Relevant bibliographies by topics / Georgian History and criticism

Academic literature on the topic 'Georgian History and criticism'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Georgian History and criticism"

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Dianat, Alborz. "Nationalizing the International Style." Journal of the Society of Architectural Historians 81, no. 4 (December 1, 2022): 495–512. http://dx.doi.org/10.1525/jsah.2022.81.4.495.

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Abstract In Nationalizing the International Style: The Formation of British Identity in the Architectural Criticism of P. Morton Shand, Alborz Dianat considers the critical role played by architectural journalist P. Morton Shand (1888–1960) in the debate that took place in the interwar period as British architecture grappled with the seemingly irreconcilable ideas of nationality and modernity. Drawing on an archive of correspondence only recently made public, Dianat shows how Shand assumed a position of leadership in efforts to nationalize architectural modernism in Britain. Shand’s journalistic output contributed to a broader movement calling for a return to Georgian precedents alongside international models, and British architects heeded that call. Shand promoted a new identity for British architecture internationally through his formal and informal networks, and Britain’s leading role in architectural discourse into and beyond World War II was bolstered by his work.
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Nosonovsky, Michael, Dan Shapira, and Daria Vasyutinsky-Shapira. "Not by Firkowicz’s Fault: Daniel Chwolson’s Comic Blunders in Research of Hebrew Epigraphy of the Crimea and Caucasus, and their Impact on Jewish Studies in Russia." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 4 (December 17, 2020): 633–68. http://dx.doi.org/10.1556/062.2020.00033.

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AbstractDaniel Chwolson (1819–1911) made a huge impact upon the research of Hebrew epigraphy from the Crimea and Caucasus. Despite that, his role in the more-than-a-century-long controversy regarding Crimean Hebrew tomb inscriptions has not been well studied. Chwolson, at first, adopted Abraham Firkowicz’s forgeries, and then quickly realized his mistake; however, he could not back up. Th e criticism by both Abraham Harkavy and German Hebraists questioned Chwolson’s scholarly qualifications and integrity. Consequently, the interference of political pressure into the academic argument resulted in the prevailing of the scholarly flawed opinion. We revisit the interpretation of these findings by Russian, Jewish, Karaite and Georgian historians in the 19th and 20th centuries. During the Soviet period, Jewish Studies in the USSR were in neglect and nobody seriously studied the whole complex of the inscriptions from the South of Russia / the Soviet Union. The remnants of the scholarly community were hypnotized by Chwolson’s authority, who was the teacher of their teachers’ teachers. At the same time, Western scholars did not have access to these materials and/or lacked the understanding of the broader context, and thus a number of erroneous Chwolson’s conclusion have entered academic literature for decades.
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Kavoori, Anandam. "What Is Peace? Being an Autoethnographic Account of Methodological Musings From the Beach." Qualitative Inquiry 24, no. 6 (September 8, 2017): 371–80. http://dx.doi.org/10.1177/1077800417729838.

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This autoethnographic essay is focused on methodological space of “problematization”—the wrenching intellectual and emotional process (and lived experience) that a scholar goes through before settling into a long-term writing project—in this case travel to different parts of the world, in an attempt to explore the idea and experience of “Peace” in each of those places. Weaving through elements of family memoir, Georgia history, eco-criticism, and Peace Studies (across different sub fields), the essay illuminates the personal and liminal space of methodological engagement before field work.
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Guliaeva, Evgenia Yu. "THE UNKNOWN RESEARCHER OF THE CAUCASUS: LYUDMILA FILIPPOVNA VINOGRADOVA (1904-1985)." History, Archeology and Ethnography of the Caucasus 17, no. 3 (October 19, 2021): 721–34. http://dx.doi.org/10.32653/ch173721-734.

