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Journal articles on the topic 'Gay magazine'

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Published: 4 June 2021
Last updated: 9 February 2022

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1

Howard, K. "Magazine: Magazine's HIV claim rekindles "gay plague" row." BMJ 326, no. 7386 (February 22, 2003): 454. http://dx.doi.org/10.1136/bmj.326.7386.454.

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2

Mezo González, Juan Carlos. "Consuming the Mexican Body: Gender, Race, and the Nation in Macho Tips, 1985–1989." Hispanic American Historical Review 100, no. 4 (November 1, 2020): 655–87. http://dx.doi.org/10.1215/00182168-8646943.

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Abstract This article examines how the editorial and visual content of the Mexican gay magazine Macho Tips (1985–89) reproduced national discourses of race and gender to challenge the exclusion of gay men from the nation. Drawing on archival sources and oral history interviews, the essay demonstrates how the invocation of mestizaje, masculinity, and respectability shaped the production, reception, and content of the magazine—particularly its sexual imagery. The article argues that while Macho Tips appropriated, eroticized, and commodified national values of race and gender to make a profit, the magazine reconceptualized their meanings to debunk stereotypes that marginalized gay men. Macho Tips detached macho aesthetics from heterosexuality and successfully blurred the line between straight and gay Mexican masculinities. As a result, the magazine nationalized homosexuality and appealed to the desires of gay middle classes who sought to consume the Mexican masculine body.
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3

Lewis, Reina. "Looking Good: The Lesbian Gaze and Fashion Imagery." Feminist Review 55, no. 1 (March 1997): 92–109. http://dx.doi.org/10.1057/fr.1997.6.

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This paper is concerned with the different forms of pleasure and identification activated in the consumption of dominant and subcultural print media. It centres on an analysis of the lesbian visual pleasures generated through the reading of fashion editorial in the new lesbian and gay lifestyle magazines. This consideration of the lesbian gaze is contrasted to the lesbian visual pleasures obtained from an against the grain reading of mainstream women's fashion magazines. The development of the lesbian and gay lifestyle magazines, in the context of the pink pound, produces a situation in which an eroticized lesbian visual pleasure is the overt remit of the magazine, rather than a clandestine pleasure obtained through a transgressive reading of dominant cultural imagery. In contrast to the polysemic free-play of fashion fantasy by which readers produce lesbian pleasure in the consumption of mainstream magazines, responses to the fashion content in the lesbian magazine Diva suggest that in a subcultural context readers deploy a realist mode of reading that demands a monosemic positive images iconography. The article uses the concept of subcultural competency to consider the different ways lesbians read mainstream and subcultural print media and suggests that the conflict over Diva‘s fashion spreads may be linked to changing patterns of identification and the use of dress for recognizability.
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4

Stewart, Helen. "Gay history month is not relevant to magazine." Nursing Standard 20, no. 23 (February 15, 2006): 38. http://dx.doi.org/10.7748/ns.20.23.38.s47.

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5

Sender, Katherine. "Gay Readers, Consumers, and a Dominant Gay Habitus: 25 Years of the Advocate Magazine." Journal of Communication 51, no. 1 (March 1, 2001): 73–99. http://dx.doi.org/10.1111/j.1460-2466.2001.tb02873.x.

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6

WILLIAMS, MEGAN E. "“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949." Journal of American Studies 43, no. 1 (April 2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.

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Following World War II, Ebony's creator and editor, John H. Johnson, sought to create a popular black magazine in the vein of Life and Look that would reflect the accomplishments and joys, “the happier side,” of African American life.1 Throughout the first four years of its publication, Lena Horne appeared on the magazine's cover three times – the only woman to do so during this period. In this paper, I argue that the fledgling Ebony magazine drew on Lena Horne's wartime status as a beautiful black icon and represented her as a symbol of its ideological project, broadly, and as the Ebony image of postwar black womanhood, specifically. The magazine's representation of Lena Horne acts as a useful trope for understanding how Ebony imaged postwar black femininity in terms of motherhood, work, and civil rights activism; additionally, Ebony's representation of Horne and Ebony readers' letters to the editor reveal central issues of respectability, pinup photography, colorism, hair care, and interracial relationships as they were debated within the magazine's pages.Behind the lavish make-up, gay tinsel and brilliant glitter of American's most popular Negro entertainer, Lena Horne is a wonderfully human, somewhat lonesome, amazingly-honest, militant-minded personality who is relatively unknown to a vast audience of millions of movie, radio, and night club fans.2
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7

Young, Vershawn Ashanti. "Straight Black Queer: Obama, Code-Switching, and the Gender Anxiety of African American Men." PMLA/Publications of the Modern Language Association of America 129, no. 3 (May 2014): 464–70. http://dx.doi.org/10.1632/pmla.2014.129.3.464.

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Globe magazine featured a “world exclusive,” not even a year into Barack Obama's first term as president of the united states, charging him with homosexual infidelity and his wife, Michelle, with coordinating a cover-up (“Obama Gay Cover-Up!”). The magazine followed up two months later, asserting that Obama's lover resided in the White House and was none other than his personal aide, Reggie Love (“Obama's Gay Lover”). Globe, of course, is a dime-store rag whose mission is to sensationalize. I refer to it here because it is perhaps the most relentless among a slew of white-run media outlets that consistently and unfavorably queer Obama, amplifying his nonnormative masculine traits and then, on that basis, assigning him a deceitful, nonheteronormative sexuality.
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8

Robinson, Shirleene. "Homophobia as Party Politics: The Construction of the ‘Homosexual Deviant’ in Joh Bjelke-Petersen's Queensland." Queensland Review 17, no. 1 (January 2010): 29–45. http://dx.doi.org/10.1017/s1321816600005249.

