Journal articles on the topic 'Genocide in the theater'
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Kaplan, Ellen Wendy. "Refuge and Resistance: Theater with Kurds and Yezidi Survivors of ISIS." Humanities 11, no. 5 (September 2, 2022): 111. http://dx.doi.org/10.3390/h11050111.
Full textMakward, Christiane, and Helene Cixous. "Theatre of Genocide." Women's Review of Books 3, no. 6 (March 1986): 17. http://dx.doi.org/10.2307/4019816.
Full textAhmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER." Scientific Journal of Polonia University 58, no. 3 (September 1, 2023): 10–14. http://dx.doi.org/10.23856/5801.
Full textSkloot, Robert. "Review Essay: Old Concerns and New Plays in the Theater of Genocide." Genocide Studies and Prevention 5, no. 1 (2010): 114–20. http://dx.doi.org/10.1353/gsp.0.0041.
Full textSkloot, Robert. "‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body." Theatre Research International 23, no. 1 (1998): 51–58. http://dx.doi.org/10.1017/s0307883300018216.
Full textKalisa, Chantal. "Theatre and the Rwandan Genocide." Peace Review 18, no. 4 (December 2006): 515–21. http://dx.doi.org/10.1080/10402650601030476.
Full textKalisa, Chantal. "Theatre and the Rwandan Genocide." Journal of Dramatic Theory and Criticism 27, no. 2 (2013): 159–66. http://dx.doi.org/10.1353/dtc.2013.0014.
Full textČirić-Fazlija, Ifeta. "“Not the time for fighting but for taking care of each other”: Portrayals of the Second World War in Two Asian-American Plays." Društvene i humanističke studije (Online) 7, no. 2(19) (May 20, 2022): 139–52. http://dx.doi.org/10.51558/2490-3647.2022.7.2.139.
Full textSongolo, Aliko. "Marie Béatrice Umutesi's Truth: The Other Rwanda Genocide?" African Studies Review 48, no. 3 (December 2005): 107–19. http://dx.doi.org/10.1353/arw.2006.0040.
Full textBreed, Ananda. "Performing the Nation: Theatre in Post-Genocide Rwanda." TDR/The Drama Review 52, no. 1 (March 2008): 32–50. http://dx.doi.org/10.1162/dram.2008.52.1.32.
Full textYILDIRIM, ŞEYDA NUR. "Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre." Theatre Research International 48, no. 3 (October 2023): 246–63. http://dx.doi.org/10.1017/s0307883323000160.
Full textPoll, Ryan. "Lynn Nottage's Theatre of Genocide: Ruined, Rape, and Afropessimism." Journal of Dramatic Theory and Criticism 35, no. 1 (2020): 81–105. http://dx.doi.org/10.1353/dtc.2020.0021.
Full textLie, Siv B., and Ioanida Costache. "Staging Genocide: Theatrical Remembering of the Romani Holocaust." European History Quarterly 52, no. 4 (September 28, 2022): 677–98. http://dx.doi.org/10.1177/02656914221097602.
Full textKnittel, Susanne C. "Ecologies of violence: Cultural memory (studies) and the genocide–ecocide nexus." Memory Studies 16, no. 6 (December 2023): 1563–78. http://dx.doi.org/10.1177/17506980231202747.
Full textSkloot, Robert. "Review Essay: Old Concerns and New Plays in the Theater of Genocide1." Genocide Studies and Prevention 5, no. 1 (April 2010): 114–20. http://dx.doi.org/10.3138/gsp.5.1.114.
Full textMonah, Dana. "Guilty Memories: Remembering the Theresienstadt Ghetto in Concentrationary Theatre." Theatrical Colloquia 9, no. 2 (December 1, 2019): 30–39. http://dx.doi.org/10.2478/tco-2019-0014.
Full textVucenovic, A. "THE HISTORICAL SIGNIFICANCE OF THE SONG “DJURJEVDAN”: ON THE PROBLEM OF SELECTION OF MUSICAL MATERIAL FOR STUDIES." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 26, no. 94 (2024): 46–60. http://dx.doi.org/10.37313/2413-9645-2024-26-94-46-60.