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The article is dedicated to Lyudmila Filippovna Vinogradova (1904-1985) – a member of the State Museum of Ethnography of the Peoples of the USSR (currently the Russian Museum of Ethnography), who worked at the Department of the Peoples of the Caucasus since the end of 1930s until the early 60s. The author attempts to shed light on the previously unknown pages in the history of the Caucasian and museum studies in Russia. The objectives of the work include the study of Vinogradova’s professional biography in the context of the history of the State Museum of Ethnography (in particular, the period of the Great Patriotic War) and a review of sources on ethnography and the history of the peoples of the Caucasus made by Lyudmila Filippovna (clothing and photo collections, field reports and diaries). The key materials for the study are archival documents stored in the Russian Museum of Ethnography. The collecting work and scientific profile of Vinogradova in the ethnography of the Ossetians and the peoples of Dagestan (partly Georgia) were due to the need of creating expositions and exhibitions. Over the 25-year period of her activity, the researcher conducted seven ethnographic expeditions (in 1939, 1948 and 1949 in Ossetia, in 1947 in Belarus, in 1955 in Georgia, in 1956 and 1957 in Dagestan); in addition to the reports and field journals, 16 clothing collections (about 250 items) preserved, more than 8000 items and photographs have been registered. Most of these items have not yet been introduced into science. Without knowledge of the biography of the collector and researcher, a comprehensive scientific criticism of sources is impossible – which also applies to Lyudmila Filippovna’s materials. At the same time, the items and photographs she collected, field reports and journals are also an integral part of the story of her life.
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Mukhanov, V. "Russian-Georgian Relations: From Emotions to Pragmatism." Russia and New States of Eurasia, no. 2 (2022): 106–16. http://dx.doi.org/10.20542/2073-4786-2022-2-106-116.

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The article discusses the position of Georgia on the issue of its accession to the sanctions against Russia. The main arguments of the Georgian government in favor of strict neutrality and criticism from the political opposition, which takes a tough anti-Russian position, are summarized. The main points of the dependence of the Georgian economy on the Russian direction are analyzed and the conclusion is made that it can be seriously affected by the sanctions imposed against Russia. Georgia’s significant dependence on its northern neighbor, supplies and remittances from there, allows us to predict the preservation of such a neutral position of the Georgian government in the near term.
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TSURTSUMIA, Mamuka. "Medieval Georgian Poliorcetica." Historia i Świat 4 (September 16, 2015): 175–204. http://dx.doi.org/10.34739/his.2015.04.10.

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In the medieval art of war siege constituted one of the principal forms of fight. Several basic techniques were used in taking a stronghold, such as assaulting the walls of the fortress, breaching the wall, digging a subterranean tunnel under the wall and enfeeblement of the garrison by lengthy siege. Bearing in mind various data, in the Middle Ages Georgians used the following technical means to capture fortresses: assault ladders, battering rams and other engines for breaching walls, ballistas, stone throwing engines and subterranean tunnels. In the article light is shed on the siege capabilities of the Georgian army of the period. Extensively discussed are the Georgian army’s stone throwing artillery, various types of stone hurling engines and the time of their spread in Georgia. Various techniques of capturing fortresses, applied by the Georgians are described. These include mounting the walls with ladder or various improvised means. The hazardous technique of directly assaulting the fortress without preliminary preparation or bringing up heavy siege engines is shown. The capturing of fortresses by means of underground tunnels isdiscussed separately. By the available evidence it is not apparent that Georgians made use of all the siege techniques known in the medieval world; however, it can be said that they were familiar with and used successfully the basic methods of siege warfare.
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Tomelleri, Vittorio Springfield. "E.D. Polivanov and the Georgian language: synchronic questions and diachronic perspectives." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 49 (August 28, 2016): 57–74. http://dx.doi.org/10.26034/la.cdclsl.2016.405.

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The present paper deals with a short contribution which E.D. Polivanov published in 1925 in the scientific journal of the Central Asia State University during his stay and work at the University of Taškent. Polivanov’s text presents a phonological analysis of the Georgian consonant system and aims at making the transcription system devised by the academician N.Ja. Marr for the rendering of Georgian sounds comparable with the better known and more useful alphabet of the International Phonetic Association. In addition to the synchronic description and classification of Georgian con-sonants, in which, contrary to the customary interpretation, weak aspiration of voiceless plosives is claimed, Polivanov offers an interesting diachronic ex-planation of the defective postvelar (uvular) series, which in contemporary standard Georgian features only the voiceless ejective member; his reconstruction of the former system is based on typological assumptions about the different behaviour of voiced and voiceless obstruents with respect to lenition (spirantisation). Some years later, the Georgian linguist G.S. Axvlediani provided ar-guments, based on internal reconstruction, which confirmed and further developed Polivanov’s hypothesis. Although he had reviewed Polivanov’s contribution for a Georgian journal in 1926, Axvlediani did not mention it in his later work, probably because Polivanov in the meanwhile had become persona non grata in Soviet lin-guistics for his open criticism of Marr’s linguistic theory.
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Lomtadze, Tamari. "Standard Georgian language: History and current challenges." Valoda: nozīme un forma / Language: Meaning and Form 12 (December 2021): 163–77. http://dx.doi.org/10.22364/vnf.12.11.

