Relevant bibliographies by topics / Gay magazine

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gay magazine'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Gay magazine"

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Howard, K. "Magazine: Magazine's HIV claim rekindles "gay plague" row." BMJ 326, no. 7386 (February 22, 2003): 454. http://dx.doi.org/10.1136/bmj.326.7386.454.

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Mezo González, Juan Carlos. "Consuming the Mexican Body: Gender, Race, and the Nation in Macho Tips, 1985–1989." Hispanic American Historical Review 100, no. 4 (November 1, 2020): 655–87. http://dx.doi.org/10.1215/00182168-8646943.

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Abstract This article examines how the editorial and visual content of the Mexican gay magazine Macho Tips (1985–89) reproduced national discourses of race and gender to challenge the exclusion of gay men from the nation. Drawing on archival sources and oral history interviews, the essay demonstrates how the invocation of mestizaje, masculinity, and respectability shaped the production, reception, and content of the magazine—particularly its sexual imagery. The article argues that while Macho Tips appropriated, eroticized, and commodified national values of race and gender to make a profit, the magazine reconceptualized their meanings to debunk stereotypes that marginalized gay men. Macho Tips detached macho aesthetics from heterosexuality and successfully blurred the line between straight and gay Mexican masculinities. As a result, the magazine nationalized homosexuality and appealed to the desires of gay middle classes who sought to consume the Mexican masculine body.
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Lewis, Reina. "Looking Good: The Lesbian Gaze and Fashion Imagery." Feminist Review 55, no. 1 (March 1997): 92–109. http://dx.doi.org/10.1057/fr.1997.6.

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This paper is concerned with the different forms of pleasure and identification activated in the consumption of dominant and subcultural print media. It centres on an analysis of the lesbian visual pleasures generated through the reading of fashion editorial in the new lesbian and gay lifestyle magazines. This consideration of the lesbian gaze is contrasted to the lesbian visual pleasures obtained from an against the grain reading of mainstream women's fashion magazines. The development of the lesbian and gay lifestyle magazines, in the context of the pink pound, produces a situation in which an eroticized lesbian visual pleasure is the overt remit of the magazine, rather than a clandestine pleasure obtained through a transgressive reading of dominant cultural imagery. In contrast to the polysemic free-play of fashion fantasy by which readers produce lesbian pleasure in the consumption of mainstream magazines, responses to the fashion content in the lesbian magazine Diva suggest that in a subcultural context readers deploy a realist mode of reading that demands a monosemic positive images iconography. The article uses the concept of subcultural competency to consider the different ways lesbians read mainstream and subcultural print media and suggests that the conflict over Diva‘s fashion spreads may be linked to changing patterns of identification and the use of dress for recognizability.
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Stewart, Helen. "Gay history month is not relevant to magazine." Nursing Standard 20, no. 23 (February 15, 2006): 38. http://dx.doi.org/10.7748/ns.20.23.38.s47.

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Sender, Katherine. "Gay Readers, Consumers, and a Dominant Gay Habitus: 25 Years of the Advocate Magazine." Journal of Communication 51, no. 1 (March 1, 2001): 73–99. http://dx.doi.org/10.1111/j.1460-2466.2001.tb02873.x.

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WILLIAMS, MEGAN E. "“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949." Journal of American Studies 43, no. 1 (April 2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.

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Following World War II, Ebony's creator and editor, John H. Johnson, sought to create a popular black magazine in the vein of Life and Look that would reflect the accomplishments and joys, “the happier side,” of African American life.1 Throughout the first four years of its publication, Lena Horne appeared on the magazine's cover three times – the only woman to do so during this period. In this paper, I argue that the fledgling Ebony magazine drew on Lena Horne's wartime status as a beautiful black icon and represented her as a symbol of its ideological project, broadly, and as the Ebony image of postwar black womanhood, specifically. The magazine's representation of Lena Horne acts as a useful trope for understanding how Ebony imaged postwar black femininity in terms of motherhood, work, and civil rights activism; additionally, Ebony's representation of Horne and Ebony readers' letters to the editor reveal central issues of respectability, pinup photography, colorism, hair care, and interracial relationships as they were debated within the magazine's pages.Behind the lavish make-up, gay tinsel and brilliant glitter of American's most popular Negro entertainer, Lena Horne is a wonderfully human, somewhat lonesome, amazingly-honest, militant-minded personality who is relatively unknown to a vast audience of millions of movie, radio, and night club fans.2
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Young, Vershawn Ashanti. "Straight Black Queer: Obama, Code-Switching, and the Gender Anxiety of African American Men." PMLA/Publications of the Modern Language Association of America 129, no. 3 (May 2014): 464–70. http://dx.doi.org/10.1632/pmla.2014.129.3.464.