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In 1987, years of frustration with Queensland's sexually repressive culture compelled a homosexual man named Cliff Williams to write to the national gay magazine OutRage. Williams outlined a number of the difficulties he faced being gay in Queensland and ended his letter with the exclamation, ‘To hell with homophobic Queensland!’ This exclamation captures many of the tensions in Queensland in the 1970s and 1980s. While these decades were a time of immense political change for gay and lesbian Australians, Queensland's political culture was particularly resistant to the gay and lesbian rights movement.
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9

Oshima, Gaku. "Grass Roots Activism through the Gay Magazine G-men." Annual Review of Sociology 2019, no. 32 (August 23, 2019): 84–95. http://dx.doi.org/10.5690/kantoh.2019.84.

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10

Grace, Felicity. "Consuming Community: Community and Advertising in Brisbane's Gay and Lesbian Newspapers." Queensland Review 11, no. 2 (December 2004): 89–106. http://dx.doi.org/10.1017/s1321816600003731.

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Several things have inspired me to interview the editors of two of Queensland's free gay and lesbian newspapers, Queensland Pride and QNews. First, both newspapers are in transition in 2004. QNews has appointed Australia's first female editor of a broad-spectrum gay community paper. QNews also seemed to be significantly altering the content of its fortnightly publication. At the same time, in an unrelated move, Queensland Pride has shifted from a fortnightly newspaper to a monthly magazine format and included a lesbian-specific section, the L-Pages.
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11

Feitosa, Ricardo Augusto de Saboia. "“Sui Generis” Journalism? Visibility, Identities and Journalistic Practices in a 1990s Brazilian Gay Magazine." Brazilian Journalism Research 14, no. 1 (April 30, 2018): 76–101. http://dx.doi.org/10.25200/bjr.v14n1.2018.1046.

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This article examines the Sui Generis magazine (1995-2000), one of the most relevant gay press magazines in Brazil. We study the importance of this publication and the field of journalism in terms of producing and reproducing representations and processes of identities and relations of gender and sexuality. The methodology involves a discursive reading of editorials, cover stories and reader letters published between January 1995 and March 2000, as well as a restructuring of journalistic work and daily practices in newsrooms through interviews with reporters, columnists and editors. We reached the conclusion that choosing a policy of visibility based on outing and concepts of gay "identities" and "communities" allowed the magazine to create specific and more valued ways of what homosexuality is, which leads to a critical reflection on what these policies have achieved, and what their limits and tensions are.O artigo propõe uma investigação da revista Sui Generis (1995-2000), título do segmento especializado designado como “imprensa gay” brasileira. Busca-se compreender a relevância da publicação e deste campo jornalístico como instâncias historicamente produtoras e reprodutoras tanto de representações como dos processos de agenciamento de identidades e relações de gênero e sexualidade. Adota-se como metodologia a leitura discursiva de editoriais, reportagens de capa e cartas dos leitores publicados entre janeiro de 1995 e março de 2000; e a reconstituição, por meio de entrevistas com repórteres, colunistas e editores, do fazer jornalístico e das práticas cotidianas da redação. A análise permite constatar que, ao eleger como estratégia uma política de visibilidade calcada no outing e na elaboração de noções de “identidade” e “comunidade” gays, forjam-se modos específicos e mais valorizados do que seria a homossexualidade, exigindo uma reflexão crítica das conquistas dessas políticas, dos seus limites e de suas tensões.En ese artículo se propone investigar la revista Sui Generis (1995-2000), título del segmento especializado denominado "prensa gay" en Brasil. En él, se busca comprender la relevancia de la publicación y de este campo periodístico como instancias históricamente productoras y reproductoras tanto de representaciones como de los procesos de agenciamiento de identidades y relaciones de género y sexualidad. La metodología elegida fue la lectura discursiva de editoriales, reportajes de portada y cartas de los lectores publicados entre enero de 1995 y marzo de 2000; y la reconstitución, por medio de entrevistas con reporteros, columnistas y editores, del trabajo periodístico y de las prácticas cotidianas de la redacción. El análisis permite constatar que, al elegir como estratégica una política de visibilidad basada en el outing y en la elaboración de nociones de "identidad" y "comunidad" gays, se forjan modos específicos y más valorados de lo que sería la homosexualidad, exigiendo una reflexión crítica de las conquistas de esas políticas, de sus límites y de sus tensiones.
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12

FROW, JOHN. "“Reproducibles, Rubrics, and Everything You Need”: Genre Theory Today." PMLA/Publications of the Modern Language Association of America 122, no. 5 (October 2007): 1626–34. http://dx.doi.org/10.1632/pmla.2007.122.5.1626.

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If you had typed genre into amazon.com's search engine on a certain day in March 2007, you would have come up with an initial ten listings that included two gay men's magazines (Genre and Instinct Magazine), one introductory theoretical text (my own Genre), a compact disc by a group called D-Genre, a composition textbook (Tom Romano's Blending Genre, Altering Style: Writing Multigenre Papers), three resource kits for children (Carson-Dellosa's Literary Genres, Susan Ludwig's Twenty-Four Ready-to-Go Genre Book Reports: Engaging Activities with Reproducibles, Rubrics, and Everything You Need to Help Students Get the Most Out of Their Independent Reading, and a bulletin-board set entitled BB Set Genres of Lit), and, finally, two school textbooks (Tara McCarthy's Teaching Genre (Grades 4–8) and Heather Lattimer's Thinking through Genre: Units of Study in Reading and Writing Workshops 4–12).
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13

Saito, Takuya. "Editorial Focus of the Gay Magazine Badi and Its Attempt of Reshaping Gay Male Identity in Japan." Annual Review of Sociology 2018, no. 31 (August 25, 2018): 24–35. http://dx.doi.org/10.5690/kantoh.2018.24.

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14

Fung, Anthony, and Boris Pun. "Discourse and identity in the Hong Kong comic magazine Teddy Boy." Global Media and China 1, no. 4 (December 2016): 422–34. http://dx.doi.org/10.1177/2059436417694045.