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This article outlines some debates and issues in the field of Georgian linguistics and offers a research agenda for standard Georgian language, including its history, phases of development, present-day challenges and prospects. There is a multitude of conflicting and even mutually exclusive ideas and points of view regarding these issues. My key point is to provide the periodization of the standard Georgian language that encompasses sixteen centuries, taking into consideration not only the level of normalization and standardization of the Georgian language in a particular historical period, but also the language variety on which the standard / literary language was based, and the institutions controlling and governing the development of the standard language. The point of departure here is the definition of the “standard” as a historically determined set of commonly used language assets, recognized by society as the most appropriate and prestigious variety due to its common usage and high cultural status. Using descriptive, synchronic, diachronic, and comparative research methods, I have tried to identify four phases / periods in the continuous history of the Georgian standard language spanning sixteen centuries.
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Ogborn, M. "Georgian Geographies?" Journal of Historical Geography 24, no. 2 (April 1998): 218–23. http://dx.doi.org/10.1006/jhge.1998.0081.

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Holmes, Michael W. "Collected Papers in Greek and Georgian Textual Criticism – By J. Neville Birdsall." Religious Studies Review 33, no. 3 (July 2007): 230. http://dx.doi.org/10.1111/j.1748-0922.2007.00203_8.x.

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Dissertations / Theses on the topic "Georgian History and criticism"

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Bunni, Adam. "Springtime for Caesar : Vergil's Georgics and the defence of Octavian." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/998.

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Vergil’s Georgics was published in 29 BCE, at a critical point in the political life of Octavian-Augustus. Although his position at the head of state had been confirmed by victory at Actium in 31, his longevity was threatened by his reputation for causing bloodshed during the civil wars. This thesis argues that Vergil, in the Georgics, presents a defence of Octavian against criticism of his past, in order to safeguard his future, and the future of Rome. Through a complex of metaphor and allusion, Vergil engages with the weaknesses in Octavian’s public image in order to diminish their damaging impact. Chapter One examines the way in which the poet invokes and complements the literary tradition of portraying young men as destructive, amorous creatures, through his depiction of iuvenes in the Georgics, in order to emphasise the inevitability of youthful misbehaviour. Since Octavian is still explicitly a iuvenis, he cannot be held accountable for his actions up to this point, including his role in the civil wars. The focus of Chapters Two and Three of this thesis is Vergil’s presentation of the spring season in the Georgics. Vergil’s preoccupation with spring is unorthodox in the context of agricultural didactic; under the influence of the Lucretian figure of Venus, Vergil moulds spring into a symbol of universal creation in nature, a metaphor for a projected revival of Roman affairs under Octavian’s leadership which would subsequently dominate the visual art of the Augustan period. Vergil’s spring is as concerned with the past as it is the future. Vergil stresses the fact that destructive activity can take place in spring, in the form of storms and animal violence; the farmer’s spring labor is characterised as a war against nature, which culminates in the horrific slaughter of oxen demanded by bugonia. In each case destruction is revealed as a necessary prerequisite for some form of creation: animal reproduction, increased crop yield, a renewed population of bees. Thus, the spring creation of a new Rome under Octavian will come as a direct result of the bloodshed of the civil wars, a cataclysm whose horrors are not denied, but whose outcome will ultimately be positive. Octavian is assimilated to Jupiter in his Stoic guise: a providential figure who sends fire and flood to Earth in order to improve mankind.
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Ungar, Ruti. "The boxing discourse in late Georgian England." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2012. http://dx.doi.org/10.18452/16616.