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Globe magazine featured a “world exclusive,” not even a year into Barack Obama's first term as president of the united states, charging him with homosexual infidelity and his wife, Michelle, with coordinating a cover-up (“Obama Gay Cover-Up!”). The magazine followed up two months later, asserting that Obama's lover resided in the White House and was none other than his personal aide, Reggie Love (“Obama's Gay Lover”). Globe, of course, is a dime-store rag whose mission is to sensationalize. I refer to it here because it is perhaps the most relentless among a slew of white-run media outlets that consistently and unfavorably queer Obama, amplifying his nonnormative masculine traits and then, on that basis, assigning him a deceitful, nonheteronormative sexuality.
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Robinson, Shirleene. "Homophobia as Party Politics: The Construction of the ‘Homosexual Deviant’ in Joh Bjelke-Petersen's Queensland." Queensland Review 17, no. 1 (January 2010): 29–45. http://dx.doi.org/10.1017/s1321816600005249.

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In 1987, years of frustration with Queensland's sexually repressive culture compelled a homosexual man named Cliff Williams to write to the national gay magazine OutRage. Williams outlined a number of the difficulties he faced being gay in Queensland and ended his letter with the exclamation, ‘To hell with homophobic Queensland!’ This exclamation captures many of the tensions in Queensland in the 1970s and 1980s. While these decades were a time of immense political change for gay and lesbian Australians, Queensland's political culture was particularly resistant to the gay and lesbian rights movement.
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Oshima, Gaku. "Grass Roots Activism through the Gay Magazine G-men." Annual Review of Sociology 2019, no. 32 (August 23, 2019): 84–95. http://dx.doi.org/10.5690/kantoh.2019.84.

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Grace, Felicity. "Consuming Community: Community and Advertising in Brisbane's Gay and Lesbian Newspapers." Queensland Review 11, no. 2 (December 2004): 89–106. http://dx.doi.org/10.1017/s1321816600003731.

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Several things have inspired me to interview the editors of two of Queensland's free gay and lesbian newspapers, Queensland Pride and QNews. First, both newspapers are in transition in 2004. QNews has appointed Australia's first female editor of a broad-spectrum gay community paper. QNews also seemed to be significantly altering the content of its fortnightly publication. At the same time, in an unrelated move, Queensland Pride has shifted from a fortnightly newspaper to a monthly magazine format and included a lesbian-specific section, the L-Pages.
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Dissertations / Theses on the topic "Gay magazine"

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Sköldqvist, Caroline. "Tjej & gay bland tidningsställ (Girl & gay among magazine racks)." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21057.

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The purpose of this essay is to examine the relationship between visual communication and female homosexuality within the field of magazine design. As the creative part of the project I have chosen to make a redesign of Lotus magazine, the very first Swedish magazine with lesbian and bisexual girls as the target audience. The questions of which the project is based on are: Which stereotypes, differences and similarities can be found in visual communication addressed to a heterosexual versus a homosexual target audience? What kind of design attracts non-heterosexual girls and how can I create a design for Lotus magazine that is appealing to lesbian and bisexual girls and yet still makes it possible to compete with traditional girls’ magazines?In order to examine my research questions I have done literature studies within the field of gender and sexual identity in relation to visual communication. Additionally, I have analysed the design of competing magazines on the market and conducted a survey among representatives of the target audience of Lotus magazine.
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Turner, Georgina. "A decade of DIVA : constructing community in a British lesbian magazine, 1994-2004." Thesis, Loughborough University, 2009. https://dspace.lboro.ac.uk/2134/5646.

