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Books on the topic 'Geographical perception in motion pictures'

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Author: Grafiati
Published: 26 July 2024

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1

Jarvis, Brian. Postmodern cartographies: The geographical imagination in contemporary American culture. New York: St. Martin's Press, 1998.

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2

Jarvis, Brian. Postmodern cartographies: The geographical imagination in contemporary American culture. Chicago: Pluto Press, 1998.

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3

O, Mi-il. Sŏnmang kwa chilsi ŭi lok'ŏllit'i: Locality of envy and jealousy. 8th ed. Sŏul-si: Somyŏng Ch'ulp'an, 2013.

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4

Klaus, Kreimeier, and Ligensa Annemone, eds. Film 1900: Technology, perception, culture. New Burnet, England: John Libbey, 2009.

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5

Klaus, Kreimeier, and Ligensa Annemone, eds. Film 1900: Technology, perception, culture. New Burnet, England: John Libbey, 2009.

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6

Esquenazi, Jean-Pierre. Film, perception et mémoire. Paris: L'Harmattan, 1994.

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7

Bill, Richardson. Spatiality and symbolic expression: On the links between place and culture. New York: Palgrave Macmillan, 2015.

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8

Langkjær, Birger. Den lyttende tilskuer: Perception af lyd og musik i film. København: Museum Tusculanums Forlag, 2000.

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9

Donaldson, Lucy Fife. Texture in film. Hampshire: Palgrave Macmillan, 2014.

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10

Sasaki, Atsushi. Kono eiga o mite iru no wa dare ka? 8th ed. Tōkyō: Sakuhinsha, 2019.

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11

U, Frank Andrew, Raper Jonathan, Cheylan Jean-Paul, and European Science Foundation, eds. Life and motion of socio-economic units. London: Taylor & Francis, 2001.

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12

Wortmann, Volker. Authentisches Bild und authentisierende Form. Köln: von Halem, 2003.

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13

Cultures of vision: Images, media, and the imaginary. Bloomington: Indiana University Press, 1995.

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14

Burnett, Ron. Cultures of vision: Images, media, and the imaginary. Bloomington: Indiana University Press, 1995.

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15

Wuss, Peter. Filmanalyse und Psychologie: Strukturen des Films im Wahrnehmungsprozess. Berlin: Sigma, 1993.

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16

Weibel, Peter. Time slot: Geschichte und Zukunft der apparativen Wahrnehmung vom Phenakistiskop bis zum Quantenkino. Köln: Buchhandlung Walther König, 2006.

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17

Kolotaev, V. A. Pod pokrovom vzgli͡a︡da: Oftalʹmologicheskai͡a︡ poėtika kino i literatury. Moskva: Agraf, 2003.

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18

Simonigh, Chiara. Il sistema audiovisivo: Tra estetica e complessità. Milano: Meltemi, 2020.

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19

Smid, Tereza. Poetik der Schärfenverlagerung. Marburg: Schüren, 2012.

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20

Naumann, Michaela. Billy Wilder, hinter der Maske der Komödie: Der kritische Umgang mit dem kulturellen Selbstverständnis amerikanischer Identität. Marburg: Schüren, 2011.

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21

Niney, François. Le subjectif de l'objectif. Nos tournures d'esprit à l'écran. Paris: Klincksieck Editions, 2014.

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22

Vidal, Agustín Sánchez. Genealogías de la mirada. Madrid: Cátedra, 2020.

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23

Emrich, H. M. Engel und Avatare: Ein Dialog über reale und virtuelle Welten. Berlin: Matthes & Seitz, 2011.

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24

Leconte, Bernard. L'écran dans l'écran et autres rectangles scopiques. Paris: L'Harmattan, 2004.

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25

Matzker, Reiner. Das Medium der Phänomenalität: Wahrnemungs- und erkenntnistheoretische Aspekte der Medientheorie und Filmgeschichte. München: Fink, 1993.

