Journal articles on the topic 'Germany Drama'
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Gamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38, no. 2 (November 1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.
Full textSharp, Jonathan. "Drama in SPRACHPRAXIS at a German University English Department: Practical Solutions to Pedagogical Challenges." Scenario: A Journal of Performative Teaching, Learning, Research VIII, no. 1 (January 1, 2014): 19–35. http://dx.doi.org/10.33178/scenario.8.1.3.
Full textDuffy, Susan, and Bruce Zortman. "Hitler's Theatre: Ideological Drama in Nazi Germany." Theatre Journal 37, no. 2 (May 1985): 241. http://dx.doi.org/10.2307/3207084.
Full textHaynes, Michael. "Todesspieland the terrorist docu‐drama in Germany." German Politics 8, no. 3 (December 1999): 125–40. http://dx.doi.org/10.1080/09644009908404571.
Full textGöksel, Eva, and Stefanie Giebert. "Notes on the third Drama in Education Days 2017." Scenario: A Journal of Performative Teaching, Learning, Research XI, no. 1 (January 1, 2017): 117–20. http://dx.doi.org/10.33178/scenario.11.1.10.
Full textThomson, Aidan J. "‘Proficiscere, anima Christiana’: Gerontius and German Mysticism." Journal of the Royal Musical Association 138, no. 2 (2013): 275–312. http://dx.doi.org/10.1080/02690403.2013.830475.
Full textHeinrich, Anselm. "‘It is Germany where he Truly Lives’: Nazi Claims on Shakespearean Drama." New Theatre Quarterly 28, no. 3 (August 2012): 230–42. http://dx.doi.org/10.1017/s0266464x12000425.
Full textSeidensticker, Bernd. "Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR)." Keria: Studia Latina et Graeca 20, no. 3 (November 22, 2018): 75–94. http://dx.doi.org/10.4312/keria.20.3.75-94.
Full textFreeman, Sandra, Michael Jamieson, Christopher Murray, Ulf Danatus, Göran Kjellmer, Anne Moskow, Ronald Paul, et al. "Reviews and notices." Moderna Språk 88, no. 1 (June 1, 1994): 96–120. http://dx.doi.org/10.58221/mosp.v88i1.10120.
Full textMascha, Katrin B. "Historical “Truth,” Constructed Memory: Restaging Germany’s Reunification in Thomas Berger’s Television Melodrama Wir sind das Volk. Liebe kennt keine Grenzen (We are the people. Love without limits) (2008)." CINEJ Cinema Journal 1, no. 2 (April 20, 2012): 36–49. http://dx.doi.org/10.5195/cinej.2012.41.
Full textHarris, James F. "Rethinking the Categories of the German Revolution of 1848: The Emergence of Popular Conservatism in Bavaria." Central European History 25, no. 2 (June 1992): 123–48. http://dx.doi.org/10.1017/s000893890002029x.
Full textLinke, Hansjürgen. "A Survey of Medieval Drama and Theater in Germany." Comparative Drama 27, no. 1 (1993): 17–53. http://dx.doi.org/10.1353/cdr.1993.0008.
Full textWitte, Wilfried. "Pandemie ohne Drama. Die Grippeschutzimpfung zur Zeit der Asiatischen Grippe in Deutschland." Medizinhistorisches Journal 48, no. 1 (2013): 34–66. http://dx.doi.org/10.25162/medhist-2013-0002.
Full textRoss, Ronald J. "TheKulturkampfand the Limitations of Power in Bismarck's Germany." Journal of Ecclesiastical History 46, no. 4 (October 1995): 669–88. http://dx.doi.org/10.1017/s0022046900080489.
Full textCarlson, Marvin. "Contemporary Censorship Debates in Germany." New Theatre Quarterly 40, no. 2 (April 29, 2024): 160–66. http://dx.doi.org/10.1017/s0266464x24000058.
Full textTheisen, Bianca. "The Drama in Rags: Shakespeare Reception in Eighteenth-Century Germany." MLN 121, no. 3 (2006): 505–13. http://dx.doi.org/10.1353/mln.2006.0077.
Full textFiuk, Ewa. "Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim." Politeja 17, no. 2(65) (April 30, 2020): 143–52. http://dx.doi.org/10.12797/politeja.17.2020.65.11.
