Relevant bibliographies by topics / Gay 'scene'

Academic literature on the topic 'Gay 'scene''

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Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Gay 'scene'"

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Calder, Bill. "Gay Lifestyle Publications: Drawing the Crowds to Grow the Bar Scene." Media International Australia 156, no. 1 (August 2015): 39–49. http://dx.doi.org/10.1177/1329878x1515600106.

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This article argues that the rapid expansion of Australia's gay bar scene from the late 1970s was aided by the parallel development of a new media genre: the gay lifestyle publication. The reason for this was a powerful synergy that existed between the publicity needs of the bar scene and the editorial, distribution and revenue needs of the lifestyle magazines. Conversely, the lack of such a synergy between the internet and the bars today can be seen as contributing to the recent decline of gay bars in Australian cities.
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Rowlett, Benedict. "Under bright lights: gay Manila and the global scene." Asian Studies Review 40, no. 4 (May 2016): 640–41. http://dx.doi.org/10.1080/10357823.2016.1178096.

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Grant, Joanna. "Sexology Makes the Scene: Writing the Modernist Gay Bar." English Language Notes 45, no. 2 (September 1, 2007): 113–19. http://dx.doi.org/10.1215/00138282-45.2.113.

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Jaspal, Rusi. "Coping with perceived ethnic prejudice on the gay scene." Journal of LGBT Youth 14, no. 2 (February 2, 2017): 172–90. http://dx.doi.org/10.1080/19361653.2016.1264907.

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Bassi, Camila. "Riding the Dialectical Waves of Gay Political Economy: A Story from Birmingham's Commercial Gay Scene." Antipode 38, no. 2 (March 2006): 213–35. http://dx.doi.org/10.1111/j.1467-8330.2006.00577.x.

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Kirby, Tony, and Michelle Thornber-Dunwell. "High-risk drug practices tighten grip on London gay scene." Lancet 381, no. 9861 (January 2013): 101–2. http://dx.doi.org/10.1016/s0140-6736(13)60032-x.

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Andersson, Johan. "East End Localism and Urban Decay: Shoreditch's Re-Emerging Gay Scene." London Journal 34, no. 1 (March 2009): 55–71. http://dx.doi.org/10.1179/174963209x398144.

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Whisnant, Clayton J. "Styles of Masculinity in the West German Gay Scene, 1950-1965." Central European History 39, no. 3 (September 2006): 359–93. http://dx.doi.org/10.1017/s0008938906000136.

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Since the end of the 1990s, the study of masculinity within German scholarship has made considerable progress, especially in moving beyond the close association made between German manhood and militarism.1 While the figure of the soldier remains crucial for an understanding of masculinity in Germany (as well as the rest of the Western world) during the late nineteenth and early twentieth centuries, scholars have increasingly recognized that any culture includes multiple definitions and representations of manhood—even one so thoroughly saturated by the figure of the soldier as Germany was during the Nazi era.2 Increasingly, the goal of research has been to uncover how masculinity is not only represented in official discourse, but also constructed through social interaction and “performed,” to use Judith Butler's term, in the context of everyday life. Moreover, this research has increasingly taken into account “the relations between the different kinds of masculinity,” in the words of the sociologist Robert Connell—especially the relationships of power.3 In short, recent work has increasingly recognized that the meanings of manhood are constructed within a complicated socio-cultural matrix of gender whose points of reference include not only women and cultural definitions of femininity, but also various versions of masculinity that themselves very often reflect class distinctions and other kinds of social fissures.
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Miskolci, Richard. ""Discreet and out of the gay scene" - notes on contemporary sexual visibility." Cadernos Pagu, no. 44 (June 2015): 61–90. http://dx.doi.org/10.1590/1809-4449201500440061.

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Based on an ethnography with men that use digital media in search of same sex partners in São Paulo, Brazil, this paper discusses what motivates their use of technological platforms. It also employs sociological and historical elements to reflect upon the social aspects of desire that fuel this search and the new visibility regime in which these men live. Finally, it analyses the moral, symbolic and material restrictions that mold an economy of desire demanding their discretion and secrecy.
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Simpson, Paul. "Perils, Precariousness and Pleasures: Middle-Aged Gay Men Negotiating Urban ‘Heterospaces’." Sociological Research Online 17, no. 3 (August 2012): 124–33. http://dx.doi.org/10.5153/sro.2665.