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The discourse and cultural identity of Hong Kong media have long been of academic concern. Hong Kong media and the consumption of cultural products often reveal the process of local cultural identification formation and discourse practices. Based on the textual analysis of a local comic, Teddy Boy, this article attempts to explore and examine the discursive culture and nature of Hong Kong identity. Based on du Gay et al.’s concept of the circuit of culture, this article explores how the local discourse is formed and legitimized in the process of textual production and consumption by the representation of an idealized cultural hero. In the conclusion, we argue for a connection between local and global identity formations.
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15

Pajala, Mari, and Susanna Paasonen. "Gay Porn, Politics and Lifestyle in 1980s Finland: The Short Life of Mosse Magazine." NORA - Nordic Journal of Feminist and Gender Research 28, no. 1 (December 17, 2019): 30–42. http://dx.doi.org/10.1080/08038740.2019.1692069.

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16

Hitchcock, Michael. "True Art Sells Itself: XY Magazine and the Gay Press in Digital‐Age America." Historian 79, no. 1 (March 1, 2017): 80–99. http://dx.doi.org/10.1111/hisn.12422.

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17

Powell, Ryan. "Hardcore Style, Queer Heteroeroticism, and After Dark." Feminist Media Histories 5, no. 2 (2019): 111–47. http://dx.doi.org/10.1525/fmh.2019.5.2.111.

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During the early to mid-1970s, when feature-length hardcore films became a popular cultural phenomenon in the United States, hardcore came to designate more than just a genre or an industry—it became a ubiquitous mode of performance, an ethos, and a style. This article explores how hardcore as a style was taken up by the popular gay-marketed entertainment magazine After Dark. Through a close descriptive analysis of three photo spreads from 1975–76, it illuminates how female, gay male, and otherwise non-straight-identifying performers participated in a hardcore stylistic that, paradoxically, worked to shape queer elaborations of heteroeroticism. Within these vital images of singers, dancers, models, and performance artists, created at the height of hardcore's newfound cultural influence, performances of female-male coupling and group-centered socio-sexual activity both worked with and moved to dissolve normative heterosexist configurations of sex and gender.
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18

Narloch, Robert. "Ciotki i inne pokrewne nazwy w językowym świecie gejów." Dziennikarstwo i Media 14 (March 10, 2021): 117–29. http://dx.doi.org/10.19195/2082-8322.14.10.

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The article describes word formation with the lexeme aunty and auntie. At the same time, it is also a collection of various word-formation forms that describe the linguistic image of gays and show how complex the question of their identity is. The text also explains the difference between defining the words aunty and auntie, with particular emphasis on the intention of the sender and the group of recipients from which both the sender and the recipient of the statements cited in the article come from. The author of the article also draws attention to the influence of camp on shaping gay identity and on the way gays talk (communicate to the world) about themselves. The different subtypes of non-heteronormative males were particularly strongly emphasised in the article by means of appropriate quotes from the magazine “MEN!”. Listing word-formation formations in the article allowed the author to show not only one of the elements of the linguistic image of the world of gays, but also to indicate specific types of fags, how oft en homosexual men play with their sexuality. What is more, the combinations with the lexeme aunt are to serve primarily to describe the linguistic image of the gay world, through which they refer to stereotypes that are very often attributed to people from the gay community.
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19

Maharani, Puji. "Portraying the Multitudes: Representation of Identities of Sexual Minorities on Indonesia-Based Feminist Web Magazine Magdalene.co." Journal of Southeast Asian Human Rights 2, no. 2 (December 1, 2018): 358. http://dx.doi.org/10.19184/jseahr.v2i2.5645.

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Abstract This paper aims to interrogate the representation of identities of sexual minorities, also known as LGBTQ (Lesbian, Gay, Bisexual, Trans, Queer), on Magdalene.co, an Indonesia-based feminist web magazine which provides a slanted guide to women and issues and offers and engages with fresh perspectives beyond traditional gender and cultural confines. The representation of sexual minorities is observed through a selection of six published articles written by editorial members and from contributors’ submissions, varying in age, gender, self-identification as sexual minorities, and degree of anonymity. The articles are analysed via discourse analysis, primarily based on discourse theory by Ernesto Laclau and Chantal Mouffe. Also, incorporated into the analysis are Adrienne Rich’s theory of politics of location to look at bodies of sexual minorities, and Gilbert Herdt’s(2009) concept of sexual panic to look at the increasing religious-conservatism in Indonesia in contrast to the sexuality of sexual minorities. Through this research, I aim to examine the ways in which the representation of sexual minorities in the media opens a space of resistance against heteronormative public discourse.
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20

Jackson, Kathy Merlock. "Gay San Francisco: Eyewitness Drummer. A Memoir of the Sex, Art, Salon, Pop Culture War, and Gay History of Drummer Magazine, the Titanic 1970s to 1999, Vol. 1 by Jack Fritscher. Collected and Edited by Mark Hemry." Journal of American Culture 31, no. 3 (September 2008): 326–27. http://dx.doi.org/10.1111/j.1542-734x.2008.00681_9.x.

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21

Brito, Fábio Leonardo Castelo Branco, and Johnny De Moura Rosa. "“OS LEPROSOS DOS ANOS 80”, “CÂNCER GAY”, “CASTIGO DE DEUS”: Homossexualidade, AIDS e capturas sociais no Brasil dos anos 1980 e 1990." Revista Observatório 4, no. 1 (January 1, 2018): 751. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p751.