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This thesis is the product of a discourse analytic investigation of the first decade of the British lesbian magazine, DIVA, which launched in 1994. Work on mainstream women's and men's magazines has established them as sites at which (largely heterosexual) femininities and masculinities are constructed and construed, but relatively little scholarship has addressed lesbian magazines in this fashion. DIVA is Britain's only nationally sold, mainstream lesbian magazine; with this in mind, the thesis provides an analytic account of the magazine's launch, production and brand, and considers the discursive construction of lesbian community and the boundary work that that entails. The initial analytic chapters detail editorial philosophies, routines, and financial circumstances; design, front covers, and editorial content. Though the magazine has only limited resources available, those restrictions are simultaneously liberating, allowing DIVA's editors to pursue their political commitments at the same time as operating in the commercial marketplace. In considering the discursive construction of 'us', the thesis highlights a focus on community, support, and heritage. It further considers the discursive management of the boundaries of that imagined community, focusing on the 'threat' posed by bisexual women and the arguments this causes among readers. Finally, DIVA's handling of (heterosexual) others is considered, concluding that they are constructed as irrational, yet powerful, aggressors. Overall, DIVA's was a brand invested in the notion of community and in its role not only in imagining that community but also bringing members together. Though readers were at times divided over who belonged, or should belong, they were united in their belief that there was something to belong to. In the face of a hostile greater 'other', which was constructed as a constant source of threat, this belonging was incredibly important.
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Johansson, Jesper. "Bögarnas kamp! : En studie om manlig homosexualitet och identitetspolitik i svensk homopress 1971–1986." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-162426.

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Gay Power! A Study of Male Homosexuality and Identity Politics in the Swedish GayPress 1971–1986 In this essay, the author examines the sexual policy ideas behind the Swedish gaymagazine Revolt in order to describe one aspect of the history of ideas about male homosexuality in Sweden. In particular, the study emphasize the social and cultural creation of meaning, as well as constructions of a homosexual male subject. The author has here focused on the ideas and theories that governed and influenced the magazine in a certain direction during the examined period 1971–1986. The overall purpose has been to study the gay press's perception of homosexuality, and what values about same sex-sexuality that have emerged in the material. The author distinguishes between two kinds of directions of ideas who have affected the magazine. One was the ideology of sexual liberalism, where the ambition was to break the silence and stigma when talking about sex in general, especially homosexuality. Within the framework of sexual liberalism, the magazine has intended to depict the many facets of homosexuality in words and images. The other direction was more focused on conducting identity politics where the sexual practice was dimmed to instead give preference to issues that valued a creation of a homosexual identity. The construction of such an identity has primarily been about creating cohesion and continuity among gay men, in order to strengthen the homosexual community inwards. But the identity politics has also implied a normalization of homosexuality. Likewise, it has limited the scope for sexual variations in relation to the creation of a homosexual subjectivity. By the mid-1980s, the identity politics had become so strong that Revolt came to be a magazine for gay men specifically, and earlier liberal ideas of sexuality became almost alienated. The male homosexuality became here an object of moralizing where some sexual practices were problematized and even made incomprehensible in the light of social changes in the homosexual community and in the society in general.
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Embretsén, Hanna, and Maria Palmberg. "En enfärgad regnbåge : Hur den homosexuella normen formas i HBT-magasinet QX." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24076.

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The HBTQ-society is not a homogeneous group; it contains a range of different sub-groups. QX is Sweden’s biggest magazine aimed at members of the HBTQ-society. The purpose of this study is to analyze if the magazine is more directed towards gay men or women – both by examining how many men versus women appear in QX, but also by looking at the different ways in which the articles are more relevant to either men or women, such as by tone, language or choice of subjects. In this study, we have analyzed twelve issues of QX, from January 2012 to December 2012, in order to get the most current results as possible. We used a quantitative content analysis when examining the division of men and women, and a qualitative analysis to investigate the direction towards each gender in the texts. Identification and power have been significant theories with which to analyse the results. The study clearly shows that QX is more aimed towards homosexual men rather than women, despite its claim to be gender neutral. During 2012, 66 % men and 34 % women appeared in QX. It was also discovered that more articles were aimed at gay men rather than women. The results support the theory that lesbian women could feel excluded from the HBTQ-society by reading QX. Since role models are crucial in the process of identification – and gay women access less of them than gay men – lesbians have a disadvantage in finding representation and identification in QX, which is unequal and therefore a problem.
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Lopes, Charles Roberto Ross. "Seja gay... mas não se esqueça de ser discreto : produção de masculinidades homossexuais na Revista Rose (Brasil, 1979-1983)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/32309.