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Based on interviews with 27 gay men aged 39 - 61 living in Manchester, this article examines how middle-aged gay men are differentiated and negotiate relations in heterosexually defined spaces. I focus on what informants’ accounts of relations in these ‘heterospaces’ say about middle-aged gay men's responses to homophobia. I argue that ‘ageing capital’ is implicated in subjects’ accounts that capitulate to, negotiate with and challenge heteronormativity. First, the normativity of certain heterospaces could compel self-censoring/‘de-gaying’ of the self. Middle-aged gay men were differentiated by others who claim greater legitimacy within them. Second, informants differentiated themselves through involvement with heterosexual friends from ghettoised ‘scene queens.’ This ambivalent claim to difference could deny inequality and reinforce homophobia. Third, the normativity of heterospaces was thought to offer freedom from the ageist gay gaze, allowing expression of more ‘authentic’ aspects of the midlife-aged self.
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Dissertations / Theses on the topic "Gay 'scene'"

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Whisnant, Clayton John. "Hamburg's gay scene in the era of family politics, 1945-1969." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3033589.

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D'Aiello, Alan. "Communicating in the local : digital communications technology use in Brighton's gay pub scene." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61485/.

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This thesis is an analysis of the use and impact of digital communication technology (DCT) in the Gay pub scene in the Kemptown neighborhood of Brighton, East Sussex, UK. The purpose of this work is twofold: to create a snapshot record of the everyday activities in pub spaces at a particular point in the neighborhood's history from the point of view of an American gay man, and to develop an understanding of the impact of digital communications technology (DCT) on the activities in these spaces by investigating the impact of DCT on the idea of 'gay space'. This analysis is broken down into three distinct areas of enquiry: the implementation of DCT in pub spaces by the landlords/owners of the space, the use of DCT by the patrons of these spaces, and an analysis of those spaces that have not directly engaged DCT, neither implementing DCT as a feature of the location, nor limiting its use within the space. This thesis utilizes participant observations, auto ethnographic observations, and interviews made over a period of two years and engages with the theoretical arguments around gay space: its history both within the broad context of UK history, and also with Brighton's special historical status as a gay centre within the UK; its current uses; and the potential for its evolution. This investigation of hof DCT is impacting on gay space also questions to what extent 'gay space' is maintaining a sense of physicality and to what extent an extension of DCT-enabled virtual spaces is altering our relationship to these spaces. The work examines the notion of nostalgia, ownership, and control of space and attempts through its focus on several locations in Kemptown to catalogue the many changes in structure, clientele, locale, and business success that these spaces have gone through in a fairly short time and to determine to what extent the use and influences of DCT has driven these changes. The project includes interviews with landlords and patrons of eight current and former venues in Kemptown and encompasses a group of three key participants in detail through a series of scheduled interviews and group discussions conducted during the duration of the project, and details their particular relationships to the spaces in Kemptown as well as their uses of DCT in these spaces. These participants act as a focal point for the research by helping to create a frame of reference within the work balancing the author's auto ethnographic analysis with the point of view of a local Brighton gay male, as well as contribute to and support the broader narrative of the vicissitudes of smaller pub venues by helping to highlight the historical changes in the pubs being looked at. The specific questions that this research sets out to answer are: • How is digital communicative technology (DCT) affecting self defined gay spaces in Kemptown, Brighton? • How is DCT affecting the behaviours of the patrons and owners/operators in these spaces? • How are the owners/operators of these spaces adapting to DCT? Is there evidence of owners/operators conforming to Winston's theory on the suppression of disruptive potential of new and emerging media technology (1995)? • What are the implications, challenges and opportunities presented to those spaces which are not engaging with DCT in their spaces? • Are “gay spaces” in Kemptown still relevant with the intersection of digital and physical spaces? Do these spaces meet the same requirements as they have in the past? Does DCT have the ability on its own to maintain the relevance of a venue on its own when faced off against other pressures (such as commercial or demographic pressure)? The conclusions reached in this thesis draw attention to the potential for DCT: • Acting as a form of disruptive potential of new communication technologies (Winston, 1995). • The concerns that DCT is suppressing interpersonal communications in favor of mediated discourse (Turkle, 2011, 2012, 2015). • That automobility is creating a privatization of pub spaces, along with the creation of ‘non-places' (Bull, 2004) However, in the author's analysis, there is evidence of cohabitation, and adaptation towards DCT which is reminiscent of Winston's theory of the suppression of disruptive potential of emerging communication technology, as well as a resistance response with nostalgic overtones. The conclusions are also grounded in the larger narratives of pub culture within the UK and note the challenging culture that smaller, brewer-tied and non-tied gay venues have within these changing demographics and cultural acceptance of homosexuality in general. This research adds to the broader field of research into the adaptation of communications technology by drawing attention to the effects of DCT on both spaces and their users and also highlights their effects on a subculture.
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Robinson, Peter Barclay, and Peter Robinson@rmit edu au. "The changing world of gay men, 1950-2000." RMIT University. Global Studies, Social Sciences and Planning, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080627.144914.

