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1

Osipov, Vladimir. Control and audit of the activities of a commercial organization: external and internal. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1137320.

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The textbook reveals the role of control in ensuring the effective operation of a commercial organization, and sets its purpose and objectives. The main directions of external and internal control of the activities of a commercial organization are defined and the characteristics of the functions performed by them are given. The basic principles of external and internal audit are formulated, their purpose is defined, and the procedure for regulatory and legal regulation of audit activities in the Russian Federation is considered. The features of control over the activities of a commercial organization in management accounting are revealed, and the need for its further development in modern business conditions is justified. To consolidate the theoretical material, the practical and methodological support of the discipline is provided. Meets the requirements of the federal state educational standards of higher education of the latest generation. It is intended for students in the bachelor's degree program 38.03.01 " Economics "(profile "Accounting, Analysis and Audit") and teachers of economic specialties, students of the postgraduate education system, practitioners related to external and internal control and audit of the activities of commercial organizations.
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Kazimagomedov, Abdulla, Aida Abdulsalamova, M. Mel'nikov, and N. Gadzhiev. Analysis of the activities of a commercial bank. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1831614.

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The textbook presents modern ideas about the analysis of the activities of a commercial bank, in particular, the theoretical and practical issues related to the organization of internal control and audit, analysis of banking operations and services, customer base and creditworthiness of borrowers, banking risks, regulatory requirements of the Central Bank of the Russian Federation and interest rates, financial condition and financial results of a commercial bank are comprehensively disclosed et al . Meets the requirements of the federal state educational standards of higher education of the latest generation. For students of educational institutions of higher education studying in economic specialties at bachelor's and master's levels, graduate students, as well as teachers of economic disciplines, managers and employees working in the banking and financial system, as well as for those who are interested in improving their qualifications.
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3

Kerouac, Jack. Big-Sur: Roman. Sankt-Peterburg: Azbuka, 2013.

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4

Colmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.

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Galician audio/visual culture has experienced an unprecedented period of growth following the process of political and cultural devolution in post-Franco Spain. This creative explosion has occurred in a productive dialogue with global currents and with considerable projection beyond the geopolitical boundaries of the nation and the state, but these seismic changes are only beginning to be the subject of attention of cultural and media studies. This book examines contemporary audio/visual production in Galicia as privileged channels through which modern Galician cultural identities have been imagined, constructed and consumed, both at home and abroad. The cultural redefinition of Galicia in the global age is explored through different media texts (popular music, cinema, video) which cross established boundaries and deterritorialise new border zones where tradition and modernity dissolve, generating creative tensions between the urban and the rural, the local and the global, the real and the imagined. The book aims for the deperipheralization and deterritorialization of the Galician cultural map by overcoming long-established hegemonic exclusions, whether based on language, discipline, genre, gender, origins, or territorial demarcation, while aiming to disjoint the center/periphery dichotomy that has relegated Galician culture to the margins. In essence, it is an attempt to resituate Galicia and Galician studies out of the periphery and open them to the world.
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Aguayo, Angela J. Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.001.0001.

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The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into its own as a political force of social change. The exploding reach and power of audio and video are multiplying documentary modes of communication. Once considered an outsider media practice, documentary is finding mass appeal in the allure of moving images, collecting participatory audiences that create meaningful challenges to the social order. Documentary is adept at collecting frames of human experience, challenging those insights, and turning these stories into public knowledge that is palpable for audiences. Generating pathways of exchange between unlikely interlocutors, collective identification forged with documentary discourse constitutes a mode of political agency that is directing energy toward acting in the world. Reflecting experiences of life unfolding before the camera, documentary representations help order social relationships that deepen our public connections and generate collective roots. As digital culture creates new pathways through which information can flow, the connections generated from social change documentary constitute an emerging public commons. Considering the deep ideological divisions that are fracturing U.S. democracy, it is of critical significance to understand how communities negotiate power and difference by way of an expanding documentary commons. Investment in the force of documentary resistance helps cultivate an understanding of political life from the margins, where documentary production practices are a form of survival.
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Kerouac, Jack. Big Sur. Penguin Books, Limited, 2018.

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7

Kerouac, Jack. Big Sur. Penguin Books, 2011.

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Kerouac, Jack. Big Sur. Penguin Classics, 2001.

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9

Kerouac, Jack. Big Sur. McGraw-Hill Companies, 1990.

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Kerouac, Jack. Big Sur. Independently Published, 2021.

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Kerouac, Jack. Big Sur. Penguin Books, Limited, 2012.

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12

Kerouac, Jack. Big Sur. Adriana Hidalgo Editora, 2001.

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Kerouac, Jack. Big Sur. Woolf Haus Publishing, 2020.

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14

Kerouac, Jack. Big Sur. HarperCollins Publishers Limited, 2006.

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15

Kerouac, Jack. Big Sur. Blackstone Audiobooks, 2002.

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16

Kerouac, Jack. Big Sur. Flamingo, 2001.

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17

Kerouac, Jack. Big Sur. Siren Yayinlari, 2013.

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18

Kerouac, Jack. Big Sur. Independently Published, 2021.

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19

Kerouac, Jack. Big Sur. Blackstone Audiobooks, 2002.

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20

Kerouac, Jack. Big Sur. McGraw-Hill Companies, 1990.

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21

Kerouac, Jack. Big Sur. Penguin Publishing Group, 2013.

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22

Tuten, Tracy L. Advertising 2.0. Greenwood Publishing Group, Inc, 2008. http://dx.doi.org/10.5040/9798400607264.

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Every day, print and online trade magazines and news sources tout developments in online advertising, branding, and marketing. Seismic shifts in the industry―like major advertisers setting up shop in Second Life and other alternate realities―have forced marketers and advertisers, ready or not, to employ new advertising models. But the potholes for advertisers using Web 2.0 are many, and missteps by companies that don't understand the new rules of the game guarantee lost time and money ill spent. Advertising 2.0 ensures that readers understand the advertising options possible in the Web 2.0 environment, provides examples of companies using these options, and offers guidelines for their application. Advertising 2.0 goes way beyond running banner ads on Web sites and explores the rapidly burgeoning world of social media marketing. Among other things, expert Tracy L. Tuten covers viral marketing, doing online research, advertising within online games, and leveraging online opinions to increase sales or grow a brand. She also describes―way out on the leading edge and sure to turn conventional advertising on its head―how smart marketers let consumers generate ad content for products and brands. While the trade press frequently publishes news of companies using innovative communications techniques, there are hardly any books telling people how to take the plunge into the newest forms of advertising. Advertising 2.0 presents the current state of online advertising, and best practices for using techniques like consumer-generated advertising, social networking, online product reviews, viral video, Second Life, alternate reality games, and more. It also includes case studies and examples of successes and mistakes. Companies and brands featured include Nine Inch Nails, Audi, 42 Entertainment, MySpace, YouTube, Dogster, Vodaphone, Leo Burnett, and others. Best, each method described includes guidelines for getting the most out of the technique, thereby letting advertisers cut through the clutter to touch the hearts of customers worldwide.
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