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Rose... assim era denominada a primeira revista gay editada no Brasil entre fins da década de 1970 e princípios de 1980. Em suas páginas eram publicadas informações do cenário artístico-cultural da época, contos eróticos, estórias em quadrinho, cartuns, anúncios de homens interessados em corresponder-se com outros homens, artigos que versavam sobre a homossexualidade masculina. Nessas páginas havia, também, uma profusão de corpos masculinos tendendo a nudez. Entretanto, nos limites dessa dissertação a revista Rose, não foi considerada apenas como veículo de comunicação e entretenimento, mas, antes disso, tomada como fonte histórica. Enquanto portadora de um conjunto de pedagogias do gênero e da sexualidade, a revista está implicada na produção de um modelo de masculinidade homossexual normalizada. A partir do referencial teórico dos Estudos de Gênero, desde uma perspectiva feminista e pós-estruturalista, analiso o enunciado que articula a masculinidade homossexual a comportamentos efeminados. E é a abjeção a tais comportamentos que servirá de base para a construção do homem gay discreto, marcadamente masculinizado. Portanto, a discrição – enquanto signo de masculinidade – parece assegurar a inteligibilidade social desses homens, “autorizando” sua própria existência. De qualquer maneira, a revista não deve ser reduzida a problemática aqui desenvolvida, uma vez que nela estão presentes outros enunciados.
Rose... so it was named the first gay magazine edited in Brazil between late 1970s and early 1980s. On its pages, information about the cultural-artistic scene of that time, erotic stories, stories in comics, cartoons, advertisements of men interested in corresponding with other men, and articles that dealt with male homosexuality were published. On those pages there was also a profusion of male bodies tending to nudity. However, within the bounds of this dissertation, Rose magazine has not been considered only as a vehicle of communication and entertainment, above all, it has been taken as a historical source. As a carrier of a set of pedagogies of gender and sexuality, the magazine is involved in producing a normalized model of homosexual masculinity. Based on the theoretical referential of Gender Studies from a feminist and post-structuralist perspective, it was analyzed the “enunciation” that articulates the homosexual masculinity to feminine behaviors. It is the degradation of such behaviors that will serve as the basis for the construction of a discrete gay man, with a distinct male-like behavior. Therefore, discretion – as a sign of masculinity – seems to ensure the social intelligence of those men, "authorizing" their own existence. However, the magazine should not be reduced to the problematic here developed, since there are other issues presented in it.
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Edmundson, Joshua R. "THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/399.

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The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history. Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage in and encourage hateful and discriminatory practices against the LGBT community. Then, when the magazine was banned by the Post Office, the editors and staff took the federal government to court. As such, ONE, Incorporated v. Olesen became the first Supreme Court case in U.S. history that featured the taboo subject of homosexuality, and secured the 1st Amendment right to freedom of speech for the gay press. Thus, ONE magazine and its founders were an integral part of a small group of activists who established the foundations of the modern LGBT equality movement.
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Suwatcharapinun, Sant. "Spaces of male prostitution : tactics, performativity and gay identities in streets, Go-Go bars and magazines in contemporary Bangkok, Thailand." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/10720/.

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This research explores the spatial practices of male prostitutes meeting gay male clients in various urban environments in Bangkok, Thailand. The research focuses on the male prostitutes’ spatial practices in three meeting places: the streets around Saranrom park, the gay go-go bars in Surawong’s Boys’ Town, and the representations of space in local gay newsletters. Examining the male prostitutes’ spatial practices through ‘tactics’, this research suggests that male prostitutes use the meeting places differently as ways of responding to the ‘strategies’ of gay male clients. This research also suggests that the tactics of male prostitutes can be examined by exploring the relationship between spatial practices and subjectivities. By exploring how specific performative acts constitute male prostitutes’ subjectivities, this research suggests that male prostitutes ‘perform’ homosexuality. This thesis draws upon Judith Butler’s performativity theory as a discursive mode of constituting subjects and Michel de Certeau’s theoretical discussion, specifically spatial practices of ‘strategies’ and ‘tactics’, as a means of differentiating between ‘place’ and ‘space’. Methodologically, this research works in two directions: the first explores how the spatial practices of male prostitution produce ‘gay’ subjectivities in the moment of sexual encounter – arguing that male prostitutes actively reposition themselves as ‘subjects’ rather than ‘objects’ through spatial and sexual practices; and the second examines the social and sexual constitution of space – arguing that ‘places’ are produced as ‘spaces’ through the practices and tactics of male prostitutes. This research aims to make an original contribution to knowledge in four main ways. The first is an exploration of the relationship between de Certeau’s spatial theory of ‘tactics’ and Butler’s concept of ‘performativity’ as a constitution of subjectivity. The second is the use of de Certeau and Butler’s theories to explore three spaces of male prostitution in contemporary Bangkok, Thailand, through observations drawn from interviews, accounts of spatial experience, and discussions of various representations of space. The third is a reconsideration of these theories of performativity and spatial practices in the light of the specific conditions of the case studies in Bangkok. The fourth is the production of new forms of cross-disciplinary knowledge to bring this discussion of tactics, performativity and gay subjectivities in streets, go-go bars and magazines into architectural history and theory, thereby producing new ways of understanding how spaces are produced through encounters and looks.
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Ballantyne, Robert. "Glamour, pageantry and knives : gay identity in File megazine [i.e. magazine]." Thesis, 1994. http://hdl.handle.net/2429/5463.