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The focus of this thesis is the lived experience of 80 Australian gay men in the second half of the twentieth century. The oldest man in the sample was born in 1922 and the youngest in 1980. Their understanding of what it was to be gay is historically contingent, for their lives spanned the greater part of the twentieth century: from when homosexuality was illegal through the less repressive but no less problematic eras of gay liberation and the HIV-AIDS epidemic. Qualitative in approach, the thesis was based on oral history interviews. Interviewees were asked set questions about their social, affective and sexual lives. The sample comprised an old cohort of 22 men, a middle cohort of 30 men, and a young cohort of 28 men. The majority of interviewees were of Anglo-Saxon or Anglo-Celtic decent. The exceptions were Aboriginal men, and the children of migrants to Australia from South-east Asia and Southern Europe. Interviewees' personal narratives included their experiences of the repression of the Cold War period, the exuberance, and, for some, personal confusion of gay liberation and the disco culture of the 1970s, and the trauma of the HIV-AIDS epidemic. Through their life stories, the men in this sample illustrated the significant shifts in sexual attitudes and culture that Australia experienced in the latter part of the twentieth century. Aspects of the lives examined included the men's experience of coming out and development of their sexual identity, their social and affective lives, and their involvement in the gay 'scene' and gay community.
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Routon, Jasmine M. "Meet Me at the Bar? A Comparison of Gay and Straight Men and Their Utilization of The Bar Scene." TopSCHOLAR®, 2015. http://digitalcommons.wku.edu/theses/1470.

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Traditionally, men are expected to arrange their lifestyle in a way that allows them to obtain the “package deal” of a career, becoming a husband, and fatherhood. This study quantitatively studies the effects of partnering on gay and straight men as mediated through the bar scene, aiming to explore how bar participation alters their social networks and their perceptions of social expectations. The ultimate goal is to determine if gay and straight men report differing social expectations such as becoming a husband and father. This investigation explores their beliefs on commitment, monogamy, and parenthood and seeks to determine whether these beliefs differ due to sexuality. Collecting data about how the men participate in the bar scene and if their participation differs after partnering will help reveal differences in social network composition, social expectations, and commitment. The data were collected from people 18 and older through a web-based survey linked directly to particular bars and other community sites within one urban region of Kentucky. Bar participation between gay men and straight men, particularly when partnered, did not differ significantly, suggesting similarities in social network composition. Social expectations did not vary much between gay and single men, but the commitment each group reported was conceptually different. Ultimately, the study both supported and opposed previous literature concerning traditional gendered social expectation
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Zackery, Shane M. "The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/334.

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This video is a visual representation of the frustrations that I suffered from when I, a queer, gender non-conforming, person of color, went to “pasty normals” (a term defined by Jose Esteban Munoz to describe normative, non-exotic individuals) to get a definition of what Punk meant and where I fit into it. In this video, I personify the Punk music movement. Through my actions, I depart from the grainy, low-quality, amateur aesthetics of the Punk film and music genres and create a new world where the Queer Person of Color defines Punk. In the piece, Punk definitively says, “Don’t try to define me. Shut up and leave me to rest.”
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MORAIS, MICHAEL MEDEIROS DE. "QUEERS BODIES OR POLYMORPHOUS BODIES: AN OBSERVATION OF THE USES AND MEANINGS OF BODY IN THE GAY SCENE OF RIO DE JANEIRO CITY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15441@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
Esta pesquisa apresenta uma reflexão sobre os usos e significados do corpo na cena gay carioca, visando uma reflexão sobre os matizes subjetivos da configuração das formas corporais, tendo como lócus de observação e análise as performances de transformismo da cidade do Rio de Janeiro. Foram remontados discursos teóricos que investigam a legitimidade de tal pesquisa no âmbito do design. Foram também levantados discursos que tratam da produção de sentido por meio das formas de expressão do corpo e argumentos filosóficos a respeito da homossexualidade e sua episteme no contemporâneo, além de elaborações sobre a vivência gay na cidade do Rio. Na pesquisa de campo desenvolvemos entrevistas com Perforrmers da cidade, evocando através de questionários, registros sobre os condicionantes subjetivos da elaboração de seus personagens, seus artifícios na caracterização dessas figuras do discurso e registros fotográficos desse processo. Concluímos a dissertação argumentando que reflexões sobre o corpo trazem um novo paradigma para o universo do design, evocando novos ferramentais e novas formas de abordagem, mas, oferecendo um campo rico em sentidos para a produção de novos enunciados, deixando um campo aberto para novos discursos.
This research shows a new reflection about the uses and meanings of the body on the carioca’s gay scene, looking for a reflection about the subjective nuances of the body shapes configuration, having as a locus of investigation and analysis the crossdresser’s performances of Rio de Janeiro city. Theoretical speeches that investigate the legitimation of this research on Design field were invoked. Speeches that talk about meaning production through the body expression forms and philosophic arguments regarding homosexuality and its epistemology nowadays, moreover, observations on gay life in Rio were also invoked. On the Field Research we developed interviews with city performers, evoking through questionnaires, recordings about the subjective motivations of character elaborations, theirs tools on the characterization of this discourse figures and photographic registrations of this process. We concluded the dissertation regimenting that reflections about body bring a new paradigm to design universe, evoking new tools, and new ways of approach, but, offering a rich field of feelings to the production of new enunciates, leaving an open field to the production of new discourses.
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Zaki, Mohamed. ""And they say there aren't any gay Arabs ..." : ambiguity and uncertainty in Cairo's underground gay scenes." Thesis, London School of Economics and Political Science (University of London), 2013. http://etheses.lse.ac.uk/927/.

