Relevant bibliographies by topics / George Eastman House – Photograph collections

Academic literature on the topic 'George Eastman House – Photograph collections'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "George Eastman House – Photograph collections"

1

Polowy, Barbara. "International photography: George Eastman House index to photographers, collections, and exhibitions, edited by Andrew Eskind. New York: G.K. Hall & Co., 1998. 3 vols. ISBN 0-7838-0325-7. $395.00." Art Libraries Journal 24, no. 3 (1999): 46–48. http://dx.doi.org/10.1017/s0307472200019660.

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Blank, Peter P. "Index to American photographic collections: compiled at the International Museum of Photography at George Eastman House, edited by Andrew H. Eskind and Greg Drake. 3rd enlarged edition. Boston: G.K. Hall, 1995. 1058p. ISBN 0783821492. $195.00." Art Libraries Journal 21, no. 4 (1996): 42–44. http://dx.doi.org/10.1017/s0307472200010130.

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BLINDER, CAROLINE, and CHRISTOPHER LLOYD. "US Topographics: Imaging National Landscapes." Journal of American Studies 54, no. 3 (February 12, 2020): 461–69. http://dx.doi.org/10.1017/s0021875819000987.

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In 1975, the New Topographics: Photographs of a Man-Altered Landscape exhibition, organized by William Jenkins, at George Eastman House, changed the scope and aesthetics of American landscape photography. Ostensibly pared-back and banal, these black-and-white images formally presented the United States as a series of streets, suburban new builds, industrial sites and warehouses. None bigger than eleven inches by four or thirteen by thirteen, the photographs were also small and unassuming, refusing the grandness and potential sublimity of previous evocations of the US landscape. Rather than present the United States as a series of locations marked by regional and economic differences, photographers such as Robert Adams, Frank Gohlke, Lewis Baltz and Bernd and Hilla Becher now focussed on an increasing homogeneity across terrains, terrains often indeterminable in terms of actual locations, and, more often than not, eerily devoid of human presence. In Neil Campbell's words, the images were “unemotional, flat and appeared everyday, aspiring to ‘neutrality’ with a ‘disembodied eye.’” The New Topographics – according to such readings – differed from earlier depictions of the United States, moving away from the documentary focus on agrarian poverty and urban slums as seen during the Depression, as well as the humanist vision of postwar photographers such as Robert Frank. As William Jenkins put it in the original introduction to the exhibition, New Topographics was a study more “anthropological than critical,” one that would recentre everyday lived experience – not as a collection of individualized narratives, but as a cultural landscape marked by commercial interests above all.
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"International photography: George Eastman House index to photographers, collections, and exhibitions." Choice Reviews Online 36, no. 11 (July 1, 1999): 36–6028. http://dx.doi.org/10.5860/choice.36-6028.

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"Index to American photographic collections: compiled at the International Museum of Photography at George Eastman House." Choice Reviews Online 34, no. 03 (November 1, 1996): 34–1285. http://dx.doi.org/10.5860/choice.34-1285.

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Books on the topic "George Eastman House – Photograph collections"

1

Photography collections online. [Rochester, N.Y.]: George Eastman House, 2000.

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2

1943-, Sobieszek Robert A., ed. Masterpieces of photography: From the George Eastman House collections. New York, NY: Abbeville Press, 1985.

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3

International Museum of Photography at George Eastman House. Photographs, George Eastman House, Rochester, NY. Edited by Mulligan Therese, Wooters David, Johnson William 1940-, Rice Mark, and Williams Carla. Koln: Taschen, 1999.

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4

Eskind, Andrew H. Index to American photographic collections: Compiled at the International Museum of Photography at George Eastman House. Edited by Drake Greg, McQuaid James, and International Museum of Photography at George Eastman House. 2nd ed. Boston, Mass: G.K. Hall, 1990.

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5

H, Eskind Andrew, Drake Greg, Ringger Kirsti, Rumney Lynne, and International Museum of Photography at George Eastman House., eds. Index to American photographic collections: Compiled at the International Museum of Photography at George Eastman House. 3rd ed. New York: G.K. Hall, 1996.

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6

1857-1927, Atget Eugène, and Wallach Art Gallery, eds. Paris as gameboard: Man Ray's Atgets. New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2002.

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Conde de Fenosa" Fundación "Pedro Barrié de la Maza. Ansel Adams: Fundación Pedro Barrié de la Maza, A Coruña, 29 mayo-21 septiembre, 2003. A Coruña: Fundación Pedro Barrié de la Maza, 2003.

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International Museum of Photography at George Eastman House., ed. French daguerreotypes. Chicago: University of Chicago Press, 1989.

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9

Johnson, William. Photography: From 1839 to today. Köln: Taschen, 2000.

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10

Marianne, Fulton, ed. Language of light: Masterworks from the collection. [Rochester, N.Y.]: George Eastman House, 1992.

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