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In the spring of 1972, a Toronto-based artists’ collective caffing itself General Idea began publishing File megazine, which derived its format from Life magazine. Like Life it was a rich mixture of text and imagery which has so far gone unanylized. It incorporated and celebrated the work of an artist’s network and a mail art network both of which were commensurate with an experimental gay aesthetic. The early seventies were marked by the emergence of ‘gay liberation,’ when police harrassment and surveillence were central issues for political action. In this context, the gay artists connected with File were, in various ways, attempting to advance their careers in a shifting art world. The first three years of File brought together a range of concerns with vision and visuality, gender and sexuality, media and the position of an ideal of the ‘self. All of these threads of knowledge served to reconfigure and challenge the claims for identity as constructed by Life magazine. My thesis locates a fraught and at times radical homosexual inscription in these new configurations. If Lfe is a paradigmatic form of mass culture in which a particular ideal of freedom and seithood are visualized together File tends to eroticize trivialize and burst that false yet powerful ideological coherence. In the pages of File the content of the dominant culture is made available to gay aesthetic manipulations like ‘camp’ under a persistant tendency to ‘de-sublimate’ the sexuality of that culture. In a effort to reclaim and reposition the forgotten and unacknowledge gay representation I have tended to place a certain priority on a historical narrative interaction between the counter-discourses of sexuality within what could be losely termed ‘the counter-culture’ and an academic modernism that seems to have tried to wish away erotics from its field of view. File megazine like the works of Robert Smithson that I have addressed does not congradulate its audience for having discovered some newly available access to knowledge or power over the sexual or the social.
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Snížek, Michal. "Komparativní obsahová analýza vybraných vydání gay magazínů LUI a Attitude." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-333231.

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There are many works focusing on stereotypes usually connected with minorities including gays in news and media in general. However, there is no study that would describe the common features of gay media products, especially characteristics of gay magazines. This work analyzes in both qualitative and quantitative way two life style magazines targeted at homosexuals - Czech LUI and British Attitude. First, on their bases the advertisements included are described - of gay and non-gay brands. Further the topics and themes used are pointed out - those that appear at the pages the most often, then the other ones that you can find rather rarely. A query among gay people is added as it proposes another point of view for the result of the analyses. This work also answers to the questing how sexual signs and connections are used in gay magazines and what is the amount of articles that have any sexual signs. The results of this study can be used for further gender media works or as the purpose or building a new Czech gay magazine.
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Ferreira, Thiago Filipe. "Cabral segue sua nau: as representações da homossexualidade masculina luso-brasileira nas revistas Junior e Com'Out." Master's thesis, 2014. http://hdl.handle.net/1822/30455.