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Este artigo busca analisar as tentativas de captura social de subjetividades desviantes nas décadas de 1980 e 1990, relacionadas à homossexualidade e à AIDS. A forja de discursos que nomeava a homossexualidade como sendo uma prática pecaminosa, bem como a AIDS como “câncer gay” e “castigo de Deus” e os aidéticos como “leprosos dos anos 1980”. A partir do conceito de dispositivo da sexualidade de Michel Foucault, serão pensados os investimentos discursivos, produzidos tanto na imprensa de ampla circulação, através de reportagens da revista Veja e dos jornais Jornal do Brasil e Última Hora dos anos 1980 e 1990 e de crônicas de Caio Fernando Abreu, no livro Morangos mofados, publicado em 1982. PALAVRAS-CHAVE: Homossexualidade; AIDS; Brasil; Década de 1980; Década de 1990. ABSTRACT This article analyzes the attempts of social capture of deviant subjectivities in the 1980s and 1990s related to homosexuality and AIDS. The forging of discourses that named homosexuality as being a sinful practice, as well as AIDS as “gay cancer” and “punishment of God” and AIDS’s carriers as “lepers of the 1980s”. From Michel Foucault's concept of the device of sexuality, discursive investments, produced both in the widely circulated press, will be thought through the reports of Veja magazine and Jornal do Brasil and Última Hora newspapers of the 1980s and 1990s and chronicles of Caio Fernando Abreu, in the book Morangos mofados, published in 1982. KEYWORDS: Homosexuality; AIDS; Brazil; 1980s; 1990s. RESUMEN En este artículo se pretende analizar los intentos de capturar desviados subjetividades sociales en los años 1980 y 1990, relacionados con la homosexualidad y el SIDA. La fragua de discursos nombrados homosexualidad como una práctica pecaminosa y el SIDA como un “cáncer gay” y “castigo de Dios” y los pacientes con SIDA como “leprosos de los años 1980”. Desde el concepto de dispositivo de la sexualidad de Michel Foucault, las inversiones discursivas serán diseñados, producidos tanto en la prensa de amplia difusión a través de la revista Veja informes y el periódico Jornal do Brasil y Última Hora de los años 1980 y 1990 y crónicas de Caio Fernando Abreu, en el libro Morangos mofados, publicado en 1982. PALABRAS CLAVE: Homosexualidad; SIDA; Brasil; Década de 1980; Década de 1990.
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22

Harper, Margaret Mills. "South Atlantic Modern Language Association." PMLA/Publications of the Modern Language Association of America 115, no. 4 (September 2000): 856. http://dx.doi.org/10.1632/s0030812900140325.

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SAMLA's seventieth annual convention will be held in Birmingham at the Sheraton Civic Center from 10 to 12 November. William C. Calin will present the keynote address; George Ella Lyon will give the creative address; and French, German, and Spanish plenary addresses will also be featured. Sonia Sanchez will make a special appearance, and other sessions will focus on Birmingham and Alabama writers, gender and race studies, and human rights in literature and culture. Last year's highly successful reading by contemporary writers, sponsored by the literary magazine Five Points, will be repeated. Graduate students will host a poets' circle, and a special performance of Hemingway stories will take place. Among the twenty special sessions are African Influence on Western Literatures; The Holocaust in Literature and Film; Rhetorics, Rhetoricians, and the Teaching of Rhetoric; Early Modern Women of Spain; and Epics and Literature at the Millennium. During the varied program (over 140 sessions), the convention will feature issues of technology, pedagogy, and professional concerns and will offer a number of opportunities to meet and socialize. Cash bars will be held for faculty members in two-year colleges, Feministas Unidas, and gay and lesbian studies. Side trips are planned to the Birmingham Civil Rights Institute and the Birmingham Museum of Art. A full copy of the program will be available on the SAMLA Web site in July.
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23

Wigginton, Eliot. "Foxfire Grows Up." Harvard Educational Review 59, no. 1 (April 1, 1989): 24–50. http://dx.doi.org/10.17763/haer.59.1.x195p1480477p765.

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For more than twenty years, students at Rabun Gap High School, a conservative, traditionally organized public school in Appalachian Georgia, have published Foxfire books and magazines. Conceived by students in Eliot Wigginton's English classes, the project's publication of oral history grew into what was called cultural journalism. The national recognition and financial success of the Foxfire books and magazines led to the adoption of the approach by teachers throughout the country. However, many who attempted such projects did not recognize that Foxfire is not really a magazine, but a philosophy of education firmly grounded in principles of democratic, experiential education. Using the magazine as a device without the principles upon which Foxfire had been based often resulted in methods as traditional and teacher centered as those they were meant to replace. Recognizing this, Wigginton and the Foxfire staff began to carefully define the ingredients that led to the success of the Foxfire approach in Rabun County, and to look for ways to assist other teachers in adopting the philosophy and the approach in their classrooms. In this article, Wigginton describes Foxfire's core educational practices and the major aspects of the Foxfire staffs current work with teachers.
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24

Andersson, Catrine, and Charlotta Carlström. "More-Than-Two-Parent Families." lambda nordica 24, no. 2-3 (February 18, 2020): 81–103. http://dx.doi.org/10.34041/ln.v24.581.

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Norms concerning family formation are generally based on ideals of coupled love and the two-parent-family, however, family practices frequently go beyond these norms. Families consisting of more than two parents that are co-parenting have only been studied to a small extent. Analysing Swedish newspaper and magazine articles on more-than-two-parent families between 1992 and 2016 we ask: How are more-than-two-parent families displayed in Swedish media stories? Are they portrayed as legitimate families, and if so, how is this legitimacy discursively constructed? What role does recognition play in the media stories and how is it negotiated in the narratives? We use the concepts display (Finch 2007) and recognition/redistribution (Fraser 1998; 2003) in exploring the significance that recognition and legitimacy have for the depiction of families with more than two parents in the media material. The display of more-than-two-parent families in the Swedish media stories analysed is generally characterised by repertoires of modern family life, of love and intimacy and responsible and successful parenting. These repertoires are used to display the families as normal, modern, and legitimate. In addition to the repertoires mentioned, there are repertoires of importance of geographical location, of strategies and of critique of current legislation that further emphasise the legitimacy of the more-than-two-parent families in contrast to an outdated legislation that forces these legitimate families to strategise their intimate relationships. Despite several of the people interviewed being described as polyamorous or gay/lesbian, there are no tendencies in the empirical material to motivate the need for rights based on an essentialised polyamorous identity; rather, the focus is on the fact that it is the practical care relations that need to be protected.
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25

Lunsing, Wim. "Japanese Gay Magazines and Marriage Advertisements." Journal of Gay & Lesbian Social Services 3, no. 3 (December 4, 1995): 71–88. http://dx.doi.org/10.1300/j041v03n03_05.

