Relevant bibliographies by topics / Gerhardy

Academic literature on the topic 'Gerhardy'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Gerhardy"

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Steiger, Johann Anselm. "JOHANN GERHARD (1582-1637) UND EIN FORSCHUNGSPROJEKT." Daphnis 29, no. 3-4 (March 30, 2000): 585–608. http://dx.doi.org/10.1163/18796583-90000720.

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Innerhalb des Projektes "Johann Gerhard (1582-1637)" sind u.a. erstmals historisch-kritische Editionen von Schriften eines der bedeutendsten protestantischen Theologen des 17. Jahrhunderts erarbeitet worden. Darüber hinaus wurde eine umfangreiche Bibliographie sämtlicher Druckschriften Gerhards erstellt, die neben dem Kleinschrifttum auch Neuauflagen aller Werke bis in die Gegenwart berücksichtigt. Zudem wurde die Rekonstruktion der Bibliotheca Gerhardina, einer ihrem Charakter nach einmaligen Gelehrtenbibliothek, zum Abschluß gebracht. Somit ist ein Teilstück der in den vergangenen Jahren zunehmend in Gang kommenden Erforschung des barocken Luthertums und damit der Epoche zwischen der Reformationszeit und dem Pietismus geleistet worden.
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Grosse, Sven. "GEISTLICHE POESIE UND GEISTLICHE POETIK ZWISCHEN POESIE UND THEOLOGIE." Daphnis 36, no. 1-2 (May 1, 2007): 295–322. http://dx.doi.org/10.1163/18796583-90001022.

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Weshalb hat die im Barockzeitalter so hochgeschätzte geistliche Poesie in den allgemeinen Poetiken dieser Zeit keinen gebührenden Platz erhalten? Stattdessen ist der Ort eigentlich geistlicher Poetik in Vorreden. Grund ist, daß geistliche Poesie erst in theologischer Reflexion ihre Eigenart und ihren Rang erweist, nur lehrhafte theologische Reflexion aber lediglich bis in die Vorrede als Vorraum der geistlichen Poesie gelangen darf. Diese ist nach theologischen Maßstäben die höhere Form theologischer Rede. Dem entspricht, daß die gesamte Poesie als ‘verborgene Theologie’ zu verstehen ist und dieser Charakter in der geistlichen Poesie sich enthüllt. Der ‘Vorbericht’ Feustkings, erstmals seit der 3. Auflage seiner Paul-Gerhardt-Ausgabe (1723) hier vollständig abgedruckt, ist nicht nur ein Schlüsseltext für die geistliche Poesie der Zeit, sondern auch eine der wichtigsten Quellen zum Leben Paul Gerhardts (auch dessen ‘Testament’ enthaltend) und die eingehendste frühe Würdigung von Gerhardts Liedern.
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ALONSO TOMÁS, DIEGO. "A Heretic in the Schoenberg Circle: Roberto Gerhard's First Engagement with Twelve-Tone Procedures in Andantino." Twentieth-Century Music 16, no. 3 (August 15, 2019): 557–88. http://dx.doi.org/10.1017/s1478572219000306.

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AbstractShortly before finishing his studies with Arnold Schoenberg, Roberto Gerhard composed Andantino, a short piece in which he used for the first time a compositional technique for the systematic circulation of all pitch classes in both the melodic and the harmonic dimensions of the music. He modelled this technique on the tri-tetrachordal procedure in Schoenberg's Prelude from the Suite for Piano, Op. 25 but, unlike his teacher, Gerhard treated the tetrachords as internally unordered pitch-class collections. This decision was possibly encouraged by his exposure from the mid-1920s onwards to Josef Matthias Hauer's writings on ‘trope theory’. Although rarely discussed by scholars, Andantino occupies a special place in Gerhard's creative output for being his first attempt at ‘twelve-tone composition’ and foreshadowing the permutation techniques that would become a distinctive feature of his later serial compositions. This article analyses Andantino within the context of the early history of twelve-tone music and theory.
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HOWARTH, W. D. "Review. Geld und Gesellschaft im Theater des Ancien Regime. Gerhardi, Gerhard C." French Studies 40, no. 3 (July 1, 1986): 337. http://dx.doi.org/10.1093/fs/40.3.337.

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MacDonald, Calum. "‘Soirées de Barcelone’: towards a performing version." Tempo, no. 198 (October 1996): 22–27. http://dx.doi.org/10.1017/s0040298200005337.