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Dissertação de mestrado em Ciências da Comunicação (área de especialização em Publicidade e Relações Públicas)
Tenciona-se com este trabalho debater as representações sociais do homossexual masculino e a maneira como este sujeito é representado imagética e textualmente pelas publicações homoeróticas do Brasil e de Portugal, respectivamente as revistas Junior e Com’Out. A perspectiva é identificar estereótipos e imagens socialmente solidificadas em ambas as culturas, relativos ao homossexual masculino, para então questionar-se até que ponto estes conceitos estão refletidos e são construídos nas e pelas representações difundidas pela mídia impressa voltada ao público gay brasileiro e português. Nossa operacionalização empírica inicia-se com as noções de sexualidade apresentadas por Foucault, Castañeda e Eribon. A seguir, passamos às representações da homossexualidade masculina ao longo da história luso-brasileira para, finalmente, estabelecermos um paralelo e questionarmos a relação entre, por um lado, os registros históricos e as representações sociais da homossexualidade masculinas, por outro, as construções deste fenómeno realizadas na publicidade das revistas analisadas.
This project intends to discuss the social representations of the male homosexual subjects and how they are represented by the image and the texts of homoerotic publications in Brazil and Portugal, respectively Com'Out and Junior magazines. The perspective is to identify stereotypes and social images solidified in both cultures, for the male homosexual, and then wonder to what extent these concepts are reflected and constructed in the representations disseminated by print media aimed at Brazilian and Portuguese gays. Our empirical operationalization starts with the notions of sexuality presented by Foucault, Castañeda e Eribon. We will then turn to the representations of male homosexuality throughout history Luso-Brazilian to finally establish a parallel between the historical records and those held by the magazines analyzed.
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Books on the topic "Gay magazine"

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Gay man's worst friend: The story of Destroyer magazine. Berlin: Entartes Leben, 2011.

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Townsend, Larry. Of men, ropes, and remembrance: The stories from Bound & gagged magazine. Los Angeles: L.T. Publications, 1997.

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Fritscher, Jack. Gay San Francisco: Eyewitness Drummer : a memoir of the sex, art, salon, pop culture war, and gay history of Drummer magazine, the titanic 1970s to 1999. San Francisco: Palm Drive Pub., 2007.

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Fritscher, Jack. Gay San Francisco: Eyewitness Drummer : a memoir of the sex, art, salon, pop culture war, and gay history of Drummer magazine, the titanic 1970s to 1999. San Francisco: Palm Drive Pub., 2007.

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Fritscher, Jack. Gay San Francisco: Eyewitness Drummer : a memoir of the sex, art, salon, pop culture war, and gay history of Drummer magazine, the titanic 1970s to 1999. San Francisco: Palm Drive Pub., 2007.

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Fritscher, Jack. Gay San Francisco: Eyewitness Drummer : a memoir of the sex, art, salon, pop culture war, and gay history of Drummer magazine, the titanic 1970s to 1999. San Francisco: Palm Drive Pub., 2007.

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Fritscher, Jack. Gay San Francisco: Eyewitness drummer : a memoir of the sex, art, salon, pop culture war, and gay history of Drummer Magazine, the titanic 1970s to 1999, Volume 1. San Francisco, CA: Palm Drive Pub., 2008.

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Zhongguo guang gao mei ti da quan. Beijing: Zhongguo cheng shi chu ban she, 1998.

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Da xue ying yu xuan xiu ke/xue ke ke cheng xi lie jiao cai xiang mu zu, ed. Ying yu bao kan xuan du: Selected readings in English newspapers & magazines. Bei jing: Gao deng jiao yu chu ban she, 2011.

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Pańko, Adam. Wykorzystanie możliwości sieci neuronowych w prognozowaniu i sterowaniu praca̜ podziemnego magazynu gazu (PMG). Kraków: INIG, 2008.

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Book chapters on the topic "Gay magazine"

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Szulc, Lukasz. "Polish Gay and Lesbian Magazines." In Transnational Homosexuals in Communist Poland, 125–54. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58901-5_5.

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Terzano, Kathryn R., and Reid Ewing. "Use of Planning Magazine to Bridge the Gap Between Researchers and Practitioners." In Planning Knowledge and Research, 199–209. New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315308715-13.

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Laskar, Pia. "Pink Porn Economy: Genealogies of Transnational LGBTQ Organising." In Pluralistic Struggles in Gender, Sexuality and Coloniality, 177–207. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47432-4_7.

