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Books on the topic 'Gender identity – Argentina'

Author: Grafiati
Published: 10 March 2023

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1

1944-, Martínez Roberto Luis, ed. Mujeres: La lucha por la igualdad de género en la Argentina. Avellaneda: De la Cultura Urbana, 2015.

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2

D'Antonio, Débora C. Deseo y represión: Sexualidad, género y Estado en la historia Argentina reciente. Buenos Aires: Imago Mundi, 2015.

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3

Toriano, Carmen. (Re)leer literatura argentina y latinoamericana: Cultura, sociedad y género. Mendoza, Argentina: EDIUNC, 2018.

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4

Beuter, María Rosa Lojo de, and Michèle Soriano. Identidad y narración en carne viva: Cuerpo, género y espacio en la novela Argentina, 1980-2010. [Argentina]: Ediciones Universidad del Salvador, 2010.

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5

Confronting the 'Dirty War' in Argentine cinema, 1983-1993: Memory and gender in historical representations. Woodbridge, Suffolk, UK: Tamesis, 2009.

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6

Gendered spaces in Argentine women's literature. New York: Palgrave Macmillan, 2012.

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7

Género y sexualidad en la policía bonaerense. San Martín, Provincia de Buenos Aires: UNSAM Edita, 2014.

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8

Argentine, Mexican, and Guatemalan photography: Feminist, queer, and post-masculinist perspectives. Austin: University of Texas Press, 2014.

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9

Saikin, Magali. Tango y género: Identidades y roles sexuales en el tango argentino. Stuttgart: Abrazos Books, 2004.

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10

Burucúa, Constanza. Confronting the 'Dirty War' in Argentine cinema, 1983-1993: Memory and gender in historical representations. Woodbridge, Suffolk, UK: Tamesis, 2009.

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11

Anderson, Cora Fernandez. Politics of Abortion in Latin America: Movements, Allies and Institutions in Uruguay, Chile and Argentina. Taylor & Francis Group, 2020.

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12

Medina, María Clara. Landless women, powerful men: Land, gender, and identity in NW Argentina (Colalao- El Pichao, 1850-1910). Dept. of History, Faculty of Humanities, Göteborg University, 2002.

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13

Burucúa, Constanza. Confronting the 'Dirty War' in Argentine Cinema, 1983-1993: Memory and Gender in Historical Representations. Boydell & Brewer, Limited, 2009.

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14

Conversaciones feministas: Políticas de reconocimiento. [Buenos Aires, Argentina]: Ediciones Ají de Pollo, 2008.

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15

The gods of tango. Alfred A. Knopf, 2015.

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16

Pierce, Joseph M. Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910. State University of New York Press, 2020.

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17

Foster, David William. Argentine, Mexican, and Guatemalan Photography: Feminist, Queer, and Post-Masculinist Perspectives. de Gruyter GmbH, Walter, 2014.

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18

Foster, David William. Argentine, Mexican, and Guatemalan Photography: Feminist, Queer, and Post-Masculinist Perspectives. University of Texas Press, 2015.

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19

Tossounian, Cecilia. La Joven Moderna in Interwar Argentina. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401162.001.0001.

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This book reconstructs different images of modern femininities and their evolution during the 1920s and 1930s, showing that women were at the center of a public debate about modernity and its consequences on the emergence of an Argentine national identity. With a focus on competing media representations of womanhood, mainly proposed by male contemporaries, but also with attention to young women’s descriptions of their experiences, the book explores different images of modern femininities and what they reveal about how Argentines imagined themselves and their country during decades of cultural and social renewal. Based on an analysis of a wide range of consumer culture sources—including women’s and general interest magazines and daily newspapers, pulp fiction, advertising, popular music, and films—this book shows that the multifaceted figure of the modern girl embodied the hopes, tensions and anxieties associated with sociocultural transformations, while becoming the bearer of diverse assessments about the Argentine nation. While the young modern woman was sometimes invoked to symbolize fears of the country’s moral decadence and cultural loss, at other times she stood for an “advanced” nation in the media, and her image was a demonstration of national progress and civilization. By reconstructing the emergence and evolution of new female images and their connection to the conformation of different versions of Argentina’s national identity, this book not only unveils the dynamics of sociocultural change but also explores its gendered and nationalistic dimension.
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20

Alonso, Paul. Peter Capusotto y sus videos. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636500.003.0005.

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Peter Capusotto y sus videos is an Argentinean satirical show that criticizes the entertainment industry in social and political terms. Hosted by actor and comedian Diego Capusotto, the popular show is broadcast on TV Pública, the state channel in Argentina. Through fictional characters and a documentary/journalistic style, Capusotto ridicules celebrity culture and targets social stereotypes. Chapter 5 analyzes the role of the show in deconstructing and questioning key aspects of the local urban identity reflected in popular culture, more specifically in rock music (rock nacional), a genre with a particular evolution and relevance in the country. Through the analysis of Bombita Rodríguez, Violencia Rivas, and Micky Vainilla, some of Capusotto’s most famous characters, this chapter illustrates how the show’s satirical approach demystifies Argentinean identities that exist within the realm of media spectacle while exposing sociopolitical tensions after the 2001 socioeconomic crisis and during the Kirchner era.
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21

Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890--1910. State University of New York Press, 2019.

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