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This thesis explores issues of subjectivity, collective identity, relatedness and class among young men on Cairo’s underground gay scenes. My thesis, based on 18 months of ethnographic research (November 2009-March 2011) among in Cairo, focuses on the diversity of ways in which ‘gay’ identities are embraced, questioned, and critiqued through the day to day activities of life in the city, and the construction of spaces in which the men move. The thesis analyzes various forms of instability and ambiguity relating to men’s sexuality both on the individual and scene levels. I argue that while a sense of precarity and ambiguity permeates the scene because of security concerns, the elusiveness of recognition both in relation to the state and the family, as well as internal fragmentation along class lines, it allows for a certain creativity as men cultivate and continually invest in the sociocultural maintenance of a ‘gay scene’. Through an examination of performance styles that are heavily influenced by a scene-specific form of camp aesthetics as well as scene-level narratives, I argue that such efforts are attempts at creating a sense of collective identity and permanence on a scene that is all too often experienced as unstable and ephemeral. While this project addresses the very real difficulties men face as homosexuals in Egypt (prosecution, social ostracism and harassment) it illustrates how men take hold of the liminal positions they occupy and experience, and in the process raise important questions about articulations of sexuality, class, and national positioning vis-à-vis a global imaginary.
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Lawson, Ruth Elaine. "The influence of evolution, habitat and social organisation upon the chemical signalling in deer." Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243051.

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Domingues, Maria Izabel Velazquez. "Alasdair Gray's Lanark in the scottish contemporary scene : a matter of postmodern identity." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/134290.