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Abstract Studying pre-2000s pink porn magazines reveals the importance of politics in-between in the development of LGBTQ transnational organising in the twentieth century. The usual historical narratives of LGBTQ politics in the North are based on medical or legislative documents or on self-identified queers’ descriptions of their own interactions with these discourses. However, these discourses and data only capture parts of how twentieth-century queers developed sexual subjectivity, became nationally and transnationally organised, and conducted sexual politics. This chapter uses Claire Colebrook’s (Understanding Deleuze. Australia: Allen and Unwin, 2002) feminist engagement in Deleuze’s and Guattari’s concept device to discuss transnational political networks that rhizomatically connected the makers, disseminators and subscribers of male same-sex porn magazines produced in Denmark and Sweden between 1960 and 1980. The concepts enable an analysis of the messy entanglement of desire, subjectivity processes, consumption, organising and activism, and of the shaping of certain queer communities of belonging while also excluding others. The application of gender analysis to the entanglement of pink porn economies in queer transnational networks sheds a genealogical light on the historical division between the emergence of vis-à-vis lesbian and gay networks and politics—and on the tensions between them regarding so-called positive or negative sexual rights in the decades to come.
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Cheung, Kelvin. "Bridging the Cultural Gap across the Taiwan Strait — Lung Ying-tai and the Case of the Magazine Freezing Point." In Cross-Taiwan Strait Relations in an Era of Technological Change, 164–77. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137391421_9.

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5

Rivers, Daniel. "Founding New Sodom." In Devotions and Desires. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469636269.003.0013.

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This essay looks at the worldview of gay male communalists across the United States in the mid-1970s as seen in the rural gay magazine Rural Free Delivery (RFD) in the critical years from 1973 to 1976 as well as in other extant archival sources related to gay communalism. As a clearinghouse for gay men involved in radical, back-to-the-land ventures, RFD provides a complex view of the creation of a largely white, gay male counterculture spirituality that fused the sexual politics of early gay liberationists with ecofeminist, animist, New Age understandings of sexuality, the natural world, and spirit. Gay men who were or who wanted to live in communal spaces nationwide sent letters and stories into RFD, which was published in a variety of gay male communal spaces during these years.
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Hogg, James. "O Weel Befa' the Maiden Gay." In The Stirling/South Carolina Research Edition of The Collected Works of James Hogg: Contributions to Blackwood's Edinburgh Magazine, Vol. 1: 1817–1828, edited by Thomas C. Richardson, 193–520. Edinburgh University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00184655.

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7

Smith, Paul Julian. "Educational Television: XY (Canal 11, 2009–12)." In Dramatized Societies: Quality Television in Spain and Mexico. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383247.003.0006.

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Chapter 5 treats the first of Canal 11’s modern series, which, striking a blow against clichéd machismo, takes as its theme the crisis in contemporary manhood. Set at a fictional magazine, this workplace drama addresses the conflict between public interest and private profit in the media, even as it explores the relationships between varied models of men: old and young, rich and poor, straight and gay. More specifically, the sex scenes between men here provoked complaints to the Mexican authorities. The chapter argues, however, that the educational remit of the channel, previously expressed in dutiful documentaries, is properly extended here in a compelling fiction that charts new paths for men in modern Mexico.
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Middleton, Paul. "The Scarecrow Christ." In Martyrdom. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988187_ch07.

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Paul Middleton deals with the contested homosexual martyr Matthew Shepard. Matthew Shepard, a gay twenty-one year old political science student at the University of Wyoming, was robbed and brutally beaten by two other men on the night of Tuesday, 6 October 1998. The men tied him to a fence after the attack, while he was bleeding profusely in freezing temperatures. He died a few days later, on 12 October 1998, and was called a martyr in Time Magazine, just a week after his death. Middleton examines the popular martyr-making process in respect of Matthew Shepard, arguing that both the making of the martyr and the reaction it provoked reflect American ‘culture wars’, because martyrology is conflict literature, foremost about the conflict between the story-tellers and their opponents. Ironically, both LGBT activists and right-wing religious groups have in some ways sought to undermine Shepard’s martyr status by focusing on his life rather than his death. Such efforts, as Middleton argues, had a limited effect because in martyrologies any interest in the lives of their heroes is incidental, merely setting up the scene for a significant death.
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Oram, Alison, and Justin Bengry. "The LGBTQ Press in Twentieth-Century Britain and Ireland." In The Edinburgh History of the British and Irish Press, Volume 3, 483–501. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424929.003.0025.