Full textKrauß, Florian. "When German Series Go Global." Canned TV Going Global 9, no. 17 (August 31, 2020): 158. http://dx.doi.org/10.18146/view.212.
Full textBarnett, David. "When is a Play not a Drama? Two Examples of Postdramatic Theatre Texts." New Theatre Quarterly 24, no. 1 (January 30, 2008): 14–23. http://dx.doi.org/10.1017/s0266464x0800002x.
Full textLandry, Olivia. "From Elif to Esty? Unorthodox and Turkish German Cinema's Captivity Narrative." Camera Obscura: Feminism, Culture, and Media Studies 37, no. 2 (September 1, 2022): 119–47. http://dx.doi.org/10.1215/02705346-9787042.
Full textKlein, Christian. "Das Schicksalsdrama des 19. Jahrhunderts als ›Zeitphänomen‹ zwischen literarischer Tradition und gesellschaftlicher Transformation." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 1 (June 4, 2019): 220–39. http://dx.doi.org/10.1515/iasl-2019-0011.
Full textIrmer, Thomas. "A Search for New Realities: Documentary Theatre in Germany." TDR/The Drama Review 50, no. 3 (September 2006): 16–28. http://dx.doi.org/10.1162/dram.2006.50.3.16.
Full textAde Mahendra, Rizky, I. Wayan Suwena, and I. Nyoman Suarsana. "Eksistensi Drama Tari Gambuh di Desa Adat Pedungan, Kelurahan Pedungan, Kecamatan Denpasar Selatan." Sunari Penjor : Journal of Anthropology 4, no. 2 (July 11, 2021): 68. http://dx.doi.org/10.24843/sp.2020.v4.i02.p03.
Full textJoubin, Rebecca, and Sophia Nissler. "Escape to Germany in Syrian Television Drama: From Cross-Cultural Gender Constructions to Transnational Tropes of Masculinity and Homeland." Middle East Journal 75, no. 3 (November 26, 2021): 428–47. http://dx.doi.org/10.3751/75.3.14.
Full textLoewe, Andreas. "Proclaiming the Passion: Popular Drama and the Passion Tradition in Luther's Germany." Reformation & Renaissance Review 12, no. 2-3 (October 20, 2010): 235–82. http://dx.doi.org/10.1558/rrr.v12i2-3.235.
Full textSchade, Richard E., and David Price. "The Political Dramaturgy of Nicodemus Frischlin. Essays on Humanist Drama in Germany." German Quarterly 64, no. 2 (1991): 239. http://dx.doi.org/10.2307/407088.
Full textBrown, Cheri, and David Price. "The Political Dramaturgy of Nicodemus Frischlin: Essays on Humanist Drama in Germany." German Studies Review 14, no. 2 (May 1991): 382. http://dx.doi.org/10.2307/1430580.
Full textCasey, Paul F., Nicodemus Frischlin, and David Price. "The Political Dramaturgy of Nicodemus Frischlin: Essays on Humanist Drama in Germany." Sixteenth Century Journal 22, no. 3 (1991): 569. http://dx.doi.org/10.2307/2541484.
Full textMirecka, Agata. "Polski krytyk teatralny Andrzej Wirth – mistrz przemieszczania się i jego rola w kształtowaniu nowego oblicza teatru w Niemczech." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 22 (December 31, 2022): 173–84. http://dx.doi.org/10.24917/20811853.22.10.
Full textSchewe, Manfred, and Susanne Even. "What exactly is an apple pie? Performative arts and pedagogy: Towards the development of an international glossary." Scenario: A Journal of Performative Teaching, Learning, Research X, no. 2 (July 1, 2016): 65–81. http://dx.doi.org/10.33178/scenario.10.2.6.
Full textErne, Lukas. "Eighteenth-Century Swiss Peasant Meets Bard: Ulrich Bräker's A Few Words About William Shakespeare's Plays (1780)." Theatre Research International 25, no. 3 (2000): 255–65. http://dx.doi.org/10.1017/s0307883300019714.
Full textArtemova, Ekaterina Z. "RECEPTION OF MAX DREYER’S DRAMA IN THE RUSSIAN CULTURE IN THE EARLY 20TH CENTURY (1900-1914)." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2022): 123–37. http://dx.doi.org/10.28995/2686-7249-2022-7-123-137.