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Esta é uma leitura crítica de Lanark: a Life in Four Books do escritor escocês Alasdair Gray (1934), cujos talento e estilo se constituem exemplo da literatura contemporânea da Escócia. Esta investigação tem por objetivo determinar o papel exercido pela produção do autor nas esferas literária, cultural e sociopolítica da Escócia de hoje. Ao transitar entre ficção e meta-ficção, arte e autobiografia, Gray encara os paradoxos envolvidos ao tentar revitalizar traços da identidade nacional. O trabalho de Gray não pode ser considerado sem o reconhecimento de que a sua literatura é, simultaneamente, local e universal. Ela pertence ao cosmos escocês o qual é destacado por lutas culturais assim como é também dominante por ser escrita em Inglês e, com isso, alcançar leitores de todas as partes do mundo dentro das fronteiras transpostas pela Língua Inglesa. Essa é uma das razões pelas quais esta pesquisa busca lançar luz sobre a cena literária contemporânea escocesa, empenhando-se em preencher uma lacuna existente no currículo acadêmico brasileiro de nossos cursos de graduação e pós-graduação no que tange o tratamento e a abordagem das outras Literaturas produzidas em Língua Inglesa. Para tanto, a tese está dividida em três partes. A primeira considera a literatura escocesa em relação à formação, ratificação e reavaliação do significado de senso de identidade nacional, como observado diacronicamente através do período entre 1940 e 1970. A segunda parte focaliza os novos olhares no cenário cultural da Escócia por um grupo de escritores repleto de estilo, história e visão, os New Scottish Writers. As estratégias de Gray para lidar com ficção e biografia em Lanark assim como sua reflexão sobre a natureza do mundo são de grande importância para este trabalho. Com embasamento teórico no entendimento de Linda Hutcheon sobre meta-ficção historiográfica, intertextualidade, parodia e ironia no pós- modernismo, eu tento enquadrar, no Capitulo Três, as manobra literárias desempenhadas pelo autor ao usar tais recursos textuais no romance. Espero que o resultado desta tese de doutorado possa ser útil como reflexão sobre o presente estado de discussões sobre a literatura Escocesa pós-moderna e, ao mesmo tempo, como um meio de tornar os leitores acadêmicos brasileiros mais familiarizados com a obra de Alasdair Gray.
This is a critical reading of Lanark: a Life in Four Books, a novel by the Scottish writer Alasdair Gray (b. 1934), whose talent and style provide a fitting example of Scotland’s contemporary literature. The aim of this investigation is to determine the role played by Gray’s production in the literary, cultural and sociopolitical spheres of present-day Scottish life. In his blending of fiction and metafiction, of art and autobiography, the author faces the paradoxes involved in the attempt to stress the marks of a national identity. Gray’s work cannot be considered without recognizing that his literature is both local and universal. It belongs to the Scottish cosmos which is highlighted by cultural struggles as well as it is dominant, once it is carried out in English reaching readers all over the world from within the limits and format determined by the English Language. That is one of the reasons why this research aims to shed light on the current Scottish literary scene, attempting to fill an existing gap in the Brazilian academic curriculum respecting the treatment and approach of Literatures produced in English in our undergraduate and graduate courses. The dissertation is divided into three parts. The first contextualizes Gray in Scotland’s literature in its relation to the formation, ratification and revaluation of the concept of a sense of national identity as observed diachronically, throughout the period between 1940s and 1970s. The second section focuses on the new looks at Scotland’s cultural scenario by a distinguished group of writers burst with style, history and post-devolution vision, the New Scottish Writers. Gray’s strategies to deal with a fictional and biographical context in Lanark and his reflection upon world’s nature and worth are of great importance for this work. By the reading of Linda Hutcheon’s understanding on historiographic metafiction, intertextuality, parody and irony in postmodernism, I attempt to frame in Chapter Three the literary maneuvers Gray makes in using such textual resources in his novel. I hope that the result of this doctoral thesis may be useful both as a reflection upon the present state of the discussion about Scotland’s postmodern literature, and as a means of making the Brazilian academic readers more familiar with the work of Alasdair Gray.
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Martins, Larissa Hobi. "Interface cena e tecnologia : composi??es c?nicas mediadas." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12459.

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Made available in DSpace on 2014-12-17T14:00:19Z (GMT). No. of bitstreams: 1 LarissaH_DISSERT.pdf: 3141544 bytes, checksum: 1d7965aa27a587e476d38f8cd8b28d29 (MD5) Previous issue date: 2013-08-22
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of S?o Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profana??es_superf?cie de eventos de constru??o coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic context
Partindo do pressuposto de que as artes no ocidente sempre dispuseram de recursos, suportes e dispositivos pertencentes ao seu contexto de ?poca, pretende-se uma reflex?o acerca de composi??es c?nicas mediadas por tecnologias digitais. Tecnologias essas, que est?o inseridas no cotidiano, passando tamb?m a compor experimentos art?sticos, assumindo dessa forma um papel dial?gico por meio da intersec??o arte/tecnologia. Prop?e-se assim investigar quais as rela??es que se estabelecem na cena teatral contempor?nea a partir do cont?gio pelas tecnologias digitais, procurando tra?ar esse paralelo atrav?s do di?logo com autores que tratam do assunto, como tamb?m, valendo-se de pr?ticas de grupos que tem no uso de recursos tecnol?gicos fator determinante em suas encena??es. Al?m disso, se realiza uma reflex?o sobre a cena que incorpora ou se perfaz em eventos intermidi?ticos, analisando de que forma as tecnologias digitais (re)configuram os processos composicionais das encena??es do GAG Phila7, da cidade de S?o Paulo/SP. Para tanto, a disserta??o encontra-se organizada em tr?s cap?tulos que contemplam quatro momentos, a saber: breve panorama do campo, contextualiza??o, an?lise e s?ntese po?tica. Utiliza-se como proposta metodol?gica os m?todos qualitativos: entrevista semi-estruturada, tomada de notas e documentos (programa, site, caderno de encena??o, material de divulga??o para texto publicit?rio, fotografias e v?deo de registro). Dentro do universo da pesquisa qualitativa, trabalha-se com a perspectiva epistemol?gica da hermen?utica filos?fica gadameriana. As possibilidades abertas pelo duplo virtual (internet/web) gerou um tipo de teatro com outra base material e novas formas de organiza??o e estrutura??o, sendo poss?vel perceber que tais avan?os tecnol?gicos e as artes se contaminam mutuamente, gerando um deslocamento na l?gica da composi??o teatral, movimento iniciado com as vanguardas art?sticas, que vem se intensificando gradativamente, abrindo possibilidades de constru??es e hibridiza??es das mais diversas poss?veis. ? nessa perspectiva que se encontra inserido o experimento Profana??es_superf?cie de eventos de constru??o coletiva, idealizado pelo Phila7. Alvo das discuss?es da referida pesquisa, o experimento trabalha com po?ticas poss?veis surgidas da intersec??o com as tecnologias digitais, buscando apontar e problematizar os desafios advindos da evolu??o e expans?o tecnol?gica em um contexto c?nico
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Books on the topic "Gay 'scene'"

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Harris, Gavin. Camp nites: Sydney's emerging drag scene in the '60's. Sydney, Australia: Pride History Group, 2006.