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These observations form a long-delayed epilogue to my article ‘Soirées de Barcelone: a Preliminary Report’ in Tempo 139 (December 1981), where I outlined the history of Roberto Gerhard's Catalan ballet, a major score which was then (and remains now) virtually unknown save for the performance of some excerpts. For the work's conception, and its commission from Colonel de Basil's Ballets Russes de Monte Carlo, readers should consult that article, and the article by Julian White in the present issue. This was the work-in-progress – apparently still at that stage bearing its original title Les Feux de la Saint Jean – which Gerhard took with him when the climax of the Spanish Civil War and the fall of the Republic forced him into exile in France in January 1939. He continued to work on it during the following five months he spent in Paris and Meudon.
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Karadžić, Vuk Stefanović, Ena Selimović, Katja Perat, and Selimović. "The Wedding of Radul Vlašić." PMLA/Publications of the Modern Language Association of America 135, no. 3 (May 2020): 546–50. http://dx.doi.org/10.1632/pmla.2020.135.3.546.

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In January 1827, a serbian poem enters into the conversation between johann wolfgang von goethe and his faithful scribe, johann peter eckermann, who writes, “Mit diesen Worten reichte er mir eine Übersetzung eines serbischen Gedichtes von Herrn Gerhard. . . . Das Gedicht führte den Titel ‘Die Gefängnisschlüssel‘” (“[With these words he] handed to me a translation by Herr Gerhard of a Serbian poem. . . . It was entitled The Prison-Key”; Eckermann 195; Goethe 131). The following week, the two men's conversation returns to the Serbian poem; in the published record of their discussion, the poem is mentioned in the same passage that contains the first appearance in print of the term Weltliteratur (“world literature” [Eckermann 198; Goethe 133]). The original poem on which the translation is based has curiously remained unnamed in Gespräche mit Goethe (Conversations with Goethe)—and it has not yet been named in the large body of Goethe scholarship until now. In the edited volume of Gespräche, one finds a note appended to Eckermann's reference to “Die Gefängnisschlüssel” (“Prison Key”). It clarifies that the title of the German translation of the unnamed original Serbian poem is not “Die Gefängnisschlüssel,” as Eckermann recorded it, but “Die Kerkerschlüssel” (“Dungeon Key” [734]). The latter appears in Gerhard's Wila: Serbische Volkslieder und Heldenmährchen (Vila: Serbian Folk Songs and Heroic Tales), published in 1828. The recovered title of the original Serbian poem is ( “The Wedding of Radul Vlašć”). While world-literary approaches to Gespräche have largely focused on the unnamed Chinese novel that, like the Serbian poem, appears in the same passage in Gespräche as Weltliteratur, this introduction traces how the Orientalist production of the phrase Weltliteratur takes two forms: one in reference to the Chinese novel, the other in reference to the Serbian poem.
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Charl Durand, Charl Durand. "Game, set and message." Communicare: Journal for Communication Studies in Africa 20, no. 1 (October 31, 2022): 67–73. http://dx.doi.org/10.36615/jcsa.v20i1.1869.

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Sport is just not cricket any more. Seems like just yesterday the only way weJohannesburg folk could follow a nail-biting international rugby test happening atNewlands in Cape Town was by listening to Gerhard Viviers' commentary on Afrikaansradio. I remember my grandfather sitting on the stoep, a map of the playing fielddrawn on a large sheet of paper on his lap, plotting team moves, attacks, defences andscores, as Gerhard's staccato commentary poured through the speakers of an old Grundigmedium wave receiver next to him; definitely a case of what Marshall Mcluhan wouldcall 'a very cool medium'.In the days before mass media, the sports message sent to those absent from theaction on the field contained little else of fact other than a score, and a winner, andthe message reached the receiver a day, a week or a month later. Messages then graduallyexpanded to include match details and perhaps a grainy photograph or two as newspapersstarted reporting on sport. Radio revolutionised sport in that it provided the impetusfor the massification of sport as teams and individuals developed followings, and theconcept of 'the fan' was born. Radio truly took sports matches beyond the stadiumgates for the first time.
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Carlé, Walter. "Nachruf für Gerhard Richter-Bernburg." Jahresberichte und Mitteilungen des Oberrheinischen Geologischen Vereins 73 (April 2, 1991): 19–30. http://dx.doi.org/10.1127/jmogv/73/1991/19.

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Mollenhauer, Dieter, and Barbara Hickel. "Gerhard Helmut Schwabe 1910-1987." Archiv für Hydrobiologie 115, no. 4 (June 27, 1989): 613–19. http://dx.doi.org/10.1127/archiv-hydrobiol/115/1989/613.