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Die Arbeit untersucht den Diskurs um das Boxen in der englischen Gesellschaft zwischen circa 1780 und 1820. Sie zeigt, dass er ein wichtiger Schauplatz für die Austragung sozialer, politischer und kultureller Konflikte war. Im Diskurs um das Boxen spiegeln sich in besonderem Maße die Konflikte zwischen civic humanism und politeness wieder, des Konfliktes zwischen zwei einander entgegengesetzten Männlichkeitsidealen: das Ideal vom starken Mann, das von den Boxern verkörpert wird und dem gegenüber das Ideal des verweichlichten und einfühlsamen ‚polite man‘. Boxen nimmt auch eine zentrale Funktion in den Debatten über die Rolle der Arbeiterklasse im ‚body politic‘ ein: von Konservativen wurde es eingesetzt als gegenrevolutionäre Maßnahme, um die Masse zu mobilisieren ohne Ihnen eine politische Teilhabe zu geben. Radikale sahen es als ein Instrument, um die Arbeiter zu ermächtigen, sie über Ihre Rechte zu informieren und deren Ansprüche auf Emanzipation zu legitimieren. Boxen war zudem ein Schlachtfeld, um verschiedene Verständnisse von Rasse und nationaler Identität auszutragen: einem Verständnis, dass das nationale Ganze als ethnisch homogen konstruierte und einem inklusiveren Verständnis der englischen Nation, das Minoritäten nicht ausschließen musste.
The study examines the discourse on boxing in English society circa 1780 to 1820. It shows that it was a site of struggle between diverse notions of gender, class, race, and nation. Boxing was a central arena for the opposition between civic humanism and politeness. It was an arena for the struggle between two diametrically opposed manly ideals, the strong and corporeal ideal epitomized by the boxers versus the feminine and sensitive polite ideal. Boxing took on an important role in the debates on the place of the working class in the body politic; conservatives perceived boxing as a counter-revolutionary measure and way to mobilise the masses in defence of their country without granting them political rights. Radicals viewed it as a tool to empowering the workers, educating them on their rights and legitimizing their claims for emancipation. Boxing was also a site of struggle between conflicting notions of race and differing ideas of national identity, specifically between one which saw the nation as ethnically homogenous and another, more cultural understanding of national identity, which was more inclusive to minorities.
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Brodie, Daniel. "The Jewish strong man: Daniel Mendoza and the assault on stereotype in late Georgian England." Thesis, McGill University, 2012. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106591.

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The focus of this study is Daniel Mendoza (1764-1836), an exceptional boxer and a controversial figure of Georgian Anglo-Jewish society. It will chart his meteoric rise from greengrocer's apprentice to champion boxer, and his sudden decline. The thesis aims to put Mendoza in his proper historical context, focussing on the dominant issues for the Jewish community at the time. To do this, there will be a review of the major works of Jewish and English history from the period. It also attempts to bring Mendoza, previously overlooked by Anglo-Jewish historians, to the forefront of any debate about the position of Anglo-Jewry at the beginning of the nineteenth century. The study will examine, in particular, the effect of Mendoza on the stereotyping of Jews in late eighteenth century England, and how he presents himself, through his writings and manipulation of the press, as the antithesis of the traditional Jewish stereotype. To show this, the thesis draws on many primary sources, predominantly newspapers and boxing reports from England, as well as Mendoza's own memoirs, and Old Bailey proceedings.
Le sujet de cette étude est Daniel Mendoza (1764-1836), un boxeur exceptionnel et un personnage controversé de la société juive en Angleterre durant les reines des roi George III et IV. Elle documentera son ascension fulgurante d'un épicier apprenti à un boxeur champion, et son déclin soudain. Ce mémoire tente de mettre Mendoza dans son contexte historique approprié, concentrant sur les questions dominantes pour la communauté juive de l'époque. À cette fin, il inclura une revue des œuvres majeures d'histoire juive et anglaise de la période. Il tente aussi d'amener Mendoza, jusqu'ici négligé par les historiens anglo-juifs, au premier plans de quelconque débat sur la position des juifs anglais au début du XIXe siècle. Cette étude examinera, en particulier, l'effet de Mendoza sur les stéréotypes des juifs en Angleterre à la fin du XVIIIe siècle, et comment il se présente à travers ses écrits et à travers ses manipulations de la presse, comme l'antithèse du stéréotype juif traditionnel. À ces fins, la thèse s'appuiera sur plusieurs sources primaires, principalement des journaux et des rapports de boxe d'Angleterre, ainsi que les mémoires de Mendoza lui-même et les procédés de l' «Old Bailey », la cour criminelle de Londres.
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Brownlie, Robin. "A fatherly eye, two Indian agents on Georgian Bay, 1918-1939." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ27779.pdf.