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Cline, Sally. Couples: Scene from the inside. London: Little, Brown, 1998.

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Edmund, Miller. The go-go boy sonnets: Men of the New York club scene. Portland, OR: Inkwater Press, 2005.

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Stuart, Baker, and Soul Jazz Records, eds. Voguing and the ballroom scene of New York City 1989-92. London: Soul Jazz Books, 2011.

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Labelle, Anne-Marie. Scenes in the lives of gays and lesbians. Montreal: Labelle, 2003.

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The boom economy, or, Scenes from clerical life. Madison: University of Wisconsin Press, 2003.

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Clare GAA: The club scene, 1887-2010. Ennis, Co. Clare: Seamus O'Reilly, 2010.

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Couples: Scenes from the inside. Woodstock, NY: Overlook Press, 1999.

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SPE, Nigeria International Conference and Exhibition (25th 2001 Abuja Nigeria). Nigeria's gas in the global energy scene: Conference technical papers. [Abuja?]: Society of Petroleum Engineers (Nigeria Council), 2001.

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Fighting to serve: Behind the scenes in the war to repeal "don't ask, don't tell". Chicago, Ill: Chicago Review Press, 2012.

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Book chapters on the topic "Gay 'scene'"

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Robinson, Peter. "The ‘Scene’." In The Changing World of Gay Men, 72–94. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584310_5.

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Cummings, James. "The Scene/Quanzi." In The Everyday Lives of Gay Men in Hainan, 91–129. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92253-5_3.

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Simpson, Paul. "Setting the Gay Scene: Orientation, Definitions and Themes." In Middle-Aged Gay Men, Ageing and Ageism, 1–31. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435248_1.

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Simpson, Paul. "The Scene at Home with Significant Others: Intimacy and Inclusion." In Middle-Aged Gay Men, Ageing and Ageism, 144–74. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435248_6.

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Simpson, Paul. "Less Accessible ‘Homospaces’: The Online Gay Scene, Saunas and Social Groups." In Middle-Aged Gay Men, Ageing and Ageism, 92–120. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435248_4.

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Bassi, Camila. "‘Shanghai Goes West’: A Story of the Development of a Commercial Gay Scene in China." In Sexualities: Past Reflections, Future Directions, 226–45. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137002785_13.

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Mete, Gökçe. "Setting the Scene." In Energy Transitions and the Future of Gas in the EU, 9–36. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-32614-2_2.

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Davis, Philip J. "Thomas Gray Arrives on the Scene." In Thomas Gray in Copenhagen, 41–46. New York, NY: Springer New York, 1995. http://dx.doi.org/10.1007/978-1-4757-4366-1_6.

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Whisnant, Clayton J. "Struggle over the Gay Scenes’ Boundaries." In Male Homosexuality in West Germany, 112–65. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137028341_4.

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Wang, Hua, and Arvind Singhal. "Mind the Gap! Confronting the Challenges of Translational Communication Research in Entertainment-Education." In Entertainment-Education Behind the Scenes, 223–42. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63614-2_14.

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Conference papers on the topic "Gay 'scene'"

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Mittal, A. K., A. K. Gupta, and K. L. Goyal. "Natural Gas: An Emerging Fuel in Indian Energy Scene." In SPE Gas Technology Symposium. Society of Petroleum Engineers, 1988. http://dx.doi.org/10.2118/17748-ms.

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Kerdegari, Hamideh, Manzoor Razaak, Vasileios Argyriou, and Paolo Remagnino. "Urban scene segmentation using semi-supervised GAN." In Image and Signal Processing for Remote Sensing XXV, edited by Lorenzo Bruzzone, Francesca Bovolo, and Jon Atli Benediktsson. SPIE, 2019. http://dx.doi.org/10.1117/12.2533055.

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Ly, Tieying, and Jiaxiong Peng. "Image gray level rectifying in scene matching." In AeroSense '97, edited by Jacques G. Verly. SPIE, 1997. http://dx.doi.org/10.1117/12.277239.

