Relevant bibliographies by topics / Gentry studies

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gentry studies'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Gentry studies"

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Carlson, A. J., and Nicholas Cooper. "Houses of the Gentry, 1480-1680." Sixteenth Century Journal 32, no. 2 (2001): 625. http://dx.doi.org/10.2307/2671852.

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Carpenter, Christine. "Gentry and Community in Medieval England." Journal of British Studies 33, no. 4 (October 1994): 340–80. http://dx.doi.org/10.1086/386061.

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There is now a strong case for banning the word “community” from all academic writing and an even stronger one for banning it from the vocabulary of politics. As one early modern historian has put it, the word is becoming a “shibboleth.” It is employed where “group” or “society,” for example, would be more appropriate, and, worst of all, its use is often not just a matter of slack thought but expresses an implicit hankering for some mythical past when there were “communities.” The increasing overworking of the word by politicians and other public figures can be related to an uneasy feeling that the sense of belonging and of mutual obligation implicit in the idea of “community” are disappearing. Accordingly, if they call things “communities” often enough, that will somehow create them. This prelapsarian attitude to communities is, as we shall see, quite as fundamental to historical use of the term. It is the purpose of this article to examine critically how the word has been applied in relation to the medieval English gentry, to ask whether there can be any legitimate use in this context, and to look at the types of identity, whether communitarian or not, that may have obtained among this important group within medieval society.Historiographically, the “gentry community,” as is well-known, first appeared in the seventeenth century, specifically in the work of Alan Everitt.
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Coss, P. R. "THE FORMATION OF THE ENGLISH GENTRY." Past and Present 147, no. 1 (1995): 38–64. http://dx.doi.org/10.1093/past/147.1.38.

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Rodwell, Dennis. ""Gentry"? Heritage Conservation for Communities." Change Over Time 8, no. 1 (2018): 74–100. http://dx.doi.org/10.1353/cot.2018.0004.

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Coss, P. "Hilton, Lordship and the Culture of the Gentry." Past & Present 195, Supplement 2 (January 1, 2007): 34–52. http://dx.doi.org/10.1093/pastj/gtm020.

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Baker, Bruce E., and Betty N. Smith. "Jane Hicks Gentry: A Singer among Singers." Journal of American Folklore 113, no. 448 (2000): 229. http://dx.doi.org/10.2307/541304.

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Smeeton, Donald Dean, Margaret Aston, and Colin Richmond. "Lollardy and the Gentry in the Later Middle Ages." Sixteenth Century Journal 29, no. 1 (1998): 260. http://dx.doi.org/10.2307/2544486.

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Bowden, Caroline, and Frances Payne. "Women of the english nobility and gentry, 1066-1500." Women's History Review 6, no. 1 (March 1, 1997): 133–51. http://dx.doi.org/10.1080/09612029700200269.

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Huliuk, Ihor. "Not for Sale, but for Own Need”: Trade of the Volhynian Gentry in the Polish-Lithuanian Commonwealth in the Second Half of the 16th — First Half of the 17th Century." Ukrainian Studies, no. 2(79) (August 3, 2021): 89–100. http://dx.doi.org/10.30840/2413-7065.2(79).2021.235163.

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The article analyzes socioeconomic processes in the early modern Europe, in particular trade in its separate regions. It considers the classical economic model focused on the industry and agriculture, which Eastern and Western Europe followed in their multifaceted development. It studies legislation, namely the Second Lithuanian Statute and the Sejm Constitutions for assessing the involvement of gentry representatives in commerce. It indicates that the activity of the Volhynian gentry in the internal trade of the Polish-Lithuanian Commonwealth was due to both external changes in the market, primarily the demand for products from Eastern Europe, and the tendency observed on the continent when running a household became a business that made incomes grow. It analyzes general criticism in the intellectual circles of the trade activity of the gentry as such, which could lead to a certain deterioration of traditions. Man-knight and man-merchant intersections in the society of that time were acceptable if a nobleman traded goods from his own estates and could prove it with an oath.The article also investigates key areas of trade of the Volhynian gentry in the Polish-Lithuanian Commonwealth on the basis of documentary material of court books of the 16th–17th-century Volhynia and previously published sources of economic nature. It studies main range of goods sold and bought by the representatives of the elite, observes the participation of the Volhynian gentry in trade operations with the core centers of the Polish-Lithuanian economy, and their involvement in local fairs and tradings. It shows the role of intermediaries, first of all representatives of the Jewish community and peasants from the gentry fоlwarks, in the trade enterprise of the gentry.
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Gunn, S. J. "PEERS, COMMONS AND GENTRY IN THE LINCOLNSHIRE REVOLT OF 1536." Past and Present 123, no. 1 (1989): 52–79. http://dx.doi.org/10.1093/past/123.1.52.