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Simpson, Nigel. "Post-structuralism and history." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282616.

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Stewart, Hailey A. "The Power of Perception: Women and Politics at the Early Georgian Court." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699945/.

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The early Georgian period illustrates how the familial dynamic at court affected women’s opportunity to exert political influence. The court represented an important venue that allowed women to declare a political affiliation and to participate in political issues that suited their interests. Appearances often at variance with reality allowed women to manipulate and test their political abilities in order to have the capability to exercise any possible power. Moreover, some women developed political alliances and relationships that supported their own interests. The family structure of the royal household affected how much influence women had. The perception of holding power permitted certain women to behave politically. This thesis will demonstrate that the distinction between appearances and reality becomes vital in assessing women at the early Georgian court by examining some women’s experiences at court during the reigns of the first two Georges. In some cases, the perceived power of a courtier had a real basis, and in other instances, it gave them an opportunity to assess the extent of their political power. Women’s political participation has been underestimated during the early Georgian period, while well-documented post-1760.
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Bork, Debora J. "History and criticism of photographically illustrated children's books /." Online version of thesis, 1988. http://hdl.handle.net/1850/11490.

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Riding, Christopher John Livsey. "The art criticism and history of Michael Fried." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272737.

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Amley, Hollis Marie. "The Evolution of Criticism on Jean-François Millet." NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-03282005-154529/.

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AMLEY, HOLLIS MARIE. The Evolution of Criticism on Jean-François Millet. (Under the direction of Keith Luria.) The nineteenth-century French painter Jean-François Millet?s social context, compositional style, and rustic subject matter invite a wide variety of interpretations of his art. To his biographer and contemporary Alfred Sensier, the rustic canvases were the work of a stoic ?peasant painter,? removed from the political controversies of his day. To the Marxist art historian T. J. Clark, on the other hand, Millet?s paintings interacted with and challenged the dominant values and institutions of the Second Republic. To the social art historian Robert Herbert, the paintings reveal the artist?s response to urban-industrial change and his Parisian exodus. In presenting these three formative readings of Millet?s canvases, this thesis demonstrates how each particular writer?s vantage point in history affected both his methodology and vision of the artist?s identity. The criticism on Millet shows not merely a series of antithetical, isolated opinions, but a kind of evolution, one that has gradually come to include both the artist and the society in which he worked.
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Bales, Brittany. "Viewing History Through a Lens: The Influence of Film on Historical Consciousness." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3688.

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This thesis presents an interdisciplinary study of the significance of contemporary film in our understandings of gender, race, and sexuality in Georgian England. I argue that while films set in this period may lack the subtleties and depth of the realities that make up the Georgian era, they are still valuable in informing current discussions concerning race, gender, and sexuality. By examining such films, we learn not only more about the Georgian period and how it is presented and understood by contemporary audiences, but these films tell us much about our own biases, attitudes, and society.
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Books on the topic "Georgian History and criticism"

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R, Curcumia, and Jordania Joseph 1954-, eds. Echoes from Georgia: Seventeen arguments on Georgian polyphony. Hauppauge, N.Y: Nova Science Publishers, 2009.

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The literature of Georgia: A history. Oxford: Clarendon Press, 1994.

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Rosenbaum, S. P. Georgian Bloomsbury. Basingstoke: Palgrave Macmillan, 2003.

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Robakʻiże, G. Čʻemtʻvis simartʻle qvelapʻeria--: Krebuli. Tʻbilisi: ŠPS. "Jek-Servisi", 1996.

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The literature of Georgia: A history = Kʻartʻuli literaturis istoria. 2nd ed. Surrey: Curzon Press, 2000.

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Ciuk, Andrzej. Georgian poetry, a reconsideration. Opole: Wyższa Szkoła Pedagogiczna im. Powstańców Śląskich w Opolu, 1992.

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Čanturia, Tariel. Dinozavridan dizainamde: Cerilebi, polemika. Tʻbilisi: Gamomcʻemloba "Sabčotʻa Sakʻartʻvelo", 1989.

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Vasaże, Tʻamaz. Orgvari cʻnobiereba. Tʻbilisi: ["Saarši"], 2001.

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1942-, Thomas David, ed. Four Georgian and pre-revolutionary plays. New York: St. Martin's Press, 1998.