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Rangel, Johannes, Robert Schmoll, and Andreas Kroll. "On Scene Flow Computation of Gas Structures with Optical Gas Imaging Cameras." In 2020 IEEE Winter Conference on Applications of Computer Vision (WACV). IEEE, 2020. http://dx.doi.org/10.1109/wacv45572.2020.9093630.

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Wu, Jiawei, Chunfeng Wu, and Nong Sang. "Combining gray level and gradient magnitude for scene matching." In Sixth International Symposium on Multispectral Image Processing and Pattern Recognition, edited by Tianxu Zhang, Bruce Hirsch, Zhiguo Cao, and Hanqing Lu. SPIE, 2009. http://dx.doi.org/10.1117/12.830712.

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Knox, Michael A. "Forensic Engineering Applications in Crime Scene Reconstruction." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-38659.

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Forensic engineers have traditionally engaged in the analysis of such events as traffic accidents, fires, industrial accidents, structural failures and product liability claims. The application of engineering science and design principles to these types of cases has been well established and has proven valuable to the legal and professional communities. Despite this extensive background in forensic issues, engineers have been reluctant to apply their training and education to the reconstruction of criminal events. Anecdotal experience shows that the common response by engineers to the field of crime scene reconstruction is: “We don’t do that”. Indeed, Internet research reveals very few cases in which forensic engineers have delved into the reconstruction of shooting incidents, and virtually no cases in which engineers have engaged in that analysis of homicidal beatings, bloodstain patterns or other such criminal events. This paper will explore the role of the forensic engineer in the field of crime scene reconstruction both as practitioner and researcher and will show that there is a growing role for engineers to play in the reconstruction of criminal events. Example cases will be explored, and the application of engineering science to those cases will be demonstrated. This paper will also look at ways for forensic engineers to bridge the experience gap that has perhaps been at the center of their reluctance to become involved in crime scene reconstruction.
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Jia, Shaofei, XueSong Tian, Tong Wang, Chunyan Shan, and ZhouYi Li. "Discussion of Visual Technology of the Big Scene of Virtual Reality on WEB." In International Oil & Gas Conference and Exhibition in China. Society of Petroleum Engineers, 2006. http://dx.doi.org/10.2118/104451-ms.

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Grevera, George J., and Jayaram K. Udupa. "Shape-based interpolation of nD gray scenes." In Medical Imaging 1996, edited by Yongmin Kim. SPIE, 1996. http://dx.doi.org/10.1117/12.238438.

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Neto, Alcides Codeceira, and Pericles Pilidis. "An Exergy Analysis of Novel Power Generation Systems." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-290.

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The present paper describes the application of the exergy method to several power cycles of current interest in the Brazilian power scene. The ability of the exergy method to highlight component irreversibilities is of particular interest in this investigation. In this paper the exergy analysis for a simple gas turbine cycle, a combined gas/steam cycle, a combined gas/steam/freon cycle and a chemically recuperated gas turbine have been performed. As a yardstick for comparison a standard gas turbine engine with and without a steam bottoming cycle has been employed. The fuel considered is natural gas. The analysis of this system has been carried out using the exergy method. For the simple gas turbine cycle a biomass fuel has been employed as an alternative. The attraction of this fuel is its low impact on the environment and its plentiful supply in many regions in Brazil.
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Yanagi, Rintaro, Ren Togo, Takahiro Ogawa, and Miki Haseyama. "Scene Retrieval for Video Summarization Based on Text-to-Image gan." In 2019 IEEE International Conference on Image Processing (ICIP). IEEE, 2019. http://dx.doi.org/10.1109/icip.2019.8803177.

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Reports on the topic "Gay 'scene'"

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Eric Burnham, Eric Burnham. Can we predict individual identity, age, and gender of Mexican gray wolves from their scent? Experiment, December 2014. http://dx.doi.org/10.18258/4256.

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McKinnon, Mark, Sean DeCrane, and Steve Kerber. Four Firefighters Injured in Lithium-Ion Battery Energy Storage System Explosion -- Arizona. UL Firefighter Safety Research Institute, July 2020. http://dx.doi.org/10.54206/102376/tehs4612.