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Jensen, Lars Malmgaard. "Theologia regenitorum hos Johann Gerhard: Et erkendelsesteoretisk spørgsmål i den lutherske ortodoksi." Theofilos 13, no. 1/2 (February 28, 2021): 132–50. http://dx.doi.org/10.48032/theo/13/1/10.

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This article investigates whether Johann Gerhard taught theologia regenitorum. First it interprets what Gerhard means by the term theologia. Then it investigates what role philosophy plays in his theological thinking. At last is considered the Inner witness of the Holy Spirit. These three perspectives combined reveals that Gerhard fits into a definition of theologia regenitorum.
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Dissertations / Theses on the topic "Gerhardy"

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Gerhardt, Kai Verfasser], Gerhard [Akademischer Betreuer] [Hirt, and Wolfgang [Akademischer Betreuer] Bleck. "Untersuchungen zur konduktiven Erwärmung für Warmzugversuche an Blechen / Kai Gerhardt ; Gerhard Hirt, Wolfgang Bleck." Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://d-nb.info/1130589927/34.

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Gerhardt, Kai W. [Verfasser], Gerhard [Akademischer Betreuer] Hirt, and Wolfgang [Akademischer Betreuer] Bleck. "Untersuchungen zur konduktiven Erwärmung für Warmzugversuche an Blechen / Kai Gerhardt ; Gerhard Hirt, Wolfgang Bleck." Aachen : Universitätsbibliothek der RWTH Aachen, 2015. http://nbn-resolving.de/urn:nbn:de:hbz:82-rwth-2015-054225.

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Dietrichkeit, Gert. "Gerhard Madaus : (1890 - 1942); ein Beitrag zu Leben und Werk /." [S.l. : s.n.], 1991. http://www.gbv.de/dms/bs/toc/016063465.pdf.

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Frieling, Hans-Dieter von. "Bahrenberg, Gerhard." Universität Potsdam, 2000. http://opus.kobv.de/ubp/volltexte/2008/2409/.

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Rezensiertes Werk: Bahrenberg, Gerhard: Nutzung und Bewertung von Stadtzentren und Nebenzentren in Bremen / Gerhard Bahrenberg, Nils Mevenkamp, Rolf Monheim. - Bayreuth, 1998. - 219 S. - (Arbeitsmaterialien zur Raumordnung und Raumplanung ; H. 180)
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Oppelland, Torsten. "Gerhard Schröder (1910-1989) : Politik zwischen Staat, Partei und Konfession /." Düsseldorf : Droste, 2002. http://www.h-net.org/review/hrev-a0d5p5-aa.

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Hoßfeld, Uwe. "Gerhard Heberer : (1901 - 1973); sein Beitrag zur Biologie im 20. Jahrhundert /." Berlin : VWB, Verl. für Wiss. und Bildung, 1997. http://www.gbv.de/dms/bs/toc/221329897.pdf.

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Bideau, Alain. "Paul Gerhardt (1607-1676) : pasteur et poète /." Bern : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39062582w.

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Kaspari, Nicole. "Gerhard Schröder - Political Leadership im Spannungsfeld zwischen Machtstreben und politischer Verantwortung /." Frankfurt, M. [u.a.]: Lang, 2008. http://d-nb.info/989014010/04.

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Profittlich, Sonja. "Mehr Mündigkeit wagen Gerhard Jahn (1927 - 1998) ; Justizreformer der sozial-liberalen Koalition." Bonn Dietz, 2009. http://d-nb.info/998875309/04.

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Frickel, Daniela Anna. "Adele Gerhard (1868 - 1956) Spuren einer Schriftstellerin." Köln Weimar Wien Böhlau, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2893344&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Gerhardy"

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Niemann, Arnold. Paul Gerhardt ohne Legende: Untersuchungen zum gesellschaftlichen Umfeld Paul Gerhardts. Göttingen: V&R unipress, 2009.

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Richter, Gerhard. Gerhard Rikhṭer. Yerushalayim: Muzeʼon Yiśraʼel, 1995.

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Richter, Gerhard. Gerhard Richter. Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 1993.

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Anette, Kruszynski, Zweite Armin, Kunstsammlung Nordrhein-Westfalen (Germany), and Städtische Galerie im Lenbachhaus München., eds. Gerhard Richter. Düsseldorf: Richter Verlag, 2006.

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1932-, Richter Gerhard, and Zacharopoulos Denys 1952-, eds. Gerhard Richter. München: S. Schreiber, 1985.

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Galerie Liliane & Michel Durand-Dessert. Gerhard Richter. Paris: Galerie Liliane & Michel Durand-Dessert, 1988.