Full textAdamson, Ginette. "L'engagement dans le théâtre haïtien: l'œuvre dramatique de Jean Métellus." Theatre Research International 21, no. 3 (1996): 245–55. http://dx.doi.org/10.1017/s0307883300015364.
Full textLE LAY, MAËLINE. "Performing for Peace and Social Change in Africa's Great Lakes Region." Theatre Research International 46, no. 1 (March 2021): 23–38. http://dx.doi.org/10.1017/s0307883320000565.
Full textMilatovic-Ovadia, Maja. "Shakespeare's Fools." Critical Survey 31, no. 4 (December 1, 2019): 29–41. http://dx.doi.org/10.3167/cs.2019.310404.
Full textCollins, Holly, and Jacob Abell. "From trauma to drama: A polymorphous space for witnessing (to) the Rwandan genocide in theatre." International Journal of Francophone Studies 20, no. 3 (September 1, 2017): 273–91. http://dx.doi.org/10.1386/ijfs.20.3-4.273_1.
Full textProcop, Svetlana. "Pavel Andreichenko as the leader of the Roma movement in the late 90s – early 2000s: new facts and evidence." JOURNAL OF ETHNOLOGY AND CULTUROLOGY 31 (2022): 63–74. http://dx.doi.org/10.52603/rec.2022.31.07.
Full textPentkowsky, Mstislav. "CHILDREN ’ S OPERA BRUNDIBÁR BY HANS KRÁSA – UNIQUE STAGE HISTORY AND CONTEMPORARY SIGNIFICANCE." Culture Crossroads 19 (October 11, 2022): 55–67. http://dx.doi.org/10.55877/cc.vol19.35.
Full textBudzowska, Małgorzata, and Jadwiga Czerwińska. "The Political Involvement of Myth in Its Stage Adapatations." Collectanea Philologica, no. 19 (December 30, 2016): 63–75. http://dx.doi.org/10.18778/1733-0319.19.05.
Full textMcKenna, Brian. "Staging a Christopher Columbus Play in a Culture of Illusion: Public Pedagogy in a Theatre of Genocide." Policy Futures in Education 9, no. 6 (January 2011): 735–46. http://dx.doi.org/10.2304/pfie.2011.9.6.735.
Full textKemp, Roisin. "Broken Glass." Psychiatric Bulletin 18, no. 12 (December 1994): 758–59. http://dx.doi.org/10.1192/pb.18.12.758.
Full textPerez, Fernando Hernandez. "Through the Mists of Transformation: Excerpts from a Conversation with Petrona de la Cruz Cruz and Isabel Juarez Espinosa." Canadian Theatre Review 68 (September 1991): 32–36. http://dx.doi.org/10.3138/ctr.68.011.
Full textGraham-Jones, Jean. "The Theatre of Genocide: Four Plays about Mass Murder in Rwanda, Bosnia, Cambodia, and Armenia (review)." Human Rights Quarterly 30, no. 3 (2008): 807–10. http://dx.doi.org/10.1353/hrq.0.0021.
Full textMoyo, Cletus, and Miranda Young-Jahangeer. "Identity and the Genocide That Did Not Happen: An Analysis of Two Zimbabwean Plays 1983: Years Before and After and Speak Out!" Genealogy 6, no. 2 (March 25, 2022): 24. http://dx.doi.org/10.3390/genealogy6020024.
Full textShannon-Chastain, Elif. "A Martyr of the Multicultural Ottoman Theatre: The Ottoman-Armenian Legacy of Mardiros Mnagian (1912–1920)." DIYÂR 5, no. 1 (2024): 26–46. http://dx.doi.org/10.5771/2625-9842-2024-1-26.
Full textZhizhi, Able Shibinya, and Emmanuel Okokondem Okon. "Insurgence and National Security in Nigeria: A Focus on Boko Haram." American Economic & Social Review 2, no. 1 (January 18, 2018): 41–51. http://dx.doi.org/10.46281/aesr.v2i1.153.