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Rapʻava, Maia, Mixeil Kʻavtʻaria, Lia Kiknaże, and Lali Jġamaia. Mušaki sulierisa venaxisay: Eżġneba Mixeil Kʻavtʻarias 80 clis iubiles. Tʻbilisi: Xelnacertʻa erovnuli cʻentri, 2012.

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Book chapters on the topic "Georgian History and criticism"

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Rosenbaum, S. P. "Lytton Strachey’s Literary History." In Georgian Bloomsbury, 94–119. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230505124_5.

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Uściński, Przemysław. "Beyond Terracentric History." In Neo-Georgian Fiction, 40–60. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003000679-4.

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Millgate, Jane. "Biography, History, Criticism." In Macaulay, 98–115. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003335412-6.

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Capecchi, Danilo. "Poinsot’s criticism." In History of Virtual Work Laws, 335–51. Milano: Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2056-6_14.

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Bowring, Jacky. "History of landscape architectural criticism." In Landscape Architecture Criticism, 9–18. Milton Park, Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429450983-2.

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Rajan, B. "6. Scholarship and Criticism." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, Francess Halpenny, Henry Kreisel, Douglas Lochhead, Philip Stratford, and Clara Thomas, 133–58. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-008.

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de Roo, Jos. "Antillean Literary Criticism." In Comparative History of Literatures in European Languages, 645–50. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xv.62roo.

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Rowland, Susan. "Jung for history and historicity in literary studies." In Jungian Literary Criticism, 115–53. 1 Edition. | New York : Routledge, 2019. | Series: Jung: The essential guides: Routledge, 2018. http://dx.doi.org/10.4324/9781315561752-6.

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Sauerberg, Lars Ole. "Literary History, Criticism and Canon." In Versions of the Past — Visions of the Future, 165–85. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25030-1_7.

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Plaice, Andy. "A history of arts criticism." In Arts Reviewing, 22–36. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315560830-3.

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Conference papers on the topic "Georgian History and criticism"

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Zou, Jie, and Shunhui Wang. "History of Feminist Criticism in Japan." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (1772–1829) в ситуации философской революции рубежа XVIII–XIX вв. постарался соединить эти две позиции в одну, что и стало предметом анализа автора статьи. in the philosophy of the history of the twentieth century, a twofold tendency can be distinguished. On the one hand, the classical philosophy of history is subjected to radical criticism (in German philosophical hermeneutics, French structuralism and poststructuralism, English-speaking analytical philosophy), and on the other hand, it continues and develops in various concepts and theories (S. Huntington's "clash of civilizations", "end of history" F. Fukuyama). Such duality (criticism of the philosophy of history and its development) is not a characteristic only of our modernity. The outstanding German philologist and philosopher Friedrich Schlegel (1772–1829), in the situation of the philosophical revolution at the turn of the 18th–19th centuries, tried to combine these two positions into one, , which became the subject of the analysis of the author of the article.
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Shcherbina, M. M. "Beading the womantory: art project as a way to tell about women’s history." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-72.

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VUKIC, Fedja. "Art criticism and the semantic construction of the concept of Design." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-109.

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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.

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The report assumes a dialogue between aesthetic and art history methods of interpreting a piece of music. Musical hermeneutics in art criticism, guided by a more historical, educational and detailed approach, is complemented by an anthropo-axiological method in aesthetics.
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Carkovs, Olegs, and dr oec. "Historical Dynamic Modeling (Simulation Experience)." In International Conference on Signal Processing and Vision. Academy and Industry Research Collaboration Center (AIRCC), 2022. http://dx.doi.org/10.5121/csit.2022.122213.

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The present work "synchronizes" the achievements in various fields of natural science (mathematics, cybernetics, information theory, sociology, economics and history) to understand the modern picture of the world. The conceptual model proposed in the paper is simplified and serves to illustrate certain socioeconomic processes of the past and present. Undoubtedly, there is a "confirmation bias", since there is an element of subjectivism in every analysis. It can only be overcome by constructive criticism, not by ignoring facts, rejecting mathematical proofs and denying logical conclusions, for "Facts do not cease to exist because they are ignored" ( Aldous Huxley).
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Santos de Brito, Rose Dayanne. "ROMAN AND MODERN CONCEPT OF SLAVERY." In XVI Majsko savetovanje. University of Kragujevac, Faculty of Law, 2020. http://dx.doi.org/10.46793/upk20.975s.