Full textMahoney, John L., and Jeffrey N. Cox. "In the Shadows of Romance: Romantic Tragic Drama in Germany, England, and France." South Central Review 5, no. 2 (1988): 115. http://dx.doi.org/10.2307/3189587.
Full textNicholis, Roger A., and Jeffrey N. Cox. "In the Shadows of Romance: Romantic Tragic Drama in Germany, England and France." Comparative Literature 42, no. 4 (1990): 373. http://dx.doi.org/10.2307/1770715.
Full textDREYER, MATTHIAS. "Prospective Genealogies: Einar Schleef's Choric Theatre." Theatre Research International 34, no. 2 (July 2009): 138–45. http://dx.doi.org/10.1017/s0307883309004477.
Full textMalura, Jan. "Central European Cultural Transfers in the Humanism and Baroque Periods: Three Examples from Literary History." Porównania 31, no. 1 (September 30, 2022): 407–34. http://dx.doi.org/10.14746/por.2022.1.22.
Full textJordan, James. "Audience Disruption in the Theatre of the Weimar Republic." New Theatre Quarterly 1, no. 3 (August 1985): 283–91. http://dx.doi.org/10.1017/s0266464x00001664.
Full textHabel, Sabrina. "Selbst-Bildungen. The Tradition of Comedy and the Emancipation of German Jews in Carl Sternheim’s The Snob." Naharaim 15, no. 2 (November 24, 2021): 179–200. http://dx.doi.org/10.1515/naha-2021-0016.
Full textSribnyak, Ihor, Milana Sribniak, and Viktor Schneider. "Ukrainian amateur theatre in Ukrainian POWs camp Wetzlar, Germany (Autumn 1915 – Winter 1917)." European Historical Studies, no. 17 (2020): 108–54. http://dx.doi.org/10.17721/2524-048x.2020.17.8.
Full textPeskova, Anna Yu. "Modern Slovak drama about The Second World War." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 268–77. http://dx.doi.org/10.37816/2073-9567-2022-63-268-277.
Full textHeinrich, Anselm. "Theatre in Britain during the Second World War." New Theatre Quarterly 26, no. 1 (February 2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.
Full textMilne, Drew. "Cheerful History: the Political Theatre of John McGrath." New Theatre Quarterly 18, no. 4 (November 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.
Full textBurton, Alan, and Tom May. "‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women." Journal of British Cinema and Television 19, no. 3 (July 2022): 325–59. http://dx.doi.org/10.3366/jbctv.2022.0629.
Full textNägele, Horst. "Warum wir uns mit N.F.S Grundtvigs idealismus-kritischen Abhandlungen beschäftigen." Grundtvig-Studier 46, no. 1 (January 1, 1995): 205–16. http://dx.doi.org/10.7146/grs.v46i1.16189.
Full textMikos, Lothar. "Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany." Media and Communication 4, no. 3 (July 14, 2016): 154–61. http://dx.doi.org/10.17645/mac.v4i3.542.
Full textGrange, William. "Shakespeare in the Weimar Republic." Theatre Survey 28, no. 2 (November 1987): 89–100. http://dx.doi.org/10.1017/s004055740000051x.
Full textEarnest, Steve. "Heiner Muller: Contexts and History: A Collection of Essays from the Sydney German Studies Symposium 1994, and: Drama Contemporary : Germany (review)." Theatre Journal 50, no. 1 (1998): 132–34. http://dx.doi.org/10.1353/tj.1998.0008.
Full textMorton, Tom. "Contesting Coal, Contesting Climate: Materializing the Social Drama of Climate Change in Australia and Germany." Environmental Communication 15, no. 4 (January 24, 2021): 465–81. http://dx.doi.org/10.1080/17524032.2020.1865428.
Full textShebelbain, Yana Olegovna. "PLAY ON TEENAGERS IN SHORT LISTS OF DRAMA FESTIVALS OF RUSSIA AND GERMANY (2001-2019)." Ural Philological Herald. Series Draft: Young Science, no. 5 (2019): 42–52. http://dx.doi.org/10.26170/ufv19-04-04.
Full textAdam, Eugenia A. "From the history of the translator transformations of A.P. Chekhov's drama "Three sisters" in Germany." Sibirskiy filologicheskiy zhurnal, no. 3 (September 1, 2009): 37–41. http://dx.doi.org/10.17223/18137083/28/5.
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