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Dissertations / Theses on the topic "Gentry studies"

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Payling, Simon John. "Political society in Lancastrian Nottinghamshire." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385629.

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陳熾洪 and Chi-hung Chan. "A study of Shen Wansan's legal case in the Early Ming period." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31950218.

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Abrahams, Shathley Q. "Sedimentations : reading genre, reading across genre." Master's thesis, University of Cape Town, 2002. http://hdl.handle.net/11427/7815.

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Bibliography: leaves 69-73.
This thesis argues for, citing the example of four novels published at or near to the millennium, the establishment of antirely new genre. But implicit in this is an investigstion into what is meant by term 'genre'. Further the nature of these novels makes central the way in which these novels should be grouped over the grouping itself.
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Articus, Kristina. "Phylogenetic Studies in Usnea (Parmeliaceae) and Allied Genera." Doctoral thesis, Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-3974.

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Garza, Maria Alicia 1957. "El genero y la sexualidad en la cuentistica de Ines Arredondo." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290641.

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The narrative of Ines Arredondo presents a wide range of themes that include insanity, the gaze, loneliness, revisionary representations of biblical and mythological stories and various representations of sexuality. This study considers gender and sexuality as ideological constructs in the following themes: male homosexuality, revisionary writing as a subversive discourse and the grotesque body presented as a subversion of the social order. An analysis of the following stories is provided: "La senal," "Las mariposas nocturnas," "Opus 123," "Estio," "La sunamita," "Lo que no se comprende," "Cancion de cuna," "Sahara," and "Orfandad". Each of these stories presents an unstable zone where there is always a social and/or moral conflict. A combination of theoretical perspectives by Louis Althusser, Lucia Guerra Cunningham, Mary Daly, Bernard McElroy, Alicia Ostriker, Tey Diana Rebolledo, Mary Russo and other critics was utilized to examine the aforementioned themes. Male homosexuality is one representation of sexuality that is apparent in the narrative of Arredondo. Homosexuality is presented as social conflict rather than in an erotic manner. The theme of male homosexuality serves as a criticism of how society demands the binary opposition of gender. Arredondo's stories show how there exists a conflict between what is accepted and rejected. Nevertheless, Arredondo's stories also present a feminine discourse that is subversive. This strategy is evident in her stories that are revised versions of biblical and mythological stories. The purpose of these stories is to subvert masculine texts that have dictated women's behavior and have constructed feminine subjectivities from a patriarchal point of view. Another subversive aspect of Arredondo's writing is through the presentation of the female grotesque. Arredondo gives a voice to characters who have been marginalized because of their appearance by their families. The families represent a microsociety which oppresses both men and women. Arredondo's stories exhibit the struggle between Self and other to portray a framework of societal conflict. The narrative of Ines Arredondo presents gender and sexuality as ideological constructs and through this perspective the complexity of human relationships is easily observed.
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Harvey, Wayne John. "Systematic studies in Bubbia van Tieghem and related genera." Thesis, University of Reading, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303981.

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Cooke, Maureen Lynch. "The Great Escape: Modern Women and the Chick Lit Genre." Thesis, Boston College, 2006. http://hdl.handle.net/2345/418.