Full textMerlin, Bella. "Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part I: Research on the Text and the Play." New Theatre Quarterly 29, no. 1 (February 2013): 24–34. http://dx.doi.org/10.1017/s0266464x13000031.
Full textMerlin, Bella. "Using Stanislavsky's Toolkit for Shakespeare's Richard III, Part II: Research on the Self in the Play." New Theatre Quarterly 29, no. 2 (April 29, 2013): 159–69. http://dx.doi.org/10.1017/s0266464x13000262.
Full textBurelle, Julie. "Theatre in Contested Lands: Repatriating Indigenous Remains." TDR/The Drama Review 59, no. 1 (March 2015): 97–118. http://dx.doi.org/10.1162/dram_a_00431.
Full textLang, Berel. "BETWEEN GENOCIDE AND “GENOCIDE”." History and Theory 50, no. 2 (April 26, 2011): 285–94. http://dx.doi.org/10.1111/j.1468-2303.2011.00584.x.
Full textLemarchand, Rene. "Genocide in the Great Lakes: Which Genocide? Whose Genocide?" African Studies Review 41, no. 1 (April 1998): 3. http://dx.doi.org/10.2307/524678.
Full textRakow, Christian. "Theater. Pop-Theater." POP 6, no. 1 (March 1, 2017): 87–93. http://dx.doi.org/10.14361/pop-2017-0115.
Full textMorus, Christina M. "Genocide." Journal for Peace and Justice Studies 20, no. 2 (2010): 141–45. http://dx.doi.org/10.5840/peacejustice201020225.
Full textPolacek, Kelly Myer, and Rachel K. Fischer. "Genocide." Reference & User Services Quarterly 52, no. 4 (June 1, 2013): 291–97. http://dx.doi.org/10.5860/rusq.52n4.291.
Full textWinterdyk, John. "Genocide." International Criminal Justice Review 19, no. 2 (May 15, 2009): 101–14. http://dx.doi.org/10.1177/1057567709334217.
Full textQuigley, John. "Genocide." International Criminal Justice Review 19, no. 2 (May 11, 2009): 115–31. http://dx.doi.org/10.1177/1057567709335396.
Full textWade, Marianne L. "Genocide." International Criminal Justice Review 19, no. 2 (May 15, 2009): 150–74. http://dx.doi.org/10.1177/1057567709335397.
Full textBeres, Louis Rene. "GENOCIDE." Review of Policy Research 4, no. 3 (February 1985): 397–406. http://dx.doi.org/10.1111/j.1541-1338.1985.tb00239.x.
Full textBurleigh, M. "Genocide." German History 10, no. 2 (January 1, 1992): 260–61. http://dx.doi.org/10.1093/gh/10.2.260.
Full textKhachatourian, Reynold. "Genocide." Journal of Genocide Research 1, no. 1 (March 1999): 127. http://dx.doi.org/10.1080/14623529908413941.
Full textJones, Adam. "Gendering Rwanda Genocide and Post-Genocide." Journal of International Peacekeeping 22, no. 1-4 (April 8, 2020): 215–29. http://dx.doi.org/10.1163/18754112-0220104014.
Full textRakow, Christian. "THEATER: THEATER ALS popKONZERT." POP 2, no. 2 (September 1, 2013): 76–80. http://dx.doi.org/10.14361/pop.2013-0214.
Full textRakow, Christian. "THEATER: THEATER ALS POPKONZERT." POP 3, no. 2 (September 1, 2013): 76–80. http://dx.doi.org/10.14361/pop.2013.0214.
Full textKaiser, Johanna. "„Theater, Theater — einfach wunderbar!“." Sozial Extra 37, no. 11-12 (December 2013): 27–30. http://dx.doi.org/10.1007/s12054-013-1087-x.
Full textCohn, Ruby. "Theater in Recent English Theater." Modern Drama 30, no. 1 (March 1987): 1–13. http://dx.doi.org/10.3138/md.30.1.1.
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