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26

Evdokimova, E. V. "Peculiarities of Professional Media Education in 1920s: Methods of Training Military Correspondents (On the Example of the Magazine “Education and Upbringing”, 1924–1926)." Vestnik NSU. Series: History and Philology 20, no. 6 (August 11, 2021): 74–84. http://dx.doi.org/10.25205/1818-7919-2021-20-6-74-84.

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The studies of the specialized military-political publications of the 1920s usually consider only approaches to organizing the political and educational work of commanders with personnel. Filling the gap, this article focuses on the media educational approach to the analysis of print media that examines the activities of newspapers and magazines as a kind of media platform for the training of regional workers and village correspondents (rabsel'cors), and military correspondents (voencors).The article reveals the main methods of training military correspondents by the specialized magazine “Education and upbringing”. Voencors were supposed to participate in creating a mass press, perform information functions and be propagandists, agitators, and organizers of the movement of military correspondents.Based on the analysis of the journal publications the author identifies the main approaches to rabsel'cors and voencors’ training: the introduction of special headings that attracted the Red Army soldiers to read periodicals and create wall newspapers; recommendations for establishing connections between military correspondents and village correspondents; publication of articles by the main authors of the journal on the organization of wall newspapers; analysis of military correspondents’ publications; responses to letters from readers.As a result, the author comes to the conclusion that the military-political magazine “Education and upbringing” should be considered not only as a means of ideologically educating the serviceman of a new type but as a necessary guide for novice correspondents of specialized and universal media.
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Sun, Liying, and Michel Hockx. "Dangerous Fiction and Obscene Images." Prism 16, no. 1 (March 1, 2019): 33–61. http://dx.doi.org/10.1215/25783491-7480325.

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Abstract The magazine Meiyu 眉語 (Eyebrow Talk), published from 1914 to 1916 and edited by Gao Jianhua 高劍華, was China's first literary magazine edited by a woman and targeted at a female audience. It was also the first modern magazine to pay extensive attention to nudity and to physical and romantic intimacy through at times carefully considered juxtapositions of texts and images. In addition, it was the first Chinese magazine to be banned on the basis of obscenity legislation introduced during the early Republic. The committee that banned Meiyu was led by Zhou Shuren 周樹人, who later became known as the author Lu Xun 魯迅, and his disparaging reminiscence about Meiyu caused the magazine to be all but forgotten for nearly a century. In this article, the authors use a wide variety of archival material to reconstruct the complex publishing history of the magazine, as well as the processes and cultural standards involved in its banning. This is followed by a close analysis of aspects of the contents of Meiyu, especially the interaction between texts and images in the representation of nudity, intimacy, and coupledom.
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Schwartz, Joseph, and Julie L. Andsager. "Four Decades of Images in Gay Male-Targeted Magazines." Journalism & Mass Communication Quarterly 88, no. 1 (March 2011): 76–98. http://dx.doi.org/10.1177/107769901108800105.

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Benzie, Tim. "Judy Garland at the Gymgay magazines and gay bodybuilding." Continuum 14, no. 2 (July 2000): 159–70. http://dx.doi.org/10.1080/713657700.

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Allan, Jonathan A. "The lost inches: circumcision debates in gay men’s magazines." Porn Studies 6, no. 4 (October 2, 2019): 377–90. http://dx.doi.org/10.1080/23268743.2019.1590226.

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Jae, Mie Kyung, and Hyang Ran Jeon. "A study of ethnic perception gap on consumer boycott of Korean and Canadian University students." Asia Pacific Journal of Innovation and Entrepreneurship 10, no. 1 (December 5, 2016): 55–66. http://dx.doi.org/10.1108/apjie-12-2016-009.

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Purpose In this paper, the authors aim to offer a cross-cultural comparison of the boycott intentions of university students in Canada with those of students in Korea. Design/methodology/approach The data were collected from students at Inje University and York University via self-administered questionnaire. A t-test found that Canadian students’ answers showed significantly greater scores in ethnocentrism, boycott attitudes prior to reading the target article and motivations related to self-enhancement compared to those acquired from Korean students. However, the motivation of counterarguments and the boycott intentions of Korean students’ toward Rogers, the parent company of Maclean’s magazine, showed significantly higher scores than those gained from Canadian students. Findings The boycott case used in the study is Maclean’s magazine, a Canadian news magazine, which published a controversial article called, “Too Asian? Some frosh don’t want to study at an “Asian” University”. A noticeable gap in each group of students’ boycott attitude and intentions toward Rogers, the parent company of Maclean’s magazine was found. Originality/value In the multiple regression analysis, the boycott motivation of self-enhancement was the most influential variable on boycott intentions. The boycott case examined in this paper is a practical case study of cross-national grouping as well as the perceptional difference of the locus of corporate accountability that comes from cross-cultural backgrounds.
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Arrufat Pérez de Zafra, María Asunción, and Cristina Álvarez de Morales Mercado. "Aproximación epistemológica a la traducción y la accesibilidad en el contexto digital: propuesta de una taxonomía." mAGAzin Revista intercultural e interdisciplinar, no. 27 (2019): 17–41. http://dx.doi.org/10.12795/magazin.2019.i27.02.