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Thesis advisor: Elizabeth K. Wallace
This thesis uses a cultural studies approach to study the contemporary "chick lit" genre. These novels written by women, for women may be dismissed as frivolous, but their immense popularity proves that they have tapped into a cultural tension. Their target readers are young women who have grown up in a post-feminist revolution society and face unique issues unknown to any other generation of women. Blending feminist, Marxist, and formalist theories, this thesis attempts to discover how this genre functions in contemporary society – what does it do to its readers? While trying to respect the readers at all times, this thesis will discuss the failure of the genre to provide a new space for women to escape to. The conclusion discusses the potential of chick lit to do more; the genre has captured a "zeitgeist" among young women and its popularity reaches a wide audience. In the future, chick lit could serve as a genre that discusses women's issues, prompting its readers to question gender roles, consumerism, and the global status of women
Thesis (BA) — Boston College, 2006
Submitted to: Boston College. College of Arts and Sciences
Discipline: English
Discipline: College Honors Program
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Blake, Eric Michael. "Genre, Justice & Quentin Tarantino." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5911.

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The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter. The following thesis seeks to use the concept of Auteur Theory—specifically, that Tarantino is the primary artist of the films directed by him—to propose that a specific artistic style conveys a specific worldview: namely, that the artistic choices made by the director, in content and technique, can and do convey a viewpoint regarding “real life” and the world. Specifically, this work will culminate in analyzing and determining tenants to be gleaned from the Tarantino canon regarding issues of justice, both on an individual and societal basis. With his focus on crime—again, both societal and individual—Tarantino makes commentary on societal breakdown; the audience’s emotional support (or lack thereof) for characters and their actions corresponds with identification, and therefore draws real-life parallels. Such refers to the concept of “Realism”, which will be discussed in detail. Further, Tarantino’s trend of recycling elements from prior films refers to artistic “Postmodernism”—use of “pastiche” and sampling to create a “new” work. The thesis will analyze the value and meaning of the major samplings in Tarantino’s films—particularly in regards to genre--and concludes that, far from a simple conglomeration, a Tarantino “Genre-Blender” forms a cohesive whole, oriented towards specific impact of the audience. From the above two issues of Realism and Postmodernism in art, and establishing the existence of a cohesive artistic vision in Tarantino’s work, this thesis identifies patterns in such that identify specific viewpoints on questions of “Good”, “Evil”, and “Justice”. Key to this is the dichotomy between objective principles and subjectivity in human interaction amid the applications of principles. Tarantino’s work conveys a belief in certain objective tenants; however, the applications that arise through interaction cause complications, arising through human limitations in perspective. The ultimate purpose of this study is to link studies of social implications of film to not merely content, but in choices in cinematic style. It is a contribution at once to studies of film and to studies of artistic theory (in particular Realism and Postmodernism), using both to analyze how a specific, popular, mainstream artist reflects a worldview through the sensibilities that are channeled in creating his works.
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Barker, Cory Andrew. "Genre Welcome?: Formula, Genre and Branding in USA Network's Programming and Promotional Content." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1332972861.

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Bidgood, Lee. "Place, Space, and Genre: Making Bluegrass Boundaries Czech." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1101.

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Bluegrass music was formed, in part, to be part of the soundtrack of emigration from the American South to industrial centers. The texts of some widely enjoyed bluegrass songs express the losses in this transition, often in longing for far-off, idealized places. Through a decade of ethnographic research on bluegrass in the Czech Republic, I have found Czech bluegrass - related music makers articulate a more globally expanded experience of dislocation and desire. Czech fans and musicians alike (bluegrassers") have blurred some genre and style boundaries as they have adapted American forms for local usage. Infusing the European landscape with "far away" ideas and tropes, Czech bluegrassers create "country" spaces that have flourished and diversified through political and social changes since the introduction of the music in the 1950s. These idealized “real-imaginary” spaces allow participants to reinterpret and reshape their social and natural environments. Part of today¹s global bluegrass scene, Czech bluegrass projects also connect with local folk and folklore milieus, as well as Czech musical and political history. Balancing a sense of locality with cosmopolitan elements bluegrassers shape the particular ‘country’ in which their music resounds. Following Melinda Reidinger and Ruth Gruber in addressing questions of self-realization through "real-imaginary" recreation in the Czech lands, I describe how bluegrass-related music-making has persisted, flourishing, through political and social changes, affording participants a way of interpreting and reshaping their physical and social environments through the idealized soundscapes connected to American music."
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Books on the topic "Gentry studies"

