She is celebrated for the radical experiments with language and grammar she conducted throughout a literary career in which she tried her hand at all genres: novels, novellas, long and short poems, essays, conferences, plays, opera librettos, biographies and autobiographies. The present dissertation analyzes the connections of Stein’s language to realism. The notion will be understood, first, as a literary tradition, which Stein reinterprets by americanizing it (through the replacement of Claude Bernard by William James as her mentor in the experimental method); second, as a displacement of the “real” within language itself, despite its consistent failure to become just a thing among others; third, as a call to veracity, in later works of fiction which stage their own disingenuousness and make America the ideal territory of the unreal. It will be argued that this constantly evolving conversation between Stein’s work and realism also implies a renewal of generic issues: each shift within an unstable generic system is a new way to test the ability of language to account for the world. Focusing on two early works (the three novellas of Three Lives and the long novel The Making of Americans), pieces of “descriptive” poetry (the “portraits”), the Stanzas in Meditation and two later prose works (Four in America) and (Ida a Novel), this dissertation will try to show how Stein understood generic boundaries, including that between poetry and prose, and what part they played in her aesthetic development
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Preslmair, Gertrude [Verfasser]. "Der Transformationsprozess des tschechischen Bankensektors / Gertrude Preslmair." Hamburg : Diplom.de, 2001. http://d-nb.info/1187447676/34.

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Books on the topic "Gertrude"

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ill, Brown Calef, ed. Gertrude is Gertrude is Gertrude is Gertrude. New York: Atheneum Books for Young Readers, 2009.

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Hesse, Hermann. Gertrude. New York: Farrar, Straus and Giroux, 1997.

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Braimah, Amina Al-Hassan. Gertrude. Accra, Ghana: Step Publishers, 2014.

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Bowers, Jane Palatini. Gertrude Stein. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-23004-4.

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Farge, Ann La. Gertrude Stein. New York: Chelsea, 1988.

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Daniel, Lucy Jane. Gertrude Stein. London: Reaktion Books, 2009.

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Gertrude, More. Gertrude More. Farnham, England: Ashgate, 2009.

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Susan, Weininger, Smith Kent 1949-, State of Illinois Art Gallery., and Illinois State Museum, eds. Gertrude Abercrombie. Springfield, IL: Illinois State Museum, 1991.

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1940-, Marotti Arthur F., ed. Gertrude More. Farnham, England: Ashgate, 2009.

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Harold, Bloom, ed. Gertrude Stein. New York: Chelsea House, 1986.

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Book chapters on the topic "Gertrude"

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Bowers, Jane Palatini. "Gertrude Stein’s Writing/Gertrude Stein’s Writing." In Gertrude Stein, 34–62. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-23004-4_3.

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Riggs, Kate E. "Bell, Gertrude." In Encyclopedia of Global Archaeology, 1388–90. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2489.

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Riggs, Kate E. "Bell, Gertrude." In Encyclopedia of Global Archaeology, 1–3. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-51726-1_2489-2.

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Gomille, Monika. "Bell, Gertrude." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7988-1.

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Riggs, Kate E. "Bell, Gertrude." In Encyclopedia of Global Archaeology, 845–47. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2489.

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Thies, Henning. "Stein, Gertrude." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18724-1.

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Holbrook, Susan. "Gertrude Stein." In A Companion to Modernist Poetry, 348–57. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch28.

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Roberts, Kerrie. "Shakespeare's Gertrude." In Hamlet’s Hereditary Queen, 106–23. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003258612-9.

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Drews, Jörg, and Henning Thies. "Gertrude Stein." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 37–39. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_4.

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Sielke, Sabine. "Stein, Gertrude." In Metzler Autorinnen Lexikon, 512–14. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_356.

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Conference papers on the topic "Gertrude"

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Ige, Olugbenga, and Taiwo Wale-Fadairo. "THE COMMUNICATIONS OF ‘GERTRUDES’ WITH RURAL-GEOGRAPHICALLY-LOCATED STUDENTS DURING COVID-19 NEW NORMAL IN SOUTH AFRICA AND NIGERIA." In 14th International Conference on Education and New Learning Technologies. IATED, 2022. http://dx.doi.org/10.21125/edulearn.2022.1887.

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Silva, Pollyane Vieira da, Amanda Lombardo Fruehauf, Givanildo Donizeti de Melo, and Magda Adelaide Lombardo. "Análise da concentração de MP10 no município de Santa Gertrudes – SP no período de 2019 a 2022 em busca da gestão urbana sustentável." In SUSTENTARE & WIPIS 2023. ,: Even3, 2024. http://dx.doi.org/10.29327/sustentare-wipis-2023-311985.677141.

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Mattana, Leticia, Julia Girotto Simor, Maria Eduarda Mota da Silva, and Yasmin Serratine da Paixao Capeletto. "Mobiliários em BIM para a casa de acolhimento do hospital infantil." In V ENCONTRO NACIONAL SOBRE O ENSINO DE BIM. ANTAC, 2023. http://dx.doi.org/10.46421/enebim.v5i00.3519.