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On April 19, 2019, one male career Fire Captain, one male career Fire Engineer, and two male career Firefighters received serious injuries as a result of cascading thermal runaway within a 2.16 MWh lithium-ion battery energy storage system (ESS) that led to a deflagration event. The smoke detector in the ESS signaled an alarm condition at approximately 16:55 hours and discharged a total flooding clean agent suppressant (Novec 1230). The injured firefighters were members of a hazardous materials (HAZMAT) team that arrived on the scene at approximately 18:28 hours. The HAZMAT team noted low-lying white clouds of a gas/vapor mixture issuing from the structure and nearby components and drifting through the desert. The team defined a hot zone and made several entries into the hot zone to conduct 360-degree size-ups around the ESS using multi-gas meters, colorimetric tubes, and thermal imaging cameras (TICs). The team detected dangerously elevated levels of hydrogen cyanide (HCN) and carbon monoxide (CO) during each entry. The team continued to monitor the ESS and noted the white gas/vapor mixture stopped flowing out of the container at approximately 19:50 hours. The HAZMAT leadership developed an incident action plan with input from a group of senior fire officers and information about the ESS provided by representatives from the companies that owned, designed, and maintained the ESS. The HAZMAT team made a final entry into the hot zone and found that HCN and CO concentrations in the vicinity of the ESS were below an acceptable threshold. In following with the incident action plan, the team opened the door to the ESS at approximately 20:01 hours. A deflagration event was observed by the firefighters outside the hot zone at approximately 20:04 hours. All HAZMAT team members received serious injuries in the deflagration and were quickly transported to nearby hospitals. Note: The lithium-ion battery ESS involved in this incident was commissioned prior to release of a first draft of the current consensus standard on ESS installations, NFPA 855 [1]; the design of the ESS complied with the pertinent codes and standards active at the time of its commissioning.
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McKinnon, Mark, Craig Weinschenk, and Daniel Madrzykowski. Modeling Gas Burner Fires in Ranch and Colonial Style Structures. UL Firefighter Safety Research Institute, June 2020. http://dx.doi.org/10.54206/102376/mwje4818.

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The test scenarios ranged from fires in the structures with no exterior ventilation to room fires with flow paths that connected the fires with remote intake and exhaust vents. In the ranch, two replicate fires were conducted for each room of origin and each ventilation condition. Rooms of fire origin included the living room, bedroom, and kitchen. In the colonial, the focus was on varying the flow paths to examine the change in fire behavior and the resulting damage. No replicates were conducted in the colonial. After each fire scene was documented, the interior finish and furnishings were replaced in affected areas of the structure. Instrumentation was installed to measure gas temperature, gas pressure, and gas movement within the structures. In addition, oxygen sensors were installed to determine when a sufficient level of oxygen was available for flaming combustion. Standard video and firefighting IR cameras were also installed inside of the structures to capture information about the fire dynamics of the experiments. Video cameras were also positioned outside of the structures to monitor the flow of smoke, flames, and air at the exterior vents. Each of the fires were started from a small flaming source. The fires were allowed to develop until they self-extinguished due to a lack of oxygen or until the fire had transitioned through flashover. The times that fires burned post-flashover varied based on the damage occurring within the structure. The goal was have patterns remaining on the ceiling, walls, and floors post-test. In total, thirteen experiments were conducted in the ranch structure and eight experiments were conducted in the colonial structure. All experiments were conducted at UL's Large Fire Laboratory in Northbrook, IL. Increasing the ventilation available to the fire, in both the ranch and the colonial, resulted in additional burn time, additional fire growth, and a larger area of fire damage within the structures. These changes are consistent with fire dynamics based assessments and were repeatable. Fire patterns within the room of origin led to the area of origin when the ventilation of the structure was considered. Fire patterns generated pre-flashover, persisted post-flashover if the ventilation points were remote from the area of origin.
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Driving Confidence in a Connected Vehicle Environment: A Case Study of Expressway Work Zone. SAE International, December 2020. http://dx.doi.org/10.4271/2020-01-5210.

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At present, how the application of connected vehicle technology will affect drivers’ driving psychology needs to be explored. As an important part of driving psychology, driving confidence can guide drivers to operate calmly when facing a complex traffic environment, which has an important impact on reducing accident rates and improving traffic efficiency. Based on the driving behavior data in the expressway work zone under a connected vehicle environment, this study mainly analyzed the difference between the psychological characteristics of drivers with warning information or without warning information when facing the work zone ahead. Firstly, based on driving simulation technology, the expressway work zone scene in a connected vehicle environment was designed, and the on-board human-machine interface was used to provide warning information of the work zone ahead. Secondly, the difference of drivers’ driving confidence in psychology when driving with or without warning information was analyzed by using the characteristics of average vehicle spatiotemporal diagram and gas pedal angle. Finally, a method of quantifying driving confidence was proposed, which used a kind of objective weighting method to get the weights between different indicators. Based on this method, drivers’ degree of driving confidence under two conditions was calculated. The results showed that connected vehicle technology could affect drivers’ driving confidence in psychology when facing the work zone ahead. In the connected vehicle environment, 82.9% of drivers’ degree of driving confidence would increase, and the average degree of driving confidence with warning information was 10.9% higher than that without warning information.
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