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Xudong, Zhao, and Qin Zhijie, eds. Zhongguo shi shen: China's gentry. Beijing Shi: Sheng huo, du shu, xin zhi san lian shu dian, 2009.

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Haiming, Hui, ed. Zhongguo shen shi. Beijing: Zhongguo she hui ke xue chu ban she, 2006.

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Sruogienė, Vanda. Žemaičių bajoro ūkis: XIX amžiaus pirmoje pusėje. 2nd ed. Vilnius: Baltos lankos, 1995.

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Zhongguo she hui de jie ceng yu liu dong: Yi ge she qu zhong shi shen shen fen de yan jiu = Social mobility in China : research on the gentry identity in a traditional Chinese community. Shanghai: Xue lin chu ban she, 2000.

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Decataldo, Alessandra. La ricerca di genere. Roma: Carocci editore, 2014.

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The first emancipator: The forgotten story of Robert Carter, the founding father who freed his slaves. New York: Random House, 2005.

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Chatrou, Lars W. Changing genera: Systematic studies in Neotropical and West African Annonaceae = Veranderende genera : systematische studies in Neotropische en Westafrikaanse Annonaceae : proefscript ... [Utrecht]: Herbarium Division, Untrecht University, [1998], 1998.

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Vingelli, Giovanna. Un' estranea fra noi: Bilanci di genere, movimento femminista e innovazione istituzionale. Soveria Mannelli (Catanzaro): Rubbettino, 2005.

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Scelte e percorsi dei giovani tra scuola, lavoro, famiglia e genere. Milano, Italy: FrancoAngeli, 2009.

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La memoria di lei: Storia delle donne, storia di genere. Torino: Società editrice internazionale, 1996.

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Book chapters on the topic "Gentry studies"

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St John, Graham. "The Significance of Devotion to the Augustinian Canons by Members of the Nobility and Gentry in the Fourteenth Century." In Medieval Church Studies, 339–61. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100390.

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Ryan, Mark David, and Kelly McWilliam. "Australian Film Genre Studies." In Australian Genre Film, 1–25. Title: Australian genre film / edited by Kelly McWilliam and Mark David Ryan.Description: New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429469121-1.

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Feistner, Anna T. C. "Conservation of the Alaotran Gentle Lemur." In New Directions in Lemur Studies, 241–48. Boston, MA: Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-4705-1_14.

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Guneratne, Anthony R. "Introduction: Kin, Kind, and Shakespeare’s Significance to Genre Studies." In Shakespeare and Genre, 1–14. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137010353_1.

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Neumann, Stella. "Cross-linguistic register studies." In Genre- and Register-related Discourse Features in Contrast, 35–57. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/bct.87.03neu.

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Hyman, David. "The Practice of Revision in Composition Studies." In Revision and the Superhero Genre, 33–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64759-3_3.

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Diele, K., and V. Koch. "Comparative Population Dynamics and Life Histories of North Brazilian Mangrove Crabs, Genera Uca and Ucides (Ocypodoidea)." In Ecological Studies, 275–85. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13457-9_18.

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Birkmeier, Olga, Kai-Friederike Oelbermann, Friedrich Pukelsheim, and Matthias Rossi. "A Gentle Combination of Plurality Vote and Proportional Representation for Bundestag Elections." In Studies in Choice and Welfare, 151–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-20441-8_6.

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Salmon, Laura. "Melancholic Humor, Skepticism and Reflective Nostalgia. Igor’ Guberman’s Poetics of Paradox." In Biblioteca di Studi Slavistici, 107–47. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.06.