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Homs, Joaquim. Robert Gerhard. Barcelona: Editorial Labor, 1992.

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Richter, Gerhard. Gerhard Richter. Madrid: Museo Nacional Centro de Arte Reina Sofia, 1994.

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Richter, Gerhard. Gerhard Richter. New York: Marian Goodman/Sperone Westwater in cooperation with K. Fischer, 1985.

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Koch, Gertrud. Gerhard Richter. Paris: Dis voir, 1995.

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Book chapters on the topic "Gerhardy"

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Schmitz, Walter. "Gerhardt, Paul: Pauli Gerhardi geistliche Andachten." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6445-1.

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Wiedenstried, Holger E. "Gerhardt, Ida." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4369-1.

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Lesniak, Sonja. "Gerhardt, Paul." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6444-1.

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Bulte, Ineke. "Gerhardt, Ida." In Metzler Autorinnen Lexikon, 190–91. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_134.

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Meid, Volker. "Gerhardt, Paul." In Metzler Autoren Lexikon, 241–42. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_118.

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Kingsmill, Hugh. "William Gerhardi." In The Progress of a Biographer, 130–34. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272632-24.

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Blickle, Gerhard. "Blickle, Gerhard." In Encyclopedia of Personality and Individual Differences, 512–13. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-24612-3_114.

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Zeller, Hans Rudolf. "Rühm, Gerhard." In Metzler Komponisten Lexikon, 660–61. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_256.

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Zeller, Hans Rudolf. "Rühm, Gerhard." In Komponisten Lexikon, 519–20. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_261.

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Ritter, Arno. "Gerhard Garstenauer." In konstantmodern, 43–62. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-99191-6_3.

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Conference papers on the topic "Gerhardy"

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Perry, Mark E. "Gerhard as composer in exile." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardcomposerexile.

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Tomas, Diego Alonso. "Gerhard and the Neue Sachlichkeit." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardneuesachlichkeit.

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Ger, Olga. "The Gerhard Brothers: Correspondence in Exile." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardcorrespondenceexile.

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Pskhu, Ruzana, Nadezhda Danilova, and Galina Zashchitina. "Gerhard Oberhammerrs Philosophical Works: Linguistic Analysis." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.14.

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Mann, Rachel E. "Gerhard’s Post 1950s Serial Compositions." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardserialtechniques.vid.

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Inger, George. "Scaling nonequilibrium-reacting flows - The legacy of Gerhard Damkoehler." In 34th Thermophysics Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2000. http://dx.doi.org/10.2514/6.2000-2439.

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"Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardconference2021.

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Krivko, Daria Andreevna. "Pragmalinguistic characteristics of euphemia as a mean of implication in diplomatic discourse (based on the speeches by Gerhard Schröder)." In All-Russian Scientific Conference with International Participation, Chair Irina Vladimirovna Samarina and Elena Iurevna Oberemchenko. Publishing house Sreda, 2020. http://dx.doi.org/10.31483/r-97269.

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The article discovers the phenomenon of euphemia through pragmalinguistic knowledge. The research focuses on the pragmatic grounds of euphemisms, which are the most important components in the encoding implicit information. The authors also provide an analysis of those pragmatic grounds that were actualized in the diplomatic speeches by Gerhard Schröder.
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Krivko, Daria Andreevna. "Pragmalinguistic characteristics of euphemia as a mean of implication in diplomatic discourse (based on the speeches by Gerhard Schröder)." In All-Russian Scientific Conference with International Participation, Chair Irina Vladimirovna Samarina and Elena Iurevna Oberemchenko. Publishing house Sreda, 2020. http://dx.doi.org/10.31483/r-97269.

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The article discovers the phenomenon of euphemia through pragmalinguistic knowledge. The research focuses on the pragmatic grounds of euphemisms, which are the most important components in the encoding implicit information. The authors also provide an analysis of those pragmatic grounds that were actualized in the diplomatic speeches by Gerhard Schröder.
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Polo Pujadas, Magda. "The Drifts in the Musical Aesthetics of Roberto Gerhard (1914-1918)." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/musicalaestheticsgerhard.vid.

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Reports on the topic "Gerhardy"

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Stuller, Sidney. Die Intrigantin in ausgewählten frühen Werken Gerhart Hauptmanns. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.950.

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Tutsch, Ulrich. Das Dreiecksverhältnis in Gerhart Hauptmanns "Einsame Menschen" und "Gabriel Schillings Flucht" und dessen Lösung im naturalistischen Drama. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2965.

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