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26

Petty, Sheila. Identity and consciousness: (re)presenting the self. Regina: Dunlop Art Gallery, 1991.

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27

Carontini, Enrico. Faire l'image: Matériaux pour une sémiologie des énonciations visuelles. Montréal: Université du Québec à Montréal, 1989.

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28

Fotografia e culture visuali del XXI secolo (2014 Università Roma Tre). Fotografia e culture visuali del XXI secolo. Roma: Roma TrE-Press, 2018.

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29

Carontini, Enrico. Faire l'image: Matériaux pour une sémiologie des énonciations visuelles. Montréal, Québec: Université du Québec à Montréal, 1986.

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30

Valkola, Jarmo. Perceiving the visual in cinema: Semantic approaches to film form and meaning. Jyväskylä: Jyväskylän Yliopisto, 1993.

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31

Becker, Andreas. Erzählen in einer anderen Dimension: Zeitdehnung und Zeitraffung im Spielfilm. Darmstadt: Büchner-Verlag, 2012.

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32

Nakajima, Yoshiaki. Eizō no shinrigaku: Maruchimedia no kiso = Psychology of visual presentation : approaches to effective multimedia application. Tōkyō: Saiensusha, 1996.

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33

Schlicht, Corinna. Identität: Fragen zu Selbstbildern, körperlichen Dispositionen und gesellschaftlichen Überformungen in Literatur und Film. Oberhausen: Laufen, 2010.

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34

Many, Paul. My life, take two. New York: Walker & Co., 2000.

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35

Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Højbjerg, Denmark: Intervention Press, 1996.

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36

Fiction and the camera eye: Visual consciousness in film and the modern novel. Ann Arbor, MI: University Microfilms International, 1985.

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37

Couté, Pascal, Hélène Frazik, and Camille Prunet. L'apparition dans les oeuvres d'art: Actes des journées d'étude organisées à l'Université de Caen Normandie et à l'ÉSAM Caen-Cherbourg (25-26 mars 2015). Caen, France: Presses universitaires de Caen, 2020.

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38

Zettl, Herbert. Sight, sound, motion: Applied media aesthetics. 3rd ed. Belmont, CA: Wadsworth Pub. Co., 1999.

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39

Philip, Hayward, Wollen Tana 1957-, and Arts Council of Great Britain., eds. Future visions: New technologies of the screen. London: BFI Pub., 1993.

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40

Curtis, Robin, Gertrud Koch, and Marc Glöde. Synästhesie-Effekte: Zur Intermodalität der ästhetischen Wahrnehmung. München: Wilhelm Fink, 2010.

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41

Ast, Olga. Infinite instances: Studies and images of time. Brooklyn, NY: Mark Batty Publisher, 2011.

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42

Ast, Olga. Infinite instances: Studies and images of time. Brooklyn, NY: Mark Batty Publisher, 2011.

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43

Sobchack, Vivian Carol. The address of the eye: A phenomenology of film experience. Princeton, N.J: Princeton University Press, 1992.

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44

Postmodern cartographies: The geographical imagination in contemporary American culture. London: Pluto Press, 1998.

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45

Postmodern cartographies: The geographical imagination in contemporary American culture. Chicago: Pluto Press, 1998.

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46

Nisbet, James, and Lyle Massey. Invention of the American Desert: Art, Land, and the Politics of Environment. University of California Press, 2021.

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47

Discourses of space. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.

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48

Olsson, Gunnar, and Christian Abrahamsson. Topoi/Graphein: Mapping the Middle in Spatial Thought. University of Nebraska Press, 2018.

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49

Riquet, Johannes, and Elizabeth Kollmann. Spatial Modernities: Geography, Narrative, Imaginaries. Taylor & Francis Group, 2018.

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50

Riquet, Johannes, and Elizabeth Kollmann. Spatial Modernities. Taylor & Francis Group, 2020.

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