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Roman law was accused of legitimizing slavery in ancient times and individualism in modernity. This article seeks to refute these anti-historical formulations. For this, it adopts the ontological difference between Celso’s Roman conception (law as the art of the good and the just) and Kelsen’s modern one (law as a set of norms). The distinctions between the legal regime of slavery in ancient society and modernity will be analyzed from an exercise of the history of law, based on the synchronic and diachronic method. Finally, Roman law appears as an instrument of criticism in order to confront legal institutes of private bourgeois law.
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Natsvaladze, Mamuka. "“GREEK PROJECT” – CLUE TO THE HISTORY OF GEORGIA 50-90-IES OF XVIII CENTURY." In Proceedings of the XXIII International Scientific and Practical Conference. RS Global Sp. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal_conf/25112020/7247.

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Global international project of the 70-80-s of the XVIII century envisaging a new distribution of Europe based on the areas of the Ottoman Empire is reviewed in the article. This topic acquires a final feature in a conceptual form in the correspondence between Catherine II and the Emperor of Austria and the Holy Roman Empire Josephus II under the name of "Greek Project". The article is a scientific fragment of a monograph, reviewing the Greek Project in regard of the Caucasus for the first time in historiography. Initially, Soviet historiography strictly separated itself from the Greek Project, since the objective research of the latter would ensure presenting the Russian Empire as an aggressive state. Afterwards, the research of this project was converted into a narrow political framework and presented as a plan to conquer Crimea. The Greek Project can be unequivocally considered as a key to the history of Georgia of 50-80-ies of the XVIII century. A number of studies have shown that numerous problematic questions remain unanswered until the present day without considering the Greek Project. Patience and tolerance shown by the King of Kartli - Kakheti Erekle II towards the Russian intrigues cannot be explained without the Greek Project. Georgia acquires qualitatively different and desired form of all time through the implementation of the Greek Project. The Greek Project is an attempt to create a Christian global political model, a political background that can serve as a precondition for the restoration of a real united Caucasian Home, ensuring a guarantee of irreversible development and security for all royal principalities and khanate in the Caucasus. This is the reason, the state oriented thinker Erekle II, avoids responding with aggression to the permanent intrigues of Russia. Erekle II tries to get involved in this great political game as a sovereign of a full-fledged political entity. Such attitude of Erekle is a guarantee of success for the Imperial Court of St. Petersburg. However, Russia chooses a completely different way - confronting Erekle's benevolent alliance with hostile, imperial sentiments. The main message of these sentiments is that a united Caucasus, independent Georgian kingdoms for Russia is considered to be an anti-Russian phenomenon. This consistent and hostile attitude towards the Caucasus became the reason for the failure of Russian policy - it could neither establish a model of Christian globalization nor neutralize the Ottomans. Therefore, the study and understanding of the referred problem is rather important to determine the directions and priorities of modern political processes.
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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.
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Reports on the topic "Georgian History and criticism"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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Carty, Anthony, and Jing Gu. Theory and Practice in China’s Approaches to Multilateralism and Critical Reflections on the Western ‘Rules-Based International Order’. Institute of Development Studies (IDS), October 2021. http://dx.doi.org/10.19088/ids.2021.057.

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China is the subject of Western criticism for its supposed disregard of the rules-based international order. Such a charge implies that China is unilateralist. The aim in this study is to explain how China does in fact have a multilateral approach to international relations. China’s core idea of a community of shared future of humanity shows that it is aware of the need for a universal foundation for world order. The Research Report focuses on explaining the Chinese approach to multilateralism from its own internal perspective, with Chinese philosophy and history shaping its view of the nature of rules, rights, law, and of institutions which should shape relationships. A number of case studies show how the Chinese perspectives are implemented, such as with regards to development finance, infrastructure projects (especially the Belt and Road Initiative), shaping new international organisations (such as the Asian Infrastructure Investment Bank), climate change, cyber-regulation and Chinese participation in the United Nations in the field of human rights and peacekeeping. Looking at critical Western opinion of this activity, we find speculation around Chinese motives. This is why a major emphasis is placed on a hermeneutic approach to China which explains how it sees its intentions. The heart of the Research Report is an exploration of the underlying Chinese philosophy of rulemaking, undertaken in a comparative perspective to show how far it resembles or differs from the Western philosophy of rulemaking.
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