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This chapter examines the development of the ‘gay’ press in Britain and Ireland from the late nineteenth century. Early periodicals that directly addressed gender fluidity and same-sex love were privately circulated; caution and secrecy lasted well into the 1960s. Yet at the same time considerable queer content appeared in some mainstream publications, such as fashion, film and physique magazines in the pre-decriminalisation period. More recognisably lesbian and gay publications from the 1960s sought to achieve political and cultural change and to foster social contacts for lesbians and gay men. The Gay Liberation Movement marked a wealth of short- and longer-lived magazines, newspapers and periodicals, while feminism invigorated lesbian activism and publications. Differentiation in content characterises the gay press in the late twentieth century, from glossy arts magazines to political campaign news to specialist pornography. From the 1980s there was a discernible shift towards lifestyle magazines. Regional gay and lesbian magazines also appear in this period, often overlapping with the local alternative press, although censorship and persecution continued alongside the success of the LGBT press. The chapter further identifies the specific development of LGBTQ publications in Scotland and Ireland.
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"1. Emerging from the Muscle Magazines: Bob Mizer’s Athletic Model Guild." In Buying Gay, 23–52. Columbia University Press, 2019. http://dx.doi.org/10.7312/john18910-004.

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Conference papers on the topic "Gay magazine"

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Meško, Maja, and Vasja Roblek. "Myths and the Truth About the Innovative Sustainable Model of Car Sharing in Europe." In Values, Competencies and Changes in Organizations. University of Maribor Press, 2021. http://dx.doi.org/10.18690/978-961-286-442-2.42.

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In the time of the 4th Industrial Revolution was introduced the sustainable model of car sharing. People began to realise the costs of owning and suboptimal use of cars, real estate and other goods. Innovative companies have started to promote services based on an economy of sharing, which has led to a change in the culture of ownership of goods. The first applications of the sharing economy were observed in durable goods such as cars and housing. In this article, we will focus on the question of how successful a genuine car-sharing model is in Europe. According to theory, the car-sharing model provides an example of a sharing economy in which the starting point, rather than ownership of an asset, is access to a service, which makes better use of the shared asset and makes it much cheaper to use and accessible to a wider range of people. The theory also emphasises the role of car sharing in urban environments, as it provides a sustainable environmental solution in the context of car electrification. In this way, such a model ensures that no harmful emissions are produced, and the sustainable aspect of this car-sharing model is further underlined by the use of electricity from renewable sources. However, the question is what the gap between theory and practice is. What do the citizens of European conurbations think about this business model, and how successful is it? To this end, we will use an automated content analysis procedure to analyse publications in scientific journals, newspapers and magazines.
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Ball, Aaron K., Chip W. Ferguson, Frank T. Miceli, and Evelyn Baskin. "Residential Water Heating Dehumidifier (WHD) With Devoted Dehumidification." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-79241.

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A new a dual-service dehumidifier water heater (WHD) appliance is being researched and developed by the authors. Prior research on a similar appliance, a heat pump water heater (HPWH), has demonstrated the unit’s increased performance and energy saving, and through collaboration, significant progress has been made toward developing the WHD into a potentially marketable product. The primary energy use in residential households is space conditioning (49%), and the second major energy use is hot water consumption. In DOE’s 2004 Buildings Data Book, 15.5 percent of residential energy utilization is consumed by water heating (DOE 2004, Table 1.2.3). The two major types of residential water heaters are direct gas fired (~55%) and electric resistance (~45%) (DOE 2004, Appliance Magazine 2005). The maximum efficiency of a standard electric resistance water heater is 1 (100%), and progress has been made to increase the efficiency of the current standard heaters to approximately 95 percent (DOE 2004, Table 5.10.6), which is roughly the maximum available with today’s technology. However, if the standard system is replaced by a Heat Pump Water Heater (HPWH), the performance can be increased by 140 percent (Zogg and Murphy 2004). The WHD operates as a HPWH while heating water and as a dedicated dehumidifier when water heating is not necessary. This paper presents the general design and laboratory testing results of a WHD. Preliminary performance data reveal coefficient of performances (COP) of approximately 2.2 during water heating. Further, market analysis has revealed that a potential need for this new technology is in regions with high humidity (Ashdown et al. 2004). These regions are primarily in the Northeast, Southeast and some coastal areas of the U.S. Current HPWH units do not have dedicated dehumidification and have a very small share of the residential water heat market. Of the 9.55 million residential water heaters sold in 2003 only about 2,000 of them were HPWHs (DOE 2004, Table 5.10.15).
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Reports on the topic "Gay magazine"

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Azocar, Cristina, and Ivana Markova. Body Dissatisfaction of Ethnically Diverse Gay, Straight Men and the Proliferation of Social Media and Fashion Magazines. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8446.

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