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The poetry of Israeli émigré Igor' Guberman, comprising thousands of quatrains (‘gariki’), represents a hybrid genre at the junction of Jewish aphoristic tradition, Russian oral folklore, and classical Russian poetry. The theme of toska, which is central to the gariki, may be sharply distinguished from the ‘restorative nostalgia’ theorized by Svetlana Boym (2001): Guberman's toska is a thoughtful, melancholic, and paradoxical feeling. It expresses a particular variety of skepticism that characterizes the paradoxical humor of the Ashkenazi, the purpose of which is not to ridicule others' shortcomings, but to gently make fun of the sadness and painful absurdity that impermeates human existence. Such melancholic and paradoxical humor permits Guberman to look at life, at himself, even at God, with an indulgent ‘smile of reason’ that is absolutely devoid of arrogance. A subtle melancholic and deep skeptic, Guberman "laughs through his tears", for this is what Russian-Jewish tradition teaches, a lesson that has penetrated deeply and more generally into Russian literature: when the soul is beset by excessive sadness, its has recourse only to laughter.
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Auken, Sune. "Contemporary Genre Studies: An Interdisciplinary Conversation with Johannine Scholarship." In The Gospel of John as Genre Mosaic, 47–66. Göttingen: Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666536199.47.

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Conference papers on the topic "Gentry studies"

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Qian, Tu. "SPEECH GENRE OF ADVICE IN THE HOROSCOPE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-10.

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Mordvinova, P. A. "THE GENRE «THREAD»: TO THE DESCRIPTION MODEL." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-11.

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Kozlova, T. N. "THE BOOKTRAILER LENGTHS AS THE GENRE PECULIARITY." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-124.

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Raziev, A. K. "TEXTBOOK AS A GENRE OF EDUCATIONAL DISCOURSE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-15.

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Sonntag, Inna. "Любовная лирика как предмет коммуникативного анализа." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.19.

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The article considers the specifics of love lyrics from the point of view of rhetorical positions: the features of appropriate speech analysis of love poetry, as well as the genre repertoire (external and internal) of love poems are characterized.
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Lukyanova, Tatyana. "Любовный конфликт героев художественной литературы как предмет риторического анализа." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.9.

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The article describes the love conflict of literary characters as a communicative phenomenon. Special attention is paid to the methods of recognizing love conflict in a literary text, as well as to the genre repertoire of conflict interaction between characters connected by love communication.
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Dmitrieva, J. N. "LITERARY FORECAST GENRE: FEARS AND JUSTIFICATION OF CRITICS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-95.

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Gordeeva, Lyubov. "Цитирование в речи учителя как профессионально значимый аспект коммуникативной педагогической практики." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.4.

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The article discusses the specifics of using quotes in the teacher's speech. Special attention is paid to the substantiation of the reproductive basis of the teacher's communicative practice and the professional nature of quoting (verbatim reproduction) of other people's statements in educational and speech situations. The paper also provides an overview of the genre varieties of quotations that are in demand in the teacher's speech activity.
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Kulieva, Solmaz. "Эволюция любви и ее жанровый репертуар как предмет речи (на основе интерпретации произведений русской художественной литературы 19 века)." In Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.15.

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The article presents an overview of the evolution of love as a communicative phenomenon, semantics of such concepts as love, love, passion; it is concluded that the stages of love communication have a special genre content and a typical set of situations. The analysis of genres and situations of human communication in its development is based on the interpretation of works of fiction. The article also substantiates the relevance of studying this phenomenon with students of Philology at University speech studies.
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Saftenko, E. K. "GENRE SUBSTRATES IN NICOLAI GOGOL’S «THE INSPECTOR GENERAL» AND FRANZ KAFKA’S «THE TRIAL»." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-68.

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Reports on the topic "Gentry studies"

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Bilancio di Genere 2019 Università degli Studi di Firenze. Università degli Studi di Firenze, February 2020. http://dx.doi.org/10.36253/978-88-5518-258-4.

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