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Las modalidades de Traducción e Interpretación Accesible (TeIA) han sido amplio objeto de investigación desde los estudios de Traducción Audiovisual (Díaz Cintas 2007a; Orero 2007; Álvarez de Morales et al., 2012). Sin embargo, su delimitación en el contexto digital se encuentra en un estado aún propedéutico (Greco 2019: 19). En el siguiente artículo realizamos una reflexión sobre la revisión bibliográfica (Jiménez Hurtado 2007; Tercedor et al., 2007a; Báez Montero 2010; Martínez 2015; Cabezas Gay 2017; Medina Reguera 2018) para delimitar su ubicación epistemológica dentro del contexto específico de estudio, definiendo las particularidades que distinguen a las modalidades de TeIA y aportando finalmente una propuesta de taxonomía específica que incluye la descripción verbal, la interpretación a códigos visuales gestuales, la transcripción y la adaptación textual. Su análisis y estudio como elementos del Diseño Universal es clave para profundizar en la implementación de soluciones de accesibilidad efectivas para los todos los usuarios.
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Ellis, Gavin. "Poor cousin who came to stay: The well-established Mirror and the depression-era launch of the New Zealand Woman’s Weekly." Back Story Journal of New Zealand Art, Media & Design History, no. 2 (July 1, 2017): 45–61. http://dx.doi.org/10.24135/backstory.vi2.21.

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This article places the New Zealand Woman’s Weekly magazine within the processes of change that were occurring in the years following the First World War when perceptions of the roles of women were changing and domestic consumerism was evolving. It contrasts the first issue of the magazine, launched on 8 December 1932, with that month’s edition of New Zealand’s largest selling home journal, the Mirror, to illustrate how its founders had identified a gap in the depression-era market in spite of their meagre resources.
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Calder, Bill. "Gay Lifestyle Publications: Drawing the Crowds to Grow the Bar Scene." Media International Australia 156, no. 1 (August 2015): 39–49. http://dx.doi.org/10.1177/1329878x1515600106.

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This article argues that the rapid expansion of Australia's gay bar scene from the late 1970s was aided by the parallel development of a new media genre: the gay lifestyle publication. The reason for this was a powerful synergy that existed between the publicity needs of the bar scene and the editorial, distribution and revenue needs of the lifestyle magazines. Conversely, the lack of such a synergy between the internet and the bars today can be seen as contributing to the recent decline of gay bars in Australian cities.
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Ayusheeva, Marina V. "Anti-Religious Printed Propaganda in the Buryat-Mongol Autonomous Soviet Socialist Republic: A Case Study of the Erdem ba Shazhan Magazine." Vestnik Tomskogo gosudarstvennogo universiteta, no. 458 (2020): 130–35. http://dx.doi.org/10.17223/15617793/458/16.

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The article analyzes anti-religious propaganda in the early 1920s in the Buryat-Mongol Autonomous Soviet Socialist Republic on the example of the magazine Erdem ba Shazhan [Science and Religion]. An important component of the state policy in the antireligious struggle in the republic was the Regional Union of Atheists, created in Verkhneudinsk on December 2, 1926. The publication of Erdem ba Shazhan in the Mongolian script was aimed at covering the gap of specialized literature on anti-religious propaganda. While analyzing issues of the magazine stored in the Center of Oriental Manuscripts and Xylographs of the Institute for Mongolian, Buddhist and Tibetan Studies of the Siberian Branch of the Russian Academy of Sciences, research methods of historical science were used. The source study method has revealed the significance of the magazine as a source for studying atheistic propaganda and introducing a new socialist ideology in Buryat society. Erdem ba Shazhan was a methodological guide for a wide network of circles of the League of Militant Atheists. The magazine described the anti-religious events held in the republic, discredited false religious postulates, and propagandized the new Soviet style of life. For instance, the magazine published scientific disputes with lamas about the essence of religion. The analysis of the contents of Erdem ba Shazhan shows that educational issues were aimed at the broad promotion of the new life and eradication of religious remnants occupied more than a half of its volume. The magazine had no thematic sections, but it is possible to identify several main headings: propaganda and educational materials, popular scientific articles, short news, literary life. The “short news” part presented items on the activities of not only the Union of Atheists, but also of the first scientific organization—Buruchkom. The history of overcoming religiousness and inculcating the new ideology found reflection in the works of fiction the magazine published. Young writers, scientists, and educators (Kh. Namsaraev, Ts. Don, D. Madason) collaborated with Erdem ba Shazhan. The magazine also contained visual materials: photos, drawings, caricatures. It is worth noting the original design of the magazine cover made by Ts. Sampilov. Along with other publications in the Mongolian script, Erdem ba Shazhan promoted the development of atheistic education. The magazine illustrated the most diverse aspects of the life of the Buryat population with an emphasis on the scientific nature of events. Thus, the publication of the magazine Erdem ba Shazhan had a significant impact on the development of the atheistic movement in the republic, along with more accessible forms of printed propaganda in the form of posters and other visual means, such as cinema and theater. In general, this magazine compensated for the lack of specialized literature in the Buryat language, being the only methodological guide for a network of atheist cells in rural areas.
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Nicoll, Benjamin. "Bridging the Gap." Games and Culture 12, no. 2 (May 22, 2016): 200–221. http://dx.doi.org/10.1177/1555412015590048.

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This article recovers the popular imaginaries surrounding an obsolete video game platform, the Neo Geo Advanced Entertainment System (AES), through a thematic discourse analysis of British and North American gaming magazines from the 1990s. Released in Japan in 1990, the Neo Geo AES was marketed as a home video game system capable of bridging the gap between the public space of the gaming arcade and the domestic environment of the home. “Imaginaries” in this context refer to the dreams and fantasies that accompanied the Neo Geo AES’s negotiation of arcade and home spaces as well as the discourses, images, ideas, and beliefs that helped mold its identity as a cultural object. Gaming magazines, I argue, help articulate how the system’s failure was tied to its unsuccessful navigation of cultural tensions during a period when gaming culture underwent a rapid relocation from the arcade to the home.
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Keshmirshekan, Hamid. "Modern Art in the Arab World, Primary Documents: A Review Essay." Review of Middle East Studies 54, no. 2 (December 2020): 342–51. http://dx.doi.org/10.1017/rms.2021.4.