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Todos os dias, diferentes famílias catarinenses buscam auxílio no Hospital Infantil de Florianópolis para tratamento de saúde das suas crianças. Naturais de outras cidades do estado, estas famílias que acompanham crianças em tratamento de saúde precisam de acolhimento no período do tratamento médico, pois geralmente estão internadas em Unidades de Terapias Intensivas (UTIs) neonatal ou pediátrica. Para acolhimento dessas famílias, o Hospital Infantil conta com dois espaços: a) A Casa de Apoio Vovó Gertrudes, local que abriga pacientes com câncer do Hospital Infantil Joana de Gusmão em Florianópolis, tem como objetivo acolher e assistir a família, mãe, pai ou responsável pela criança internada no Hospital Infantil e; b) A Casa de Acolhimento, por sua vez, tem como objetivo acolher familiares de crianças que encontram-se em outros tratamentos médicos na cidade de Florianópolis. As Casas de Apoio e Acolhimento existentes atualmente no Hospital Infantil Joana de Gusmão em Florianópolis, não são suficientes para todas as demandas do estado de Santa Catarina, necessitando de projeto de ampliação e reforma. As casas são fundamentais para acolher e assistir os acompanhantes das crianças, normalmente familiares, que precisam de local para pernoite, pois residem fora de Florianópolis e muitas vezes encontram-se sem subsídios para a estadia durante o tratamento de saúde. Geralmente, a condição clínica da criança demanda permanência de seu responsável próximo do hospital. O projeto foi iniciado a partir de um Trabalho de Conclusão de Curso (TCC) em Arquitetura e Urbanismo da Universidade Federal de Santa Catarina que teve como intuito elaborar o projeto arquitetônico para a Casa de Apoio, mas não contemplou o projeto e detalhamento de mobiliários para este espaço, incluindo os móveis para o público infantil. Ainda, este TCC utilizou software BIM - Building Information Modeling - e muitos objetos específicos para hospitais infantis não foram encontrados nas bibliotecas de objetos BIM, exigindo a modelagem paramétrica desses objetos. Desta forma, foi delineado um projeto de extensão para complementar o TCC, com o objetivo de modelar os mobiliários para as casas de apoio e acolhimento em formato de objetos BIM, incluindo mobiliário urbano, como brinquedos para um espaço de lazer no jardim. Os produtos gerados devem compor futuramente a Biblioteca Nacional BIM (AGÊNCIA BRASILEIRA DE DESENVOLVIMENTO INDUSTRIAL, 2020), compartilhando os objetos produzidos pelos estudantes no âmbito da extensão universitária com toda a comunidade. Esse trabalho abrange os estágios de modelagem dos objetos, a colaboração entre a equipe do projeto de extensão, a administração do hospital infantil e a estudante de TCC, e a integração da pesquisa de TCC com o projeto de extensão. Quanto aos usos do BIM, o foco deste trabalho está na modelagem arquitetônica e de interiores em BIM, por meio do desenvolvimento do TCC e dos mobiliários do projeto de extensão, respectivamente, visando o domínio do projeto e da representação. Os projetos de mobiliários estão sendo desenvolvidos no software BIM Autodesk Revit, todos parametrizados. Fazem parte da equipe do projeto de extensão estudantes de graduação em arquitetura e urbanismo, sendo duas bolsistas extensionistas, um arquiteto e urbanista que é servidor técnico-administrativo em educação e dois professores do Departamento de Arquitetura e Urbanismo. O projeto de extensão tem duração de 10 meses, sendo que iniciou em março de 2023 e finalizará em dezembro de 2023. O TCC foi defendido em Agosto de 2023, mas o projeto arquitetônico e de interiores continuará sendo detalhado pela equipe do projeto de extensão no período de vigência do projeto. Já foram desenvolvidos até esse momento, os mobiliários para os dormitórios coletivos, brinquedoteca, hall, cozinha compartilhada, espaços comerciais, lavanderia e espaço externo, todos parametrizados. Com os objetos em BIM prontos, os estudantes do projeto de extensão serão orientados a especificar os materiais e levantar os quantitativos para o orçamento visando a execução de cada objeto. Como resultados, primeiramente espera-se obter o projeto dos mobiliários e outros relatórios que podem respaldar a sua fabricação futura, para a casa de acolhimento do Hospital Infantil Joana de Gusmão em Florianópolis, e que possam ser futuramente entregues à comunidade. Ainda, pretende-se realizar a publicação dos objetos BIM desenvolvidos nesse projeto de extensão para acesso público pela comunidade na “Biblioteca Nacional BIM” da Plataforma BIM BR, uma ação conjunta do Ministério da Indústria, Comércio Exterior e Serviços (MDIC) e da Agência Brasileira de Desenvolvimento Industrial (ABDI), democratizando a informação para toda a sociedade (AGÊNCIA BRASILEIRA DE DESENVOLVIMENTO INDUSTRIAL, 2020; BRASIL, 2019), contribuindo para a difusão de BIM. A publicação dos objetos BIM na Biblioteca Nacional BIM será realizada em formato aberto Industry Foundation Classes (IFC) e no formato nativo do software em que foram desenvolvidos. Ainda, como esclarecido, os resultados do projeto de extensão foram usados no TCC de uma egressa do curso de Arquitetura e Urbanismo da UFSC para complementar a proposta apresentada para o projeto arquitetônico da edificação, incentivando a indissociabilidade entre o ensino, a pesquisa e a extensão universitária em um processo de aprendizagem interdisciplinar, educativo, social e científico, bastante almejado por essa instituição de ensino superior na formação de seus estudantes.
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Reports on the topic "Gertrude"

1

Lara, Catalina. Retratos de Mujeres en Bioquímica: Gertrude Belle Elion. Sociedad Española de Bioquímica y Biología Molecular, March 2012. http://dx.doi.org/10.18567/sebbmdiv_rmb.2012.03.1.

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2

Griffin, Emily. Gertrude's Lazy Susan. Portland State University Library, January 2016. http://dx.doi.org/10.15760/honors.224.

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3

Aragón, Juan Jose. Especial Congreso FEBS 69 - Gertrudis de la Fuente. Sociedad Española de Bioquímica y Biología Molecular, June 2019. http://dx.doi.org/10.18567/sebbmdiv_rmb.2019.06.7.

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