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The study of modern and contemporary art from Islamic lands, and particularly the Arab world, is a developing field. Over the past few decades, a variety of publications on modern and contemporary art from the Arab world and its diasporas has appeared in art magazines, journals, and exhibition and auction catalogues. There is, however, still a lack of scholarly literature and reliable resources on the subject. Many such existing sources have focused on productions that are largely in line with certain interests or agendas pursued by the particular magazine/journal, exhibition, or art market in question. Therefore, although recent scholarly output has played a crucial role in introducing modern art in the Arab countries in the Middle East and North Africa, these publications have not sufficiently filled the gap of discussion regarding certain aspects of the subject. Modern Art in the Arab World, a collection of critical writings by Arab intellectuals and artists, offers an unparalleled source for the study of modernism in the Arab world. Mapping the primary documents with additional entries written by the editors and other scholars, this book addresses the major historical, conceptual, theoretical, and aesthetic issues that inform the modern art paradigm in the Arab world. Arranged largely in a chronological order, it explores the art of the Arab world by tracing the main discourses that have shaped artistic practices and transformations in the region from the mid-nineteenth century until the late 1980s.
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Saucier, Jason A., and Sandra L. Caron. "An Investigation of Content and Media Images in Gay Men's Magazines." Journal of Homosexuality 55, no. 3 (October 2, 2008): 504–23. http://dx.doi.org/10.1080/00918360802345297.

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Terzian, Sevan G. "Science World, High School Girls, and the Prospect of Scientific Careers, 1957–1963." History of Education Quarterly 46, no. 1 (2006): 73–99. http://dx.doi.org/10.1111/j.1748-5959.2006.tb00170.x.

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A host of scholars have illuminated the ways in which schools and other institutions have created and then sustained a vast gender gap in the scientific professions. Many of these studies have focused on overt discrimination: deliberate efforts by men to prevent the entry of women into scientific pursuits. Others have identified subtle and culturally mediated processes that have often led girls away from scientific courses and careers. This article examines rhetorically lofty, but qualified, efforts to encourage women's interest in science, and it demonstrates how even these attempts may have contributed to the gender gap in the scientific professions. Specifically, it focuses on the portrayal of women scientists in a high school science magazine,Science World, and analyzes its ambiguous messages to high school girls about the possibility of careers in science. This essay employs ideas about curricular self-selection and the formulation of career aspirations in interpreting the depiction of female scientists in issues from the time of the magazine's founding in 1957 to 1963, the year Betty Friedan publishedThe Feminine Mystiqueand the symbolic dawn of the liberal feminist movement. During these years, the United States government funded numerous educational initiatives in response to the Soviet Union's launching of Sputnik to attract more students to the scientific professions. In addition, professional scientists revised high school curricula in physics and biology to foster public rationality, critical thinking, and greater appreciation of scientific inquiry. The late postwar era also marked the beginning of greater female participation in the sciences.
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Kırca, Süheyla. "Kım and Kadinca: Bridging the Gap between Feminism and Women's Magazines." New Perspectives on Turkey 22 (2000): 61–84. http://dx.doi.org/10.1017/s0896634600003277.

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The category of “woman” has historically been used not only to locate but also to regulate women. Women's magazines were and are part of that process, as Beetham maintains: “[T]hey not only defined readers as ‘women,’ they sought to bring into being the women they addressed” (Beetham 1996, p. ix). Since femininity is always represented as something to be achieved in women's magazines, they provide a context through which women learn their gender roles in the process of becoming feminine. The notion of femininity is not fixed and stable; on the contrary, definitions are continually changing, as evidenced by the consumer discourses that redefined femininity in almost every decade of the twentieth century. These various representations of femininity are ultimately related to the politics of identity. Magazines are, therefore, significant sources in circulating collective meanings, recognizing diverse female subjectivities, and constructing sexual differences.
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Streitmatter, Rodger. "Creating a Venue for the “Love that Dare Not Speak Its Name”: Origins of the Gay and Lesbian Press." Journalism & Mass Communication Quarterly 72, no. 2 (June 1995): 436–47. http://dx.doi.org/10.1177/107769909507200215.

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This country's first three widely distributed gay and lesbian publications were founded on the West Coast in the 1950s. This article describes One, Mattachine Review, and The Ladder, as well as the journalists who created them. In addition, this study analyzes the editorial content of the magazines and considers the three pioneering publications in the context of other social movement presses.
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Max, Lucy. "ANALISIS SEMIOTIK MASALAH ETIKA DALAM IKLAN (STUDI KASUS IKLAN MAJALAH “AYAHBUNDA” TAHUN 2013 DAN TAHUN 2014)." Interaksi: Jurnal Ilmu Komunikasi 7, no. 1 (October 16, 2018): 39. http://dx.doi.org/10.14710/interaksi.7.1.39-53.

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By doing an analysis on the word and picture choices in the advertisement of AC Sharp in th “ayahbunda” Magazine of 26th Edition, December 24, 2012 – Januari 6, 2013, page 3 and in the Dettol Liqiut Soap of the same magazine 20th Edition, October 6 – 9, 2014, it was found that there is a potential problem of ethics in the advertisements. The creative execution of advertisements leaves behind a gap between rationality and creativity when one tries to demonstrate the quality of products. The ideal things is that the decision concerning “end and means” can be accounted for as far as the decisions does not produce misrepresentation, false images, exaggerated expectation, unwarranted expending of money and getting something that does not live up to promises.
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Jankowski, Glen S., Helen Fawkner, Amy Slater, and Marika Tiggemann. "“Appearance potent”? A content analysis of UK gay and straight men's magazines." Body Image 11, no. 4 (September 2014): 474–81. http://dx.doi.org/10.1016/j.bodyim.2014.07.010.

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Nowak, Tomasz Łukasz. "Gdzie jest gej? O nazwach przestrzeni w pierwszych polskich pismach gejowskich." Dziennikarstwo i Media 7 (June 30, 2017): 173–85. http://dx.doi.org/10.19195/2082-8322.7.13.

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Where is a gay? On names of space in the first Polish gay magazinesGay zines of the 1980s and 1990s make up a unique communication space of gay communities at a time when communication was clearly problematic and in small towns even impossible, especially given the fact that communication over the internet did not begin until the mid-1990s. That is why the press became a sort of gay information agency, a platform for information and experience sharing and — most importantly — a record of the language of sexual minorities at the time.In the article the author describes the spaces real and mental presented in gay magazines, their names and selected names of things, types of behaviour etc. inextricably linked to these spaces. In his research he draws on M. Foucault’s concept of heterotopia and on the concept of subversion of space essential to the building of a gay community at the time. He points to the process of creating such spaces by taking over and recoding as well as redefining, in the gay sociolect, what was originally heteronorma­tive. Finally, he draws a linguistic map of the spaces of gay culture.
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Gammerl, Benno. "Curtains Up! Shifting Emotional Styles in Gay Men's Venues Since the 1950s." SQS – Suomen Queer-tutkimuksen Seuran lehti 10, no. 1–2 (May 11, 2017): 57. http://dx.doi.org/10.23980/sqs.63667.

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This opinion piece enquires into the history of male homosexuality in West Germany since the 1950s and focuses on the transition from the homophile bar to the gay disco as a prototypical meeting place for same-sex desiring men. Which emotional shifts did this spatial variation entail? Based on oral history interviews and gay magazines, the analysis explores intricate changes in queer everyday life beyond the all too simple supposition that closeted shame was supplanted by openly gay pride. In addition, the study shows on a methodological level that the allegedly antagonistic approaches in emotion research – constructionism, praxeology, affect-theory and phenomenology – can actually be fruitfully combined with each other, especially when it comes to analysing the interplay between spaces and feelings.
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Peppoloni, Diana. "Medical Research Papers and Their Popularization. A Macro- and Micro-Linguistic Qualitative Genre Analysis." International Journal of Linguistics 11, no. 2 (April 18, 2019): 33. http://dx.doi.org/10.5296/ijl.v11i2.14464.

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Communication between the scientific community and the general public is not always effective. There is a meaningful discrepancy that needs to be bridged, mainly because scientific knowledge is produced not only for a restricted specialized community but also for a general target, as part of a crucial social responsibility. The need to fill the gap is even more relevant in medical research as its findings are perceived of direct interest by the public.The process of making specialized knowledge understandable to laypeople is known as popularization (Nash 1990) or popular scientific writing (Calsamiglia 2003), which includes knowledge dissemination in popular magazines, scientific news reports in newspapers and television documentaries. Popularized articles are usually written by journalists who are expert in a specific field and who act as mediators, recontextualizing scientific findings to make them useful and attractive to the large public.In this study we will analyze two medical texts; the first is a research paper about a biomedical topic written and published in English, while the other is a popularization written in Italian and published in the magazine Focus. The purpose of our research is to carry out a qualitative linguistic analysis of the two texts and highlight similarities and differences in their structure and linguistic features, to identify their fundamental constitutive traits, and establish whether they belong to two distinct textual genres or whether one is the adapted version of the other, always referable to the same genre. What we infer from the results of our investigation is that we can assign the two texts to two different genres, having not only different constitutive traits, but also different target audiences and different communicative purposes.
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Rehberg, Peter. "‘Männer wie Du und Ich’: Gay Magazines from the National to the Transnational." German History 34, no. 3 (July 12, 2016): 468–85. http://dx.doi.org/10.1093/gerhis/ghw044.

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Moore, Sarah E. "The Language of LinkedIn: Popular Publications, the Gender Gap, and Pedagogy." Business and Professional Communication Quarterly 82, no. 4 (August 18, 2019): 401–17. http://dx.doi.org/10.1177/2329490619867458.

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Business communication instructors can improve their own instruction about networking online given further understanding of the gender gap among LinkedIn users. An analysis of the rhetoric of magazine advice articles finds gendered differences in the representation of LinkedIn to readers. Examining how publications talk about LinkedIn leads to guidance on how instructors can discuss LinkedIn and gender in the classroom. The article suggests instructors can modify or create assignments to address potential gender usage patterns.
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Lepre, Carolyn, and Glen L. Bleske. "Little Common Ground for Magazine Editors and Professors Surveyed on Journalism Curriculum." Journalism & Mass Communication Educator 60, no. 2 (June 2005): 190–200. http://dx.doi.org/10.1177/107769580506000210.

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This study was designed to fill a gap in the literature by analyzing the attitudes of magazine editors and educators toward various skills that job applicants should exhibit. The survey results detail significant differences between the editors and educators on eighteen of twenty-three skills. Open-ended questions also indicated that editors appeared to value nonskills such as cheerfulness, while overlooking a favorite of educators—clips.
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Jovanović, Srđan Mladenov. "’Žena I Svet’ and ‘Hrvatica’: An Analysis of Two Women’s Magazines in Interwar Serbia and Croatia (1925-1941)." Social Communication 4, no. 2 (December 1, 2018): 70–78. http://dx.doi.org/10.2478/sc-2018-0016.

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Abstract Women’s magazines from former Yugoslavia have not seen much interest in scholarship. Seeking to fill this gap, an analysis of two interwar women’s magazines from Serbia and Croatia, the Woman and the World (Žena i svet) and the Croatian Woman (Hrvatica), respectively,has been conducted concentrating on the Weltanschauungen they promulgated. Žena i svet possessed what could be designated as fledgling feminism, even though by the end of its publishing period and the onset of World War II, it shifted its narratives towards patriarchy and nationalism, whilst Hrvatica was founded in order to specifically promulgate a highly patriarchal worldview.
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